region between Saxony, Brandenburg
For example see the online exhibition 'Across the border. Between Saxony and Brandenburg', the contributing local museums in https://themator.museum-digital.de/t/458 (2016) and the related items in Wikidata (Q139540460#P767).
A very interesting example of just this issue was raised when they had the Treasures of Heaven exhibition at the British Museum, and they brought together numerous relics and the beautiful reliquaries within which they were set, and icons from Byzantium and elsewhere in the eastern parts of Europe and put them on display. Now, the visitors included people of the Eastern Orthodox faith, and, in that faith, the proper way in which to venerate an icon is to kneel before it, to pray before it and to kiss it.Now, was the British Museum going to allow visitors to kiss this exhibition, the items in this exhibition? Or actually, shouldn't the British Museum have obliged everyone to do so? Merely viewing such icons from a distance and not engaging in that sensory interaction with them would be to defeat their sensory presence, their way of being in the world. And so, I would love to see more experimentation with historically appropriate manners of viewing.
challenging authority of museum as established preserver of cultural history/heritage
a lot of these objects were not meant to be put in a museum. A lot of them were in people's homes, in their cabinet of curiosities, or in the place where only men would be able to gaze at them, or in churches or in other different formats. And then now that they're in a museum setting with general visitors, what is the museum's responsibility in how we are talking about this, how we're choosing to display them, how we're choosing to talk about them in the labels, in the catalogs, in the exhibitions? Because all of that is adding to the art historical knowledge.
BANGER!!!
https://en.wikipedia.org/wiki/Norman_Bel_Geddes
Interestingly, I saw his name and immediately thought of Barbara Bel Geddes and Vertigo.
Zur Ausstellung ist ein Katalog im snoeck Verlag erschienen (29,80 Euro).
There's a catalog for this exhibition available:
Meschede, Friedrich, ed. Serendipity. Vom Glück des Findens. Snoeck Verlagsges, 2015. https://www.buecher.de/shop/buecher/serendipity-vom-glueck-des-findens/broschiertes-buch/products_products/detail/prod_id/43762021/.
exhibition hff2020, funded projects kombume, 2020 (6:45 min)
ensure the relevance, accuracy and effective communication of each exhibit by: establishing clearly defined objectives and evaluating exhibits against their objectives using appropriate expertise, including staff, volunteers, community groups, or consultants carrying out sufficient research ensure that all staff (including volunteers) involved in the planning, preparation and installation of exhibits have the necessary skills and training
(1) Volunteer opportunities (programming).
See the article by Audrey Drohan covering the Kevin Barry Collection launch and exhibition, at UCD Library Blog.
Dairmaid Ferriter's talk from the launch of the Kevin Barry Colleciton is on Soundcloud: https://soundcloud.com/history-hub/diarmaid-ferriter-kevin-barry-and-his-legacy. 
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exhibit
Suggests showiness, false show but no substance
exhibit
"exhibit"
what today we call a lecture, or presentation