The Secretary: Transcribing. 16 mm, Instructional film. Coronet Instructional Films, 1955. https://www.youtube.com/watch?v=L7wAJki9ec4.

"How To" Directory by [[Anna Havron]]

"I'm always trying to get back to the 20s a little bit." <br /> —John Dickerson, in Field Notes interview (2016) https://vimeo.com/169725470

Dickerson says he's got two screens on the computer in his office as well as an ipad and a phone. But he's also got a "notebook does only one thing". He's also got an old black lacquer Underwood (No. 4, 5, or 6?) on his office desk still.

Wonder if he uses it?

https://www.libraryfutures.net/post/how-much-does-obamas-summer-reading-list-cost-your-library

https://www.youngw.ca/

https://www.ebay.com/b/barnett-jaffe-slide-case/bn_7024798534

Barnett & Jaffe made tweed cases in the mid-century for carrying around several drawers of 35mm slides.

These could potentially be repurposed as portable zettelkasten.

Typewriter Video Series - Episode 147: Font Sizes and the Writing Process by [[Joe Van Cleave]]

typewriters for note making

double or 1 1/2 spacing with smaller typefaces may be more efficient for drafting documents, especially first drafts

editing on actual paper can be more useful for some

Drafting on a full sheet folded in half provides a book-like reading experience for reading/editing and provides an automatic backing sheet

typewritten (or printed) sheets may be easier to see and revise than digital formats which may hide text the way ancient scrolls did for those who read them.

Jack Kerouac used rolls of paper to provide continuous writing experience. Doesn't waste the margins of paper at the top/bottom. This may be very useful for first drafts.

JVC likes to thread rolls of paper into typewriters opposite to the original curl so as to flatten the paper out in the end.

Governor Newsom urges schools to immediately restrict cell phones in the classroom ahead of the new school year | Governor of California

Howard L. Wilson, creator of the Memindex system starting 1903 and in wide use through the 1950s, would be proud that a modern variation of his system is still living in analog form. While it doesn't provide the bench depth of options of materials and sizes, the system is compact, modern, and just as simple as the original. The handcrafted archive boxes now bring the system up to par with its predecessor with grace and an elegant minimalistic esthetic.

Perhaps in a few years we might see something akin to Yawman & Erbe or Shaw-Walker's 16 drawer filing cabinets for long term storage of multiple years?

Ugmonk released a limited edition of 100 archive boxes for their Analog productivity cards today at 7AM (Pacific) for $229.00 (including 12 card packs and a metal divider). It sold out within two and a half hours.

With the inclusion of this archive box it makes the system much more like the original Memindex system.

https://ugmonk.com/products/analog-archive-box-walnut?variant=43942761562262

I've used the small typewriter tables with drop sides and wheels before. I appreciate their small size and ability to move around. I'm actively looking for a new one at the moment. (I sold the original 20 years ago when downsizing during a move between apartments and prior to restarting my collection.)

I currently use a dual pedestal desk and and usually have my typewriters on the pull out writing drawers. This drops the typewriter an inch and makes one's typing position (27" off the floor) much more comfortable than having the typewriter higher up 29-31" for most modern desks and tables.

I have tested a pedestal desk with a spring-loaded typewriter platform that moves up and out of the desk after opening a door. This was an excellent experience, and if I find another, I will surely purchase it. The tough part is that they take up a lot of space as the internal desk space is given entirely to hiding the typewriter when not in use. They're definitely great if you have a heavy 30+ pound standard typewriter that's not so mobile.

The third type are wooden desks with two desk height levels. One for traditional desk work and a second lower one as the typewriter platform. The lower height is obviously much more ergonomic for typing for long periods. On most of these desks, the inset typewriter space is most often given completely over for the typewriter to be there permanently. If your plan is to only have a typewriter, then jump, but their use is more difficult if you're sharing that space with a computer and need to move the two back and forth regularly. Additionally, the wooden desks have either permanent cut outs or can be flipped over to hide the cutout and make the entire desk space flush when the typewriter isn't in use. You'll have to use your own gut to decide which of these two might be best for you. I recently saw a reasonable version of a convertible wooden desk at https://abqtypers.substack.com/p/convertible-typewriter-desk

I find these pop up pretty regularly in the $200-500 range. Often owners don't want them because they don't use typewriters, and they don't move easily, so they're likely to come down in price pretty quickly/easily.

