- Dec 2023
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robinrendle.com robinrendle.com
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"hadn’t seriously considered the future economic impact on illustrators" This sounds too much like the 'every illegal download is a misplaced sale' trope of the music industry. There are many reasons to not use algogens, or opt for different models for such generation than the most popular public facing tools. Missed income for illustrators by using them in blog posts isn't one. Like with music downloads there's a whole world of users underneath the Cosean floor. My blog or presentations will never use bought illustrations, I started making lots of digital photos for that reason way back in 2003, and have been using open Creative Commons licenses. And now may try to generate a few images, if it's not too work intensive. Not to say that outside the mentioned use case of blogs and other sites (the ones that already now are indistinguishable from generated texts and only have generating ad eyeballs as purpose), the lower end of the existing market will get eroded. I bet that at the same time there will be a growing market for clearly human made artefacts as status symbol too. The Reverse Turing effect in play. I've paid more for prints of artwork, both graphics and photos, made in the presence of the artist than one printed after their death for instance. They adorn the walls at home rather than my blog though.
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- Dec 2022
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techpolicy.press techpolicy.press
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This is a case of what Paul Keller and I have called the Paradox of Open: the existence of power imbalances that leads to, at best, ambivalent outcomes of openness. It is a paradox that the success of open code software, both in terms of the reach of the technology and in economic terms, has happened through underfunded or entirely volunteer work of individual coders. This shows the limits of the open source development model that will affect the future growth of the Fediverse as well.
The Paradox of Open (Source) is as Keller and Tarkowski formulate it, that the clear socio-economic value and tech impact of open source comes from underfunded / volunteer work. Vgl [[Bootstrapping 20201007204011]] and the role of precarity in it. Makes me think about 1937 Ronald Coase's transaction costs which in [[Here Comes Everybody by Clay Shirky]] is used to derive a Cosean Floor (and Cosean Ceiling). Openness allows you to operate below the Cosean Floor, but it seems that to bootstrap beyond that first stage is harder. Are such projects incapable of finding a spot above the Floor further down the chain, or are they pushed aside (or rather 'harvested') by those already positioned and operating above that Floor? Perhaps your spot above the floor needs to be part of the design of the work done below the floor. What's the link with my [[Openheid en haar grenzen 20130131154227]] in which I position openness as necessity to operate in a networked environment, and as necessarily limited by human group dynamics and keeping those healthy? Balancing both is the sweetspot in the complex domain. Are we any good at doing that in other terms than just social group behaviour in a room? #openvraag what's the online/bootstrapping equiv of it? How did we do that for my company 11 yrs ago (in part by operating something else above the Floor alongside)?
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