2,431 Matching Annotations
  1. Jul 2016
    1. we’re still two to three years out from widespread adoption of VR.

      I agree with N. Taleb that black swans are only retroactively predictable. I always predict that it will always be something else. I am always right.

    2. Virtual simulations promise that learning experiences can be undertaken more safely (and sometimes more cost-effectively).

      I recall my most recent introduction to VR was one of the early NYT attempts. This one showed a food drop in Sudan. I really felt something new with that VR video. I felt empathy because I was surrounded (something I could see AND feel around me) by folks who were racing to get at the parachuting food palettes drifting down and landing. The point being that the experience was embodied. For some small percentage of people VR is incredibly embodied--they get very powerful motion sickness.

    1. seems to be a hit with many readers.

      I am thinking to myself, "Self? What kind of knowledge is this that can be tested in such ways?" I would answer, "Pretty inconsequential." But the adjacent possibilities this tool opens is not.

      I would rather students make their own damned quizzes for themselves or their peers here, then as a group create a collaborative quiz and critique what is being tested and what isn't. I guess what I am saying is that this is a very potent tool. Let's not just use it for its lowest purpose.

    1. Why don’t more innovative ideas have huge REMIX THIS buttons?

      A: I think it is because it all because we are all playing the copyright-brand-registeredtradmark lottery. You can win if you don't play. Your chances at the jackpot are astronomically low so I say, "Don't play that fucking game." It is for the 'commons illiterate'.

    2. If your seeds find root, your audience will find you and support you.

      And what if they don't? Is Doctorow a closet Darwinist here? This smacks of the phrase, "If you so smart, why ain't you rich?" Or modified here:

    3. If I didn’t want that to happen or unfold that way, I probably should have kept the idea to myself or tried to sell it with licensing restrictions — a phrase that gives me pause even as I write it.

      In connected learning, as we connect we learn. The network is the way we learn and we learn together. Learning is by definition a commons, shared and unbranded. What we create together WE own together with all the rights and duties attached to that knowledge and learning.

    4. It’s not just a question of a single item

      At some point we have to acknowledge that all creation arises from culture and zeitgeist in part. What percentage of this new creation that is owed to culture and what percentage is new thinking by an artist in that culture has yet to be decided, but I think it is inarguable that everything we create arises 100% from one person. How much of Walt Disney's fortune is due to the public domain stories of the Brothers Grimm? You cannot argue 0%.

    1. One

      Stone steps, jackrock stones, limestone from a nearby fallen foundation cemented into a back 'stoop', and a weed.

      Weeds are plants that we can't use that are in inconvenient places. Here is part of the story about this one. Our old weedwhacker finally gave it up after long and loyal use. I did my homework and much to my consuming surprise I discovered that electric string trimmers have entered the world of real work. So I got one. It was lighter and quieter and better balanced than our old Echo model. And the only sound it did make was more like a hive of busy bees than the angry ones the old trimmer made. Big win. My wife went nuts trimming around the back stoop, but she left this flower intact. She decided at some point to redefine what this plant was. Not a weed. In moments like these I can scarcely believe the depth of feeling that rises up. I would have saved the weed, too, just like we save errant box turtles in the road and luna moths confused on the ground and birds that crash our glass but survive if given a safe perch.

    2. two

      Why must "silent Sunday" photos always be panoramic or colorful or perfectly composed or a tower of mastery? We know the colorful birds, but we deny the brown and dusky night jar with its incredible "whipporwhill" call. I wanted to celebrate the weed. I do not know the names of most weeds like this. It is possible there is a cure for diabetes hidden in here, but that is not why I value it. I love it for its persistence in the face of all that wants it dead including the lame aesthetic that values big, beautiful, well made compositions. I love it for is don't give an effing eff attitude. I love it for its I will be back even if you pull me out.

    3. three

      I love it for this wee white flower that says, " I am not the macro or the mondo, but I am in the micro bigger than all the others." I am a mystery. I serve no purpose. All I do is live with desire for history or celebrity. In fact I would rather no fuss be made at all.

    4. four

      Mostly, I love this because it makes me realize how much I love she who spared it. It is that same compassion that makes me a better man than I could have ever hoped. We work together and we share a happy ethos that knows our time is very short on this planet and that we must save what we can, even the humble weed on the back door stoop. Especially that week. I am that weed.

