1,505 Matching Annotations
  1. May 2021
  2. Mar 2021
    1. In his first message to Congress, issued in December 1889, President Benjamin Harrison, a Republican and a veteran of the Civil War, called on Congress to stop the disenfranchisement of Black voters in the South and to help “secure to all our people a free exercise of the right of suffrage.”

      The author first develops his claim by exclaiming how president Harrison advocated for African American rights and their justice. The author states that the republicans want Harrison to promote this bill mainly for the support they are receiving from African Americans. However, this decision by Harrison was a big influence on the Lodge Bill. Also, this develops debate of african american rights which is still discussed today.

    2. Division among Republicans allowed Democrats to take the initiative. They delayed debate on the bill until after the November midterm elections, where Democrats won control of the House.

      This is a shift in the article as the author was talking about how the bill was still up to debate and the support was split up evenly, but after this, everything went down for Lodge's bill and the democrat senators eventually succeeded. This shift signifies the author's main idea that a small minority has the ability to dictate the entire government using harmful methods such as filibustering.

    3. This is the story of how a bill to save the vote and preserve a semblance of democracy for millions of Americans died at the hands of an intransigent, reactionary minority in the Senate, which used the filibuster to do its dirty work

      The author starts off by personifying "the bill" as something that was supposed to save millions of Americans, but rather was killed by Senators. He immediately provides a brief overview of the claim of his essay before developing his narrative. This way, the audience gets a glimpse of the issue that the author will tackle. Also, by using words such as "intransigent and reactionary", the audience already understands that the author is going to be criticizing the senators for their action.

    1. A pride of lions on a fund-raising pitch can be relied on to bring in money that can be used to save the ground squirrel and the lilac-breasted rollers.Back when the restaurant ecosystem was functioning healthily, it had its charismatic megafauna, too.

      The similarities Pete points out between a wildlife ecosystem and a New York restaurant ecosystem serve to emphasize his point of how one major effect, COVID, can shut down multiple facets of the ecosystem. He does so by focusing on one word, megafauna, as he described the previous state of New York restaurants as having "charismatic megafauna".

  3. Feb 2021
    1. When you don’t want to face the consequences of your actions as a lawmaker — when you’d rather demonize scapegoats than give answers — you fight a culture war.

      The author finally jumps to the overall purpose, goal, or claim of the essay: to criticize the government officials(specifically Republicans) for their inability to fix their problems and create distracting disputes instead.

    1. Maps and power

      Based on Foucauldian notion of power, J.B. Harley argues that maps served both as instruments and representation of expanding European influence into the world. Harley's argument rejects the conventional notion of modern cartography as objective and scientific, and therefore superior than other traditional modes of mapping. Instead, according to Harley, "all cartography is an intricate, controlled fiction." Based on such development of scholarship, this section asks us to think about alternative ways (other than accuracy) to compare between so-called "Western" maps and aboriginal maps. One of them is the range and degree of workability or usability. Do you agree with the author's claim that "Western" maps are more universal, compared to aboriginal maps that are more culturally specific? And can this factor really explain why "Western maps are more powerful" than others?

    1. Aboriginal- Australian maps

      This section is linked to earlier sections in that Aboriginal Australian maps raise the following questions:

      • What are maps, and what are their functions?
      • What are the differences between map and other graphic representations (picture, diagram, etc).
      • What is the map's relation to the landscape it depicts?
      • What is the meaning of reading the map?
  4. Jan 2021
  5. Dec 2020
    1. xplore how youth use hip-hop music and culture in their acti vi sm on their high school campuses and youth empowerment organizations.

      this should be interesting because ive done this my entire highschool career

  6. Nov 2020
    1. An important step in extending the traditional analysis of individual rational choice is to incorporate into the theory a much richer class of attitudes, preferences, and calculations.

      attitudes preferences and calculations should be added to the analysis

  7. Oct 2020
    1. The contrast between these two responses reveals a shift from projection onto an object to engagement with a subject

      how do you differentiate the lien between projection between an object and engagement to a subject

    2. human habit of making assump-tions based on perceptions of behavior

      in what other ways is this concept being used?

    3. people did not care if their life narratives were really understood. The act of telling them created enough meaning on its own

      just having something on the other end "listening" was very important to the majority of the students

    4. trust in Eliza did not speak to what they thought Eliza would understand but to their lack of trust in the people who would understand.

      talking to a machine because if it weren't a machine, can't trust the type of feedback or what were to come after

    5. human purposes of believable digital companions that are evocative but not authentic.

      evocative because to get any relation from robot you have to think about yourself and it is stimulating, however, it lacks authenticity because there is no sense of loss other than loss of self

    6. These questions ask what we will be like, what kind of people we are be-coming as we develop increasingly intimate relationships with machines

      brings to light an idea of how will we be affected by technology vs how will tech develop? leads into how can the design and approach to tech differ

    7. The questions raised by relational artifacts are not so much about the machines’ capabilities but our vulnerabilities — not about whether the objects really have emotion or intelligence but about what they evoke in us

      similar to abstract art and how art impacts us. What do we take away from all of this

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    Annotators

    1. we must be prepared to act upon our interpretation of what is in the best interest of black people, that is, black people as an historically oppressed population. This is the fundamental necessity for advancing the political process.

      Adopting this kind of philosphical mindset help you value african history a different way.

  8. Sep 2020
    1. To make sure your ES modules are immediately usable by tools that work with CommonJS such as Node.js and webpack, you can use Rollup to compile to UMD or CommonJS format, and then point to that compiled version with the main property in your package.json file.
  9. Aug 2020
  10. Jun 2020
    1. The website provides information on the metadata about the novel, the author and the locations of the event taking place in the novel. It is a perfect place for the people who read the novel for the first time, and would like to decipher some of the symbols and allusions in this work. The guide through the novel included annotations per each chapter.

  11. Apr 2020
    1. Graphically, interactions can be seen as non-parallel lines connecting means when we are working with the simple two-factor factorial with 2 levels of each main effect (adapted from Zar, H. Biostatistical Analysis, 5th Ed., 1999). Remember interactions are referring to the failure of a response variable to one factor to be the same at different levels of another factor. So when lines are parallel the response is the same. In the plots below you will see parallel lines as a consistent feature in all of the plots with no interaction. In plots depicting interactions, you notice that the lines cross (or would cross if the lines kept going).

      Main and interaction effects - graphs

  12. Nov 2019
    1. Today, U.S. public transportation resembles an elevator that can take you to dozens of floors, but not the one with your desk. The vast majority of Americans live within 3/4 miles of a public transit stop, but 60 percent of metro jobs and low-income housing are in poorly connected suburbs. We've reached a paradox in public transportation, Puentes says: Good transit coverage but poor job access. Across income levels, the paradox is even starker: 89& of low income communities live within 3/4 miles of a transit stop but only 26% of low skill jobs are accessible by public transportation.

      background/main point/problem

    1. And while Uber and Lyft have grabbed headlines for convincing people to abandon transit in big cities like New York and Chicago, the TransitCenter says that the effects of those services are limited to just a few dense, urban places. “The broader issue is clearing space for your transit to get through congestion, and most of that congestion is from private cars, not [ride-hail],” says Ben Fried, the group’s communications head. “Cities need to make transit fast, affordable, convenient." Truly attractive transit has to do that better than private cars.

