17 Matching Annotations
  1. Last 7 days
    1. In my experience, a Typewriter's soul reveals itself to the folks that are MEANT to be their custodian for a time. I find most objects that serve a creative purpose to be this way; They absolutely have voices, but only the right person(people?) can hear them. People don't find Typewriters. Typewriters find people.

      reply to Kirk Jackson aka u/NashvilleTypewriter at https://old.reddit.com/r/typewriters/comments/1wjidrf/what_words_could_we_use_to_better_describe_the/pal3wez/

      This is great. I find it to be the case as well.

      Watching other spaces like note taking applications (and methods), stationery, planners, notebooks, pencils, pens, fountain pens, etc. it repeats itself over and over. Some will really love a particular object which seems to work for them while others don't. Fora are filled with people asking, what do you like? how do you use it? when instead they ought to be attempting to figure out what they like and how they would use it.

      Some turn their love of a particular thing into a religion (Apple vs. IBM comes to mind) which also tends to make others doubt their own choices and what might work best for them. Instead of experimenting around a bit to see what works for them, they take the supposed "magic" propounded by others and wrongly try to make it work for themselves. This is one of the primary reasons I tell potential new typewriter stewards to visit shops or type-ins so that they can put their hands on a variety of machines to see which "speaks" or works best for them and their needs. There are so many people limping along out there on dreadfully maintained machines because they haven't tried others (or even cleaned, oiled, and well-adjusted ones) and don't know what they're missing.

      I was reading/listening to a series by APM recently called Sold a Story about how some academics and scientists created a "new method" for teaching reading and sold it as a products to school systems all over the country. While it managed to work for a terrifically small population, it was broadly wrong for the majority of people. Decades of harm was done to children and the educational space because everyone went with what these experts said (and which may have seemed logical) rather than doing some work, trusting testing and results, or continuing to experiment with a variety of strategies. Similarly, while computers and writing software may work for many, some of the older tried-and-true methods out there using tools like pencils, pens, loose paper, index cards, notebooks, notepads, and typewriters can provide dramatically different affordances in ways of working with them which are actually better for some of the things one might wish to accomplish with them. Some tools have the ability to speak to you in ways that others do not.

      (P.S. Thanks for your observation as this may become the kernel of the introduction to the book I'm slowly working on.)

  2. Jan 2026
  3. Oct 2024
    1. Beyond the cards mentioned above, you should also capture any hard-to-classify thoughts, questions, and areas for further inquiry on separate cards. Regularly go through these to make sure that you are covering everything and that you don’t forget something.I consider these insurance cards because they won’t get lost in some notebook or scrap of paper, or email to oneself.

      Julius Reizen in reviewing over Umberto Eco's index card system in How to Write a Thesis, defines his own "insurance card" as one which contains "hard-to-classify thoughts, questions, and areas for further inquiry". These he would keep together so that they don't otherwise get lost in the variety of other locations one might keep them

      These might be akin to Ahrens' "fleeting notes" but are ones which may not easily or even immediately be converted in to "permanent notes" for one's zettelkasten. However, given their mission critical importance, they may be some of the most important cards in one's repository.

      link this to - idea of centralizing one's note taking practice to a single location

      Is this idea in Eco's book and Reizen is the one that gives it a name since some of the other categories have names? (examples: bibliographic index cards, reading index cards (aka literature notes), cards for themes, author index cards, quote index cards, idea index cards, connection cards). Were these "officially" named and categorized by Eco?

      May be worthwhile to create a grid of these naming systems and uses amongst some of the broader note taking methods. Where are they similar, where do they differ?


      Multi-search tools that have full access to multiple trusted data stores (ostensibly personal ones across notebooks, hard drives, social media services, etc.) could potentially solve the problem of needing to remember where you noted something.

      Currently, in the social media space especially, this is not a realized service.

  4. May 2024
    1. Nabokov’s working notecards for “Lolita.”

      Nabokov used index cards for his research and writing. In one index card for research on Lolita, he creates a "weight-heigh-age table for girls of school age" to be able to specify Lolita's measurements. He also researched the Colt catalog of 1940 to get gun specifications to make those small points realistic in his writing.

      syndication link

  5. Jan 2024
    1. Nearly 5 years ago, I read Watanabe Shoichi‘s “知的生活の方法 (Chiteki seikatsu no houhou = A way to intellectual life)”. His episode was very first time I realize what is card system, and it is used in academic world for long time.

