8 Matching Annotations
  1. Oct 2022
    1. Cattell, J. McKeen. “Methods for a Card Index.” Science 10, no. 247 (1899): 419–20.

      Columbia professor of psychology calls for the creation of a card index of references to reviews and abstracts for areas of research. Columbia was apparently doing this in 1899 for the psychology department.

      What happened to this effort? How similar was it to the system of advertising cards for books in Germany in the early 1930s described by Heyde?

    1. Goutor doesn't specifically cover the process, but ostensibly after one has categorized content notes, they are filed together in one's box under that heading. (p34) As a result, there is no specific indexing or cross-indexing of cards or ideas which might be filed under multiple headings. In fact, he doesn't approach the idea of filing under multiple headings at all, while authors like Heyde (1931) obsess over it. Goutor's method also presumes that the creation of some of the subject headings is to be done in the planning stages of the project, though in practice some may arise as one works. This process is more similar to that seen in Robert Greene's commonplacing method using index cards.

    1. In "On Intellectual Craftsmanship" (1952), C. Wright Mills talks about his methods for note taking, thinking, and analysis in what he calls "sociological imagination". This is a sociologists' framing of their own research and analysis practice and thus bears a sociological related name. While he talks more about the thinking, outlining, and writing process rather than the mechanical portion of how he takes notes or what he uses, he's extending significantly on the ideas and methods that Sönke Ahrens describes in How to Take Smart Notes (2017), though obviously he's doing it 65 years earlier. It would seem obvious that the specific methods (using either files, note cards, notebooks, etc.) were a bit more commonplace for his time and context, so he spent more of his time on the finer and tougher portions of the note making and thinking processes which are often the more difficult parts once one is past the "easy" mechanics.

      While Mills doesn't delineate the steps or materials of his method of note taking the way Beatrice Webb, Langlois & Seignobos, Johannes Erich Heyde, Antonin Sertillanges, or many others have done before or Umberto Eco, Robert Greene/Ryan Holiday, Sönke Ahrens, or Dan Allosso since, he does focus more on the softer portions of his thinking methods and their desired outcomes and provides personal examples of how it works and what his expected outcomes are. Much like Niklas Luhmann describes in Kommunikation mit Zettelkästen (VS Verlag für Sozialwissenschaften, 1981), Mills is focusing on the thinking processes and outcomes, but in a more accessible way and with some additional depth.

      Because the paper is rather short, but specific in its ideas and methods, those who finish the broad strokes of Ahrens' book and methods and find themselves somewhat confused will more than profit from the discussion here in Mills. Those looking for a stronger "crash course" might find that the first seven chapters of Allosso along with this discussion in Mills is a straighter and shorter path.

      While Mills doesn't delineate his specific method in terms of physical tools, he does broadly refer to "files" which can be thought of as a zettelkasten (slip box) or card index traditions. Scant evidence in the piece indicates that he's talking about physical file folders and sheets of paper rather than slips or index cards, but this is generally irrelevant to the broader process of thinking or writing. Once can easily replace the instances of the English word "file" with the German concept of zettelkasten and not be confused.

      One will note that this paper was written as a manuscript in April 1952 and was later distributed for classroom use in 1955, meaning that some of these methods were being distributed from professor to students. The piece was later revised and included as an appendix to Mill's text The Sociological Imagination which was first published in 1959.

      Because there aren't specifics about Mills' note structure indicated here, we can't determine if his system was like that of Niklas Luhmann, but given the historical record one could suppose that it was closer to the commonplace tradition using slips or sheets. One thing becomes more clear however that between the popularity of Webb's work and this (which was reprinted in 2000 with a 40th anniversary edition), these methods were widespread in the mid-twentieth century and specifically in the field of sociology.

      Above and beyond most of these sorts of treatises on note taking method, Mills does spend more time on the thinking portions of the practice and delineates eleven different practices that one can focus on as they actively read/think and take notes as well as afterwards for creating content or writing.