      main point

  13. May 2019
    1. After breakfast they made ready to say farewell, as nearly heavy of heart3 as was possible on such a morning; cool, bright, and clean under a washed autumn sky of thin blue. The air came fresh from the North-West.They rode off along a path and looked out from the hill-top over lands under the morning. It was now as clear and far-seen as it had been veiled and misty when they stood upon the knoll in the Forest. They took a deep draught of the air.4Their way wound along the floor of the hollow, and round the green feet of a steep hill into another deeper and broader valley. As they journeyed the sun mounted, and grew hot. Each time they climbed a ridge the breeze seemed to have grown less. When they caught a glimpse of the country westward the distant Forest seemed to be smoking, as if the fallen rain was steaming up again. A shadow now lay round the edge of sight, a dark haze above which the sky was like a blue cap.5 On that side the hills were higher and looked down upon them; and all those hills were crowned with green mounds, and on some were standing stones, pointing upwards like jagged teeth out of green gums. The view was somehow disquieting; so they turned from the sight and went down into the hollow circle. In the midst of it there stood a single stone, standing tall under the sun above, and at this hour casting no shadow. They set their backs6 against the east side of the stone. It was cool, as if the sun had had no power to warm it. There they took food and drink.Riding over the hills, and eating their fill,7 lying a little too long; these things are, perhaps, enough to explain what happened. How­ever, that may be: they woke suddenly from a sleep they had never meant to take. The standing stone was cold, and it cast a long pale shadow. The sun was gleaming through the mist; north, south, and east, the fog was thick, cold and white. The air was silent, heavy and chill.
    2. Riding over the hills, and eating their fill,7 lying a little too long; these things are, perhaps, enough to explain what happened. How­ever, that may be: they woke suddenly from a sleep they had never meant to take. The standing stone was cold, and it cast a long pale shadow. The sun was gleaming through the mist; north, south, and east, the fog was thick, cold and white. The air was silent, heavy and chill.The hobbits8 sprang to their feet in alarm, and ran to the western rim. They found that they were upon an island in the fog. Even as they looked out in dismay towards the setting sun, it sank before their eyes into a white sea, and a cold grey shadow sprang up in the East behind. The fog rolled up to the walls and rose above them, and as it mounted it bent over their heads until it became a roof. They felt as if a trap was closing about them. They packed up as quickly as their chilled fingers would work.Soon they were leading their ponies in single file9 over the rim and down the long northward slope of the hill, down into a foggy sea. As they went down the mist became colder and damper, and their hair hung lank and dripping on their foreheads. When they reached the bottom it was so cold that they halted and got out cloaks and hoods, which soon became bedewed with grey drops. Then, mounting their ponies, they went slowly on again. To prevent their getting separated and wandering in different directions they went in file, with Frodo leading. Suddenly Frodo saw a hopeful sign. On either side ahead a darkness began to loom through the mist; and he guessed that they were at last approaching the gap in the hills. 'Come on! Follow me!' he called back over his shoulder, and he hurried forward. His pony reared, and he fell off. When he looked back he found that he was alone: the others had not fol­lowed him.

      main body

    3. 'Sam!' he called. 'Pippin! Merry! Come along! Why don't you keep up?'10There was no answer. Fear took him, and he ran back. As he struggled on he called again, and kept on calling more and more frantically. He was weary, sweating and yet chilled. It was wholly dark.'Where are you?' he cried out miserably.There was no reply. He stood listening. He was suddenly aware that it was getting very cold, and that up here a wind was beginning to blow, an icy wind. A change was coming in the weather. The mist was flowing past him in shreds and tatters. His breath was smok­ing.11 He looked up and saw with surprise that faint stars were ap­pearing overhead amid the strands of hurrying cloud and fog. Oat of the east the biting wind was blowing.'Where are you?' he cried again, both angry and afraid.'Here!' said a voice, deep and cold, that seemed to come out of the ground. 'I am waiting for you!''No!' said Frodo; but he did not run away. His knees gave,12 and he fell on the ground. Nothing happened, and there was no sound. Trembling he looked up in time to see a tall dark figure like a shadow against the stars. It leaned over him. He thought there were two eyes, very cold though lit with a pale light that seemed to come from some remote distance. Then a grip stronger and colder than iron seized him. The icy touch froze his bones, and he remembered no more.When he came to himself again, for a moment he could recall nothing except a sense of dread. Then suddenly he knew that he was imprisoned, caught hopelessly; he was in a barrow. A Barrow-wight had taken him, and he was probably already under the dreadful spells of the Barrow-wights about which whispered tales spoke. Hedared not move, but lay as he found himself: flat on his back upon a cold stone with his hands on his breast.As he lay there, thinking and getting a hold on himself, he no­ticed all at once that the darkness was slowly giving way:13 a pale greenish light was growing round him. He turned, and there in the cold glow he saw lying beside him Sam, Pippin, and Merry.There was a loud rumbling sound, as of stones rolling and fal­ling, and suddenly light streamed in. A low door-like opening appeared at the end of the chamber beyond Frodo's feet; and there was Tom's head against the light of the sun rising red behind him.'Come, friend Frodo!' said Tom. 'Let us get out on to the clean grass! You must help me bear them.' Together they carried out Merry, Pippin and Sam. To Frodo's great joy the hobbits stirred, robbed their eyes, and then suddenly sprang up. They looked about in amazement. 'What in the name of wonder?14 began Merry. 'Where did you get to, Frodo?''I thought that I was lost', said Frodo; 'but I don't want to speak of it.' But Tom shook his head, saying: 'Be glad, my merry friends, and let the warm sunlight heat now heart and limb! Cast off these cold rags! Run naked on the grass!'
    4. Riding over the hills, and eating their fill,7 lying a little too long; these things are, perhaps, enough to explain what happened. How­ever, that may be: they woke suddenly from a sleep they had never meant to take. The standing stone was cold, and it cast a long pale shadow. The sun was gleaming through the mist; north, south, and east, the fog was thick, cold and white. The air was silent, heavy and chill.The hobbits8 sprang to their feet in alarm, and ran to the western rim. They found that they were upon an island in the fog. Even as they looked out in dismay towards the setting sun, it sank before their eyes into a white sea, and a cold grey shadow sprang up in the East behind. The fog rolled up to the walls and rose above them, and as it mounted it bent over their heads until it became a roof. They felt as if a trap was closing about them. They packed up as quickly as their chilled fingers would work.Soon they were leading their ponies in single file9 over the rim and down the long northward slope of the hill, down into a foggy sea. As they went down the mist became colder and damper, and their hair hung lank and dripping on their foreheads. When they reached the bottom it was so cold that they halted and got out cloaks and hoods, which soon became bedewed with grey drops. Then, mounting their ponies, they went slowly on again. To prevent their getting separated and wandering in different directions they went in file, with Frodo leading. Suddenly Frodo saw a hopeful sign. On either side ahead a darkness began to loom through the mist; and he guessed that they were at last approaching the gap in the hills. 'Come on! Follow me!' he called back over his shoulder, and he hurried forward. His pony reared, and he fell off. When he looked back he found that he was alone: the others had not fol­lowed him.
  14. Apr 2019
    1. What other colours do you have this in?' asked Sayako of the assistants, who were packing her suits, loafers, bags and wig.'Just one other colour,' said an assistant (who thought, Jesus, we'll have a drink after work tonight).She hurried to the back of the shop and quickly returned with a toffee-brown version of the sumptuous coat.8'Yes,' said Sayako. 'I take both and, of course, boots to match, size four.' She pointed to the boots worn by the red-haired manne­quin.The pile on the counter grew. Her bodyguard standing inside the shop door shifted impatiently.When the Princess and her purchases had been driven away, the manageress and her assistants screamed and yelled and hugged each other for joy.

      In this part sayako taked more type of cloths and shoes. And shop assistents happy that they sail so many items.

