Hu-man Cannonball with us in the pool.
This is the first mention of Human Cannonball. It ends up representing the freedom of childhood.
Hu-man Cannonball with us in the pool.
This is the first mention of Human Cannonball. It ends up representing the freedom of childhood.
Thesmell of the powder and the cream mixed together was de-licious and sweet. Toby smeared butter on the handlesof taps, and mustard on the doorhandles. We sprayedthe lounge room with deodorant and flyspray, and thespooky mist settled on the furniture. We untuned theradio and lost the picture on the TV.
imagery - engaging smell, touch, sight
I ran down the stairs and across thegreen lawn, past pink concrete flamingos and white tyreswans, past coppery skinks sleeping on sunny rocks, pasthibiscus flowers scattered on the grass, and leaped overthe blue water, into my uncle’s arms
Imagery - this last paragraph almost feels like a dream. The imagery creates a bright vivid picture that leaves us with a lasting image and feeling at the end of the story.
I felt like I wasfloating, like maybe I could fly. I wanted to be a HumanCannonball while I was still little enough to be thrownthrough the air
Simile - feeling like you could fly to represent the feeling of being weightless with relief after everything is resolved. Human cannonball represents that she only has a little bit of childhood left through the literally concept of weight, and outgrowing it.
Sonya embraces childhood - may as well enjoy it whilst you still can!
‘Good,’ I said stoutly. ‘I can’t wait.’And my mum answered me, ‘Don’t say that. You’reonly young once.’
Here we can see the conflicting ways to view childhood. Feeling like you just can't wait to get it over and done with, so you will stop making silly childish mistakes.
But also the other way - childhood is fun - it's important not to rush, and enjoy it whilst you still can.
‘Another baby tooth,’ Mum sighed. ‘Soon you’ll begrown up.’
And here we get the obvious statement about this symbol. But, it is a very common thing for people to say, so I think the author can get away with being a little obvious.
‘Yes,’ said Mum, ‘I know.’‘Are we in trouble?’ I asked.Mum said, ‘Only if you do it again.’‘I won’t,’ I said. ‘I never will.’‘I believe you,’ Mum replied.
Sonya gets to stay a child, for now. But she has learned an important lesson, and grown up a little bit.
Mum came to stand beside me. Samuel was asleepin her arms. She said, ‘Toby told me what you two didyesterday.’
Ah, Toby dobbed. Sonya was going to confess, but he beat her to it.
Notice that Samuel is not crying anymore - the world is calm and peaceful.
couldn’t believe what I saw. Un-cle Bernie and Uncle Kelvin were in the swimming pool,flinging my brother into the air. Toby was laughing, hisscrawny limbs going mad. I watched Kelvin catch himand hoist him, sending him hurtling back to Bernie again.My uncles were grinning, calling out to each other, whis-tling and clapping their hands. I stared at them in won-der, my heart beating hard.
Sonya is old enough to know that everyone relaxing means the problem has now been solved. And watching Toby play Human Cannonball specifically represents that childhood has been preserved. But how????
While I had been crying, I had also been wrigglingmy tooth. It slipped out of my gum with a taste of metaland blood. I held up the tooth and considered it. A losttooth meant fifty cents under my pillow, though I didn’tbelieve in the Tooth Fairy
we connect the moment of losing the tooth to the moment that Sonya grows up a little bit. Her losing the tooth represents her losing a little bit of her childhood.
This is reinforced by her not believing in the Tooth Fairy. We see that she has already done a little bit of growing up.
Toby laughing and water splashing: it was the sound ofHuman Cannonball!
Right after this realisation - Human Cannonball is still happening.
If her losing the tooth represents her losing a bit of her childhood, then human cannonball represents the bit of childhood she still has left!
I suddenly saw something I had neverseen clearly before. I saw that I was just a kid, and that akid’s world is small and simple. But there is a world thatkids don’t see, and things are different there. That otherworld is big and complicated: nonetheless, I wanted to livethere, where everything was sensible, where there wereanswers to all the mysteries.
Sonya isn't literally seeing anything. But this moment is a big moment of realisation for her. She doesn't just realise her mistake - she reflects on the difference between being a child and being an adult. She connects her mistake specifically to her being a child and not yet understanding adult things.
A proper person would look at the chaos andthink of burglars, and telephone the police. It seemed per-fectly obvious, as obvious as one plus one equalling two.But it hadn’t been obvious yesterday, when I was filling myuncles’ kitchen sink with green cordial
Here we see that Sonya is self-aware about the problem. Part of the reason she is deflecting is because she doesn't just feel embarrassed about the mistake - she feels stupid, and childish. She doesn't want people to look at her as if she was a dumb stupid kid.
