THE MIGAKU ANKI ADD-ON IS INTENDED FOR USERS OF MIGAKU, WHO USE ANKI AS THEIR SRS. IT IS NOT INTENDED FOR ANKI USERS WHO ARE NOT SUBSCRIBERS TO MIGAKU.

This is neat! I ran across your web pages about Subs2SRS a few weeks ago! Was going to try it and then, like you said, realized the geekiness factor was more intense than I was willing to invest!I'm enjoying your reviews here.Someone mentioned lingopie earlier (end of page 1?). Do you think you'll try it?If not, maybe I can post a review here later. I just signed up for the 7-day trial a half-hour ago…--Edit: LingoPie does not support flashcard export!

Language Reactor allows the user to import a web page, for example, for LWT-like reading. Lute will associate a sound file with a text, for listening while reading, but it won't make audio flashcards. The headline feature for Subs2srs is making flashcards from video, but it also can make flashcards from audio. Etc. I'd be interested in seeing a table showing the various software tools across the top and the various features on the y axis, with check marks showing which features are in which tools.That's fair actually: I had it in mind that LR and Subs2srs were just tools for working with video and Lute was just for text etc. but there is some overlap. I think I saw that Migaku also works with text.

I meant to mention here that I wrote a bit about my experience with trying asbplayer, and comparing it to Migaku, in my log. The short version is that asbplayer works pretty well if you're using target-language-only subtitles, and I like how it's more flexible and doesn't force you into using it a certain way like Migaku does, but it really doesn't handle dual subtitles well. If working with dual subtitles is important to you then I'd either stick with Language Reactor or Migaku, or accept a bit more manual work with moving text around when creating cards. If that aspect improves in future, it could become a great alternative.I'm using a combination approach: Language Reactor to display the subtitles (since its display, alignment, and hover capabilities are light-years ahead of asbplayer's) and asbplayer to make audio cards. It works and it's free, but it's not exactly pretty and it does take a bit more manual work compared to Migaku which is mostly point-and-click once it's been set up.Japanese learners might want to look into combining asbplayer with Yomitan, which apparently provides a good experience for word translations and card creation, though I've not tried it. The "equivalent" for European languages with VocabSieve was too janky even for me.

I have never used flashcards. It seems to me that the Languatalk app has a new feature for consolidating words: creating new coherent stories with the vocabulary collected via flashcards.How does Langua work? (explainer video)https://languatalk.com/langua?oc=truehttps://languatalk.com/langua/vocab_ai_storiesVocabAI StoriesLearn saved words

I've been using Migaku for German and Spanish, and so far so good. It's rough around the edges but mostly does what it's supposed to and mismatching subs have rarely been an issue so far. I have read that people are doing the same thing (for Japanese at least) with free and open-source tools (asbplayer, which seems to do quite the same thing as Language Reactor, and captures cards like Mikagu) plus Yomitan and Anki.

There's a service called Migaku that, I believe, is similar to Language Reactor,

Knowclip is a free, open source desktop application for watching videos and making Anki cards.

He's undoing my dress, a man made of darkness, I can'tsee his face, and I can hardly breathe, hardly stand, and I'm not standing. Hismouth is on me, his hands, I can't wait and he's moving, already, love, it'sbeen so long, I'm alive in my skin, again, arms around him, falling and watersoftly everywhere, never-ending. I knew it might only be once.

I wish I had a toothbrush.I could stand here and think about it, but time is passing.I must b

intelligence

An innovative element of the proposed approach is the use of common cliques in graphs representing documents to create a feature vector.

And you, what do you think, have you tried these or other things, please share your experience so that other people can be enriched by them 😊.

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An index has a sequential and/or causal relationship to its signified.

new way of seeing could lead to loss of dignity, oppression, and even greater inequality; there are many historical examples of that.[10] But there is also the open horizon of new ways of being that are more humane, more authentic, more just. This horizon is what political theorist William Connolly refers to when he says: “Today perhaps it is wise to try to transfigure the old humanisms that have played important roles in Euro-American states into multiple affirmations of entangled humanism in a fragile world.”[11]

The future behind us into which we are being thrown is also a maelstrom born out of the catastrophes of the past.

The environmental crisis is one of overconsumption, carbon emissions, and corporate greed. But it’s also a crisis of miscommunication.

The world opened up, and it was with great joy that I responded, "I know the thing what you speak exact now.Talk me more, plus, please, plus."

You exhaust me with your foolishness and reward my efforts with nothing but pain, do you understand me?"

we believe more in carrots than sticks.

What if I’m a left-handed person in the world of right-handed tools?

Text labels can be written in sentence case, as long as the button is clearly distinguishable from elements around it.

No, this is not specified. The spec even says that contained buttons can be in sentence case

Sentence case, e.g. ‘Next section’. I use sentence case for more ‘friendly’ or ‘conversational’ platforms.

Note: Yes, it is sentence case, and yes, there should be a full stop if it was true sentence case — but for the love of all things good and designy, please don’t add a full stop.

