Emancipator's Safe In the Steep Cliffs (album) {Wikipedia}

site:: [[Wikipedia]] url:: https://en.wikipedia.org/wiki/Safe_In_the_Steep_Cliffs accessed:: 2023-12-17

Marshall Sahlins [Wikipedia, English]

site:: [[Wikipedia]] url:: https://en.wikipedia.org/wiki/Marshall_Sahlins accessed:: 2023-12-15

1. Page

Forests. University of California Museum of Paleontology. https://ucmp.berkeley.edu/exhibits/biomes/forests.php Consultado: 11 nov. 2023

Outline: - The forest biome - Tropical forest - Temperature forest - Boreal forest (taiga)

quote is from Highsmith's Plotting and Writing Suspense Fiction

I love the concept of "slender ideas" as small, fleeting notes which might accumulate into something if written down. In saying "Close the notebook and think about it for a few days" Patricia Highsmith seems to be suggesting that one engage in diffuse thinking, passive digesting, or mulling rather than active or proactive thinking.

She also invokes the magic word "presto!" (which she exclaims) as if to indicate that magically the difficult work of writing is somehow no longer difficult. Many writers seem to indicate that this is a phenomenon, but never seem to put their finger on the mechanism of why it happens. Some seems to stem from the passive digestion over days with diffuse thinking, with portions may also stem from not starting from a blank page and having some material to work against instead of a vacuum.

From Patricia Highsmith: Her Diaries and Notebooks: 1941-1995 (Swiss Literary Archives)

Reply to:

Who is Zettelkasten note-taking system for? <br /> u/Beens__<br /> https://www.reddit.com/r/Zettelkasten/comments/zhyu5i/who_is_zettelkasten_notetaking_system_for/

Perhaps your use case may benefit from knowing the longer term outcomes of such processes, particularly as they relate to idea generation and innovation within your areas of interest? Keeping notes which you review over periodically and between which you create potential links will help to foster more productive long term combinatorial creativity, which will help you create new and potentially useful ideas much more quickly than blank page-based brainstorming.

Her method was much more ad hoc than the more highly refined methods of Luhmann which allowed him to write, but perhaps there's something you might appreciate from the example of the character Tess McGill in the movie Working Girl. Even more base in practice is that of Eminem, which shows far less structure, but could still have interesting long term creativity effects, though again, it bears repeating that one should occasionally revisit their notes (even if they're only in "headline form") in attempts to refresh their memory and link old ideas to new to generate completely new ideas.

testing for page note

This is a page note for all users

The majority of the annotations on this page draw from the following critical editions of The War of the Worlds, which will be cited and tagged according to the last name(s) of the editor(s) of that edition:

DANAHAY: Martin A. Danahay. The War of the Worlds. Broadview Press, 2003.

HUGHES AND GEDULD: David Y. Hughes and Harry M. Geduld, eds. A Critical Edition of The War of the Worlds: H. G. Wells’s Scientific Romance, with Introduction and Notes by David Y. Hughes and Harry M. Geduld. Indiana UP, 1993.

MCCONNELL: Frank McConnell, ed. The Time Machine and The War of the Worlds: A Critical Edition. Oxford UP, 1977.

STOVER: Leon Stover. The War of the Worlds: A Critical Text of the 1898 London First Edition, with an Introduction, Illustrations and Appendices. McFarland and Company, Inc, 2001.

Madeline Gangnes has added additional annotations and resources, especially those that address materials related to Pearson's Magazine and adaptations of the text. They are cited with their source(s) (where applicable) and tagged as GANGNES.

This page incorporates several elements. Its main body is a transcription of the text of the third installment of H. G. Wells's novel The War of the Worlds as it was published in Pearson's Magazine in June of 1897. This text was created by Madeline Gangnes by comparing the Project Gutenberg text with the digital facsimiles of Pearson's Magazine generously hosted by HathiTrust. Facsimile pages of the installment are interspersed throughout this page. Each image includes a detailed caption in order to facilitate text-to-speech accessibility. Textual markers that indicate the beginning and end of each page's text are incorporated for text-to-speech and to make clear which text corresponds to which page of the magazine.

The majority of the annotations on this page draw from the following critical editions of The War of the Worlds, which will be cited and tagged according to the last name(s) of the editor(s) of that edition:

DANAHAY: Martin A. Danahay. The War of the Worlds. Broadview Press, 2003.

