434 Matching Annotations
  1. Feb 2017
    1. THE WESTERN LAND, nervous under the beginning change. The Western States, nervous as horses before a thunder storm

      Steinbeck groups the Western states together in one entity that feels and experiences the same nervous energy, like that of horses. The repetition of this idea throughout Ch. 14 serves to underscore the unity of these states as a single group separate and distinct from the rest of the country.

  2. Aug 2016
    1. The problem, as Taylor explained, is that the rise of e-commerce and social media has lowered the cost of entry for new competitors.

      Sounds like a very quick summary of what Ben Thompson was saying two weeks ago. But, in this case, it’s from “the horse’s mouth”.

  3. Jun 2016
    1. more student engagement beyond the walls of a school.

      Guest users in Moodle - can we make it easier to get them into the space to engage with students? No more boring forums when the community members or guest speakers in a f-2-f class can contribute. What about a Google form for requests? Is there a way to limit guests to only one forum?

  4. Apr 2016
  5. Mar 2016
  6. Jan 2016
    1. But unlike Hypothes.is, the Genius code is not open-source, its service doesn't work on PDFs, and it is not working with the scholarly community.
    2. A few websites today have inserted code that allows annotations to be made on their pages by default, including the blog platform Medium, the scholarly reference-management system F1000 Workspace and the news site Quartz. However, annotations are visible only to users on those sites. Other annotation services, such as A.nnotate or Google Docs, require users to upload documents to cloud-computing servers to make shared annotations and comments on them.
    1. If those same students expected on-screen reading to be as slow (and as effortful) as paper reading, would their comprehension of digital text improve?

      Maria Konnikova also cites a 2014 study in a New Yorker article on this topic that concludes by offering annotation as a kind of deliberate, slow online reading practice. (Note: the article has been annotated by two sets of college students!)

    2. But a 2011 study by the cognitive scientists Rakefet Ackerman and Morris Goldsmith suggests that this may be a function less of the intrinsic nature of digital devices than of the expectations that readers bring to them.

      Very interesting. So an intentional online reading practice--fortified, let's say, by a collaborative annotation tool--might produce different results...

    3. Done badly (which is to say, done cynically), the Internet reduces us to mindless clickers, racing numbly to the bottom of a bottomless feed; but done well, it has the potential to expand and augment the very contemplative space that we have prized in ourselves ever since we learned to read without moving our lips.

      Love this line!

  7. Nov 2015
    1. such that they cannot be experienced in any meaningful way without the mediation of an electronic device

      Another way to say that, as they can be printed, e-books are not e-lit, even if they have never been published on paper, but just Digital Literature, isn't it?

  8. Oct 2015
    1. Put simply, Electronic Literature is considered a "born digital" art form with unique approaches to thinking about and working with digital technologies for the purpose of creating literary art.

      So, how would it be considered if I for example use pencil and paper to write down poetry or anything and then I type my diary entries into an electronic device for it to be displayed in digital platform such as a blog? Is it considered to be "born" on paper? Or is it considered to be "e-lit" because despite of the paper based start, it was thought to be published in a digital media?

    2. such that they cannot be experienced in any meaningful way without the mediation of an electronic device

      By adding the absolute word "cannot" (though softened perhaps a bit by adding "meaningful way"), this seems a narrower definition than the previous one, which I'm fine with.

      BTW, if this e-lit course is held a second time, you'll have to find new pages to annotate, as these ones have already slowed to a crawl with all the multiple highlights over the same text. I hope the devs of Hypothes.is are watching!

    1. Well the definition of e-lit is quite determined in this sentence. - However in order to get used to this saavy app (hypothesis platform) I'm going to descrive with my own words what I got from this definition-

      Apparently e-lit has to do with the literary aspects and connections made between several interactions of liteature and technology (for what I get, standard books may also apply here) where sometimes it may ne regaldless of human intervention.

      Also, I think this has to do with the "computing" devices, within mechanisms and systems that may be also the way we as humans construct reallity and other things though language and literature. This reminds me of some Foucault's theory about how a single word may be considered as a discoursive device in a complex mechanism interacting with several systems in a society o so...

      What's really interesting is that the human intervention may not be required after all to consider the creation and acknowledgment of a literary work.

