Designed for, with, and by the disability community, our commitment to make this show accessible raised core questions for us about access: how could we think about access not as accommodation or a measure of minimal compliance, but instead as a creative practice or an underlying aesthetic and design principle of the work?

taking an anti-ableist and intersectional approach to media arts practice that builds in access from the beginning.

Technological sublime varies in its object of worship

gray literature

Critical Discourse Analysis