HUGHES AND GEDULD: David Y. Hughes and Harry M. Geduld, eds. A Critical Edition of The War of the Worlds: H. G. Wells’s Scientific Romance, with Introduction and Notes by David Y. Hughes and Harry M. Geduld. Indiana UP, 1993.

MCCONNELL: Frank McConnell, ed. The Time Machine and The War of the Worlds: A Critical Edition. Oxford UP, 1977.

STOVER: Leon Stover. The War of the Worlds: A Critical Text of the 1898 London First Edition, with an Introduction, Illustrations and Appendices. McFarland and Company, Inc, 2001.

Madeline Gangnes has added additional annotations and resources, especially those that address materials related to Pearson's Magazine and adaptations of the text. They are cited with their source(s) (where applicable) and tagged as GANGNES.

This page incorporates several elements. Its main body is a transcription of the text of the second installment of H. G. Wells's novel The War of the Worlds as it was published in Pearson's Magazine in May of 1897. This text was created by Madeline Gangnes by comparing the Project Gutenberg text with the digital facsimiles of Pearson's Magazine generously hosted by HathiTrust. Facsimile pages of the installment are interspersed throughout this page. Each image includes a detailed caption in order to facilitate text-to-speech accessibility. Textual markers that indicate the beginning and end of each page's text are incorporated for text-to-speech and to make clear which text corresponds to which page of the magazine.

The majority of the annotations on this page draw from the following critical editions of The War of the Worlds, which will be cited and tagged according to the last name(s) of the editor(s) of that edition:

DANAHAY: Martin A. Danahay. The War of the Worlds. Broadview Press, 2003.

HUGHES AND GEDULD: David Y. Hughes and Harry M. Geduld, eds. A Critical Edition of The War of the Worlds: H. G. Wells’s Scientific Romance, with Introduction and Notes by David Y. Hughes and Harry M. Geduld. Indiana UP, 1993.

MCCONNELL: Frank McConnell, ed. The Time Machine and The War of the Worlds: A Critical Edition. Oxford UP, 1977.

STOVER: Leon Stover. The War of the Worlds: A Critical Text of the 1898 London First Edition, with an Introduction, Illustrations and Appendices. McFarland and Company, Inc, 2001.

Madeline Gangnes has added additional annotations and resources, especially those that address materials related to Pearson's Magazine and adaptations of the text. They are cited with their source(s) (where applicable) and tagged as GANGNES.

This page incorporates several elements. Its main body is a transcription of the text of the first installment of H. G. Wells's novel The War of the Worlds as it was published in Pearson's Magazine in April of 1897. This text was created by Madeline Gangnes by comparing the Project Gutenberg text with the digital facsimiles of Pearson's Magazine generously hosted by HathiTrust. Facsimile pages of the installment are interspersed throughout this page. Each image includes a detailed caption in order to facilitate text-to-speech accessibility. Textual markers that indicate the beginning and end of each page's text are incorporated for text-to-speech and to make clear which text corresponds to which page of the magazine.

The majority of the annotations on this page draw from the following critical editions of The War of the Worlds, which will be cited and tagged according to the last name(s) of the editor(s) of that edition:

DANAHAY: Martin A. Danahay. The War of the Worlds. Broadview Press, 2003.

HUGHES AND GEDULD: David Y. Hughes and Harry M. Geduld, eds. A Critical Edition of The War of the Worlds: H. G. Wells’s Scientific Romance, with Introduction and Notes by David Y. Hughes and Harry M. Geduld. Indiana UP, 1993.

MCCONNELL: Frank McConnell, ed. The Time Machine and The War of the Worlds: A Critical Edition. Oxford UP, 1977.

STOVER: Leon Stover. The War of the Worlds: A Critical Text of the 1898 London First Edition, with an Introduction, Illustrations and Appendices. McFarland and Company, Inc, 2001.

Madeline Gangnes has added additional annotations and resources, especially those that address materials related to Pearson's Magazine and adaptations of the text. They are cited with their source(s) (where applicable) and tagged as GANGNES.

This page incorporates several elements. Its main body is a transcription of the text of the ninth installment of H. G. Wells's novel The War of the Worlds as it was published in Pearson's Magazine in December of 1897. This text was created by Madeline Gangnes by comparing the Project Gutenberg text with the digital facsimiles of Pearson's Magazine generously hosted by HathiTrust. Facsimile pages of the installment are interspersed throughout this page. Each image includes a detailed caption in order to facilitate text-to-speech accessibility. Textual markers that indicate the beginning and end of each page's text are incorporated for text-to-speech and to make clear which text corresponds to which page of the magazine.