      Hawk Sugano was introduced to index cards circa 2001 by means of Watanabe Shoichi's book “知的生活の方法” (A Method of Intellectual Life".

      https://web.archive.org/web/20170530033313/http://pileofindexcards.org/blog/2006/08/20/me-and-indexcard/

  6. Dec 2023
  7. Jan 2023
  8. Nov 2022
    1. Fifty years ago, coinciding with the centennial of the release of Darwin’s manuscript, author Morse Peckham collected all six editions into a single “variorum” text. Peckham painstakingly created a reference system that denotes the modifications and changes between editions. The text was created by Peckham’s careful enumeration of every sentence from every edition, copied onto index cards; from these cards, he carefully assembled them into a final text.
  9. Sep 2022
    1. As I write this book, for instance, I am sitting in a small room, beforea laptop computer, surrounded by books, papers, and magazines—all ofwhich I am, in some metaphorical sense, “in conversation with” (in muchthe same way I am also in conversation with you, my imagined reader).But what I am actually doing is working with a set of materials—lookingfor books on my shelves and flipping through them, folding pages over ormarking them with Post-its, retyping passages, filing and retrieving print-outs and photocopies, making notes in margins and on index cards, and,of course, composing, cutting, pasting, formatting, revising, and printingblocks of prose. I am, that is, for the most part, moving bits of text and paperaround.

      Joseph Harris uses a mélange of materials to make his writing including books, papers, magazines, from which he is copying sections out, writing in margins, making notes on index cards and then moving those pieces of text and pieces of paper (the index cards, and possibly Post-it notes) around to create his output.

      He doesn't delineate a specific process for his excerpting or note taking practice. How does he organize his notes? Is he just pulling them from piles around him? Is there a sense of organization at all?

  10. Aug 2022
    1. When Vladimir Nabokov died in 1977, he left instructions for his heirs to burn the 138 handwritten index cards that made up the rough draft of his final and unfinished novel, The Original of Laura. But Nabokov’s wife, Vera, could not bear to destroy her husband’s last work, and when she died, the fate of the manuscript fell to her son. Dmitri Nabokov, now seventy-five—the Russian novelist’s only surviving heir, and translator of many of his books—has wrestled for three decades with the decision of whether to honor his father’s wish or preserve for posterity the last piece of writing of one of the greatest writers of the twentieth century.

      Nabokov's wishes were that his heirs burn the index cards on which he had handwritten the beginning of his unfinished novel The Original of Laura. His wife Vera, not able to destroy her husband's work, couldn't do it, so the decision fell to their son Dimitri. Having translated many of his father's works previously, Dimitri Nabokov ultimately allowed Penguin the right to publish the unfinished novel.

  11. Apr 2022
    1. INTERVIEWER: Could you say something of your work habits?Do you write to a preplanned chart? Do you jump from onesection to another, or do you move from the beginning throughto the end?NABOKOV: The pattern of the thing precedes the thing. I fill inthe gaps of the crossword at any spot I happen to choose. Thesebits I write on index cards until the novel is done. My schedule

      is flexible, but I am rather particular about my instruments: lined Bristol cards and well sharpened, not too hard, pencils capped with erasers.

      Nabokov on his system of writing.

    2. Mr. Nabokov’s writing method is to compose his stories and novels on index cards,shuffling them as the work progresses since he does not write in consecutive order.Every card is rewritten many times. When the work is completed,the cards in final order, Nabokov dictates from them to his wifewho types it up in triplicate.

      Vladimir Nabokov's general writing method consisted of composing his material on index cards so that he could shuffle them as he worked as he didn't write in consecutive order. He rewrote and edited cards many times and when the work was completed with the cards in their final order, Nabokov dictated them to his wife Vera who would type them up in triplicate.

    1. I was fortunate enough to see—and now share with you—a handful of these diaries from 1977 in their original, hand-written form. (A collection of more than three hundred entries, entitled “Mourning Diary,” will be published by Hill and Wang next month.)

      Hill and Wang published Mourning Diary by Roland Barthes on October 12, 2010. It is a collection of 330 entries which he wrote following the death of his mother Henriette in 1977.

      Kristina Budelis indicates that she saw them in person and reproduced four of them as index card-like notes in The New Yorker (September 2010).