3 Matching Annotations
  1. Jun 2024
    1. As Leon Fink wrote of that period,“education ranked . . . high on the agenda” of Progressive intellectu-als and reformers. Considering the logic of reformers he added: “Ifthe people were to seize their democratic birthright for the greatergood . . . they must engage their higher faculties of reason” and be“schooled in sense of civic duty.” This would make them a “demo-cratic public.”8

      Check Fink to see where the seeds of this idea of linking education and democracy sprouted...

      TL's references for this:<br /> Leon Fink, Progressive Intellectuals and the Dilemmas of Democratic Commitment (Cambridge: Harvard University Press, 1997), 13–14; Robert B. Fisher, “The People’s Institute of New York City, 1897–1934: Culture, Progressive Democracy, and the People” (Ph.D. diss., New York University, 1974), 1, 9; Hugh S. Moorhead, “The Great Books Movement,” (PhD diss. University of Chicago, 1964), 110–111.

  2. Aug 2016
    1. There was a culture then, almost a requirement, that one needed to build platforms and contexts (social or political) to support one’s thesis, and then material practice would follow. These issues were pressing, because by this time I had begun to teach at Cooper Union. I was negotiating between promoting a rigorous painting model and a new context—conversations with students and colleagues about contemporary art issues and institutional critique. So it was a very complicated time for me as an educator, to figure out how to insist on a conversation about painting rigor in relation to contemporary art. I continued to go the way that I needed to with my own work, both protecting it from the institutional framework and furthering my ideas about painting in school and in the studio—it was a tough, amazing time.