why do our journalists feel they' got to fly to other parts of the world with the camera crew to film some disaster that's elsewhere that's occurred elsewhere why can't those people be training to use the cameras and Report you we we've embedded this sort of colonial view of the world and this Elite view of the world and we like to think of ourselves as good people in this and there's something deeply problematic in all of this and we have to start to unpick this if we're going to be serious about climate change

We’d read it out loud and then talk about it. So when I’m talking to my DP or production designer and we have to change the way we’re making a scene, we could always navigate it because they understood what we needed to achieve. It wasn’t just, “Greta has our job and we have our job.” It was, “We know what Greta has to accomplish in this scene because we know how this part of the story fits into the whole script.” We were all partners in how we were going to face the day.

Double Happiness director