    2. She then handed over a platinum card which bore the name of her father, the Emperor of Japan.
    3. 'What other colours do you have this in?' asked Sayako of the assistants, who were packing her suits, loafers, bags and wig.'Just one other colour,' said an assistant (who thought, Jesus, we'll have a drink after work tonight).She hurried to the back of the shop and quickly returned with a toffee-brown version of the sumptuous coat.8'Yes,' said Sayako. 'I take both and, of course, boots to match, size four.' She pointed to the boots worn by the red-haired manne­quin.The pile on the counter grew. Her bodyguard standing inside the shop door shifted impatiently.When the Princess and her purchases had been driven away, the manageress and her assistants screamed and yelled and hugged each other for joy.
    4. As the manageress tapped in the magic numbers from the card,7 Sayako tried on a soft green-coloured suede coat which was also be­ing worn by a red-haired mannequin. The suede coat cost one penny less than a thousand pounds.

      Sayako paid for her goods by credit card.

    5. 'That colour's very good on you,' she said, smiling professio­nally.Sayako said, 'I take it and also I take it in strawberry and navy and primrose.'3The manageress inwardly rejoiced. She would now reach this week's target.4 Her job would be safe for at least another month. God bless the Japanese!Sayako walked over on stockinged feet5 to a display of suede loafers.'And these shoes to match all suits in size four,' she said. Her role model was the fibreglass mannequin6 which lolled convincingly against the shop counter, wearing the same cream suit that Sayako was wearing, the loafers that Sayako had just ordered and a bag that Sayako was about to order in navy, strawberry, cream and primrose. The mannequin's blonde nylon wig shone under the spotlights. Her blue eyes were half closed as though she were encaptured by her own beauty.She is so beautiful, thought Sayako. She took the wig from the mannequin's head and placed it on her own. It fitted perfectly.'And I take this,' she said.She then handed over a platinum card which bore the name of her father, the Emperor of Japan.

      In this part Sayako taked many type of cloths and colours

    6. 'That colour's very good on you,' she said, smiling professio­nally.Sayako said, 'I take it and also I take it in strawberry and navy and primrose.'3The manageress inwardly rejoiced. She would now reach this week's target.4 Her job would be safe for at least another month. God bless the Japanese!Sayako walked over on stockinged feet5 to a display of suede loafers.'And these shoes to match all suits in size four,' she said. Her role model was the fibreglass mannequin6 which lolled convincingly against the shop counter, wearing the same cream suit that Sayako was wearing, the loafers that Sayako had just ordered and a bag that Sayako was about to order in navy, strawberry, cream and primrose. The mannequin's blonde nylon wig shone under the spotlights. Her blue eyes were half closed as though she were encaptured by her own beauty.She is so beautiful, thought Sayako. She took the wig from the mannequin's head and placed it on her own. It fitted perfectly.'And I take this,' she said.

      Main Body

    7. She then handed over a platinum card which bore the name of her father, the Emperor of Japan.As the manageress tapped in the magic numbers from the card,7 Sayako tried on a soft green-coloured suede coat which was also be­ing worn by a red-haired mannequin. The suede coat cost one penny less than a thousand pounds.'What other colours do you have this in?' asked Sayako of the assistants, who were packing her suits, loafers, bags and wig.'Just one other colour,' said an assistant (who thought, Jesus, we'll have a drink after work tonight).She hurried to the back of the shop and quickly returned with a toffee-brown version of the sumptuous coat.8'Yes,' said Sayako. 'I take both and, of course, boots to match, size four.' She pointed to the boots worn by the red-haired manne­quin.The pile on the counter grew. Her bodyguard standing inside the shop door shifted impatiently.When the Princess and her purchases had been driven away, the manageress and her assistants screamed and yelled and hugged each other for joy.

      Main Body

    8. 'That colour's very good on you,' she said, smiling professio­nally.Sayako said, 'I take it and also I take it in strawberry and navy and primrose.'3The manageress inwardly rejoiced. She would now reach this week's target.4 Her job would be safe for at least another month. God bless the Japanese!Sayako walked over on stockinged feet5 to a display of suede loafers.'And these shoes to match all suits in size four,' she said. Her role model was the fibreglass mannequin6 which lolled convincingly against the shop counter, wearing the same cream suit that Sayako was wearing, the loafers that Sayako had just ordered and a bag that Sayako was about to order in navy, strawberry, cream and primrose. The mannequin's blonde nylon wig shone under the spotlights. Her blue eyes were half closed as though she were encaptured by her own beauty.She is so beautiful, thought Sayako. She took the wig from the mannequin's head and placed it on her own. It fitted perfectly.'And I take this,' she said.She then handed over a platinum card which bore the name of her father, the Emperor of Japan.As the manageress tapped in the magic numbers from the card,7 Sayako tried on a soft green-coloured suede coat which was also be­ing worn by a red-haired mannequin. The suede coat cost one penny less than a thousand pounds.'What other colours do you have this in?' asked Sayako of the assistants, who were packing her suits, loafers, bags and wig.'Just one other colour,' said an assistant (who thought, Jesus, we'll have a drink after work tonight).She hurried to the back of the shop and quickly returned with a toffee-brown version of the sumptuous coat.8'Yes,' said Sayako. 'I take both and, of course, boots to match, size four.' She pointed to the boots worn by the red-haired manne­quin.The pile on the counter grew. Her bodyguard standing inside the shop door shifted impatiently.When the Princess and her purchases had been driven away, the manageress and her assistants screamed and yelled and hugged each other for joy.
  15. Mar 2019
    1. 'After all,' the dark woman resumed her conversation, 'how would it look if she was there when I turned up?' Her friend shook her head slowly from side to side and ended with a quick nod.Should she have got such a small size salad cream? Jean wasn't sure. She was sick of throwing away half-used bottles of stuff.'He came back to you after all,' the blonde woman suddenly said. Jean looked up quickly and immediately felt her cheeks flush. She bent over and began to rearrange the items in her shopping basket.'On his hands and knees,' the dark woman spoke in a trium­phant voice. 'Begged me take him back.'She gritted her teeth together. Should she go and change it for a larger size? Jean looked behind and saw that she was hemmed in by three large trollies. She'd lose her place in the queue. There was something so pitiful about buying small sizes of everything. It was as though everyone knew.'You can always tell a person by their shopping,' was one of her mother's favourite maxims. She looked into her shopping basket: individual fruit pies, small salad cream, yoghurt, tomatoes, cat food and a chicken quarter.

      Main body 2 Jean gets into an akward situation and thinks about size of the purchases.

    2. 'You can always tell a person by their shopping,' was one of her mother's favourite maxims. She looked into her shopping basket: individual fruit pies, small salad cream, yoghurt, tomatoes, cat food and a chicken quarter.The cashier suddenly said, 'Make it out to J. Sainsbury PLC.' She was addressing a man who had been poised and waiting to write out a cheque for a few moments. His wife was loading what looked like a gross offish fingers into a cardboard box marked "Whiskas". It was called a division of labour.Jean looked again at her basket and began to feel the familiar feeling of regret that visited her from time to time. Hemmed in be­tween family-size cartons of cornflakes and giant packets of wash­ing-powder, her individual yoghurt seemed to say it all. She looked up towards a plastic bookstand which stood beside the till. A slim glossy hardback caught her eye. The words Cooking for One screamed out from the front cover. Think of all the oriental foods you can get into, her friend had said. He was so traditional after all. Nodding in agreement with her thoughts Jean found herself eye to eye with the blonde woman, who gave her a blank, hard look and handed her what looked like a black plastic ruler with the words "Next customer please" printed on it in bold letters. She turned back to her friend. Jean put the ruler down on the conveyor belt.

      In the third part, Jean finaly approaches the conveyor belt.

