7 Matching Annotations
- Sep 2023
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The Chord-Scale Theory and Jazz Harmomny Netles & Graf 1997 (not searchable)
blues progressions - p 101
Tags
- voicing
- reharmonisation-diatonic
- harmony
- sequential-substitute-V
- chord-scale-theory
- nonfunctional-harmony
- modes
- substitute-V
- phd-blues-harmony-progressions
- blues
- modal-harmony
- chord-symbols-voicing-specific
- minor-key-harmony
- polychords
- cliches
- blues-harmony
- source:nettles-graf
- sequential-V
- chord-voicing
Annotators
URL
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- Jun 2023
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musictheory.pugetsound.edu musictheory.pugetsound.eduScales1
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docdrop.org docdrop.org
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The Blues Scale
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docdrop.org docdrop.org
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The progression shown in Figure 9.9 exemplifies the structure of a minor blues.4The chord structure of the minor blues is characterized by the presence of traditionaltonal progressions. For instance, the tonicization of iv in m. 4 uses a secondary dominant7th, V7/iv, and the motion to V 7 in m. 10 is prepared by the ≤VI7 chord. This particularpreparation of the dominant 7th, ≤VI7–V7, is one of the harmonic trademarks of the minorblues.
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Figure 9.8 establishes a couple of chord–scale relationships for the basic blues progressionin the key of B≤. Figure 9.8a uses major and minor blues scales and Figure 9.8b combinesblues scales and modes
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Chapter 9 discusses the most important form in jazz, the blues, examines the structureof the blues scale, and provides chord–scale relationships for the basic and minor bluesprogressions
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- May 2023
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viva.pressbooks.pub viva.pressbooks.pub
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Blues Melodies and the Blues Scale
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