Choose sentence case or title case over uppercase. (This being said, Material Design does use buttons with uppercase labels.)

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The stock market, our swaggering symbol of financial health and Trump’s best asset, has become a neurasthenic Victorian lady prone to taking to her fainting couch.

With an if/then tactic

guiding our future vulnerable selves in a calmer present moment

To prevent yourself from succumbing

Suppose you’ve decided you

The transition is a keen one, I assure you, from a schoolmaster to a sailor, and requires a strong decoction of Seneca and the Stoics to enable you to grin and bear it. But even this wears off in time.

Aunt Julia was an inch or so the taller. Her hair, drawn low over the tops of her ears, was grey; and grey also, with darker shadows, was her large flaccid face. Though she was stout in build and stood erect, her slow eyes and parted lips gave her the appearance of a woman who did not know where she was or where she was going. Aunt Kate was more vivacious. Her face, healthier than her sister’s, was all puckers and creases, like a shrivelled red apple, and her hair, braided in the same old-fashioned way, had not lost its ripe nut colour.

They found that people’s ability to detect road hazards, reaction time, and control of the vehicle were all impaired by cell phone use.

Just as Hirsi Ali casually misrepresents Muslims, she misrepresents Islam.

irsi Ali’s mischaracterization extends from history to matters of belief and practice.

Pixar films fascinate with spectacle.

Much as widescreen cin-ema altered the scale of perception, mak-ing it possible to perceive minute details and epic grandness, digitalization has made possible the careful construction of a cinema of impossible scale—and for the creation of an atmosphere that is graphically “clean” and carefully con-trolled down to the most microscopic, barely perceptible detail.

They also cause them to ponder their relationship to “the end”

If identification with the object is ex-hilarating, it is also, at moments, fright-ening.

A more specific framework for ana-lyzing female scientists emerges when drawing on studies across fiction genres.

While previous scholarship gener-ally considers audiences’ reactions to the representations of scientists and ex-perts within non-fiction programming, the scholarship on their representations in fiction programming garners a little more depth of inquiry.

Scientists of all types—doctors, fo-rensics experts, chemists, biologists, physicists, and others—appear regularly throughout television programming.

The Big Bang Theory offers a unique moment to explore the representations of female scientists within the situa-tion comedy

Starting with the third and fourth sea-sons, The Big Bang Theory introduced more regular female characters as love interests for the main characters.

UNLIKE SCIENCE FICTION AND POLICE PROCEDURALS,the situation comedy genre historically has offered few, if any, represen-tations of female scientists.

Bernadette’s and Amy’s scientific careers set them up as suitable partners for their accomplished boyfriends, but these careers become fodder for the developments of their relationships.

While both Bernadette and Amy pos-sess achievements as scientists as part of their characters, sharp contrasts appear in those representations.

Both Bernadette and Amy earn rec-ognition for their achievements in their fields.

While discussions of work become one way to show their professional roles, another way lies in showing these characters performing their professional roles in a work setting.

Amy’s discussions of her expertise and her work appear more frequently throughout the show.

Because Bernadette and Amy work as scientists, they both have the potential to contribute to the discussions among the friends about their own work and to share their own observations based on scientific inquiry.

The professional aspirations for fe-male characters thus become an oppor-tunity for ridicule within situation com-edies.

A professional role refers to a char-acter’s job or occupation outside the home.

Unlike other television genres, the situation comedy offers the opportunity to push the boundaries of these repre-sentations in terms of female scientists through their professional roles, their gender roles, and their intelligence.

A hegemonic tension operates throughout situation comedies and pro-vides a flexible boundary along which these tensions humorously play out.

Among all these studies, few focus on scientists generally and female scien-tists specifically in situation comedies.

A third theme centers on work-life balance, in that female scientists strug-gle to find equilibrium (Long et al. 359).

Many scholars see the job of rhetorical pedagogy as helping students to forge real relationships with publics and counterpublics.

The idea that architecture regulates is found at the core of much urban planning and geography scholarship,

Despite this deep theoretical understanding of the powerful role that archi-tecture plays in crafting experience

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Right whales carry large populations of three ‘whale lice’ (Cyamus ovalis, Cyamus gracilis, Cyamus erraticus) that have no other hosts.

Philautus neelanethrus sp. nov. was found mainly in the mid-altitudinal range (500–700 m asl) characterized by ever-green/semi-evergreen/moist deciduous forest patches in the central Western Ghats, and most importantly in Myristica swamps, which are considered to be living fossils among the vegetation types prevailing in the region (Chandran and Divakar, 2001)

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Elinkautisvangit harjoittelevat Shakespearen Julius Caesar -näytelmää Tavianin veljesten ohjaamassa draamadokumentissa, joka voitti Berliinin elokuvajuhlien pääapalkinnon. MV.

It was when my sister finally dragged me out of bed and took me to the beach, I looked up in the sky and saw birds flying around, I instantly knew that this was a call, from Trace, telling me that hes free at last.

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