Rundell, Katherine. Super-Infinite: The Transformations of John Donne. Farrar, Straus and Giroux, 2022.

How do we better distinguish the margins between histories, biographies, and hagiographies and the motivations of the writers who produce them?

How do we better underline these subtleties to the broader publics outside of historians and other specialists?

https://www.youtube.com/watch?v=WIfH-iSGa5M

2021-05-12

Dr. Hanan Harif started out as a Geniza scholar but is now a biographer of Shlomo Dov Goitein.

In the 1920s Goitein published his only play Pulcellina about a Jewish woman who was burned at the stake in France in 1171.

Had a friendship with Levi Billig (1897-1936)

You know very well the verse on Tabari that says: 'You wrote history with such zeal that you have become history yourself.' Although in your modesty you would deny it, we suggest that his couplet applies to yourself as well." —Norman Stillman to S.D. Goitein in letter dated 1977-07-20

Norman Stillman was a student of Goitein.

What has Hanan Harif written on Goitein? Any material on his Geniza research and his note cards? He addressed some note card material in the Q&A, but nothing direct or specific.

Goitein's Mediterranean Society project was from 1967-1988 with the last volume published three years after his death. The entirety of the project was undertaken at University of Pennsylvania.

The India Book, India Traders was published in 2007 (posthumously) as a collaboration with M.A. Friedman.

Goitein wrote My Life as a Scholar in 1970, which may have some methodological clues about his work and his card index.

He also left his diaries to the National Library of Israel as well and these may also have some clues.

His bibliography is somewhere around 800 publications according to Harif, including his magnum opus.

Harif shows a small card index at 1:15:20 of one of Goitein's collaborators (and later rival) Professor Eliasto (unsure of this name, can't find direct reference?). Harif indicates that the boxes are in the archives where he's at (https://www.nli.org.il/en/discover/archives/archives-list ? though I don't see a reasonable name/materials there, so perhaps it's at his home at Rothberg International School of the Hebrew University of Jerusalem).

https://en.wikipedia.org/wiki/Brian_Eno

Samoyault, Tiphaine, and Jonathan Culler. Barthes: A Biography. Translated by Andrew Brown, 1st edition, Polity, 2017.

Despite the limited airplay of punk overseas, Dookie sold 50,000 copies in Europe in 1994 and built a following for Green Day internationally.

Green Day began in San Francisco, California, as an escape for two troubled teens— Michael Dirnt and Billie Joe Armstrong. Dirnt (born Michael Pritchard) was the son of a heroin-addicted mother. A Native American woman and her white husband adopted Dirnt, but they divorced when he was an adolescent. At that time, Dirnt returned to his birth mother, then left home at age fifteen, renting a room from the family of a school friend—Billie Joe Armstrong. (The friendship had solidified around the time of the death of Armstrong's father, when Billie Joe was about ten years old.) Dirnt and Armstrong eventually moved out on their own, inhabiting various basements throughout Berkeley, California, and frequenting a club called the Gilman Street Project.Armstrong and Dirnt hired Jeff Kiftmeyer as the new drummer and began touring. Upon their return to California in 1990, Gilman Street Project regular Tré Cool replaced Kiftmeyer as the drummer. This combination turned into the formula for Green Day's success as the band tried to bring punk rock into the mainstream.This trio of tattooed, pierced, and dyed-hair 22-year-olds emerged in 1994 as one of the hottest commodities in the entertainment business and ushered in punk as the heir apparent to grunge in rock and roll's quirky evolution. For all their efforts, the band has helped make punk mainstream and opened the gates for other punk bands including former Lookout! labelmates, the Offspring and Rancid.

Green Day's first number one album since 1994's multi-platinum Dookie--which is likely due to the fact that while the lyrics may have a deeper meaning, the hooks are still there, and they are played with the same intensity that made the group famous more than a decade ago. Spin said the title track was "Green Day's most epic song yet.

Like their punk predecessors, Green Day showed commitment and passion in their songs while reveling in disorder with their outlandish stage theatrics. Whether drawn to the on-stage antics or the music, listeners have always responded well to Green Day. Audiences have purchased an unprecedented number of the band's albums and continue to attend their concerts in large numbers. Both critics and music industry organizations have handed the band honors and praise for its music and lyrics.

Their lyrics dwell on "hormone-related" issues such as alienation, resentment, disillusionment, hopelessness, and self-destruction. Typically punk, they preach redemption through realism. It is not surprising then that Green Day's material was once classified as "music for people with raging hormones and short attention spans.

Moreover, critics lauded Dookie for its melodies and lyrics as well as for its controlled frenzy. In June 1994, Time reviewer Christopher John Farley even went so far as to declare the work the best rock CD of the year. In 1995, Dookie won the prestigious Grammy Award for Best Alternative Music Performance. Rolling Stone Music Awards also recognized Dookie as the best album of the year and named Green Day the best band of 1995. "Longview" from Dookie also received two honors at Billboard's Music Video Awards. It was MTV's constant playing of "Longview" that made the punk-pop song more than an alternative hit and Green Day a major crossover success with mainstream audiences. Similarly, Green Day's singles earned impressive credits. In 1995, for example, "When I Come Around" spent more than twenty weeks on Billboard's Hot 100 Chart, eighteen weeks on the Modern Rock Tracks Chart, eleven weeks on the Hot 100 Recurrent Air Play List, and nine weeks on the Top 40 Air Play Chart. The next year "Geek Stink Breath" endured for eight weeks on Billboard's Hot 100 Air Play Chart.

If ever an alternative rock group epitomized modern punk, it would be Green Day. Influenced by groups like British punk rockers The Sex Pistols and The Clash, as well as by the 1960s British Invasion pop group The Kinks, Green Day's Billie Joe Armstrong, Mike Dirnt, and Tré Cool built on the British punk sound of the 1970s to carve their own place in pop music history.