    3. The cashier suddenly said, 'Make it out to J. Sainsbury PLC.' She was addressing a man who had been poised and waiting to write out a cheque for a few moments. His wife was loading what looked like a gross offish fingers into a cardboard box marked "Whiskas". It was called a division of labour.Jean looked again at her basket and began to feel the familiar feeling of regret that visited her from time to time. Hemmed in be­tween family-size cartons of cornflakes and giant packets of wash­ing-powder, her individual yoghurt seemed to say it all. She looked up towards a plastic bookstand which stood beside the till. A slim glossy hardback caught her eye. The words Cooking for One screamed out from the front cover. Think of all the oriental foods you can get into, her friend had said. He was so traditional after all. Nodding in agreement with her thoughts Jean found herself eye to eye with the blonde woman, who gave her a blank, hard look and handed her what looked like a black plastic ruler with the words "Next customer please" printed on it in bold letters. She turned back to her friend. Jean put the ruler down on the conveyor belt.She thought about their shopping trips, before, when they were together. All that rushing round, he pushing the trolley dejectedly, she firing questions at him. Salmon? Toilet rolls? Coffee? Peas? She remembered he only liked the processed kind. It was all such a performance. Standing there holding her wire basket, embarrassed by its very emptiness, was like something out of a soap opera.'Of course, we've had our ups and downs,' the dark woman continued, lazily passing a few items down to her friend.Jean began to load her food on to the conveyor belt. She picked up the cookery book and felt the frustrations of indecision. It was only ninety pence but it seemed to define everything, to pinpoint her aloneness, to prescribe an empty future. She put it back in its place.'So that's why I couldn't have her there you see,' the dark woman was summing up. The friends exchanged knowing expres­sions and the blonde woman got her purse out of a neat leather bag. She peeled off three ten pound notes and handed them to the cashier.Jean opened her carrier bag ready for her shopping. She turned to watch the two women as they walked off, the blonde pushing the trolley and the other seemingly carrying on with her story.

      Main body 3 Standing there holding Jane's wire basket, embarrassed by its very emptiness, was like something out of a soap opera.

    4. 'So what did you say?' Jean heard the blonde woman in front of her talking to her friend.'Well,' the darker woman began, 'I said I'm not having that woman there. I don't see why I should. I mean I'm not being old-fashioned but I don't see why I should have to put up with her at family occasions. After all...'Jean noticed the other woman giving an accompaniment of nods and headshaking at the appropriate parts. They fell into si­lence and the queue moved forward a couple of steps.Jean felt her patience beginning to itch. Looking into her wire basket she counted ten items. That meant she couldn't go through the quick till but simply had to wait behind elephantine shopping loads; giant bottles of coke crammed in beside twenty-pound bags of potatoes and 'special offer' drums of bleach. Somewhere at the bottom, Jean thought, there was always a plastic carton of eggs or a see-through tray of tomatoes which fell casualty to the rest. There was nothing else for it — she'd just have to wait.'After all,' the dark woman resumed her conversation, 'how would it look if she was there when I turned up?' Her friend shook her head slowly from side to side and ended with a quick nod.Should she have got such a small size salad cream? Jean wasn't sure. She was sick of throwing away half-used bottles of stuff.'He came back to you after all,' the blonde woman suddenly said. Jean looked up quickly and immediately felt her cheeks flush. She bent over and began to rearrange the items in her shopping basket.'On his hands and knees,' the dark woman spoke in a trium­phant voice. 'Begged me take him back.'She gritted her teeth together. Should she go and change it for a larger size? Jean looked behind and saw that she was hemmed in by three large trollies. She'd lose her place in the queue. There was something so pitiful about buying small sizes of everything. It was as though everyone knew.'You can always tell a person by their shopping,' was one of her mother's favourite maxims. She looked into her shopping basket: individual fruit pies, small salad cream, yoghurt, tomatoes, cat food and a chicken quarter.The cashier suddenly said, 'Make it out to J. Sainsbury PLC.' She was addressing a man who had been poised and waiting to write out a cheque for a few moments. His wife was loading what looked like a gross offish fingers into a cardboard box marked "Whiskas". It was called a division of labour.Jean looked again at her basket and began to feel the familiar feeling of regret that visited her from time to time. Hemmed in be­tween family-size cartons of cornflakes and giant packets of wash­ing-powder, her individual yoghurt seemed to say it all. She looked up towards a plastic bookstand which stood beside the till. A slim glossy hardback caught her eye. The words Cooking for One screamed out from the front cover. Think of all the oriental foods you can get into, her friend had said. He was so traditional after all. Nodding in agreement with her thoughts Jean found herself eye to eye with the blonde woman, who gave her a blank, hard look and handed her what looked like a black plastic ruler with the words "Next customer please" printed on it in bold letters. She turned back to her friend. Jean put the ruler down on the conveyor belt.She thought about their shopping trips, before, when they were together. All that rushing round, he pushing the trolley dejectedly, she firing questions at him. Salmon? Toilet rolls? Coffee? Peas? She remembered he only liked the processed kind. It was all such a performance. Standing there holding her wire basket, embarrassed by its very emptiness, was like something out of a soap opera.'Of course, we've had our ups and downs,' the dark woman continued, lazily passing a few items down to her friend.Jean began to load her food on to the conveyor belt. She picked up the cookery book and felt the frustrations of indecision. It was only ninety pence but it seemed to define everything, to pinpoint her aloneness, to prescribe an empty future. She put it back in its place.'So that's why I couldn't have her there you see,' the dark woman was summing up. The friends exchanged knowing expres­sions and the blonde woman got her purse out of a neat leather bag. She peeled off three ten pound notes and handed them to the cashier.Jean opened her carrier bag ready for her shopping. She turned to watch the two women as they walked off, the blonde pushing the trolley and the other seemingly carrying on with her story.The cashier was looking expectantly at her and Jean realized that she had totalled up. It was four pounds and eighty-seven pence. She had the right money, it just meant sorting her change out. She had an inclination that the people behind her were becoming impa­tient. She noticed their stack of items all lined and waiting, it seemed, for starters orders. Brown bread and peppers, olive oil and, in the centre, a packet of beefburgers.

      Main body

    5. 'After all,' the dark woman resumed her conversation, 'how would it look if she was there when I turned up?' Her friend shook her head slowly from side to side and ended with a quick nod.Should she have got such a small size salad cream? Jean wasn't sure. She was sick of throwing away half-used bottles of stuff.'He came back to you after all,' the blonde woman suddenly said. Jean looked up quickly and immediately felt her cheeks flush. She bent over and began to rearrange the items in her shopping basket.'On his hands and knees,' the dark woman spoke in a trium­phant voice. 'Begged me take him back.'She gritted her teeth together. Should she go and change it for a larger size? Jean looked behind and saw that she was hemmed in by three large trollies. She'd lose her place in the queue. There was something so pitiful about buying small sizes of everything. It was as though everyone knew.'You can always tell a person by their shopping,' was one of her mother's favourite maxims. She looked into her shopping basket: individual fruit pies, small salad cream, yoghurt, tomatoes, cat food and a chicken quarter.

      In the second part of the main body, Jean gets into an akward situation and thinks about size of the purchases.

    6. 'After all,' the dark woman resumed her conversation, 'how would it look if she was there when I turned up?' Her friend shook her head slowly from side to side and ended with a quick nod.Should she have got such a small size salad cream? Jean wasn't sure. She was sick of throwing away half-used bottles of stuff.'He came back to you after all,' the blonde woman suddenly said. Jean looked up quickly and immediately felt her cheeks flush. She bent over and began to rearrange the items in her shopping basket.'On his hands and knees,' the dark woman spoke in a trium­phant voice. 'Begged me take him back.'She gritted her teeth together. Should she go and change it for a larger size? Jean looked behind and saw that she was hemmed in by three large trollies. She'd lose her place in the queue. There was something so pitiful about buying small sizes of everything. It was as though everyone knew.

      She wanted to change her cream salad for a bigger one, but realized that she would lose her spot in the queue.