Sometimes the most important thing about a tool is not that it accomplishes its purpose—like every other typewriter will—, but how much you enjoy using it.<br /> —Lucas Dul, in The IBM Personal Typewriter and the Selectric 1 - IBMs Two Smallest Typewriters, timestamp 10:28

Too many people fetishize Luhmann and his system. Yes he wrote a lot and yes he was productive, but was he as influential as any of the thousands upon thousands of writers and academics who used broadly similar methods? A lot of Luhmann's productivity boils down to how one chooses to define productivity. As an example: Isaac Newton, John Locke, Taylor Swift, and even Eminem had broadly similar not taking methods and though their note corpuses are dramatically smaller than Luhmann, their influence on art, culture, and humanity dramatically exceeds that of Luhmann.

I would posit that most serious note takers' productivity boils down to their utter simplicity and easy ability to replicate that method for decades. The largest part of Luhmann's productivity was that he not only had a simple system, but that he was privileged to use and practice at full time for the length of his academic career. (He also didn't face the scourge of peer-review that most academics are forced to run today.)

As an example of someone whose methods were very similar to Luhmann's, but who was dramatically more productive (from a generic definition of it), take a look at S. D. Goitein who wrote out about 1/3 the number of slips that Luhmann did, but used them to write almost a 1/3 more articles and books! Luhmann: 90,000 slips, 550 articles, 50 books versus Goitein: 27,000 slips, 669 articles, 69 books. Interestingly Goitein's method of organization was much closer to the topical organization to the vast majority of zettelkasten/card index users (as well as Obsidian users) than to Luhmann's alpha-numeric organizational method. There isn't nearly enough scale in (psychology, cognitive psychology) research to reasonably compare analog versus digital methods, much less enough research to distinguish between methods at the scale of individual people. Everyone will respond differently to different modalities because the breadth of neurodiversity within the population. The psychology research you're citing is painfully, painfully thin and is far from reaching the level of replicability. As a result, the best practicable advice to any individual is to experiment for themselves and choose the method they feel works best for them from a sustainability perspective.

reply to u/Quack_quack_22 at https://www.reddit.com/r/ObsidianMD/comments/1doqgar/why_can_luhmann_manage_information_better_than/

I found that Luhmann's information management system is not more complicated, but it is more effective than the influencers talking about taking notes on Obsidian. Because he took notes by hand:

Studies show that taking notes by hand has a positive impact on many different brain areas. Writing by hand is slower than typing: The slowness of handwriting helps Luhmann consider and select important words to write in literature notes. -> he will remember better the brain is relaxed -> the brain is more creative: when writing literature notes -> he will come up with more ideas so he can write permanent notes. To put it more simply. Luhmann takes notes to find as many ideas as possible to write in permanent notes, then these permanent notes will become a complete essay after Luhmann connects them together. And writing citations, summaries of content and citing sources in literature are just proof that his ideas are correct (ironically, people who make content about obsidian (also Tiago Forte) just encourage copy-paste).

Thus, copying highlights from Kindle to Obsidian becomes useless if you don't understand anything about highlights and don't get any ideas from them. I don't claim that typing makes us stupid, because people who write on computers have a habit of carefully correcting spelling and arguments, which helps them think more deeply = more smart.

Sources: https://www.forbes.com/sites/nancyolson/2016/05/15/three-ways-that-writing-with-a-pen-positively-affects-your-brain/ https://www.psychiatrist.com/news/handwriting-shows-unexpected-benefits-over-typing/

P/s: I think this guy is very precise about the zettelkasten method: he takes notes on paper like Luhmann to get ideas, then he just starts copying them into Obsidian. (https://www.youtube.com/watch?v=FrvKHFIHaeQ&t=0s)

David McCullough’s ode to slow (and a tribute to the typewriter) by [[Steve Leveen]] on 2009-12-03

https://www.cygnoir.net/analog/

BEST of BOTH Worlds? Digitizing Field Notes inside Obsidian [Showcase] by [[CyanVoxel]]

Another good reason never to write on the back of one's index cards is that it precludes the necessity of scanning the backs of cards for complete digital back ups.

Without this one would need to scan all the backs and either handle the special cases of cards which did have backs or removing "blank" cards after the fact.

Libraries may have handwritten notes on the back of library card catalog cards in the 20th century, a practice which caused data loss in the case of the Alderman Library which only scanned the front of their cards in 1989 when they made the switch from physical cards to a digital catalog.

https://www.reddit.com/r/Zettelkasten/comments/18i45tm/with_me_being_an_analog_zk_user_im_curious_where/

Lots of analog vs digital angst here. Some of it stirred up by Scheper and his religion.

Do digital note taking tools extend the ranges of affordances versus their analog counterparts with respect to the SAMR model?

