- Oct 2015
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Anthropologists usefully define a tool as an artifact used to make other artifact
vs
"technical objects are always embedded within larger networks of technical ensembles, including geographic, social, technological, political, and economic forces."
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technical objects are always on the move toward new configurations, new milieu, and new kinds of technical ensembles
Companies like apple release the iPhone 4, for example, when they're almost done creating the iphone 6 (or a further generation away), so this is a good point
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over a wide range of data-gathering instruments the results are consistent: people read less print, and they read print less well.
I can see this as being true because online reading leads to instant gratification and information whereas you usually have to concentrate more on reading a printed article etc.
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research indicates that the small habitual actions associated with web interactions—clicking the mouse, moving a cursor, etc.—may be extraordinarily effective in retraining (or more accurately, repurposing) our neural circuitry, so that the changes are not only psychological but physical as well
This relates to the last reading where Carr talked about the changes to our brains that occur when we use the internet too much. Also, this article kind of talks about the physical changes as well: http://www.theguardian.com/society/2011/may/21/children-weaker-computers-replace-activity
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Without abandoning print literacy. Comparative Media Studies enriches it through judicious comparison with other media, so that print is no longer the default mode into which one falls without much thought about alternatives but rather an informed choice made with full awareness of its possibilities and limitations.
Because we have more options now than reading print, we can see the advantages of using mediums besides it and when it's more beneficial to use print.
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The Shallows: What the Internet Is Doing to Our Brains.
Fun fact: I read this book. It sounds more interesting than it actually was. I was disappointed because I wanted more on the neuroscience of it but the main focus was the technology side because you can only say so many times and in so many ways that the internet is making our memory and attention span worse.
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that our inner exertions literally have the power to change us that thoroughly. It is not just that we, are what we think; we are how, with what tools, we think.
I believe this. If you dedicate as much time as the piano players were to imagining that your hands are repeating the same notes over and over, you're basically creating muscle memory without the physical parts.
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Maybe the screen was reconditioning him
This would make sense when thinking of pavlov. The more we expect the information to be there, the more we'll just look it up every time we need to know it. The computer acts as an external memory
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eading is fundamentally an act of translation
DeCerteau said something similar when he said, "Reading thus introduces an 'art' which is anything but passive”
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The electronic media, while conspicuous in gadgetry, are very nearly invisible in their functioning. They have slipped deeply and irrevocably into our midst, creating sluices and circulating through them.
not referencing any machine as a whole, but all the parts that make it up
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www.gutenberg.org www.gutenberg.org
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"It is with considerable difficulty that I remember the original era of my being; all the events of that period appear confused and indistinct. A strange multiplicity of sensations seized me, and I saw, felt, heard, and smelt at the same time; and it was, indeed, a long time before I learned to distinguish between the operations of my various senses. By degrees, I remember, a stronger light pressed upon my nerves, so that I was obliged to shut my eyes. Darkness then came over me and troubled me, but hardly had I felt this when, by opening my eyes, as I now suppose, the light poured in upon me again. I walked and, I believe, descended, but I presently found a great alteration in my sensations. Before, dark and opaque bodies had surrounded me, impervious to my touch or sight; but I now found that I could wander on at liberty, with no obstacles which I could not either surmount or avoid. The light became more and more oppressive to me, and the heat wearying me as I walked, I sought a place where I could receive shade. This was the forest near Ingolstadt; and here I lay by the side of a brook resting from my fatigue, until I felt tormented by hunger and thirst. This roused me from my nearly dormant state, and I ate some berries which I found hanging on the trees or lying on the ground. I slaked my thirst at the brook, and then lying down, was overcome by sleep. "It was dark when I awoke; I felt cold also, and half frightened, as it were, instinctively, finding myself so desolate. Before I had quitted your apartment, on a sensation of cold, I had covered myself with some clothes, but these were insufficient to secure me from the dews of night. I was a poor, helpless, miserable wretch; I knew, and could distinguish, nothing; but feeling pain invade me on all sides, I sat down and wept. "Soon a gentle light stole over the heavens and gave me a sensation of pleasure. I started up and beheld a radiant form rise from among the trees. [The moon] I gazed with a kind of wonder. It moved slowly, but it enlightened my path, and I again went out in search of berries. I was still cold when under one of the trees I found a huge cloak, with which I covered myself, and sat down upon the ground. No distinct ideas occupied my mind; all was confused. I felt light, and hunger, and thirst, and darkness; innumerable sounds rang in my ears, and on all sides various scents saluted me; the only object that I could distinguish was the bright moon, and I fixed my eyes on that with pleasure.
