• for: music industry - touring economics, concert booking arms race, unsustainable booking
  • the intensity of bookings ( number of artists scheduled to perform per year or per season) is increasing
  • the average booking is becoming more geographically widespread ( more kilometers travelled per artist) with fewer performance dates per region
  • increase in artistic fees and technical requirements force organizers to attract more audiences who come from further away, creating a concert booking arms race

• for: carbon emissions of the 1%, carbon inequality, carbon emissions - artists, high carbon lifestyle
• comment
  • top tier entertainers are conditioned to a high carbon lifestyle. This is a challenge to overcome.
  • example given
    • DJ who flew to perform in four different EU cities in the same evening!

• for: carbon footprint - music industry, carbon footprint - concerts, carbon footprint - touring
• paraphrase
  • Most renowned artists and the trades and professions around them
    • producers,
    • broadcasters,
    • booking agents,
    • distributors, internet platforms
    • studios
    • equipment and service providers
  • are today dependent on hyper-intensive energy-consuming models.
  • Music or showbusiness artists, for example, depend more and more on touring and festivals.
  • Namely because with a remuneration of 0,0034 dollars per listened music track,
    • only 1% of music artists receive a minimum wage through streaming and
    • because, in the meantime, sales in the physical media market (CD, vinyl) have collapsed,
      • and streaming has not made up for loss of value.
  • Unsurprisingly, the artists who are most successful at making a living receive the quasi-totality of their revenue from the tours they do via concerts or festivals
    • (which incur high travel carbon footprint)
  • And those have a tendency to increase at an unchecked rate.
  • To attract the largest crowd possible, these artists demand
    • more and more top billings
    • with equally
      • increasing fees and
      • technical requirements.
  • example
    • Coldplay travels with no less than 2 kits of 32 articulated lorries on the road (for their “ecological” tour),
    • Rammstein accounts for
      • almost 100 articulated lorries
      • 7 cargo planes for their tours and
      • burns no less than 1000 litres of heating oil for their pyrotechnical effects at each concert (something the group proudly displays on social media).
• noteworthy
  • due to loss of product sales, touring and concerts is the only way musicians can make money, and that comes at high carbon emission cost

• for: carbon emissions - DJ, carbon footprint - DJ, carbon emissions - music industry, carbon emission - cultural sector, research study - carbon emissions - DJ
• noteworthy
  • some DJ's fly to perform in four European cities in a single evening!

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This article kind of reads like a smear piece on Audius

How so? Couldn't you just crosscheck the public ledger to verify the uploaders' info??