In this same paragraph, the ‘Pikolo’ is said to be a ‘fattorino-scritturale, addetto alla pulizia della baracca, alle consegne degli attrezzi, alla lavatura delle gamelle, alla contabilità delle ore di lavoro del Kommando’, and three paragraphs later Levi adds that ‘la carica di Pikolo costituisce un gradino già assai elevato nella gerarchia delle Prominenze’.
Whereas the other titles mentioned in this chapter - Vorarbeiter; Kapo - identify recognised positions within the hierarchy of the Lager, Pikolo, according to the testimony of Jean Samuel, was the invention of Primo Levi: ‘Pikolo was not a camp job. The term was coined for me by Primo Levi. I was the only Pikolo. Of course, all the Kapos had helpers, often very young people, sometimes as young as twelve, who served as their assistants, doing everything they asked, including prostitution. The Kapos’ lovers, their sexual victims, were called “Pipel”. I escaped all that’ (Samuel, Dreyfus 2015, 37; my translation).
Jean’s testimony also raises questions about the spelling of this term. In a letter he sent to Levi on 13 March 1946, Jean signed his name with his title and identification number from Auschwitz, ‘Picolo ex 176.397’, amending the spelling to ‘Piccolo’ in subsequent correspondence (Franceschini 2017, 268). Moreover, Levi replied to Jean’s letter with a note dated 24 May 1946, attached to which was an early draft of ‘Il canto di Ulisse’, which differs in some ways from what would become the published version, including identifying Levi’s conversation partner as ‘Jean detto Piccolo', a spelling that corresponds to that adopted in the draft of the chapter that Levi sent to Anna Foa on 14 February 1946 (269). Beginning with the first edition of SQ, however, the spelling of Jean’s title was changed to ‘Pikolo’. Fabrizio Franceschini argues that Levi adopted this term, with its new spelling, from its common usage in northern Italian (and possibly also in Vienna in German usage) to refer to shop boys and other minor functionaries (272-79).
CLL