IT'S DESCRIBING BIRTH DAMNIT!
LIGHT-SUN-MOON-CLOTHES
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Presently a breeze dissipated the cloud, and I descended upon the glacier. The surface is very uneven, rising like the waves of a troubled sea, descending low, and interspersed by rifts that sink deep. The field of ice is almost a league in width, but I spent nearly two hours in crossing it. The opposite mountain is a bare perpendicular rock. From the side where I now stood Montanvert was exactly opposite, at the distance of a league; and above it rose Mont Blanc, in awful majesty. I remained in a recess of the rock, gazing on this wonderful and stupendous scene. The sea, or rather the vast river of ice, wound among its dependent mountains, whose aerial summits hung over its recesses. Their icy and glittering peaks shone in the sunlight over the clouds.
Surrounded in by the ice and mountains like in the beginning
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I thought I saw Elizabeth, in the bloom of health, walking in the streets of Ingolstadt. Delighted and surprised, I embraced her, but as I imprinted the first kiss on her lips, they became livid with the hue of death; her features appeared to change, and I thought that I held the corpse of my dead mother in my arms; a shroud enveloped her form, and I saw the grave-worms crawling in the folds of the flannel.
After making the creation, and making life, he feels like he has the crush of death
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Winter, spring, and summer passed away during my labours; but I did not watch the blossom or the expanding leaves—sights which before always yielded me supreme delight—so deeply was I engrossed in my occupation
Ignoring the beauties of nature--its an obsession Takes 9 months to make his babeh
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"You have been ill, very ill, and even the constant letters of dear kind Henry are not sufficient to reassure me on your account. You are forbidden to write—to hold a pen; yet one word from you, dear Victor, is necessary to calm our apprehensions.
-Writing helps remember that everything is real -you are sane -sickness/ was is real?
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health
Health is an important theme
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"Unhappy man! Do you share my madness? Have you drunk also of the intoxicating draught? Hear me; let me reveal my tale, and you will dash the cup from your lips!"
If you don't lose your obsession, you're going to die
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- Sep 2015
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www.gutenberg.org www.gutenberg.org
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31 May.—This morning when I woke I thought I would provide myself with some paper and envelopes from my bag and keep them in my pocket, so that I might write in case I should get an opportunity, but again a surprise, again a shock! Every scrap of paper was gone, and with it all my notes, my memoranda, relating to railways and travel, my letter of credit, in fact all that might be useful to me were I once outside the castle. I sat and pondered awhile, and then some thought occurred to me, and I made search of my portmanteau and in the wardrobe where I had placed my clothes. The suit in which I had travelled was gone, and also my overcoat and rug; I could find no trace of them anywhere. This looked like some new scheme of villainy....
-Dracula is taking away his ability to write things down -Stripping him of his personality, manlihood, europeaness, londonhood, etc. He's no longer a person(?)
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I closed my eyes in a languorous ecstasy and waited—waited with beating heart
Mind control Really into getting bitten
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skin
boundrey
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Sweet it was in one sense, honey-sweet, and sent the same tingling through the nerves as her voice, but with a bitter underlying the sweet, a bitter offensiveness, as one smells in blood.