But if people discovered the truth, they wouldbe angry at me, and I could not bear being in trouble. Ihugged my knees and sucked my tooth and blinked awaytears. I felt furious with Samuel, whose crying had ledme to this. I was furious with my uncles and my mumand my grandparents and the motel manager and thepolice for not seeing that it was a prank and it was funny.
More deflection
It was a PRACTICAL JOKE. Only DUMB people wouldn’t under-stand that! SMART people would LAUGH, not CALL THE POLICE!
Sonya clinging to her original thoughts - clinging to being a child. She's trying to avoid the feeling of shame, embarrassment and guilt by deflecting - blaming others, not herself.
made my stomach swirl like the sea.
showing how horrible and nervous she feels.
I nearly swallowed my wobbly tooth, my tongue andboth my ears as well.
Metaphor - not literally
had broken into my uncles’ apartment, and made ashocking mess.
Enter: the climax of the story!! it's all built up to this!
my teetering fang
metaphor
I forgot aboutit all night, and even when I woke up the next morn-ing, I didn’t remember it straightaway. I was think-ing about one of my teeth, which was wobbling anddoomed to fall out that day
Symbolism - Sonya doesn't realise how serious this is - she is still a child. Her tooth being doomed to fall out later that day = her doomed to grow up (not all the way bit a little) after realising her mistake.
The tooth represents her growing up beCAUSE of this memory.
We opened the dresserdrawers and tossed our uncles’ clothes around the room.
Foreshadowing - this might appear like someone has searched through the room.
everything thathappened was his fault
Foreshadowing - we are now wondering how a tiny baby could cause something so horrible to happen.
we stayed in the same motel every year. Themotel was called Santa Fe
They stayed at a motel called Santa Fe. The word motel comes from "motor" and "hotel" and is a place for motorists to stay. People usually drive in and park at a motel, and it is usually a bit cheaper than a hotel.
But thesummer I was ten, all Toby and I wanted to do was lurkin the shadows of Uncle Bernie and Uncle Kelvin.
Foreshadowing the complication of the story - this is the reason why Toby and Sonya end up pranking their uncles.
Their apartment was on the other sideof the motel, far from Samuel’s bellowing.
This is a clue towards the complication of the story.
Tidying up would belike a game of hide-and-seek for them, they would nev-er know what they’d find next. They would marvel atour cleverness, and also at our mischievousness. Theywould try to be cross, but really they’d be chuckling andshaking their heads the way adults do when somethingmakes them mad but also makes them laugh
This foreshadows the ACTUAL reaction the adults have. It gives us an obvious way to compare expectations vs reality - the way a kid would view the situation, vs an adult.
but the apartmentlooked like a doll’s house that had rolled down a street.Clothes flopped on the floor like exhausted ghosts, thedining chairs stood on their heads, the newspaper wastorn into a thousand pieces of confetti. The dresserdrawers hung out like tongues, the kitchen cupboardswere gasping mouths, the bathroom was completelyshell-shocked. Foamy faces grinned from the mirror; allthe pictures hung upside down
A litany of metaphors and similes, all combining into a big piece of imagery. The list before tells us WHAT they did. This paragraph paints the picture for us.
The similes and metaphors also do another subtle thing - it makes it feel silly. They use a lot of childish references here. This will contrast against how seriously the adults ended up interpreting the scene.
Toby opened a bedside drawer andfound money folded in a metal clip, and we argued aboutit in whispers. He wanted to sticky-tape the money to theceiling, but we didn’t have any sticky-tape; so we emptieda bottle of lemonade down the sink, put the money insidethe bottle and screwed the cap back on.
Without knowing what Toby and Sonya did, it seems like someone * Broke into their room * Searched the place * Stole their money
Nobody was watching us. Our un-cles had left their apartment key under the doormat. Ifished it out, and we slipped through the door like mice.Nobody saw.
Because everyone was busy and grumpy because of Samuel - AND because the uncles were staying on the other side of the model - they were able to sneakily break into their apartment.
So even though it was me whothought up the idea, what happened that day can, if youlook at it the right way, be blamed on Samuel
Do you think the protagonist is being 100% honest?
Do you think the protagonist is being 100% serious? Or is she being a little tongue in cheek?
Idiom: Tongue in cheek means "meant to be understood as a joke, although it might appear to be serious" (Cambridge dictionary)
It refers to the sort of cheeky expression you might make when saying something as a joke, but trying to appear serious BUT also trying to signal subtly that you are actually joking (so you kind of put your tongue in your cheek and smirk a little bit)
If Samuel hadn’t been crying, we could have watchedTV. If Mum hadn’t been stuck with the baby, she mighthave played table tennis with us. If Samuel’s shriekinghadn’t given my grandparents the irrits, they might havetaken us to the Splash ‘n’ Ride. But because His LittleHorrible Highness was sick, Toby and I couldn’t go any-where or do anything
Now we see how Samuel links in. Of course, the baby can't ACTUALLY do anything. But this is WHY Toby and Sonya had the opportunity to get into mischief
For the first time allholiday, we had to amuse ourselves.