    5. four

      Mostly, I love this because it makes me realize how much I love she who spared it. It is that same compassion that makes me a better man than I could have ever hoped. We work together and we share a happy ethos that knows our time is very short on this planet and that we must save what we can, even the humble weed on the back door stoop. Especially that week. I am that weed.

    6. three

      I love it for this wee white flower that says, " I am not the macro or the mondo, but I am in the micro bigger than all the others." I am a mystery. I serve no purpose. All I do is live with desire for history or celebrity. In fact I would rather no fuss be made at all.

    7. two

      Why must "silent Sunday" photos always be panoramic or colorful or perfectly composed or a tower of mastery? We know the colorful birds, but we deny the brown and dusky night jar with its incredible "whipporwhill" call. I wanted to celebrate the weed. I do not know the names of most weeds like this. It is possible there is a cure for diabetes hidden in here, but that is not why I value it. I love it for its persistence in the face of all that wants it dead including the lame aesthetic that values big, beautiful, well made compositions. I love it for is don't give an effing eff attitude. I love it for its I will be back even if you pull me out.

    8. One

      Stone steps, jackrock stones, limestone from a nearby fallen foundation cemented into a back 'stoop', and a weed.

      Weeds are plants that we can't use that are in inconvenient places. Here is part of the story about this one. Our old weedwhacker finally gave it up after long and loyal use. I did my homework and much to my consuming surprise I discovered that electric string trimmers have entered the world of real work. So I got one. It was lighter and quieter and better balanced than our old Echo model. And the only sound it did make was more like a hive of busy bees than the angry ones the old trimmer made. Big win. My wife went nuts trimming around the back stoop, but she left this flower intact. She decided at some point to redefine what this plant was. Not a weed. In moments like these I can scarcely believe the depth of feeling that rises up. I would have saved the weed, too, just like we save errant box turtles in the road and luna moths confused on the ground and birds that crash our glass but survive if given a safe perch.

    1. More importantly, more urgently, is this "trick" being hard-coded, hard-wired into the infrastructure of our schools?

      Of course, schools have ever been tools and it all depends on who has grabbed the handle. Well...who? Wanna get used? Go to school and be a tool.

    1. apish run

      Here's my go at your antispam-genesis:

      The kids said I had an apish run. Considering much of the dna of apes and homo sapiens is the same, that shouldn't be a surprise. I prefer it be called a shambling run...with my path in the tops of trees. That really would be apish, wouldn't it. Or so Professor Emery would say. That brings back memories.

  2. Jun 2016
    1. professionally and personally.

      The three p's: personal, professional, pedagogical. Here is a Venn diagram

      Instead of imagining the boundaries as fixed, think of them as permeable, then imagine they are lungs, breathing. Sometime we are breathing in the pedagogical realm and it expands to our personal lives.

    1. this Google Talk.

      I am using this annotation to show you a head-to-head matchup of two video annotation tools, Vialogues and Vibby.

      Vialogues

      Vibby

      So far not much difference except that you can share an individual vibby comment via twitter. Of course, Vialogues is a not for profit tool and Vibby isn't. Also, you can highlight certain parts of a video with Vibby.

    2. my marked copy

      I took a photo of my book with my Android phone imported it into SnagIt using a cool app call TechSmith Fuse. This app directly imports it into my desktop version of SnagIt. Then I 'inverted' the photo to get the photoneg effect. Voila and uploaded to my blog. I could have also used the same embed trick by uploading it to my Google Drive. Don't know why I didn't.

    3. listen here:

      I downloaded the audio as an mp3 using Peggo.

      Then I saved it to my Google Drive where I have tons of space. Once there I got the embed code from that file and placed it in here. I like the spare audio player and I like that all the stuff is served from my Google account. More teachers should take advantage of the embed function in Google Drive.

    4. Read outside your discipline.

      I created this image using Pablo directly as I was writing the post. Once installed on Chrome, Pablo is in the right click menu no sweat and handy for improvisational meme and quote making.

