22 Matching Annotations
  1. Aug 2025
    1. harmonically this is pretty straightforward we're in the key of E minor right now and I've got the e natural minor scale loaded up on the accordion

      So excited to see aQWERTYon allows you to set to a key and a major/minor tonality, in this case E minor. This means the base note (bottom-left, Z) is E as the tonic of the E minor. This allows for both fixed do naming of actual notes (without needing to hear the nice music transposed) and at the same time analyze the music and chords FUNCTIONALLY (in the movable do sense). Truly the best of both worlds!

  2. Apr 2023
  3. Mar 2023
  4. Aug 2022
  5. May 2022
  6. Mar 2022
    1. ```latex Start slowly and then increase in ascending until you reach the forte, then decrease in descending until you reach the piano. Then repeat the scales (always in groups of three) with the colors in reverse, that is to start strong and decrease ifno to the floor in ascending, then increase to the strong in descending.\begin{lilypond} \header { title = "C Major Scale" }\layout { \context { \Voice \consists "Horizontal_bracket_engraver" } } \relative c' {

      \clef F c,4-1\p\<\startGroup_\markup{gr. 3} d-2 e-3\stopGroup f-1\startGroup_\markup{gr. 4} g-2 a-3 b-4 \stopGroup \clef G c4-1\startGroup_\markup{gr. 3} d-2 e-3\stopGroup f-1\startGroup_\markup{gr. 4} g-2 a-3 b-4\stopGroup c-1\startGroup_\markup{gr. 3} d-2 e-3\stopGroup f-1\startGroup_\markup{gr. 4+1} g-2 a-3 b-4 c-5\f!\stopGroup b-4>\startGroup_\markup{gr. 4} a-3 g-2 f-1\stopGroup e-3\startGroup_\markup{gr. 3} d-2 c-1\stopGroup b-4\startGroup_\markup{gr. 4} a-3 g-2 f-1\stopGroup e-3\startGroup_\markup{gr. 3} d-2 c-1\stopGroup \clef F b-4\startGroup_\markup{gr. 4} a-3 g-2 f-1\stopGroup e-3\startGroup_\markup{gr. 3} d-2 c-1\p!\stopGraceMusic r } \end{lilypond}Perform loudly with the right hand and softly with the left hand, then vice versa. Then switch the \textit{crescendo} and \textit{diminuendo} between the two hands. ```

  7. Feb 2022
  8. Jan 2022
  9. May 2021