    2. The confrontation with technology at the level of creation is what distinguishes electronic literature from, for example, e-books, digitized versions of print works, and other products of print authors “going digital.”

      Confrontation with technology as a way to elaborate and create literature differs widelly from just using tecnological devices to display literature.

    3. works with important literary aspects that take advantage of the capabilities and contexts provided by the stand-alone or networked computer.

      "important literary aspects"... sounds very subjective

    4. Hypertext fiction and poetry, on and off the Web Kinetic poetry presented in Flash and using other platforms Computer art installations which ask viewers to read them or otherwise have literary aspects Conversational characters, also known as chatterbots Interactive fiction Novels that take the form of emails, SMS messages, or blogs Poems and stories that are generated by computers, either interactively or based on parameters given at the beginning Collaborative writing projects that allow readers to contribute to the text of a work Literary performances online that develop new ways of writing

      I find this list a bit vague... It felt like a "to-do" list so vague that it reminds me more of "analog-lit" really... "Interactive fiction"? Can't a paper book be interactive...?

    1. (diskettes sold by mail order)

      So not only were these early e-lit efforts probably created using non-open software, they were distributed using now-obsolete physical media? I hope someone somewhere has backed them all up to modern formats and media.

    1. A crowd flowed over London Bridge, so many, I had not thought death had undone so many.
  9. Sep 2015
  10. Jun 2015
    1. There's more than confidence here. Makes a good target for rhet analysis, from the genre (what is it? manifesto? statement of belief?) to arguments based in sentence style. Lots of diexsis from the very beginning. Appeals to foundation myths. Direct address to the reader as you ... very complex and very suspect, especially the ethos.

    1. Consider the rhet sit here. Lots of variables, as how did the reader get here - by search or accident (search), on what kind of device is she working, the possible goals - as this seems a goal driven situation.

  11. Jan 2015
  12. Nov 2014
    1. Apropos gemeinsames Nachdenken: Wir glauben, dass verhärtete Fronten generell keine gute Idee sind und dass die gegensätzlichen Pole von technikfeindlichen Ebook-Verächtern auf der einen und den sämtliche Verlagsmauern niederreißenden Digitaljüngern auf der anderen Seite zugespitzt und konstruiert sind. Verlage und Papierbücher (vor allem die sorgsam gestalteten und hergestellten) wird es glücklicherweise noch sehr, sehr lange geben, genau wie spannende Digitalveröffentlichungen.

      Im Blog des Projektes Fu-PusH nimmt Ben Kaden auf diese Passage Bezug und reflektiert die angesprochene Polarisierung hinsichtlich der Publikationspraxis in den Geisteswissenschaften: Warum der allgemeine E-Book-Markt für Fu-PusH relevant ist.

    1. Full Text Beginning Perl Modern Perl Impatient Perl Extreme Perl Embedding Perl in HTML with Mason Picking Up Perl Perl 5 Internals Practical Mod Perl Perl & LWP

      Full e-books on Perl

  13. Apr 2014
    1. Visions and desired scenarios for the future of creative e-publishing industry. Technology trends and signals.

      The CRe-AM Initiative (Creativity REsearch Adaptive roadMap, www.cre-am.eu), an FP7 Project funded by the European Commission aiming to bridge communities of creators with communities of technology providers and innovators, launched a survey aiming at collecting visions and desired scenarios for the future of the creative e-publishing industry. Please share your visions and expectations by answering to the 10 mins survey at http://www.dat.demokritos.gr/limesurvey/index.php?sid=84433&lang=en

    1. @tispnetwork

      Share your visions and desired scenarios for the future of the creative e-publishing industry. Invest 10 mins of your time to fill the survey at http://goo.gl/oD0pjJ. The survey is part of the work of the CRe-AM Initiative (Creativity REsearch Adaptive roadMap), an FP7 Project funded by the European Commission aiming to bridge communities of creators with communities of technology providers

  14. Mar 2014
    1. A traditional bookseller, no matter how large he is, will not be able to justify the investment necessary for creating a consumer proposition in the range of Kindle, Kobo or Nook. But he is able to afford the Tolino white-label Ecosystem. And then suddenly he is able to compete at the same level as the digital global players.

      open standards allow small players to enter the competition!