Ironic because they see (Desdemona) sees tragedy as his heroism and his appeal, the pity she has on him. And yet he only turns more pitiful because he passes more and more tragedies later on. Desdemona is even more of an angel then. Cradling the child of a devil

His last rebellion, his final influence over the situation -- knowing nothing. And its ironic because he was the source of all knowledge and information that sparked all the events, and now that everything is done, he is still. There is no more movement, even if they would like there to be some. In this way he is really like Shakespeare, having the power to cause and inhibit action through knowledge -- the greed of which is Othello's fatal flaw.

By killing himself, he is cleansing the world of his "inner darkness" being a Turk, the beastliness that ruined the superior and ordered Venetian society. It is this, himself, who he kills -- showing he is, at heart, still a Turk, and not the driving motivation that causes all these events to unfold (Iago) -- as Iago is stabbed but has not died. This signifies the curse of suspicion and reason cannot be eliminated -- reason preys on individual people and is not something one can rid. In the end, he chooses once again to rid the tumor of society (which he believes first is his wife, Desdemona, now it is him, the Turk), following honor rather than personal desire.

So it was simply out of again, external rules and regulation, to maintain civility is to conform to the right and wrong of the outside world.

Sacrifice of what? Does he truly believe what he is doing is right so that Desdemona does not cheat on other men? Is this really his righteousness at play?

Or is he sacrificing a part of him, his heart?

Othello doesn't want to ruin or taint her purity and innocence that she sees, but knows he has to take her light. And he acknowledges that even Prometheus cannot bring back that inner light she has. It shows that he sees through her objectification and beauty and sees her invaluable light.

• He says, it is the cause, it is the cause, signifying he is holding on to reason (which is introduced by Iago), instead of following his heart. It shows yet again that reason betrays the true nature of humanity -- and yet we are blinded thinking rejecting passion is the way to retain civility, and thus, humanity.

Very important, but still, why does he need to murder her, his one love, what is that significance WHY?!?!

If Iago is reason, and Roderigo seeks reason, and Iago is the cause of all this destruction, then it should be said that the human need for reason (which crushes emotion) is what brings downfall. Logic is what has cut off Othello's motivation (heart). Iago is the personalization of human reason

Maybe he is right, in the sense that he is not a man who could scheme something like this. It is simply Othello's choice to follow suspicion that led him to this. It is impossible for someone to scheme it up.

He actually admits to his pride not being something that kills him, he can put up with all but the pain of his heart, that is his true motivation. So it is Desdemona's love and adoration that focuses on him that keeps him going.

Ironic because heaven, being in Othello's eyes as truth and knowledge, should not be so sinister and cause destruction as Iago has. Hell is deception and the ignorance, but so far ignorance has maintained peace. What irony!

Funnily Iago does not incite suspicion in Lodovico, only Othello. Perhaps that emphasizes Iago is a delusional part of Othello, the inner darkness that arises, indicating Othello has a fatal flaw that differs from all other characters. Is it really because he represses something? If so what? Why is he weak in his convictions and easy to sway? What does that show? What does it say about how he sees Desdemona?

Ahh I see, the civility is based on being Iago, keeping one's passions, desires subdued -- he turns into a monster because he cannot accept his emotions and true self reflection by himself. Now that Iago has fished them out, he doesn't know how to deal with them. Like inferior function, repressing it only makes the inner darkness grow more dangerous.

Maybe this passage signifies the intertwining of politics and personal, and how they are inseperable, because human is inseperable to their emotions -- lest they be Iago?

Even the way he wants to kill her comes down to pride, justice, and his tightly held "Venetian morality" that comes from Iago's advice, all because he cannot trust his own morality and create his own convictions

Confusion and contradiction

Confirmation bias yet again, Iago has done none but plant the seeds (or rather, water the seeds of insecurity) that Othello has in him, and the rest is the human need for drama, for coherency, for understanding.

Confirmation bias! To provide an inkling of suspicion is to provide the basis of a narrative.

Pride, again

Shows his reason being guided fully by physical emotion and anger, that even causes a seizure. He is not like Iago, as Iago has free will with the absence of emotion. Only reason, and that is why he is isolated from the rest, different. Juxtaposition between Othello (human) and Iago (reason, devil) and Desdemona (love, emotion) like tug of war

Shows that it is entirely Othello's choice to interpret Iago's words, that Iago is simply an inkling that knows none, and that it is man's tendency to suspect that causes the downfall.