    7. 'After all,' the dark woman resumed her conversation, 'how would it look if she was there when I turned up?' Her friend shook her head slowly from side to side and ended with a quick nod.Should she have got such a small size salad cream? Jean wasn't sure. She was sick of throwing away half-used bottles of stuff.'He came back to you after all,' the blonde woman suddenly said. Jean looked up quickly and immediately felt her cheeks flush. She bent over and began to rearrange the items in her shopping basket.'On his hands and knees,' the dark woman spoke in a trium­phant voice. 'Begged me take him back.'She gritted her teeth together. Should she go and change it for a larger size? Jean looked behind and saw that she was hemmed in by three large trollies. She'd lose her place in the queue. There was something so pitiful about buying small sizes of everything. It was as though everyone knew.
    8. 'So what did you say?' Jean heard the blonde woman in front of her talking to her friend.'Well,' the darker woman began, 'I said I'm not having that woman there. I don't see why I should. I mean I'm not being old-fashioned but I don't see why I should have to put up with her at family occasions. After all...'Jean noticed the other woman giving an accompaniment of nods and headshaking at the appropriate parts. They fell into si­lence and the queue moved forward a couple of steps.Jean felt her patience beginning to itch. Looking into her wire basket she counted ten items. That meant she couldn't go through the quick till but simply had to wait behind elephantine shopping loads; giant bottles of coke crammed in beside twenty-pound bags of potatoes and 'special offer' drums of bleach. Somewhere at the bottom, Jean thought, there was always a plastic carton of eggs or a see-through tray of tomatoes which fell casualty to the rest. There was nothing else for it — she'd just have to wait.

      In the first part of the main body, the main character hears a conversation of two women about their personal problems. She also notices that she bought not everything she needed.

    9. She thought about their shopping trips, before, when they were together. All that rushing round, he pushing the trolley dejectedly, she firing questions at him. Salmon? Toilet rolls? Coffee? Peas? She remembered he only liked the processed kind. It was all such a performance. Standing there holding her wire basket, embarrassed by its very emptiness, was like something out of a soap opera.'Of course, we've had our ups and downs,' the dark woman continued, lazily passing a few items down to her friend.Jean began to load her food on to the conveyor belt. She picked up the cookery book and felt the frustrations of indecision. It was only ninety pence but it seemed to define everything, to pinpoint her aloneness, to prescribe an empty future. She put it back in its place.'So that's why I couldn't have her there you see,' the dark woman was summing up. The friends exchanged knowing expres­sions and the blonde woman got her purse out of a neat leather bag. She peeled off three ten pound notes and handed them to the cashier.

      main hero wants to buy a cookery book

    10. 'You can always tell a person by their shopping,' was one of her mother's favourite maxims. She looked into her shopping basket: individual fruit pies, small salad cream, yoghurt, tomatoes, cat food and a chicken quarter.The cashier suddenly said, 'Make it out to J. Sainsbury PLC.' She was addressing a man who had been poised and waiting to write out a cheque for a few moments. His wife was loading what looked like a gross offish fingers into a cardboard box marked "Whiskas". It was called a division of labour.Jean looked again at her basket and began to feel the familiar feeling of regret that visited her from time to time. Hemmed in be­tween family-size cartons of cornflakes and giant packets of wash­ing-powder, her individual yoghurt seemed to say it all. She looked up towards a plastic bookstand which stood beside the till. A slim glossy hardback caught her eye. The words Cooking for One screamed out from the front cover. Think of all the oriental foods you can get into, her friend had said. He was so traditional after all. Nodding in agreement with her thoughts Jean found herself eye to eye with the blonde woman, who gave her a blank, hard look and handed her what looked like a black plastic ruler with the words "Next customer please" printed on it in bold letters. She turned back to her friend. Jean put the ruler down on the conveyor belt.

      Then Jean noted a book with the title "Cooking for one" that was on a bookstand beside the till.

    11. 'You can always tell a person by their shopping,' was one of her mother's favourite maxims. She looked into her shopping basket: individual fruit pies, small salad cream, yoghurt, tomatoes, cat food and a chicken quarter.The cashier suddenly said, 'Make it out to J. Sainsbury PLC.' She was addressing a man who had been poised and waiting to write out a cheque for a few moments. His wife was loading what looked like a gross offish fingers into a cardboard box marked "Whiskas". It was called a division of labour.Jean looked again at her basket and began to feel the familiar feeling of regret that visited her from time to time. Hemmed in be­tween family-size cartons of cornflakes and giant packets of wash­ing-powder, her individual yoghurt seemed to say it all. She looked up towards a plastic bookstand which stood beside the till. A slim glossy hardback caught her eye. The words Cooking for One screamed out from the front cover. Think of all the oriental foods you can get into, her friend had said. He was so traditional after all. Nodding in agreement with her thoughts Jean found herself eye to eye with the blonde woman, who gave her a blank, hard look and handed her what looked like a black plastic ruler with the words "Next customer please" printed on it in bold letters. She turned back to her friend. Jean put the ruler down on the conveyor belt.

      in this part main hero reason about items one`s woman

    12. She thought about their shopping trips, before, when they were together. All that rushing round, he pushing the trolley dejectedly, she firing questions at him. Salmon? Toilet rolls? Coffee? Peas? She remembered he only liked the processed kind. It was all such a performance. Standing there holding her wire basket, embarrassed by its very emptiness, was like something out of a soap opera.'Of course, we've had our ups and downs,' the dark woman continued, lazily passing a few items down to her friend.Jean began to load her food on to the conveyor belt. She picked up the cookery book and felt the frustrations of indecision. It was only ninety pence but it seemed to define everything, to pinpoint her aloneness, to prescribe an empty future. She put it back in its place.'So that's why I couldn't have her there you see,' the dark woman was summing up. The friends exchanged knowing expres­sions and the blonde woman got her purse out of a neat leather bag. She peeled off three ten pound notes and handed them to the cashier.

      Then she thought about their shopping trips when they were together.

    13. 'So what did you say?' Jean heard the blonde woman in front of her talking to her friend.'Well,' the darker woman began, 'I said I'm not having that woman there. I don't see why I should. I mean I'm not being old-fashioned but I don't see why I should have to put up with her at family occasions. After all...'Jean noticed the other woman giving an accompaniment of nods and headshaking at the appropriate parts. They fell into si­lence and the queue moved forward a couple of steps.Jean felt her patience beginning to itch. Looking into her wire basket she counted ten items. That meant she couldn't go through the quick till but simply had to wait behind elephantine shopping loads; giant bottles of coke crammed in beside twenty-pound bags of potatoes and 'special offer' drums of bleach. Somewhere at the bottom, Jean thought, there was always a plastic carton of eggs or a see-through tray of tomatoes which fell casualty to the rest. There was nothing else for it — she'd just have to wait.

      Jean heard the conversation of two women standing in front of her in the queue. She felt her patience beginning to itch.

    14. 'You can always tell a person by their shopping,' was one of her mother's favourite maxims. She looked into her shopping basket: individual fruit pies, small salad cream, yoghurt, tomatoes, cat food and a chicken quarter.The cashier suddenly said, 'Make it out to J. Sainsbury PLC.' She was addressing a man who had been poised and waiting to write out a cheque for a few moments. His wife was loading what looked like a gross offish fingers into a cardboard box marked "Whiskas". It was called a division of labour.Jean looked again at her basket and began to feel the familiar feeling of regret that visited her from time to time. Hemmed in be­tween family-size cartons of cornflakes and giant packets of wash­ing-powder, her individual yoghurt seemed to say it all. She looked up towards a plastic bookstand which stood beside the till. A slim glossy hardback caught her eye. The words Cooking for One screamed out from the front cover. Think of all the oriental foods you can get into, her friend had said. He was so traditional after all. Nodding in agreement with her thoughts Jean found herself eye to eye with the blonde woman, who gave her a blank, hard look and handed her what looked like a black plastic ruler with the words "Next customer please" printed on it in bold letters. She turned back to her friend. Jean put the ruler down on the conveyor belt.
    15. She thought about their shopping trips, before, when they were together. All that rushing round, he pushing the trolley dejectedly, she firing questions at him. Salmon? Toilet rolls? Coffee? Peas? She remembered he only liked the processed kind. It was all such a performance. Standing there holding her wire basket, embarrassed by its very emptiness, was like something out of a soap opera.'Of course, we've had our ups and downs,' the dark woman continued, lazily passing a few items down to her friend.Jean began to load her food on to the conveyor belt. She picked up the cookery book and felt the frustrations of indecision. It was only ninety pence but it seemed to define everything, to pinpoint her aloneness, to prescribe an empty future. She put it back in its place.'So that's why I couldn't have her there you see,' the dark woman was summing up. The friends exchanged knowing expres­sions and the blonde woman got her purse out of a neat leather bag. She peeled off three ten pound notes and handed them to the cashier.

