I do think, however, that we need to consider the pattern Citton and Crary have, each in their own way, identified. I would describe the pattern this way: We inhabit a techno-social environment manufactured to fracture our attention. The interests served by this environment in turn pathologize the resultant inattention. These same interests devise and enforce new techniques to discipline the inattentive subject.

a problem whose centrality was directly related to the emergence of a social, urban, psychic, and industrial field increasingly saturated with sensory input. Inattention, especially within the context of new forms of large-scale industrialized production, began to be treated as a danger and a serious problem, even though it was the very modernized arrangements of labour that produced inattention.

David Blue 0716YYYY-153953

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The spectacle is not a collection of images; it is a social relation between people that is mediated by images.

Un système qui n’est pas sans rappeler le régime français des intermittents du spectacle, dans lequel une sorte de “revenu de base”, calculé sur la base des revenus antérieurs, assure une sorte de plancher minimal de revenu. On peut d’ailleurs imaginer que ce revenu de base ne serait par versé tous les mois, mais seulement les mois où les revenus sont nettement plus bas. En Belgique, la coopérative SMart offre des services aux indépendants qui vont dans ce sens.

un régime spectaculaire, fonctionnant sur une coupure scénique et une convergence des regards vers un espace-temps attentionnel unique