On the augmentation front, they allow one to capture things faster, but may do so at the loss of understanding due to the lack of active learning (versus passive as the tool may be robbing them of the interaction with the material).

There may be some workflow modification, but it's modest at best. Is it measurably better?

I'm unaware of anyone talking about technological redefinition of digital note taking affordances, though some of the surface level AI-related things may emerge here.

In some sense, I still think that the ease of remapping and rearranging/linking/relinking/outlining ideas in digital spaces doesn't exist, so digital note taking tools aren't doing very well even at the root substitution level.

I suspect that some people weren't exposed to the general process of good note taking and their subsequent use for linking, developing, and then creating and as a result of learning this, they're attributing their advances to the digital nature of their tools rather than the original analog process which was always there and isn't necessarily improved measurably by the digital modality.

While mostly a digital guy, Tom Standage uses Moleskine's reporter's notebooks which he likes because they're the size of an iPhone 6 plus.

iPhone 6+ (6.22 in x3.06 in)<br /> Moleskine reporter's notebook (3.5 x 5.5 inches)

• for: analog, analog - human development
• analog: human development
  • Buddhist teachings on illusory nature of the self often make use of the example of our use of the same name for a body that is ever changing - it started as a sperm/egg united, then an embryo, fetus, neonate, newborn, infant, child, adolescent, young adult, adult, finally elderly.
  • the early stages of human development are just as radical as caterpillar to butterfly.
  • As adult humans, we take memories for granted, but such meta-level features do not even exist in the earlier parts of our development, such as just after the sperm inseminates the egg and we are just a collection of rapidly dividing cells
  • In this case, it is indeed insightful to apply more universal ideas of life and intelligence, since we ourselves have been through many different types of intelligences in our own individual human development

reply to u/FilterGrad6 at https://www.reddit.com/r/Zettelkasten/comments/16iwdep/newbie/

Digital is just a tool. Why necessarily chose it over analog unless you can specifically identify affordances which dramatically improve your experience or output?

As you've discovered, shiny object syndrome may prevent you from collecting enough into one place to be truly useful and valuable. Pick one that seems to work for you and build from there.

If paper was good enough for the practices and outputs of Carl Linnaeus, Konrad Gessner, Gottfried Wilhelm Leibnitz, John Locke, Hans Blumenberg, Roland Barthes, Beatrice Webb, Jacques Barzun, Niklas Luhmann, Gertrud Bauer, Marcel Mauss, Phyllis Diller, and so many others is there any reason it shouldn't work just as effectively for your work?

https://www.youtube.com/watch?v=vww7JLcrJl4

8:05 - 16:20 GTD - Capture - Clarify - What is it? - Is it actionable? What is the action? - Is it a project? - Batching - Reflect - Review over lists/calendars daily/weekly - Engage

17:30 They use the phrase "atomic" paper based index cards, so they've been infected by the idea of "atomic notes" from somewhere, though it seems as if he's pitching that he's "invented" his card system as if from scratch.

19:45 He mentions potentially using both sides of the card, against the usual (long term) advice.

20:00 Analogizes his cards as ballerinas which work together, but each have their own personalities and function within the ballet

He's using a leather cover for Moleskine pocket notebook and Manufactum A7 index cards, as well as a box

Sections of his box: - to erase - inbox - next actions - projects (3 categories of projects) - someday - to delegate - tickler (by month and by day; 12 months and 31 days) - blank cards

Mentions erasing cards as he finishes them rather than archiving them.

Inspiration by How to Take Smart Notes by Ahrens

Recommends one item per card to make things easier and more actionable; also improves focus versus having a longer list. (28:00)

Portability

Sustainable (he erases)

High quality textile experience

The ability to shift between associative modes and sequential modes seems to work well with such a system.

They distinguish between atomic notes and "stellar" notes. Stellar being longer lists or more dense notes/outlines/etc.

Project cards<br /> titles and project numbers (for reference) Project numbers in the top right with a P and/or M below it for<br /> - P for paper<br /> - M for email data<br /> - D for digital files which helps him find reference materials

Weekly review with all cards out on the table

Expansion pack includes: - action - calendar - waiting

Search was quick and easy, but had to carry his box back and forth to work.

Stopping doing it because he was losing the history (by erasing it). Moving to notebook and he likes fountain pens. He likes the calendar portion in his notebook.

He tried it out for the sake of experiment.

In the paper world things are more present and "in your face" versus digital formats where things can disappear.

Another advising to use the analog method for learning even if one is going to switch to a digital zettelkasten.

