Überblick über die französische Rezeption des Bioregionalismus. Ich bin gestern durch den Circular Metabolism Podcast darauf gestoßen. Der Artikel ist von 2022, danach ist wohl vor allem bei der bioregionalen Architektur sehr viel passiert. Von den amerikanischen Begründern des Bioregionalismus führt eine Linie zur deep ecology und eine zur sozialen Ökologie. Eine entscheidende Figur für die französische Rezeption ist Alberto Magnaghi.

Publishers that are good in general, for older material: * Penguin Classics * Oxford World Classics * Norton Critical Editions * Broadview Editions

Eliot, George. Middlemarch. Edited by Bert G. Hornback. 2nd ed. Norton Critical Editions. 1874. Reprint, New York: W. W. Norton & Company, 1999.

https://www.waggish.org/critical-editions-of-shakespeare/

reply to u/Paddy48ob at https://www.reddit.com/r/antinet/comments/17jscyk/comment/k80z1nn/?utm_source=reddit&utm_medium=web2x&context=3

Thanks for this pointer. As a note, when I compare my 1954 version against the photo of the 1990 edition (which has fewer pages), it's obvious that the "1. The ends of education" section in the 1954 edition is significantly more thorough with more references (and supplementary data) which don't exist in the 1990 edition. The 1990 edition presumably removes the references for the books which they may have removed from that edition (though it may have actually been even more--I didn't check this carefully).

Just comparing the two pages that I can see, I don't see any references to the added texts of the 1990 edition appearing in that version of the Syntopicon at all.

I took a quick look at the Syntopicon V1 (1990) via the Internet Archive and of the added texts that year I sampled searches for Voltaire, Erasmus, and John Calvin and the only appearances of them to be found are in the Addition Bibliography sections which is also where they appeared in the 1952 editions. My small sampling/search found no added references of any of these three to the primary portions of the main References sections, so they obviously didn't do the additional editorial work to find and insert those.

As a result, it appears that the 1952 (and reprint editions following it) have a measurably better and more valuable version of the Syntopicon. The 1990 (2nd Edition) is a watered down and less useful version of the original. It is definitely not the dramatically improved version one might have hoped for given the intervening 38 years.

From LAWLER 191: Wilde altered this passage each time he revised his text. After "dreadful," he cancelled the following: "Life will send its lines across my face. Passion will create it and thought twist it from its form." For the typescript of this edition, Wilde added the last sentence of this paragraph. In 1891, Wilde added another sentence at the paragraph's end: "I would give my soul for that."

ZABROUSKI: Changed to "round the dusty gilt horns of the straggling woodbine," in 1891.

ZABROUSKI: Refined to "through the medium of an art that is necessarily immobile" in 1891.

From LAWLER 173: Changed to "as was his custom" in 1891.

catalogue of digital editions open to contribution

annotated list with various access options

www.library.ucsb.edu/thoreau/writings_journals.html

Mary Shelley believed she did not substantially alter the story but only improved its concision and style. Modern critics, as our later annotations to 1831 will show, have strongly differed with her on this point, arguing that her revisions substantively changed the political tenor of the story, its gender and familial relationships, and its moral implications. For one influential example of this argument, see Marilyn Butler's introduction to the 2009 Oxford World's Classics edition of the 1818 text,

Common components of digital scholarly editions: Digitized (electronic text), transcribed, translated; hyperlinks and hypermedia

Pages 220-221

Digital Humanities projects result in two general types of products. Digital libraries arise from scholarly collaborations and the initiatives of cultural heritage institutions to digitize their sources. These collections are popular for research and education. … The other general category of digital humanities products consist of assemblages of digitized cultural objects with associated analyses and interpretations. These are the equivalent of digital books in that they present an integrated research story, but they are much more, as they often include interactive components and direct links to the original sources on which the scholarship is based. … Projects that integrate digital records for widely scattered objects are a mix of a digital library and an assemblage.