      fourth part of the main body

    16. 'After all,' the dark woman resumed her conversation, 'how would it look if she was there when I turned up?' Her friend shook her head slowly from side to side and ended with a quick nod.Should she have got such a small size salad cream? Jean wasn't sure. She was sick of throwing away half-used bottles of stuff.'He came back to you after all,' the blonde woman suddenly said. Jean looked up quickly and immediately felt her cheeks flush. She bent over and began to rearrange the items in her shopping basket.'On his hands and knees,' the dark woman spoke in a trium­phant voice. 'Begged me take him back.'She gritted her teeth together. Should she go and change it for a larger size? Jean looked behind and saw that she was hemmed in by three large trollies. She'd lose her place in the queue. There was something so pitiful about buying small sizes of everything. It was as though everyone knew.

      second part of the main body

    17. 'You can always tell a person by their shopping,' was one of her mother's favourite maxims. She looked into her shopping basket: individual fruit pies, small salad cream, yoghurt, tomatoes, cat food and a chicken quarter.The cashier suddenly said, 'Make it out to J. Sainsbury PLC.' She was addressing a man who had been poised and waiting to write out a cheque for a few moments. His wife was loading what looked like a gross offish fingers into a cardboard box marked "Whiskas". It was called a division of labour.Jean looked again at her basket and began to feel the familiar feeling of regret that visited her from time to time. Hemmed in be­tween family-size cartons of cornflakes and giant packets of wash­ing-powder, her individual yoghurt seemed to say it all. She looked up towards a plastic bookstand which stood beside the till. A slim glossy hardback caught her eye. The words Cooking for One screamed out from the front cover. Think of all the oriental foods you can get into, her friend had said. He was so traditional after all. Nodding in agreement with her thoughts Jean found herself eye to eye with the blonde woman, who gave her a blank, hard look and handed her what looked like a black plastic ruler with the words "Next customer please" printed on it in bold letters. She turned back to her friend. Jean put the ruler down on the conveyor belt.

      third part of the main body

    18. 'So what did you say?' Jean heard the blonde woman in front of her talking to her friend.'Well,' the darker woman began, 'I said I'm not having that woman there. I don't see why I should. I mean I'm not being old-fashioned but I don't see why I should have to put up with her at family occasions. After all...'Jean noticed the other woman giving an accompaniment of nods and headshaking at the appropriate parts. They fell into si­lence and the queue moved forward a couple of steps.Jean felt her patience beginning to itch. Looking into her wire basket she counted ten items. That meant she couldn't go through the quick till but simply had to wait behind elephantine shopping loads; giant bottles of coke crammed in beside twenty-pound bags of potatoes and 'special offer' drums of bleach. Somewhere at the bottom, Jean thought, there was always a plastic carton of eggs or a see-through tray of tomatoes which fell casualty to the rest. There was nothing else for it — she'd just have to wait.
    19. 'So what did you say?' Jean heard the blonde woman in front of her talking to her friend.'Well,' the darker woman began, 'I said I'm not having that woman there. I don't see why I should. I mean I'm not being old-fashioned but I don't see why I should have to put up with her at family occasions. After all...'Jean noticed the other woman giving an accompaniment of nods and headshaking at the appropriate parts. They fell into si­lence and the queue moved forward a couple of steps.Jean felt her patience beginning to itch. Looking into her wire basket she counted ten items. That meant she couldn't go through the quick till but simply had to wait behind elephantine shopping loads; giant bottles of coke crammed in beside twenty-pound bags of potatoes and 'special offer' drums of bleach. Somewhere at the bottom, Jean thought, there was always a plastic carton of eggs or a see-through tray of tomatoes which fell casualty to the rest. There was nothing else for it — she'd just have to wait.

      1 part of main body

    20. 'So what did you say?' Jean heard the blonde woman in front of her talking to her friend.'Well,' the darker woman began, 'I said I'm not having that woman there. I don't see why I should. I mean I'm not being old-fashioned but I don't see why I should have to put up with her at family occasions. After all...'Jean noticed the other woman giving an accompaniment of nods and headshaking at the appropriate parts. They fell into si­lence and the queue moved forward a couple of steps.Jean felt her patience beginning to itch. Looking into her wire basket she counted ten items. That meant she couldn't go through the quick till but simply had to wait behind elephantine shopping loads; giant bottles of coke crammed in beside twenty-pound bags of potatoes and 'special offer' drums of bleach. Somewhere at the bottom, Jean thought, there was always a plastic carton of eggs or a see-through tray of tomatoes which fell casualty to the rest. There was nothing else for it — she'd just have to wait.
    21. 'So what did you say?' Jean heard the blonde woman in front of her talking to her friend.'Well,' the darker woman began, 'I said I'm not having that woman there. I don't see why I should. I mean I'm not being old-fashioned but I don't see why I should have to put up with her at family occasions. After all...'Jean noticed the other woman giving an accompaniment of nods and headshaking at the appropriate parts. They fell into si­lence and the queue moved forward a couple of steps.Jean felt her patience beginning to itch. Looking into her wire basket she counted ten items. That meant she couldn't go through the quick till but simply had to wait behind elephantine shopping loads; giant bottles of coke crammed in beside twenty-pound bags of potatoes and 'special offer' drums of bleach. Somewhere at the bottom, Jean thought, there was always a plastic carton of eggs or a see-through tray of tomatoes which fell casualty to the rest. There was nothing else for it — she'd just have to wait.'After all,' the dark woman resumed her conversation, 'how would it look if she was there when I turned up?' Her friend shook her head slowly from side to side and ended with a quick nod.Should she have got such a small size salad cream? Jean wasn't sure. She was sick of throwing away half-used bottles of stuff.'He came back to you after all,' the blonde woman suddenly said. Jean looked up quickly and immediately felt her cheeks flush. She bent over and began to rearrange the items in her shopping basket.'On his hands and knees,' the dark woman spoke in a trium­phant voice. 'Begged me take him back.'She gritted her teeth together. Should she go and change it for a larger size? Jean looked behind and saw that she was hemmed in by three large trollies. She'd lose her place in the queue. There was something so pitiful about buying small sizes of everything. It was as though everyone knew.'You can always tell a person by their shopping,' was one of her mother's favourite maxims. She looked into her shopping basket: individual fruit pies, small salad cream, yoghurt, tomatoes, cat food and a chicken quarter.The cashier suddenly said, 'Make it out to J. Sainsbury PLC.' She was addressing a man who had been poised and waiting to write out a cheque for a few moments. His wife was loading what looked like a gross offish fingers into a cardboard box marked "Whiskas". It was called a division of labour.Jean looked again at her basket and began to feel the familiar feeling of regret that visited her from time to time. Hemmed in be­tween family-size cartons of cornflakes and giant packets of wash­ing-powder, her individual yoghurt seemed to say it all. She looked up towards a plastic bookstand which stood beside the till. A slim glossy hardback caught her eye. The words Cooking for One screamed out from the front cover. Think of all the oriental foods you can get into, her friend had said. He was so traditional after all. Nodding in agreement with her thoughts Jean found herself eye to eye with the blonde woman, who gave her a blank, hard look and handed her what looked like a black plastic ruler with the words "Next customer please" printed on it in bold letters. She turned back to her friend. Jean put the ruler down on the conveyor belt.She thought about their shopping trips, before, when they were together. All that rushing round, he pushing the trolley dejectedly, she firing questions at him. Salmon? Toilet rolls? Coffee? Peas? She remembered he only liked the processed kind. It was all such a performance. Standing there holding her wire basket, embarrassed by its very emptiness, was like something out of a soap opera.'Of course, we've had our ups and downs,' the dark woman continued, lazily passing a few items down to her friend.Jean began to load her food on to the conveyor belt. She picked up the cookery book and felt the frustrations of indecision. It was only ninety pence but it seemed to define everything, to pinpoint her aloneness, to prescribe an empty future. She put it back in its place.'So that's why I couldn't have her there you see,' the dark woman was summing up. The friends exchanged knowing expres­sions and the blonde woman got her purse out of a neat leather bag. She peeled off three ten pound notes and handed them to the cashier.