    1. I loved the poem on the blog from yesterday

      This is just to say I Ioved the poem on your blog yesterday

      Forgive me I commented but it did not show up

    2. I loved the poem on the blog from yesterday. I had commented but my comment did not show up.

      This reminds me of the wm carlos wms poem

      This Is Just To Say

      I have eaten the plums that were in the icebox

      and which you were probably saving for breakfast

      Forgive me they were delicious so sweet and so cold

    1. Even the most devout gun owners should be able to get behind keeping guns out of the hands of potential terrorists.

      Here is the oppo view, pretty ugly. Hard to climb up that point of view, ain't it? Why can't we get along? Because some of these fuckers are just wrong. Wrong like below.

    2. A Way Out of No Way

      For some reason I was reminded of the Talking Heads song.

      https://www.youtube.com/watch?v=AWtCittJyr0

      Well we know where we're going But we don't know where we've been And we know what we're knowing But we can't say what we've seen And we're not little children And we know what we want And the future is certain Give us time to work it out

      Yeah

      We're on a road to nowhere Come on inside Taking that ride to nowhere We'll take that ride I'm feeling okay this morning And you know We're on the road to paradise Here we go, here we go

      We're on a ride to nowhere Come on inside Taking that ride to nowhere We'll take that ride Maybe you wonder where you are I don't care Here is where time is on our side Take you there, take you there

      We're on a road to nowhere We're on a road to nowhere We're on a road to nowhere

      There's a city in my mind Come along and take that ride And it's alright, baby, it's all right And it's very far away But it's growing day by day and it's all right Baby, it's all right Would you like to come along You can help me sing the song And it's all right, baby, it's all right They can tell you what to do But they'll make a fool of you And it's all right, baby, it's all right

      There's a city in my mind Come along and take that ride And it's alright, baby, it's all right And it's very far away But it's growing day by day and it's all right Baby, it's all right, yeah Would you like to come along You can help me sing the song And it's all right, baby, it's all right They can tell you what to do But they'll make a fool of you and it's all right Baby, it's all right

      We're on a road to nowhere We're on a road to nowhere We're on a road to nowhere

      We're on a road to nowhere

    1. Being of these hills, being one with the fox

      repetition is so that you can easily memorize the poem--that is my thesis. This is an experiment in orality. I think memorizing could be in for a comeback as we move out of the Gutenberg Pause.

    2. The lumbering ox drawing green beech logs to mill,

      Adore this line of present participles, logs-ox, and what reminds me of the zen series of ox pix.

    3. leave these

      Assonance of "leave these". Purpose? A lyric aid to memory. I think you will find an attention to detail in this sonnet of Still's that is all about helping the reader to memorize the poem. I used to have eighth graders memorize this poem in an 80 minute block. Not possible without the careful attention to lyric rhetoric here. The assonance, repetition, rhyme, alliteration, and all the other lyric tools reside in this eminently memorizable poem.

    1. We are a wild, weird species, complex and quizzical, fierce and fragile. Honor that. Stop pressing your face to the glass of someone else's party. Enjoy the party unfolding around you.

      I certainly don't feel I am any of that.

    2. I'm saying shut out all the noise of Facebook and Twitter and Oprah and the best-seller lists and figure out what you really believe in and like to do every day.

      What do I really believe in and like to do every day in my writing?

    1. Follow up

      If the tools and their assumptions define practices that are anathema then can they co-exist with whatever status quo is out there? Depending upon your own personal power in your teaching setting, there are different answers to that question.

    2. once you articulate a critique of the tool it also becomes a critique of their teaching and learning practices

      Now here's the question I have: what is the fraud?

    3. teaching and learning in 2016 isn’t to some great degree informed by technologies we use.

      Is anybody seriously arguing this point. Straw man?

    1. ability to embed a single annotation

      Tried embedly to get single annotation. Very manual and clunky. You have your work cut out fot you, but I am looking forward to it. New kinds of digital rhetoric could arise out of this.

    2. you can use this plugin to make a public research notebook on your WordPress site.

      What is the limit on annotations per page? I had about twenty for the user tag page? I would need more than that with a large class.

    1. Adrienne Rich

      Why do poems have to do anything? If they are instruments then they are knives that can cut any number of ways. Poetry is a weapon?

    2. Doubts rain down.

      O WESTERN wind, when wilt thou blow<br> That the small rain down can rain?<br> Christ, that my love were in my arms<br> And I in my bed again!

    1. These are areas where a consistent flow of talent, dollars and resources could have been building mentor-rich, non-school tutoring, mentoring and learning programs, borrowing from examples of effective programs already working in Chicago and other cities.