The majority of the annotations on this page draw from the following critical editions of The War of the Worlds, which will be cited and tagged according to the last name(s) of the editor(s) of that edition:

DANAHAY: Martin A. Danahay. The War of the Worlds. Broadview Press, 2003.

HUGHES AND GEDULD: David Y. Hughes and Harry M. Geduld, eds. A Critical Edition of The War of the Worlds: H. G. Wells’s Scientific Romance, with Introduction and Notes by David Y. Hughes and Harry M. Geduld. Indiana UP, 1993.

MCCONNELL: Frank McConnell, ed. The Time Machine and The War of the Worlds: A Critical Edition. Oxford UP, 1977.

STOVER: Leon Stover. The War of the Worlds: A Critical Text of the 1898 London First Edition, with an Introduction, Illustrations and Appendices. McFarland and Company, Inc, 2001.

Madeline Gangnes has added additional annotations and resources, especially those that address materials related to Pearson's Magazine and adaptations of the text. They are cited with their source(s) (where applicable) and tagged as GANGNES.

This page incorporates several elements. Its main body is a transcription of the text of the eighth installment of H. G. Wells's novel The War of the Worlds as it was published in Pearson's Magazine in November of 1897. This text was created by Madeline Gangnes by comparing the Project Gutenberg text with the digital facsimiles of Pearson's Magazine generously hosted by HathiTrust. Facsimile pages of the installment are interspersed throughout this page. Each image includes a detailed caption in order to facilitate text-to-speech accessibility. Textual markers that indicate the beginning and end of each page's text are incorporated for text-to-speech and to make clear which text corresponds to which page of the magazine.

The majority of the annotations on this page draw from the following critical editions of The War of the Worlds, which will be cited and tagged according to the last name(s) of the editor(s) of that edition:

DANAHAY: Martin A. Danahay. The War of the Worlds. Broadview Press, 2003.

HUGHES AND GEDULD: David Y. Hughes and Harry M. Geduld, eds. A Critical Edition of The War of the Worlds: H. G. Wells’s Scientific Romance, with Introduction and Notes by David Y. Hughes and Harry M. Geduld. Indiana UP, 1993.

MCCONNELL: Frank McConnell, ed. The Time Machine and The War of the Worlds: A Critical Edition. Oxford UP, 1977.

STOVER: Leon Stover. The War of the Worlds: A Critical Text of the 1898 London First Edition, with an Introduction, Illustrations and Appendices. McFarland and Company, Inc, 2001.

Madeline Gangnes has added additional annotations and resources, especially those that address materials related to Pearson's Magazine and adaptations of the text. They are cited with their source(s) (where applicable) and tagged as GANGNES.

This page incorporates several elements. Its main body is a transcription of the text of the seventh installment of H. G. Wells's novel The War of the Worlds as it was published in Pearson's Magazine in October of 1897. This text was created by Madeline Gangnes by comparing the Project Gutenberg text with the digital facsimiles of Pearson's Magazine generously hosted by HathiTrust. Facsimile pages of the installment are interspersed throughout this page. Each image includes a detailed caption in order to facilitate text-to-speech accessibility. Textual markers that indicate the beginning and end of each page's text are incorporated for text-to-speech and to make clear which text corresponds to which page of the magazine.

The majority of the annotations on this page draw from the following critical editions of The War of the Worlds, which will be cited and tagged according to the last name(s) of the editor(s) of that edition:

DANAHAY: Martin A. Danahay. The War of the Worlds. Broadview Press, 2003.

HUGHES AND GEDULD: David Y. Hughes and Harry M. Geduld, eds. A Critical Edition of The War of the Worlds: H. G. Wells’s Scientific Romance, with Introduction and Notes by David Y. Hughes and Harry M. Geduld. Indiana UP, 1993.

MCCONNELL: Frank McConnell, ed. The Time Machine and The War of the Worlds: A Critical Edition. Oxford UP, 1977.

STOVER: Leon Stover. The War of the Worlds: A Critical Text of the 1898 London First Edition, with an Introduction, Illustrations and Appendices. McFarland and Company, Inc, 2001.