He uses the word "good" here while others may have potentially used the word "magic", but writing in a space that values critical thinking, he would have been taken to task for having done so. In any case he's not able to put his finger on the inherent value of analog over digital.

In the documentary California Typewriter (Gravitas Pictures, 2016) musician John Mayer mentions that he's never lost a typed version of his notes, while digital versions of his work essentially remain out of sight and thus out of mind or else they risk digital erasure by means of either data loss, formatting changes, or other damage.

Mayer also mentions that he loves typewriters for their ability to easily get out stream of consciousness thinking which is a mode of creativity he prefers for writing lyrics.

Historian and author David McCullough prefers a manual typewriter over computers with keyboards specifically because it forces him to slow down and take his time.

Ref: @Nichol2016 https://www.imdb.com/title/tt5966990/

reply to u/ihaveascone at https://www.reddit.com/r/Zettelkasten/comments/14v2ohz/converting_commonplace_books/

Don't convert unless you absolutely need to, it will be a lot of soul-crushing make work. Since some of your practice already looks like Ross Ashby's system, why not just continue what you've been doing all along and start a physical index card-based index for your commonplaces? (As opposed to a more classical Lockian index.) As you browse your commonplaces create index cards for topics you find and write down the associated book/page numbers. Over time you'll more quickly make your commonplace books more valuable while still continuing on as you always have without skipping much a beat or attempting to convert over your entire system. Alternately you could do a paper notebook with a digital index too. I came across https://www.indxd.ink, a digital, web-based index tool for your analog notebooks. Ostensibly allows one to digitally index their paper notebooks (page numbers optional). It emails you weekly text updates, so you've got a back up of your data if the site/service disappears. This could potentially be used by those who have analog commonplace/zettelkasten practices, but want the digital search and some back up of their system.

via https://contextisking.com/2020/12/01/how-digital-pennies-vs-analog-dollars-became-digital-trillions-vs-analog-billions/

Will libraries have the same problems with the digital transition that music and journalism have had?

A 9 x 5" card that folds in three to make a 3 x 5" card for planning out one's entire week.

This is quite clever with respect the space of cards like Analog and 3x5 Life.

Just like the imagery from the Analog System's promotion, this video features someone fed up with lots of notebooks pushing them off their desk in frustration—naturally to turn to index cards.

timestamp: 0:00:25

https://www.3x5life.com/

Compare with other products in this category: - Analog (Jeff Sheldon productivity system) - Memindex - Bullet Journal - Frictionless Capture Cards - Pile of Index Cards

My 3 Criticisms of Using UgMonk’s new ‘Analog’ Productivity System. by Jason Chatfield

https://fromthe.study/analog-review/

Ostensibly the text of the review in https://www.youtube.com/watch?v=dvLkVimqv8E

https://www.youtube.com/watch?v=dvLkVimqv8E

Review of the Analog productivity system. Quick overview with generally positive tenor.

The creator mentions that he collects productivity systems like Pokémon! A sort of affliction of shiny object syndrome in the productivity space.

Passing mention of Patrick Rhone's dash/plus system

The Analog system has a thin metal divider that separates two sections in the base. The broad suggestion is to use this space as storage and the divider for separating the blank stock of cards from used cards. One could also separate the next/someday cards from the today cards (new and finished).

The divider serves as a tabbed divider in many systems, but here there are only a total of three slots for differentiation: one slot for one card with today's list, and two other spaces for other cards that the user can determine their uses for. This definitely makes the system incredibly simple and minimal.

It's only slightly different from the old common Park Sherman Co. desk note pad systems which sometimes had a universal calendar and one tray space for notes.

Similar to the sorts of to do list task key in many bullet journals, the Analog system has "task signals" : - black filled circle means "complete task" - half filled circle means task is in progress - a right arrow in the circle means the task was delegated - a cross in the circle means that the task is an appointment, potentially with the appointment time added to the to do item

The system suggests that you can "create your own" task signals, though in true minimalist fashion, it doesn't give other suggestions. Presumably one could do other pattern fills of the circle or symbols within it to mean other things (example: bullet journal key symbols).

Interestingly, the to do circles start out not blank, but with a single thin line splitting the circle in half vertically. This is apparently a design choice, perhaps to make it easier to fill in half of the circle?

Though the Analog system clearly delineates cards of to do lists as "Today", "Next", "Someday", I've definitely seen this sort of delineation well before this system.

What other systems explicitly use this framing or similar framings?

While the today / next / someday cards are labeled, they're also color coded (white, light tan, tan) to help distinguish them.

