If you give a title to your notes, "claim notes" are simply notes with a verb.<br><br>They invite you to say: "Prove it!"<br><br>- "The positive impact of PKM" (not a claim)<br>- "PKM has a positive impact in improving writer's block" (claim)<br><br>A small change with positive mindset consequences

— Bianca Pereira | PKM Coach and Researcher (@bianca_oli_per) October 6, 2022

Bianca Pereira coins the ideas of "concept notes" versus "claim notes". Claim notes are framings similar to the theorem or claim portion of the mathematical framing of definition/theorem(claim)/proof. This set up provides the driving impetus of most of mathematics. One defines objects about which one then advances claims for which proofs are provided to make them theorems.

Framing one's notes as claims invites one to provide supporting proof for them to determine how strong they may or may not be. Otherwise, ideas may just state concepts which are far less interesting or active. What is one to do with them? They require more active work to advance or improve upon in more passive framings.

link to: - Maggie Delano's reading framing: https://hypothes.is/a/4xBvpE2TEe2ZmWfoCX_HyQ

“Testing, testing, one, two three!” the man in the elaborate suit and tie announced, tapping the microphone. Bianca, still in a daze, looked around in her surroundings, finding that she was in a large space with blinding white stage lights in every direction. She glanced at the man, and was staggered to see her father Baptista, with a joker-like smile towards the audience, walking around the stage like a show host.

“Welcome all who are present, especially those who are eager to take this prize off the stage. I am your host Baptista, and we will be giving our audience the chance for the most optimal and successful contestant to take my daughter and the cash prize of $50,000 home,” Baptista says eagerly. “Whoever does the best job of impressing me, or prove that they have the income to take care of my daughter, will have the chance to become her husband.”

Bianca stared at her father with a horrified expression, and tried to move off the stage. However, even though she desperately wanted to move her body, she realized that she was in a fixed position, having no mobility for any of her limbs. Her hands were stuck to her waist, and her feet seemed to be glued to the stage; she was a mannequin without the plastic. She was even encased in a clear glass box, displayed like fancy jewelry.

Baptista began to pick random men from the audience, motioning them towards Bianca. Bianca stood there with no hope of escape. The expression on her face was a still picture, displaying a bright, blinding smile, but her insides churned at the thought of being wed to any of these men in the audience. Suddenly, a man that could have been considered her grandfather approached her, sliding his hand down the glass container. She could slowly feel the bile crawl up her throat as this man stared at her from head to toe.

“I will take her! I have more than enough money to care for her myself,” Gremio exclaimed gallantly to Baptista.

“She will love me!” Hortensio exclaimed angrily, waving his finger in Gremio’s face.

You cannot buy love! Bianca screamed in her mind, distraught by the men in front of her. Love is not an object for you to give away without my consent!

“Well, in order for you to take my daughter and have her love, you both must show me what you have. Say, Signior Gremio, what can you assure her?” (Shakespeare Act II ll. 365).