- Sep 2024
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en.wikipedia.org en.wikipedia.org
Tags
- Benjamin Tillman
- Philippine-American War
- Diamond Jubilee of Queen Victoria
- white supremacy
- colonialism
- Mark Twain
- The White Man's Burden
- Spanish-American War
- power over
- white power
- imperialism
- Dan Allosso Book Club 2024-09-28
- mission of civilisation
- manifest destiny
- Henry Labouchère
- empire
- William McKinley
- Rudyard Kipling
- jingoism
- Boxer Rebellion
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- Mar 2024
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These efforts were magnified as a result of promotional skillsdemonstrated by such organizations as the Colonial Dames, who worked toelevate the Mayflower Pilgrims and Winthrop’s Puritans into some of theforemost figures in our national memory.
What parallelisms were there between the Colonial Dames, Daughters of the American Revolution, or Lost Cause societies that fundraised for Civil War statues in the post-Civil War and 19-teens to promote white power in the American south?
Did the structures and existence inform later efforts?
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- Mar 2022
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en.wikipedia.org en.wikipedia.org
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An early example of a timber circle witnessed by Europeans was recorded by watercolor artist John White in July 1585 when he visited the Algonquian village of Secotan in North Carolina. White was the artist-illustrator and mapmaker for the Roanoke Colony expedition sent by Sir Walter Raleigh to begin the first attempts at British colonization of the Americas.[2] White's works represent the sole-surviving visual record of the native inhabitants of the Americas as encountered by England's first colonizers on the Atlantic seaboard.[3] White's watercolor and the writings of the chronicler who accompanied him, Thomas Harriot, describes a great religious festival, possibly the Green Corn ceremony, with participants holding a ceremonial dance at a timber circle. The posts of the circle were carved with faces. Harriot noted that many of the participants had come from surrounding villages and that "every man attyred in the most strange fashion they can devise havinge certayne marks on the backs to declare of what place they bee." and that "Three of the fayrest Virgins" danced around a central post at the center of the timber circle.[4]
Artist, illustrator and mapmaker John White painted a watercolor in July 1585 of a group of Native Americans in the Secotan village in North America. Both he and chronicler Thomas Harriot described a gathering of Indigenous peoples gathered in the Algonquian village as part of Sir Walter Raleigh's Roanoke Colony expedition. They describe a festival with participants holding a dance at a timber circle, the posts of which were carved with with faces.
Harriot wrote that participants had come from surrounding villages and that "every man attyred in the most strange fashion they can devise havinge certayne marks on the backs to declare of what place they bee."
This evidence would generally support some of Lynne Kelly's thesis in Knowledge and Power. A group of neighboring peoples gathering, possibly for the Green Corn Ceremony, ostensibly to strengthen social ties and potentially to strengthen and trade knowledge.
Would we also see others of her list of markers in the area?
Read references: - Daniels, Dennis F. "John White". NCpedia. Retrieved 2017-12-19. - Tucker, Abigal (December 2008). "Sketching the Earliest Views of the New World". Smithsonian Magazine. Retrieved 2017-12-19. - "A Selection of John White's Watercolors : A festive dance". Encyclopedia Virginia. Retrieved 2017-12-19.
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- Dec 2021
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www.businessinsider.com www.businessinsider.com
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Far-right lures recruits using COVID-19 conspiracy theories, alongside misogyny, anti-Semitism, and Islamophobia, says study. (n.d.). Retrieved December 21, 2021, from https://ca.movies.yahoo.com/far-lures-recruits-using-covid-134548878.html
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- Oct 2021
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outlooknewspapers.com outlooknewspapers.com
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The agenda item did bring in one detractor in resident Mike Mohill, who called it “polarizing” and described the city as being “very fine” in its current era.
"Very fine" is a dog whistle statement here created by Donald J. Trump and indicates his approval of white power. See also:
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- May 2021
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crookedtimber.org crookedtimber.org
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I know tech policy pretty well, and this absolute dumpster fire of a policy area isn’t just a cool new place to build a blockchain-based commons, but a hard-right haven of male libertarians asset-stripping the social democratic state to build global monopolies that re-run nineteenth century colonialism, but bigger.
A well stated version of our current problem.
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- Feb 2021
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rebelliousdata.com rebelliousdata.com
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<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'>Jack Jamieson</span> in I really appreciate @emmibevensee’s r… (<time class='dt-published'>02/13/2021 12:36:00</time>)</cite></small>
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- Jan 2021
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www.cigionline.org www.cigionline.org
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What will it take to break this circuit, where white supremacists see that violence is rewarded with amplification and infamy? While the answer is not straightforward, there are technical and ethical actions available.
How can this be analogized to newspapers that didn't give oxygen to the KKK in the early 1900's as a means of preventing recruiting?
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- Nov 2020
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www.csmonitor.com www.csmonitor.com
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If this is populism, it’s an aggressive strain. Left-leaning historian Rick Perlstein calls Trump’s general appeal “herrenvolk democracy.” It’s not conservatism at all. It’s big government, and big government programs, but only for the deserving.
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- Jul 2018
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www.newyorker.com www.newyorker.com
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“The most effective adaptation of racism over time,” DiAngelo claims, “is the idea that racism is conscious bias held by mean people.” This “good/bad binary,” positing a world of evil racists and compassionate non-racists, is itself a racist construct, eliding systemic injustice and imbuing racism with such shattering moral meaning that white people, especially progressives, cannot bear to face their collusion in it. (Pause on that, white reader. You may have subconsciously developed your strong negative feelings about racism in order to escape having to help dismantle it.)
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DiAngelo addresses her book mostly to white people, and she reserves her harshest criticism for white liberals like herself (and like me), whom she sees as refusing to acknowledge their own participation in racist systems. “I believe,” she writes, “that white progressives cause the most daily damage to people of color.” Not only do these people fail to see their complicity, but they take a self-serving approach to ongoing anti-racism efforts: “To the degree that white progressives think we have arrived, we will put our energy into making sure that others see us as having arrived.”
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And the expectation of “white solidarity”—white people will forbear from correcting each other’s racial missteps, to preserve the peace—makes genuine allyship elusive. White fragility holds racism in place.
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DiAngelo attempts to explicate the phenomenon of white people’s paper-thin skin. She argues that our largely segregated society is set up to insulate whites from racial discomfort, so that they fall to pieces at the first application of stress—such as, for instance, when someone suggests that “flesh-toned” may not be an appropriate name for a beige crayon. Unused to unpleasantness (more than unused to it—racial hierarchies tell white people that they are entitled to peace and deference), they lack the “racial stamina” to engage in difficult conversations. This leads them to respond to “racial triggers”—the show “Dear White People,” the term “wypipo”—with “emotions such as anger, fear and guilt,” DiAngelo writes, “and behaviors such as argumentation, silence, and withdrawal from the stress-inducing situation.”
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