This implies Othello himself is a beast, a monster, who was born with the jealousy and not given reason to do so.

Indicates his inner darkness has taken over. He is truly beastly. The imbalance in who he listens to has caused this -- his insecurities, like many others, makes him more prone to suspicion and therefore Iago's advice than his own wife's

The fact that Desdemona is sometimes represented as divinity, as a guardian angel, shows that the fact that Othello is rejecting her advocation shows he is falling into his devil, into his inner Iago -- he is losing touch with God, with righteousness (while ironically thinking he is doing the right thing by being civil)

How he is describing her as honest to her heart, but not so much civil. That she would lie to Brabantio for her passions, and would therefore lie to Othello for Cassio -- that he doesn't value honesty but values civility.

He speaks as if he is demonic, possessed, as if he has dual souls living inside of him... maybe he does. And all Iago did was play with his unstable convictions until his demon shows.

You can see he is ever switching between every single new piece of "evidence" he comes across, showing his little conviction and yet his desire for absolute truth

He sees himself as impure, and prone to error, and wrong. This is where it all starts, inner darkness.

Like Reza, he is easily swayed by outside whispers because he has not built his identity, his true convictions, besides the insecurity that his convictions are not real.

Ironically mocking Othello's truthful words that suspicion is a sin, knowledge is a sin, by reminding him that all he praised Iago for was his honesty.

Experience, knowing, knowledge is hell, torture, and destroys what we call happiness, because all happiness is is delusion

Connects personal to political. How is his military role related to his personal love life?

His point is that ignorance is bliss -- all is destroyed from knowing, from suspecting, from understanding. (connects to Blake)

Here he brings up race and his alienation for his inability to understand. His own insecurity in being different appears in the form of Iago, suspicion for all that is actually normal.

Showing he lacks knowledge because he is not Venetian

IAGO QUITE LITERALLY IS HONEST WITH OTHELLO! He warns him that these suspicions, these inner thoughts are all a delusion, and yet Othello's insecurity and stubbornness refuses to believe it

The palace refers to the mind where suspicion creeps in, who DOESN'T have suspicion invade their minds? Certainly not Othello, and Iago is stating the same for him, because they are one and the same person? He is literally telling him the truth of the situation, that these thoughts are "vile and false" but Othello will not listen.

Iago has not elaborated or said much, it is Othello who is prying deeper and deeper into "knowing" what he should not, into peering into something that would disturb his peace. This connects to Blake's Songs of Innocence and Experience. It is then Othello's fault for looking for answers to his suspicions which he confirms with confirmation bias.

Othello is subjective about his "universal" morals based on the ranking, standing and pride (manliness) of who Cassio hurts. If it be a beggar, it would have been no problem?

Yet again stating the intentions of everyone in just wariness of their reputation and pride

Cassio quite literally proclaims how his reputation and pride are the things connecting him to heaven, to divinity, to humanity, but which are void of life and actually destroy him. One without reputation and pride is nothing but a beast, what Othello fears he will be as a Moor.

Othello describes this chaos as Turks, as the foreign, as the other, as the out-group. This means he prizes his in-group due to their civility and restraint -- in other words their ability to maintain composure for the sake of pride. The rejection of the inner demon only creates more destruction (Inferior Function)

He will eventually turn on Cassio, so he will see his evils, but he not until the end will see Iago's evils, because perhaps Iago is a part of each, and pride is what covers them from accepting and admitting their inner evils.

It is almost like he is welcoming the Tempest, because he feels as if nothing can ruin it now, with Desdemona -- this is a literal inviting of Iago to come ruin it. It is to show that his defencelessness and overconfidence invites the inner beast within to come rupture it.

Willing to leverage, but also highlights another side to Othello -- he is a prideful man who has the need to prove things, to win in chivalry -- not so much her love, but the fact he has her love.

Also refers to the accumulation of cataclysm that builds up in Othello throughout the play from the "mourning" and discrimination of his blackness.

He plays the role of Justice, of Zeus, of the gods who keep up the neverending cycle of life and death. He plays the honest honor of a man, which in contrast, Iago believes he has but does not.