      My full notes on the article can be found at https://jonudell.info/h/facet/?user=chrisaldrich&max=100&exactTagSearch=true&expanded=true&addQuoteContext=true&url=urn%3Ax-pdf%3A0138200b4bfcde2757a137d61cd65cb8

  2. Sep 2022
    1. But even if onewere to create one’s own classification system for one’s special purposes, or for a particularfield of sciences (which of course would contradict Dewey’s claim about general applicabilityof his system), the fact remains that it is problematic to press the main areas of knowledgedevelopment into 10 main areas. In any case it seems undesirable having to rely on astranger’s

      imposed system or on one’s own non-generalizable system, at least when it comes to the subdivisions.

      Heyde makes the suggestion of using one's own classification system yet again and even advises against "having to rely on a stranger's imposed system". Does Luhmann see this advice and follow its general form, but adopting a numbering system ostensibly similar, but potentially more familiar to him from public administration?

    2. It is obvious that due to this strict logic foundation, related thoughts will not be scattered allover the box but grouped together in proximity. As a consequence, completely withoutcarbon-copying all note sheets only need to be created once.

      In a break from the more traditional subject heading filing system of many commonplacing and zettelkasten methods, in addition to this sort of scheme Heyde also suggests potentially using the Dewey Decimal System for organizing one's knowledge.

      While Luhmann doesn't use Dewey's system, he does follow the broader advice which allows creating a dense numbering system though he does use a different numbering scheme.

    3. The layout and use of the sheet box, as described so far, is eventually founded upon thealphabetical structure of it. It should also be mentioned though

      that the sheetification can also be done based on other principles.

      Heyde specifically calls the reader to consider other methods in general and points out the Dewey Decimal Classification system as a possibility. This suggestion also may have prompted Luhmann to do some evolutionary work for his own needs.

    4. re all filed at the same locatin (under “Rehmke”) sequentially based onhow the thought process developed in the book. Ideally one uses numbers for that.

      While Heyde spends a significant amount of time on encouraging one to index and file their ideas under one or more subject headings, he address the objection:

      “Doesn’t this neglect the importance of sequentiality, context and development, i.e. doesn’t this completely make away with the well-thought out unity of thoughts that the original author created, when ideas are put on individual sheets, particularly when creating excerpts of longer scientific works?"

      He suggests that one file such ideas under the same heading and then numbers them sequentially to keep the original author's intention. This might be useful advice for a classroom setting, but perhaps isn't as useful in other contexts.

      But for Luhmann's use case for writing and academic research, this advice may actually be counter productive. While one might occasionally care about another author's train of thought, one is generally focusing on generating their own train of thought. So why not take this advice to advance their own work instead of simply repeating the ideas of another? Take the ideas of others along with your own and chain them together using sequential numbers for your own purposes (publishing)!!

      So while taking Heyde's advice and expand upon it for his own uses and purposes, Luhmann is encouraged to chain ideas together and number them. Again he does this numbering in a way such that new ideas can be interspersed as necessary.

    5. If a more extensive note has been put on several A6 sheets subsequently,

      Heydes Overbearing System

      Heyde's method spends almost a full page talking about what to do if one extends a note or writes longer notes. He talks about using larger sheets of paper, carbon copies, folding, dating, clipping, and even stapling.

      His method seems to skip the idea of extending a particular card of potentially 2 or more "twins"/"triplets"/"quadruplets" which might then also need to be extended too. Luhmann probably had a logical problem with this as tracking down all the originals and extending them would be incredibly problematic. As a result, he instead opted to put each card behind it's closest similar idea (and number it thus).

      If anything, Heyde's described method is one of the most complete of it's day (compare with Bernheim, Langlois/Seignobos, Webb, Sertillanges, et al.) He discusses a variety of pros and cons, hints and tips, but he also goes deeper into some of the potential flaws and pitfalls for the practicing academic. As a result, many of the flaws he discusses and their potential work arounds (making multiple carbon copies, extending notes, etc.) add to the bulk of the description of the system and make it seem almost painful and overbearing for the affordances it allows. As a result, those reading it with a small amount of knowledge of similar traditions may have felt that there might be a better or easier system. I suspect that Niklas Luhmann was probably one of these.

      It's also likely that due to these potentially increasing complexities in such note taking systems that they became to large and unwieldly for people to see the benefit in using. Combined with the emergence of the computer from this same time forward, it's likely that this time period was the beginning of the end for such analog systems and experimenting with them.