more opposites sexuality foreshadowing of the blood-drinking vampires
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I thought at the time that I must be dreaming when I saw them, for, though the moonlight was behind them, they threw no shadow on the floor. They came close to me, and looked at me for some time, and then whispered together. Two were dark, and had high aquiline noses, like the Count, and great dark, piercing eyes that seemed to be almost red when contrasted with the pale yellow moon. The other was fair, as fair as can be, with great wavy masses of golden hair and eyes like pale sapphires. I seemed somehow to know her face, and to know it in connection with some dreamy fear, but I could not recollect at the moment how or where. All three had brilliant white teeth that shone like pearls against the ruby of their voluptuous lips. There was something about them that made me uneasy, some longing and at the same time some deadly fear. I felt in my heart a wicked, burning desire that they would kiss me with those red lips. It is not good to note this down, lest some day it should meet Mina’s eyes and cause her pain; but it is the truth. They whispered together, and then they all three laughed—such a silvery, musical laugh, but as hard as though the sound never could have come through the softness of human lips. It was like the intolerable, tingling sweetness of water-glasses when played on by a cunning hand. The fair girl shook her head coquettishly, and the other two urged her on
-repulsed and attracted at the same time -two of them look like the count, and the third did not (but he feels like she is familiar) -The monsters are never fully other -a lot of the monster comes from within vs from the outside -they look humanoid -stokers vocab is fighting itself
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God preserve my sanity, for to this I am reduced. Safety and the assurance of safety are things of the past. Whilst I live on here there is but one thing to hope for, that I may not go mad, if, indeed, I be not mad already. If I be sane, then surely it is maddening to think that of all the foul things that lurk in this hateful place the Count is the least dreadful to me; that to him alone I can look for safety, even though this be only whilst I can serve his purpose. Great God! merciful God! Let me be calm, for out of that way lies madness indeed. I begin to get new lights on certain things which have puzzled me. Up to now I never quite knew what Shakespeare meant when he made Hamlet say:— “My tablets! quick, my tablets! ’Tis meet that I put it down,” etc., for now, feeling as though my own brain were unhinged or as if the shock had come which must end in its undoing, I turn to my diary for repose. The habit of entering accurately must help to soothe me.
Writing down your experiences is the most important part of making them real/ authentic/ legitimate
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that to him alone I can look for safety,
The count is the monster, but also his caretaker :/
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What I saw was the Count’s head coming out from the window. I did not see the face, but I knew the man by the neck and the movement of his back and arms. In any case I could not mistake the hands which I had had so many opportunities of studying. I was at first interested and somewhat amused, for it is wonderful how small a matter will interest and amuse a man when he is a prisoner. But my very feelings changed to repulsion and terror when I saw the whole man slowly emerge from the window and begin to crawl down the castle wall over that dreadful abyss, face down with his cloak spreading out around him like great wings. At first I could not believe my eyes. I thought it was some trick of the moonlight, some weird effect of shadow; but I kept looking, and it could be no delusion. I saw the fingers and toes grasp the corners of the stones, worn clear of the mortar by the stress of years, and by thus using every projection and inequality move downwards with considerable speed, just as a lizard moves along a wall
-Animal-like (lizards), but also humanoid -Dreamlike(?) -Trying to write himself into sanity
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“Let me advise you, my dear young friend—nay, let me warn you with all seriousness, that should you leave these rooms you will not by any chance go to sleep in any other part of the castle. It is old, and has many memories, and there are bad dreams for those who sleep unwisely. Be warned! Should sleep now or ever overcome you, or be like to do, then haste to your own chamber or to these rooms, for your rest will then be safe. But if you be not careful in this respect, then”—He finished his speech in a gruesome way, for he motioned with his hands as if he were washing them. I quite understood; my only doubt was as to whether any dream could be more terrible than the unnatural, horrible net of gloom and mystery which seemed closing around me.
Don't go to sleep anywhere else because you'll have some weird ass dreams
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This is a terrible thought; for if so, what does it mean that he could control the wolves, as he did, by only holding up his hand in silence. How was it that all the people at Bistritz and on the coach had some terrible fear for me? What meant the giving of the crucifix, of the garlic, of the wild rose, of the mountain ash? Bless that good, good woman who hung the crucifix round my neck! for it is a comfort and a strength to me whenever I touch it. It is odd that a thing which I have been taught to regard with disfavour and as idolatrous should in a time of loneliness and trouble be of help. Is it that there is something in the essence of the thing itself, or that it is a medium, a tangible help, in conveying memories of sympathy and comfort?
Is the power in the crucifix, or in the memory, or is in the medium for something else?
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I love the shade and the shadow, and would be alone with my thoughts when I may.” Somehow his words and his look did not seem to accord, or else it was that his cast of face made his smile look malignant and saturnine.
He's still unattractive and evil looking when he's unhappy -I'm not telling the truth -there's a gap between what appears to be and what is
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“We are in Transylvania; and Transylvania is not England. Our ways are not your ways, and there shall be to you many strange things. Nay, from what you have told me of your experiences already, you know something of what strange things there may be.”