      We already know what works. We already know what works in Chicago. So...the problem is the solution?

    2. too few were coordinating their actions, and their funding, with others.

      All of these folks are attempting to leverage from their own spots, but no one knows whether the rock has moved nor whether we are leveraging against each other. Have we reach a level of complexity that is impossible to find a good place to wedge the bar? I certainly hope not. I do not despair as long as we keep trying.

    3. I'm going to send the link to this blog back to the Times.

      I have done this, too. The NYT article and the flood of comments is a classic example of what we need to do as teachers in this country. We need to curate constantly (summarize, analyze, critique) and show others how to do it as well. We are doomed to curation-by-bot if we don't

    1. Annie Sauter says: May 28, 2016 at 9:28 am

      Susan, did you read this comment. Kinda captured my own lostness but not quite. I get the feeling that I need to give up some of my...contextity? That's like saying "Hoist anchor" in a storm. And that really is a way of breaking smart if it saves your damned life. Our political life is exactly like this now. The contextity is killing us. Hoist the fucking anchor or be dragged down with it when the storm batters hell out of you. Here I am again trying to put down the meaning anchor. This is hard to do when you have spent your whole life trying to understand and do and drive uncertainty and ambiguity to ground. I think maybe the key for me to is to feel my way with a new set of antennae, nascent and emergent antennae.

    2. I am wary of praxtitioners. I suspect them of being in a hurry to disintertwingle things I’m not done with yet.

      disintertwingle--sounds like a quantum state being done some amount of violence. Break bad by not disintertwingling too soon.

    3. In the familiar language of everyday decision-making, ambiguity means being unsure where to go, while uncertainty means being unsure how to get there.

      Maybe we need to rethink the rhetorical notions of audience (the who) and be more concerned with being more sure as readers and writers about where we want to go with a text and how we want to go there.

    4. When you are missing information, that’s uncertainty, and an epistemological matter. When you are lacking an interpretation, that’s ambiguity, and an ontological matter.

      Feeling quite lost here, but in an interested way.

    1. there is no concept of waste in true play

      Channeling James Carse here? Infinite play has no waste because that would require one to have a set of criteria before starting. True play has an infinitude of rules that be more like guidelines, arrrrrrrr, mateys.

    2. 29/ But big picture, the range of possible futures for humanity depends on our individual and collective ambiguity tolerance. 30/ Ours is an age of low ambiguity tolerance and a hunger for one determinate future for all. Resist! Increase your ambiguity tolerance. Help keep the future indeterminate!

      How to break smart--increase your ambiguity tolerance.

    3. Your ambiguity tolerance is a function of the amount of (clean, complete) pre-meaning information you can stare at, and how long you can tolerate not knowing what's important about it.

      Tension. I think that is what we are feeling here. How much tension (this v that, spy v spy) are we willing to accept at any one time before resolution. Objective correlative anyone?

    4. there is an aspect to information processing that is not a "doing" skill but a "seeing" skill: this is ambiguity wrangling.

      What Rao sez,

      We live in a world with gradually increasing levels of uncertainty and ambiguity. Over the last few decades we've become much more comfortable with uncertainty, but still suck at dealing with ambiguity. Ambiguity is not knowing what you are looking at, as in those trick drawings that look like a rabbit one way, a duck another way. Uncertainty is not knowing what to do with what you're looking at. Unlike uncertainty, which is about missing or noisy information, ambiguity can exist even with complete, clean information. It is about interpretation and meaning, and is as such a truly creative act of seeing.

    1. Chief Happiness Officer

      Sorry, I can't think of a corporate hierarchy chart and think "happiness". Just can't...with a little smirky lift of my lips. My bias. How can a corporation be happy? Aggregate of all the happy workers? I aint never seen no corporation smile.

    1. framingchoicesmatter.

      In other words acknowledging that the solution to the problem might live in how you set the uncertainty and ambiguity levels when you frame the question/problem.

  3. May 2016
    1. Weproposethattheefficiencyoftheproblem-solvingprocessandtheoutcomeofthisprocessdependsonthefitbetweentheuncertaintyandambiguitylevelschosen,theresourcesavailable,andtheorganizationalcontext.

      You can choose ambiguity and uncertainty levels? I thought they just came to you as part of the problem. Exogenous.

