if Consciousness were to go floating around how the hell do you explain how it can see anything without eyes

Within Western philosophy, I find Husserl's epoche to be a useful tool for making systematic explorations of tacit assumptions underlying our everyday view of the world

What I do care about, though, is that we might start to accept and adopt opinions like “that feature is bad”, or “this sucks”, without ever pausing to question them or explore the feature ourselves.

Please – make a little time to explore Ruby. Maybe you’ll discover something simple, or maybe something wonderful.

I think we have a responsibility not only to ourselves, but also to each other, to our community, not to use Ruby only in the ways that are either implicitly or explicitly promoted to us, but to explore the fringes, and wrestle with new and experimental features and techniques, so that as many different perspectives as possible inform on the question of “is this good or not”.

] As you go to the stadium along the road from the Metroum, there is on the left at the bottom of Mount Cronius a platform of stone, right by the very mountain, with steps through it. By the platform have been set up bronze images of Zeus.

here is also by the wall of the Altis a Zeus turned towards the setting of the sun; it bears no inscription, but is said to be another offering of Mummius made from the plunder of the Achaean war. [5.24.9] But the Zeus in the Council Chamber

eside the Pelopium is a pillar of no great height with a small image of Zeus on it; one hand is outstretched. Opposite this are other offerings in a row, and likewise images of Zeus and Ganymedes.

These I saw myself as they were being dug out. A temple of no great size in the Doric style they have called down to the present day Metroum,51 keeping its ancient name. No image lies in it of the Mother of the gods, but there stand in it statues of Roman emperors. The Metroum is within the Altis, and so is a round building called the Philippeum. On the roof of the Philippeum is a bronze poppy which binds the beams together.

In the temple of Hera is an image of Zeus, and the image of Hera is sitting on a throne with Zeus standing by her, bearded and with a helmet on his head. They are crude works of art. The figures of Seasons next to them, seated upon thrones, were made by the Aeginetan Smilis.41 Beside them stands an image of Themis, as being mother of the Seasons. It is the work of Dorycleidas, a Lacedaemonian by birth and a disciple of Dipoenus and Scyllis.

TEMPLE OF OLYMPIAN HERA [5.16.1] XVI. It remains after this for me to describe the temple of Hera and the noteworthy objects contained in it.

Outside the Altis, but on the right of the Leonidaeum, is an altar of Artemis of the Market,

Now return back again to the Altis opposite the Leonidaeum. [5.15.2] The Leonidaeum is outside the sacred enclosure, but at the processional entrance to the Altis, which is the only way open to those who take part in the processions. It was dedicated by Leonidas, a native, but in my time the Roman governors of Greece used it as their lodging.

Quite close to the entrance to the stadium are two altars; one they call the altar of Hermes of the Games, the other the altar of Opportunity

To the right of the entrance of the temple of Zeus, on the north side, lies the Pelopium. It is far enough removed from the temple for statues and other offerings to stand in the intervening space, and beginning at about the middle of the temple it extends as far as the rear chamber. It is surrounded by a stone fence, within which trees grow and statues have been dedicated.

The temple and the image were made for Zeus from spoils, when Pisa was crushed in war by the Eleans,20 and with Pisa such of the subject peoples as conspired together with her. The image itself was wrought by Pheidias, as is testified by an inscription written under the feet of Zeus:– Pheidias, son of Charmides, an Athenian, made me. The temple is in the Doric style, and the outside has columns all around it. It is built of native stone. [5.10.3] Its height up to the pediment is sixty-eight feet, its breadth is ninety-five, its length two hundred and thirty. The architect was Libon, a native. The tiles are not of baked earth, but of Pentelic marble cut into the shape of tiles. The invention is said to be that of Byzes of Naxos, who they say made the images in Naxos on which is the inscription:–

By the time you reach Olympia the Alpheius is a large and very pleasant river to see, being fed by several tributaries, including seven very important ones. The Helisson joins the Alpheius passing through Megalopolis; the Brentheates comes out of the territory of that city; past Gortyna, where is a sanctuary of Asclepius, flows the Gortynius; from Melaeneae, between the territories of Megalopolis and Heraea, comes the Buphagus; from the land of the Clitorians the Ladon; from Mount Erymanthus a stream with the same name as the mountain.

As you go from Scillus along the road to Olympia, before you cross the Alpheius,there is a mountain with high, precipitous cliffs. It is called Mount Typaeum.