Michel Forst, UN-Berichterstatter zur Aarhus-Konvention, hat die europäischen Regierungen aufgefordert, Klima-Aktivist:innen zu unterstützen statt sie zu kriminalisieren. Die zunehmende Repression gefährde das Erreichen der Pariser Klimaziele und Demokratie und Menschenrechte in Europa. Forst erwartet, dass Protest und direkte Aktion zunehmen, weil die aktuelle Politik vieler europäischer Regierungen die wissenschaftlichen Erkenntnisse zu globaler Erhitzung, Biodiversitätsverlust und Umweltverschmutzung nicht respektiert. https://www.theguardian.com/environment/2024/feb/28/european-nations-must-end-repression-of-peaceful-climate-protest-says-un-expert

Positionspapier von Michel Forst: https://unece.org/sites/default/files/2024-02/UNSR_EnvDefenders_Aarhus_Position_Paper_Civil_Disobedience_EN.pdf

Zettelkasten history: Johann Siegmund Stoy and The World in a Box

For those interested in the history of the zettelkasten, you're sure to appreciate The World in a Box: The Story of an Eighteenth-Century Picture Encyclopedia by Anke te Heesen.

https://www.google.com/books/edition/The_World_in_a_Box/OXhsE2zYigkC?hl=en&gbpv=0

This is a book about a box that contained the world. The box was the Picture Academy for the Young, a popular encyclopedia in pictures invented by preacher-turned-publisher Johann Siegmund Stoy in eighteenth-century Germany. Children were expected to cut out the pictures from the Academy, glue them onto cards, and arrange those cards in ordered compartments—the whole world filed in a box of images.

As Anke te Heesen demonstrates, Stoy and his world in a box epitomized the Enlightenment concern with the creation and maintenance of an appropriate moral, intellectual, and social order. The box, and its images from nature, myth, and biblical history, were intended to teach children how to collect, store, and order knowledge. te Heesen compares the Academy with other aspects of Enlightenment material culture, such as commercial warehouses and natural history cabinets, to show how the kinds of collecting and ordering practices taught by the Academy shaped both the developing middle class in Germany and Enlightenment thought. The World in a Box, illustrated with a multitude of images of and from Stoy's Academy, offers a glimpse into a time when it was believed that knowledge could be contained and controlled.

I was doing some random searches for older material on zettelkasten in German and came across this.

Apparently I've come across this before in a similar context: https://hypothes.is/a/CsgyjAXQEeyMfoN7zLcs0w

The description now makes me want to read it all the more!

This is a book about a box that contained the world. The box was the Picture Academy for the Young, a popular encyclopedia in pictures invented by preacher-turned-publisher Johann Siegmund Stoy in eighteenth-century Germany. Children were expected to cut out the pictures from the Academy, glue them onto cards, and arrange those cards in ordered compartments—the whole world filed in a box of images.

As Anke te Heesen demonstrates, Stoy and his world in a box epitomized the Enlightenment concern with the creation and maintenance of an appropriate moral, intellectual, and social order. The box, and its images from nature, myth, and biblical history, were intended to teach children how to collect, store, and order knowledge. te Heesen compares the Academy with other aspects of Enlightenment material culture, such as commercial warehouses and natural history cabinets, to show how the kinds of collecting and ordering practices taught by the Academy shaped both the developing middle class in Germany and Enlightenment thought. The World in a Box, illustrated with a multitude of images of and from Stoy's Academy, offers a glimpse into a time when it was believed that knowledge could be contained and controlled.

Given the portions about knowledge and control, it might also be of interest to @remikalir wrt his coming book.

h