An 8 & 10 year old left to their own devices? Uh-oh...
Everything was gooduntil the afternoon, when Bernie and Kelvin announcedthey were going into town and wouldn’t be home un-til late. No children were invited on this outing – andwhen they said children, they meant Toby and me. Wewatched, grief-stricken, as our uncles walked away
We're beginning to learn what the problem might be... or might be caused by...
sometimes I need to hide myhead in a bucket
Again, doesn't actually hide her head in a bucket.
I don’t care to, eventhough my face will go Santa Fe pink
Her face won't literally go Santa Fe pink - this is a metaphor for blushing, to show how embarrassed she is by this memory.
I used to wish I would never come down, that I couldstay in the sky forever. I wished the Christmas holidayswould not end, that we’d never make the long journeyback to the ordinary world. I wished that Santa Fe wasmy home, and that I could spend my life chasing skinksand picking frangipani and soaring through the air.
The literal feeling of freedom (flying through the air) is being using to represent the figurative feeling of freedom (being a child and having idyllic holidays with no problems)
I remember my brother tumbling through the air, a tangleof arms and legs, the sky very blue behind him, the poolsparkling below
Using imagery to highlight this moment of Human Cannonball, which helps us to focus on it as a symbol, and understand why Sonya loves it so much.
Toby and Itrailed them like ducklings
Showing how much Toby and Sonya were hanging out with their uncles.
Because she wasn’t gettingany sleep, our mum was cranky. Our grandparents werecranky too, because they had the apartment next toours and they could hear the baby’s howls through thewall. They couldn’t sleep, and they couldn’t hear theirTV either. The only grown-ups who weren’t cranky wereour two uncles
Most of the adults are cranky because of Samuel's crying. Maybe this is why Sonya and Toby want to hang around Bernie and Kelvin this year?
Samuel was sick: he had colic, which makes ababy knot its fists, arch its back, turn purple as pudding,and SCREAM. Samuel shrieked from morning till night, andthen he shrieked all night.
New info about Samuel - he has colic and cries ALL the time. Could this be related to the complication?
we liked theglittering pool at Santa Fe. We liked floating about onthe li-los that Father Christmas gave us each year
Repetition (cont. on next page too). Paints a picture of what life is like at Santa Fe - idyllic.
Idyllic- means that life is perfect "extremely pleasant" especially as a way to describe a place or a time during a place.
our grandma and grandpa werethere, and so were our uncles, Bernie and Kelvin. Grand-ma and Grandpa were our mum’s mum and dad; Bernieand Kelvin were her younger brothers
Establishing the rest of the primary characters in the story.
PINK as sunburn, PINK as Barbie’s lips. Being at Santa Fe waslike living in a ball of fairy floss
Using similes to express HOW pink everything is.
Living in thegarden were tiny black-and-copper skinks. On the lawnwere flamingos made of concrete, and curvy swans madefrom car tyres. Everything that didn’t already have a brightcolour of its own was painted pink
Imagery - usually sight, especially bright colours, to paint a picture.
whose flowers looked like dresses for dolls
Helping to paint a picture for the reader
holiday toa beach far away
The story is set at a beach
namesare changed to protect the innocent.
Language technique - hyperbole. Hartnett is exaggerating to make the story seem really dramatic
the kind thatmakes you want to hide your head in a bucket wheneversomeone mentions it.
Language technique - metaphor. You don't want to LITERALLY hide your head in a bucket. It means that you are super embarrassed.
our brother Samuel, andalthough he wasn’t even one year old
Samuel is the youngest, and he is less than a year old - so a very small infant at the time of the story.
Toby was eight,and I was ten
Character ages - Sonya is 10, and Toby is 8 (so he is her younger brother)
my brother Toby,
Toby is the protagonist's brother
61 percent of kids ages 12–15 who had accounts before the ban still having access to at least one of them
**Statistics: ** 61% is a bit over half of all kids affected by the ban. This means that the ban isn't working, because more than half of all kids can still go on their social media accounts.
Unfortunately for the Australian government (and fortunately for most kids), the implementation of a massive ban is going about as well as many critics predicted.
Tone - sarcastic. The author seems pretty smarmy. It comes across like "I told you so"
At the end of last year, the Australian government banned minors from having social media accounts.
Issue - Australia's social media ban. Should social media be banned for children under the age of 16?