      main body

    22. 'So what did you say?' Jean heard the blonde woman in front of her talking to her friend.'Well,' the darker woman began, 'I said I'm not having that woman there. I don't see why I should. I mean I'm not being old-fashioned but I don't see why I should have to put up with her at family occasions. After all...'Jean noticed the other woman giving an accompaniment of nods and headshaking at the appropriate parts. They fell into si­lence and the queue moved forward a couple of steps.Jean felt her patience beginning to itch. Looking into her wire basket she counted ten items. That meant she couldn't go through the quick till but simply had to wait behind elephantine shopping loads; giant bottles of coke crammed in beside twenty-pound bags of potatoes and 'special offer' drums of bleach. Somewhere at the bottom, Jean thought, there was always a plastic carton of eggs or a see-through tray of tomatoes which fell casualty to the rest. There was nothing else for it — she'd just have to wait.'After all,' the dark woman resumed her conversation, 'how would it look if she was there when I turned up?' Her friend shook her head slowly from side to side and ended with a quick nod.Should she have got such a small size salad cream? Jean wasn't sure. She was sick of throwing away half-used bottles of stuff.'He came back to you after all,' the blonde woman suddenly said. Jean looked up quickly and immediately felt her cheeks flush. She bent over and began to rearrange the items in her shopping basket.'On his hands and knees,' the dark woman spoke in a trium­phant voice. 'Begged me take him back.'She gritted her teeth together. Should she go and change it for a larger size? Jean looked behind and saw that she was hemmed in by three large trollies. She'd lose her place in the queue. There was something so pitiful about buying small sizes of everything. It was as though everyone knew.'You can always tell a person by their shopping,' was one of her mother's favourite maxims. She looked into her shopping basket: individual fruit pies, small salad cream, yoghurt, tomatoes, cat food and a chicken quarter.The cashier suddenly said, 'Make it out to J. Sainsbury PLC.' She was addressing a man who had been poised and waiting to write out a cheque for a few moments. His wife was loading what looked like a gross offish fingers into a cardboard box marked "Whiskas". It was called a division of labour.Jean looked again at her basket and began to feel the familiar feeling of regret that visited her from time to time. Hemmed in be­tween family-size cartons of cornflakes and giant packets of wash­ing-powder, her individual yoghurt seemed to say it all. She looked up towards a plastic bookstand which stood beside the till. A slim glossy hardback caught her eye. The words Cooking for One screamed out from the front cover. Think of all the oriental foods you can get into, her friend had said. He was so traditional after all. Nodding in agreement with her thoughts Jean found herself eye to eye with the blonde woman, who gave her a blank, hard look and handed her what looked like a black plastic ruler with the words "Next customer please" printed on it in bold letters. She turned back to her friend. Jean put the ruler down on the conveyor belt.She thought about their shopping trips, before, when they were together. All that rushing round, he pushing the trolley dejectedly, she firing questions at him. Salmon? Toilet rolls? Coffee? Peas? She remembered he only liked the processed kind. It was all such a performance. Standing there holding her wire basket, embarrassed by its very emptiness, was like something out of a soap opera.'Of course, we've had our ups and downs,' the dark woman continued, lazily passing a few items down to her friend.Jean began to load her food on to the conveyor belt. She picked up the cookery book and felt the frustrations of indecision. It was only ninety pence but it seemed to define everything, to pinpoint her aloneness, to prescribe an empty future. She put it back in its place.'So that's why I couldn't have her there you see,' the dark woman was summing up. The friends exchanged knowing expres­sions and the blonde woman got her purse out of a neat leather bag. She peeled off three ten pound notes and handed them to the cashier.Jean opened her carrier bag ready for her shopping. She turned to watch the two women as they walked off, the blonde pushing the trolley and the other seemingly carrying on with her story.The cashier was looking expectantly at her and Jean realized that she had totalled up. It was four pounds and eighty-seven pence. She had the right money, it just meant sorting her change out. She had an inclination that the people behind her were becoming impa­tient. She noticed their stack of items all lined and waiting, it seemed, for starters orders. Brown bread and peppers, olive oil and, in the centre, a packet of beefburgers.
    1. Prima Vitasari et al. / Procedia Social and Behavioral Sciences 8 (2010) 490–497491Anxiety while studying is a major predictor of academic performance (McCraty, 2007 and McCraty, et al., 2000) and various studies have demonstrated that it has a detrimental effect. Little is known that there exist a possible association between high level of anxiety and low academic performance among students. Researchers revealed that high levels of anxiety influence on the decrease of working memory, distraction, and reasoning in students (Aronen et al., 2005). Tobias in Ibrahim (1996) has been recognised that anxiety plays significant role in student's learning and academic performance, moreover anxiety has been known to have both facilitating and debilitating effects on academic achievement

      The authors mention secondary evidence to discuss the correlation between high anxiety levels and academic progress. This is done to establish the main claim and building blocks of the study that is to be conducted.

    Tags

    Annotators

    1. Social Anxiety and Academic AchievementTo the best of our knowledge, only two research groupshave tested the hypothesis that social anxiety is directly and

      The author gets to the main point of the article and establishes the main concept by citing two sources that will later be explained in further details

    2. chlenker and Leary hypothesizedthat individuals likely become socially anxious when theywish to make a good impression on others but anticipate thatthey will be unsuccessful. Leary (2010) further proposed thatsocially anxious individuals perceive most relationships tobe unbalanced by default, through a predisposing fear thatothers will not value the relationship as highly as they do.The consequence of this ‘‘relationship devaluation’’ is aninability for socially anxious individuals to obtain their ownparticular interpersonal objectives through their relation-ships with others

      The author once again uses a secondary source to support his claim and provide credibility to his opinion.

    3. From this perspective, indi-viduals who are socially anxious might perceive the uni-versity/college social environment as somewhatthreatening, which, in turn, would restrict their openness tochange

      The author used a secondary source to propose a different viewpoint about the matter and why socially anxious individuals might be perceiving socially demanding situations as some sort of a threat

    4. Thus, fromthis viewpoint, socially anxious or withdrawn individualsmight be at a disadvantage academically if they tend to avoidthe social and academic communities of an institution

      The author builds a conclusion and reinforces the main claim based on previous citations and the last example

    5. How-ever, thoughts of engaging or interacting with others mightfoster the social fears that are central to social anxiety, hin-dering any attempt to participate in the classroom, join inconversations, or ask for help in order to successfully ma-neuver through the university/college system

      The author proceeds to directly state the consequences that arise from students' social anxiety which inhibits itself in the form of fear of interaction and avoidance of any sort of participation even when it is vital to the student's understanding

    6. The goal of the present study was to test whether socialanxiety is directly associated with academic achievementover time among university/college students, and second,to investigate a proposed indirect mechanism throughwhich social anxiety might be linked to lower academicachievement—that is, through the restricted formation ofnew social ties in university/college

      The author directly states the reason and aim of this study to let readers on the reason why his insight on this issue matters and why they should continue reading which is an effective way of demonstrating the goal of the research paper. Also, it is stated early in the introductory paragraph which makes figuring out what the study is about an easy task.

