CAA Raises Eight to Agent by Mia Galuppo

Kate Arenson, Jessica Brown, Sydney Chance, Emmett Gordon, Ron Jordan, Sydney Lipsitz, Peter Morton and Andi Wong have been upped.

read on Fri 2022-12-09 7:10 AM

APA Leaders Talk Growth and Dealing With DOJ on CAA-ICM Acquisition by Cynthia Littleton

read on Thu 2022-12-08 6:55 AM

https://www.lydiawills.com/agency.html

http://voyagela.com/interview/meet-victoria-kray-victory-astrology-publishing-central-la-hollywood/

Website: www.VICTORYASTROLOGY.COM<br /> Phone: 323-632-3217<br /> Email: victoriakray@gmail.com<br /> Instagram: VICTORYASTROLOGY

This is an interesting perspective, but are there cases where it's false?

Link to the idea at CAA that you haven't really read a script unless you've actively acted upon what you've read.

Before beginning this piece I'm reminded to note some advice given to me by Rick Kurtzman at Creative Artists Agency (CAA) on reading scripts: If you're not going to act on having read (a script), then why bother having read it in the first place?

He meant to make notes, write coverage, create writer lists for rewriting, producer lists for selling, director list for directing, casting lists. One should tell people about the (good) things one read. Make your reading produce something.

One needs to re-read and reprocess things from time to time. This is a part of the combinatorial creativity that having notes is for.

This is reminiscent of the CAA addage: "If you read something and then don't tell anyone about it, you may as well not have read it in the first place."