Everything is not what it seems
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Strange to say, there were hairs in the centre of the palm
this is not sexy--it's normal until you take a closer look. It's also not european. Its a little animalistic, and not British--more of an eastern look. Reminds me of nigel thornberry
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The impression I had was that we were leaving the West and entering the East;
leaving the civilized west and going to the "exotic" east
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Kept in shorthand.
Important because its clearly being written very quickly and urgently.
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www.theatlantic.com www.theatlantic.com
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that artifacts are important, and people are not.
This is what she thinks the making movement does
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isites.harvard.edu isites.harvard.edufarewell5
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information is able to perform the work it does precisely because it fuzzes the boundaries between several genetically distinct categories of experience. Ultimately, then, the question we want to ask is phenomenological rather than lexicographical; not, What does information mean?, but rather, How is the impression of "information" constituted out of certain practices of reading and the particular representations that support them?
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Separated from, or without the implication of, reference to a person informed: that which inheres in one of two or more alternative sequences, arrangements, etc., that produce different responses in something, and which is capable of being stored in, transferred by, and communicated to inanimate things.
2nd Definition of Information
used in art fields and fields like cybernetics and information theory
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Knowledge communicated concerning some particular fact, subject, or event; that of which one is apprised or told; intelligence, news. spec. contrasted with data.
1st Definition of Information
used in a particularistic sense (aka in the typical context we would normally use information in)
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information "...both covers and covers up much of what was referenced by the anthropological sense of 'culture.'" But even granting all this, it doesn't follow that we can simply drop the word information from our vocabularies in favor of literatures, culture, knowledge, or whatever other items it seems to be standing in for.
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the first sort of error is in seeing the future as being insufficiently like the present, and that is relatively easy to correct for; you just imagine the future furnished like the room you are in. Whereas the second sort of error involves seeing the future as insufficiently different from the present,
So basically the first error is seeing the future too similarly the present and the second is not seeing it differently enough from the present
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archive.ncsa.illinois.edu archive.ncsa.illinois.edu
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People were crawling about
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vomitories
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cinematophote
I still don't understand what this is #difficultWords
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Your descendants will be even in a better position than you, for they will learn what you think I think, and yet another intermediate will be added to the chain. And in time" - his voice rose - "there will come a generation that had got beyond facts, beyond impressions, a generation absolutely colourless, a generation
Foster predicts here that first hand accounts are worthless. I guess it sort of makes sense because of the belief that the first hand accounts can sometimes be bias but even then this gets a little far fetched...
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"Because I have seen her in the twilight - because she came to my help when I called - because she, too, was entangled by the worms, and, luckier than I, was killed by one of them piercing her throat."
Okay is this supposed to be another human or what because later he talks about how he saw other humans and this part confused me...
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The Machine hums! Did you know that? Its hum penetrates our blood, and may even guide our thoughts.
Reminded me of how the ac constantly hums in the background and then when it turns off it's total silence.
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The Machine hums! Did you know that? Its hum penetrates our blood, and may even guide our thoughts.
Reminded me of how the ac constantly hums in the background and then when it turns off it's total silence.
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His was not a type that the Machine desired to hand on.
The machine gets to decide what type of humans get to keep procreating instead of the humans deciding what kinds of machines should be created--role reversal
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I could not tell you such a thing through the Machine."
This is still like how it's hard to tell someone very bad/ good news through the phone instead of in person. That nuance still hasn't changed in this world
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Then, half ashamed, half joyful, she murmured "O Machine!" and raised the volume to her lips. Thrice she kissed it, thrice inclined her head, thrice she felt the delirium of acquiescence. Her ritual performed, she turned to page 1367,
Forester is showing that at this point, Vashti is still hesitant to worship the machine but still has the feelings to, and follows through on them, which makes it easier for her to accept the machine's religion later in the story. In terms of our technologies today, we're not as useless as they are without them (at this point we can still lift books and feed ourselves) but we would still be extremely crippled if our tech failed as theirs did in the end.
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She knew several thousand people, in certain directions human intercourse had advanced enormously.
This is a possibility today due to advances technology but we haven't really hit the point where we make enough of an effort to know several thousand people
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