    7. In fact,Russell and Topham (2012) propose that social anxietymay have a negative impact on university/college students’academic achievement

      The author cites a secondary source to present his claim through a similar opinion

    1. Harris Shah Abd Hamid and Muhamad Karimi Sulaiman (2014) stated that the students from Department of Psychology, International Islamic University Malaysia who took a statistics course seemed to have a high level of statistical anxiety which due to a student’s negative self-perception in solving mathematical issues. According to the data found by the researchers, another predictor that contributes to the highest statistics anxietywas aroused by the teacher or course instructor. So, in this issue, the instructors may focus on verbal and nonverbal immediacy behaviorsto reduce students’ anxiety (Williams, 2010 as cited by Harris Shah Abd Hamid & Muhamad Karimi Sulaiman, 2014)

      The author effectively used a secondary source to propose an explanation and a theory for the reason students may suffer from anxiety symptoms. The source provides a credible basis on which the author was able to build a claim upon.

    2. It is rather unclear what the purpose of the paper is as the author continues to discuss or mention other sources' viewpoints about the problem and not his own. There is basically no argument whatsoever in the article.

    3. The literature has revealed that anxiety was one of the predictors which contribute to several results of academic performance specifically to students at high school and university level. Therefore, in order to achieve better academic performance, students must be able to control and present themselves in a moderate and appropriate level of anxiet

      main claim again is discussed along with the way the author thinks the affected students should deal with the disorder

    4. anxiety can affect academic performance among students as we

      clear thesis statement

  16. Oct 2018
    1. Second, and more importantly: political toleration does not require the strong and doctrine of philosophical relativism. Increased awareness of diversity together with an awareness of the historical contingency of one’s own convictions will promote political toleration just as effectively.

      This is it chief

    2. The anti-relativists counter-argue that even if we grant that political tolerance is an important value, and that accepting relativism would promote it, we should never adopt philosophical views about the nature of truth or justification simply because of their assumed good moral or political consequences.

      There is a key difference between moral relativism and tolerance, and making decisions and being a dick.

    3. Advocates of relativism, particularly outside philosophical circles, often cite tolerance as a key normative reason for becoming a relativist. On this rationale, all ways of life and cultures are worthy of respect in their own terms, and it is a sign of unacceptable ethnocentrism to presume that we could single out one outlook or point of view as objectively superior to others.

      This is the main point I will be arguing against, the belief that I thought I previously had.

    1. We found that the photosynthetic capacity of leaves in terrestrial plants is strongly correlated with proximity of veins to the evaporative surfaces of the leaf.
  17. Aug 2018
  18. Oct 2017
    1. The catalyst forthe novel, however, seems to have been a straightforward reaction to a newwork by an author Austen considered her competition*the Scottish MaryBrunton’sDiscipline(1814).Disciplineis a fictional autobiography with the strong religious themes ofsin, repentance and redemption.

      The author claims here that Emma was inspired by the 1814 novel Discipline by Mary Brunton, which surely is not part of the male literary canon laid out earlier in the article. The author outlines the main themes of Discipline and explains the relationship between the two authors.

      I feel like a broken record here, but again, this seems to be a very tenuous point without computational analysis. The author's own language belies this tenuousness as she says that the novel's inspiration "seems to have been a straightforward reaction" to another novel. The word "seems" does not inspire confidence.

  19. Sep 2017
    1. The solution is to focus not onwhois greatenough to exert influence, or strong enough to grapple with the‘‘anxiety’’oftheir literary inheritance, but rather onhowinfluence operates. What we canlook to, then, are instances of‘‘misreading’’,‘‘misinterpretation’’,‘‘carica-ture’’,‘‘distortion’’and‘‘wilful revisionism’’for what they reveal. Austen isnot the only writer whose works must benefit from such an analysis, but she,perhaps more than any other writer, unrelentingly demands it of her readers.Austen insists that her readers follow her in deliberately, playfully misreadingand reconceiving a broad range of literature, both‘‘high’’and‘‘low’’.Mimicking her misprision in our response to Romantic theories of influence,we can at last recognize how such influence operates on writers whom thecanon ignores or marginalizes: women and novelists, certainly, but alsothose whose influential moment was fleeting, rather than historicallytranscendent

      This seems like the article's thesis to me. Here, the author argues that we should not seek to identify which authors/works are seemingly "worthy" of having an influence on other authors/works. Rather, we should explore on how literary influence is actually functioning in related works.Readers must look to different methods of influence, such as "distortion" and "misinterpretation" in their study of the topic. In the demands that she places upon her readers to be well-informed and attentive, Austen invites us to be a part of a complicated and ongoing literary conversation. Additionally, through studying Austen's works, we can observe the influence of those traditionally left out by the canon.

      This argument does seem relevant and original to me. In my admittedly brief study of literary influence, the discussion is usually exclusively related to the canon. Murphy asks us to consider influence in a broader sense. However, the main question that I have after reading this article relates to computational literary study. Franco Moretti, Matthew Jockers, and other such scholars have made significant strides in the application of computational tools in the study of literary influence. I am very curious as to how this article's premises and main argument would hold up when subjected to such tools. This seems like a weakness to me. Even after my brief study of computational literary analysis, it seems that any conversation of literary influence is incomplete without actually looking at the data.

    2. If we enlarge our understanding of the concept of‘‘influence’’, we canbegin to see the ways in which artistically unremarkable, canonicallydisregarded works inform the development even of masterpieces. Ros Ballastercorrectly states that:[...] most women novelists of the eighteenth century tended to locatetheir own writing in relation to a strong line of male predecessors orcontemporaries [...] if women read each other’s work they did not, forthe most part, openly acknowledge influence.16Jane Austen is the exception to this rule. Far from shamefacedly concealing herdebt to Brunton’s novel, on the contrary, Austen’s linguistic allusions toDisciplineinEmmadraw the reader’s attention to the two novels’intimateconnection

      This is a key section. Here, the author claims that Jane Austen's Emma is influenced by the rather unremarkable and certainly much less well known novel Discipline. This is in contrast to the existing tradition. Murphy cites and agrees with Ballaster's argument that 18th century women authors situated their own work within the male tradition and did not seek recognition for the influence of other female authors. However, Murphy argues that Austen makes obvious the connection to Brunton.

    3. his essay demonstratesAusten’s career-long preoccupation with the nature and practice of reading, andher attempts to train an ideally critical reader. It is through such active, critical,objective reading that Austen developed her manifesto for a new kind of novel inthe face of ongoing cultural conservatism*a form which, unburdened by theinfluence of heroic predecessors, could maintain its connections with a rich literaryheritage without suffering from the creativity-stifling anxieties of poetic influence.

      Here, the author outlines the main argument of the article, which is that Jane Austen aimed to cultivate a critically aware reader and, in doing so, creates a new novel that gains influence from manifold sources, not just the literary canon.

    4. This essay argues that her attitudetowards literature was equally critical.

      This follows up on the author's comparison of influence and inheritance systems. Here, we can see that Austen turned a critical eye not only upon patriarchal inheritance laws but also patriarchal systems of literary influence.

    1. Therefore, at least the finalphase of pollen tube guidance to the ovule is controlled by thefemale gametophyte.
  20. Jun 2017
  21. Feb 2017
    1. We suggested that employee perceptions of voice vary between the different levels of an organisation and proposed that trade union membership will be more likely to enhance individual employee perceptions of voice at the wider organisational level.