Madeline Gangnes has added additional annotations and resources, especially those that address materials related to Pearson's Magazine and adaptations of the text. They are cited with their source(s) (where applicable) and tagged as GANGNES.

This page incorporates several elements. Its main body is a transcription of the text of the sixth installment of H. G. Wells's novel The War of the Worlds as it was published in Pearson's Magazine in September of 1897. This text was created by Madeline Gangnes by comparing the Project Gutenberg text with the digital facsimiles of Pearson's Magazine generously hosted by HathiTrust. Facsimile pages of the installment are interspersed throughout this page. Each image includes a detailed caption in order to facilitate text-to-speech accessibility. Textual markers that indicate the beginning and end of each page's text are incorporated for text-to-speech and to make clear which text corresponds to which page of the magazine.

The majority of the annotations on this page draw from the following critical editions of The War of the Worlds, which will be cited and tagged according to the last name(s) of the editor(s) of that edition:

DANAHAY: Martin A. Danahay. The War of the Worlds. Broadview Press, 2003.

HUGHES AND GEDULD: David Y. Hughes and Harry M. Geduld, eds. A Critical Edition of The War of the Worlds: H. G. Wells’s Scientific Romance, with Introduction and Notes by David Y. Hughes and Harry M. Geduld. Indiana UP, 1993.

MCCONNELL: Frank McConnell, ed. The Time Machine and The War of the Worlds: A Critical Edition. Oxford UP, 1977.

STOVER: Leon Stover. The War of the Worlds: A Critical Text of the 1898 London First Edition, with an Introduction, Illustrations and Appendices. McFarland and Company, Inc, 2001.

Madeline Gangnes has added additional annotations and resources, especially those that address materials related to Pearson's Magazine and adaptations of the text. They are cited with their source(s) (where applicable) and tagged as GANGNES.

This page incorporates several elements. Its main body is a transcription of the text of the fifth installment of H. G. Wells's novel The War of the Worlds as it was published in Pearson's Magazine in August of 1897. This text was created by Madeline Gangnes by comparing the Project Gutenberg text with the digital facsimiles of Pearson's Magazine generously hosted by HathiTrust. Facsimile pages of the installment are interspersed throughout this page. Each image includes a detailed caption in order to facilitate text-to-speech accessibility. Textual markers that indicate the beginning and end of each page's text are incorporated for text-to-speech and to make clear which text corresponds to which page of the magazine.

The majority of the annotations on this page draw from the following critical editions of The War of the Worlds, which will be cited and tagged according to the last name(s) of the editor(s) of that edition:

DANAHAY: Martin A. Danahay. The War of the Worlds. Broadview Press, 2003.

HUGHES AND GEDULD: David Y. Hughes and Harry M. Geduld, eds. A Critical Edition of The War of the Worlds: H. G. Wells’s Scientific Romance, with Introduction and Notes by David Y. Hughes and Harry M. Geduld. Indiana UP, 1993.

MCCONNELL: Frank McConnell, ed. The Time Machine and The War of the Worlds: A Critical Edition. Oxford UP, 1977.

STOVER: Leon Stover. The War of the Worlds: A Critical Text of the 1898 London First Edition, with an Introduction, Illustrations and Appendices. McFarland and Company, Inc, 2001.

Madeline Gangnes has added additional annotations and resources, especially those that address materials related to Pearson's Magazine and adaptations of the text. They are cited with their source(s) (where applicable) and tagged as GANGNES.

This page incorporates several elements. Its main body is a transcription of the text of the fourth installment of H. G. Wells's novel The War of the Worlds as it was published in Pearson's Magazine in July of 1897. This text was created by Madeline Gangnes by comparing the Project Gutenberg text with the digital facsimiles of Pearson's Magazine generously hosted by HathiTrust. Facsimile pages of the installment are interspersed throughout this page. Each image includes a detailed caption in order to facilitate text-to-speech accessibility. Textual markers that indicate the beginning and end of each page's text are incorporated for text-to-speech and to make clear which text corresponds to which page of the magazine.

Ceci est une note de page. Elle peut inclure un lien vers une autre page, que celle-ci soit connectée ou non via Hypothes.is. Voyez dans l'URL le préfixe qui assure que l'on peut annoter celle-ci. Mais avec ce blogue on n'en a pas besoin car son auteur a déjà inclus un code permettant de l'annoter par défaut (à condition de s'être créée un compte hypothes.is).

Detta är en så kallad "page note"