    1. Knowledge, the state of having collapsed ambiguity around an X, but not necessarily uncertainty, is always an instrumental state. You don’t know what X means, but you have figured out some things you can do with or to X, and what else you need by way of data and Y’s and Z’s in order to do it.

      Startling a fox in the woods! What an idea--ideas like black holes, always collapsing and constraining, trapping the reader in a monad.

    2. Being a Lost Reader I define being lost in reading as not knowing how to read whatever it is you are trying to read. How you read — with trust or skepticism, unironically, or unironically, respectfully or disdainfully — determines what you will get out of the experience. So to know how to read something is to have already judged what you can get out of the experience. This means operating with either prejudice or received authority. When you read without knowing how to read, you may not find out for years, or ever, whether what you read was true, false, or bullshit (suitably generalized for aesthetic truths). Or indeed, even what you just read. Do a twitter search for the phrase “what did I just read?” to get a sense of this state if you haven’t experienced it. It is the textual equivalent of “what exactly am I looking at here?” or “who is this for?” There are both epistemological and ontological components to being lost.

      Susan. Maybe I spoke too quickly when I said the response to Deleuze was gibberish. That has too much negative tone to it. It is gibberish to me. I get lost in it and ask myself, "WTF is this?" and "Where the hell am I?" This post in ribbonfarm blog makes me feel the same way, but happier.

    1. Teachers are just not really ready to dive into the core principles of Connected Learning because it remains an unknown idea.

      Maybe they make unconscious connections CommonCore/ConnectedLearning?

    1. What space would these words take up? How might they move? What would be their destination? How could they shape reflection?

      Soiunds like an inquiry machine.

    2. Act 2.

      Is this your way of hinting that "There are no second acts in American lives."? Cuz I don't see no nothing here between Act 2 and Footnotes.

    1. "Teaching like strawberries"

      “The irony of the process of thought control: the more energy you put into trying to control your ideas and what you think about, the more your ideas end up controlling you.” ― Nassim Nicholas Taleb, Antifragile: Things That Gain from Disorder

    2. "Memory is never a precise duplicate of the original...it is a continuing act of creation." 

      Different types of cells in the body are being replaced at different rates. Brain cells are the oldest in the body. I wonder if that has to do with memory?

    3. Scratching around...

      This is a feldgang, but with a twist. I see you taking on different identities, passing on to the next one some "baton" and then carrying on the conversation within that new set of bones. Or maybe it is a strawberry runner putting down roots and making a rhizomatic mat and carrying on, passing on hyphae and rooting ever on. All I know for sure is that I want to draw a random walking line down your post's page. I don't know why, but that is what I see in my crystal self.

    1. It’s been a little more than three years since Margaret Mary Vojtko, an adjunct professor of French at Duquesne University, died in abject poverty at age 83. Despite having taught at Duquesne for 25 years, she had so little money that she was sleeping in her office after being unable to heat her home due to medical bills incurred as she fought ovarian cancer. Vojtko received $3,500 a course, and earned an average annual salary of less than $10,000. Like most adjuncts, she received no benefits, no health care, and no retirement plan from the university, forcing her to work well past the age of the average American pensioner.

      The Age of Indifference

    1. curriculum of wide-awakeness

      First blush: do these words belong together? Curriculum and wide-awakeness? When I think of curriculum, I think of a track that I am running in, that the rules do not allow variance, that is pre-set and pre-determined. Wide-awakeness seems to be opposed. Perhaps as the terms are defined my thoughts will change.

  4. Apr 2016
    1. A corpse is a corpse is a corpse.

      "Exquisite Corpse was a perfect parlor game, involving elements of unpredictability, chance, unseen elements, and group collaboration—all in service of disrupting the waking mind’s penchant for order."

    1. My direction.

      Sometimes it is this far and not one step further. Sometimes the gravity of the time, the zeitgeist tsunami sweeps us all away. Sometimes I wear seven league boots and eat up the time and space beneath me like some meth-fueled hillbilly.

    2. the directionality that is constitutive

      loves me some directionalitus constitutificationobus. Especially soaked in the brine of orphans' tears and cooked sous vide with brimstone. Yummy.

    1. became city planners, planning a new city,-Capacity

      I am interested in the idea of cities that grow organically from the needs of its residents as opposed to the desires of those who think they control. Christopher Alexander comes to mind:

    2. became interesting not when it grew but when it shrank.

