And please note that the figures in the Schlemmer are walking up the staircase. Upward movement in art often hints at lofty belief, as in, say, Titian’s “Assumption of the Virgin” or Barnett Newman’s emphatically vertical “zips.” Downward motion, by contrast, can evoke Dada irreverence and, in particular, Marcel Duchamp’s “Nude Descending a Staircase,” the Cubist painting that created a brouhaha at the Armory Show of 1913 because neither a nude nor the alleged staircase could be located in its welter of tilting planes.

And so when we have this simplistic view of power, we're missing the story. What you really need is a system that attracts the right kind of people 01:18:20 so that the diplomats who are clean and nice and rule-following end up in power. Then you need a system that gives them all the right incentives to follow the rules once they get there. And then if you do have people who break the rules, there needs to be consequences. So the study from UN diplomats and their parking behavior actually, I think, illuminates a huge amount of very interesting dynamics around power,

I have no doubt that the four children, now in their 70s and 80s, who spent their early years in the basement house would never tolerate such activity in their own neighborhoods today.