2 Matching Annotations
  1. Feb 2022
    1. In preparing these instructions, Gaspard-Michel LeBlond, one of their authors, urges the use of uniform media for registering titles, suggesting that “ catalog materials are not diffi cult to assemble; it is suffi cient to use playing cards [. . .] Whether one writes lengthwise or across the backs of cards, one should pick one way and stick with it to preserve uniformity. ” 110 Presumably LeBlond was familiar with the work of Abb é Rozier fi fteen years earlier; it is unknown whether precisely cut cards had been used before Rozier. The activity of cutting up pages is often mentioned in prior descrip-tions.

      In published instructions issued on May 8, 1791 in France, Gaspard-Michel LeBlond by way of standardization for library catalogs suggests using playing cards either vertically or horizontally but admonishing catalogers to pick one orientation and stick with it. He was likely familiar with the use of playing cards for this purpose by Abbé Rozier fifteen years earlier.

    2. Rozier chances upon the labor-saving idea of producing catalogs according to Gessner ’ s procedures — that is, transferring titles onto one side of a piece of paper before copying them into tabular form. Yet he optimizes this process by dint of a small refi nement, with regard to the paper itself: instead of copying data onto specially cut octavo sheets, he uses uniformly and precisely cut paper whose ordinary purpose obeys the contingent pleasure of being shuffl ed, ordered, and exchanged: “ cartes à jouer. ” 35 In sticking strictly to the playing card sizes available in prerevolutionary France (either 83 × 43 mm or 70 × 43 mm), Rozier cast his bibliographical specifi cations into a standardized and therefore easily handled format.

      Abbé François Rozier cleverly transferred book titles onto the blank side of French playing cards instead of cut octavo sheets as a means of indexing after being appointed in 1775 to index the holdings of the Académie des Sciences in Paris.