      Or as Linus Torvalds wrote, Interested not in how it got big but how it got small. In other words--the roots of community and community building.

    1. Is it learning that is innate or is it curiosity

      Curiosity is inate. Learning is the result. But learning can be other lesser results as well.

    2. As always

      Scene: Two poker players, green felt table, chips in the middle. Smoke. Drinks with little water rings on cardboard coasters. Well past civil hours.

      You: I am a dustballfilled ramble through inate obscurity where curiosity is the center. I am on tap a decent beer to drink with a meal. So what are you?

      Me: I might be your friend with tough questions and no solutions or a librarian contrarian or a dust bunny with no center except the curiosity that opens up in a little corners of the world, ones we didn’t quite know were there.

      You: Deal.

  5. impedagogy.com impedagogy.com
    1. Eventually, the way I taught at the end of the year became the way I taught year-round.

      Love the sentiment and the practice here. Also I want teachers to add an "idler" element into their practice and into their students lives. I wouldn't even mind a bit of the ol' slacker either. Abe Lincoln oft-quoted about taking the time to sharpen the axe.

    1. "We have professional college teachers who have master's degrees in their field who have very little income, are on food stamps, or things like that,

      Is this happening here?

    1. •Integration of current developments in the scholarship of teaching or in the instructor’s field of expertise into the classroom

      What would this mean?

    2. the Department will relyonevaluations of teachingby colleagues in the Department, student feedback, anddata submitted by the candidate

      colleague recommendations? other data besides SITES

    3. We also recognize that new technologies have created opportunities inside and outside the classroomto improve student learning. The department values innovative and successful teaching in both traditional and technologically enhanced classes.

      describe an exemplary lesson? describe an exemplary course? Describe an exemplary service moment?

    4. Candidates must provide documentation that illustrates their achievements in teaching, research, and service, including SITE evaluations.

      what documentation will we expect?

    Annotators

    1. Resilience or Resistance?

      “The general principle of antifragility, it is much better to do things you cannot explain than explain things you cannot do.” – Nassim Taleb

    1. Probably, because they are "too busy" with the work of connecting youth and volunteers, and collecting information to convince donors to continue supporting them.

    2. or to help new programs grow in other places.

      OK, we need you to take six months away from your busy schedule to write this book: "Rules for Radical Digital Community Organizers" written by a kinder, gentler Alinsky-like leader--Daniel.

    3. On the Mapping for Justice blog I've been posting articles pointing to other data portals. I also created a concept map, showing some of the portals I have found.

      Daniel has been modeling this digital community organizer role for as long as there has been a graphical environment. I know that he has paired with some folks at Indiana University to help with his work and would love to hear how that is turning out.

    4.  I recognized several years ago that adding layers of information showing arts/tech would enable users to know where such programs were located, and where more are needed, but I've never found the resources/partners to build this level of understanding.

      I think this is a profound question you have raised: building levels of understanding, how to do it. The understanding comes from the connectivity, connectivism at work, right? Now I see why you valued your time at CLMOOC with folks who know that knowledge, learning and ultimately wisdom are the result of interaction, relating, sharing, playing and being in a shared space. In areas of poverty, that is the richest resource--each other and what we can make together. You can substitute a lot of capital with human caring and sharing. A lot. We need digital community organizers. We need them badly! Stand aside, Obama, and make room for the Digital Community Concierge

    5. the Chicago Tutor/Mentor Program Locator, created by my organization in 2008,

      Everything appeared to work for me. I assume that you need volunteers to update information. Ideally, you need API's that help you do that automatically. This represents a real opportunity for someone to help you automate your system. Or...scary thought...rebuild it. The problem is always how do we keep up with the data. Since this "keeping up" represents a huge investment in time (hence, dollars) I can appreciate your difficulty.

    6. Virtual Corporate Office presentation

      William Gibson's aphorism--the future is here, just not evenly distributed--applies here. I appreciate how Daniel sees Little Black Pearl's work and attaches his own to it--as in "Let a 1000 little black pearls grow." What he likens learning (the tutor/mentor connection) to is company distribution system. Corporations could be that learning distribution system. Any organization could be part of that distribution system. It is a profound piece of a new way of looking at learning as apart from schooling. Let's get to evenly distributing Daniel's ideas. They deserve a much wider listening circle.

      .png)