Though not defined in the Analog system, these differently colored cards could also be used to indicate different sorts of data, though one would need to potentially ignore the pre-printed labels of "Today", "Next", "Someday".

The Analog system utilizes a simplified version of an Eisenhower matrix which we'll call "today / next / someday" as a means of prioritizing to do list items on a temporal basis.

Following a pattern seen in many modern wooden recipe card boxes to hold the current recipe one is working on, Jeff Sheldon has cut a long thin slot into his card holder to allow one to stand up today's card in the front as a means of displaying and featuring what needs to get done.

https://ugmonk.com/pages/analog

Jeff Sheldon describes how the Analog system works, generally following most of the outline of the Memindex method, but with some hints of the Bullet Journal method's notation.

https://www.kickstarter.com/projects/ugmonk/analog-the-simplest-productivity-system/posts

Analog Kickstarter dates: - wrapped on 2021-05-07 - funded on 2020-08-07 - launched on 2020-06-23

https://www.kickstarter.com/projects/ugmonk/analog-the-simplest-productivity-system

Jeff Sheldon's Analog productivity system is a physical product consisting of a wooden tray, metal divider, 3 x 5" custom printed index cards (and refills), a felt carrier, and other accessories which functions as a minimalistic version of the old Memindex.

The someday card is described as being not only for individual to do items, but "big picture" goals.

The video shows the productivity books which Sheldon used to help design his system including 99u's Manage Your Day-To-Day, Unsubscribe by Jocelyn K. Glei, The One Thing by Gary Keller, Getting Things Done by David Allen, Deep Work by Cal Newport, and Atomic Habits by James Clear.

I started making lists on index cards—you know the ones we used back in school.

Note the total lack of any referent to why we used to use index cards in school.

https://vimeo.com/420319231?embedded=true&source=vimeo_logo&owner=8885398

In addition to using the three dots on the Analog system's cards to indicate how much one accomplished (modest value), Jeff Sheldon suggests using them to "link cards together", though he doesn't suggest how one could or should do this. Presumably he means to use the possible dot patterns as a code, but then one only has 2^3 or 8 ways of doing this, so the number of possible links is incredibly low. Some of this seems related to edge notched cards, though here, there's no suggestion of punching holes in these cards, so sorting or finding these cards isn't necessarily easy unless one otherwise indexes them, a functionality which falls outside of the minimalist scope of the product.

To expand on this method he also, more profitably, suggests adding titles to cards in the blank line at the top which is also frequently used for dating cards.

https://ugmonk.com/

Developed in a Kickstarter, ugmonk.com is where Jeff Sheldon now sells his Analog productivity system and refills as well as other related lifestyle brand products.

reply to u/jordynfly at https://www.reddit.com/r/Zettelkasten/comments/13b0b5c/how_big_is_your_zettelkasten/

The idea of notes per day comes up occasionally, here's some discussion on the last go-round: https://www.reddit.com/r/Zettelkasten/comments/11z08fq/comment/jdbnchv/?utm_source=reddit&utm_medium=web2x&context=3

Many people, especially when getting started, get wrapped up in the idea of doing this for "increased productivity" or the goal of being as prolific as Niklas Luhmann. I would submit (and think others would back me up anecdotally) that there's far more to the practice than raw (or measurable) productivity as the single, driving value. Perhaps approach it as a way to sharpen and improve your thinking instead? If you're seeing life-like behavior already, that's a good sign of appreciating some of the hidden benefits which are difficult to describe and which are likely more valuable than the "productivity" goals many may have.

I've noted before that S.D. Goitein had 1/3 less index cards than Luhmann over an equivalent research lifetime, but produced a 1/3 more written output (in terms of books and journal articles). Others like Aby Warburg and Gotthard Deutsch (70,000 notes) had significant practices, but their writing output was marginal at best, though their impact and influence were outsized, in part, I would suggest as a result of their zettelkasten work.

Others like Roland Barthes (generally low card output of \~12,500) and Deutsch also used their fichier boîte/card index/zettelkasten as teaching tools, so while their written outputs may have varied considerably, their teaching practices were incredibly influential for the students and generations they encountered afterwards.

This being said, I'll share my current easily countable lower bound dating roughly from 2016 as:

• 15,200 notes
• 32,000+ links
• 2.1M words

(Having a zk in digital form makes it reasonably easy to do these sorts of counts versus analog methods of note making.)

Some additional pathways to learning and practicing, including my own, can be found here: https://www.reddit.com/r/Zettelkasten/comments/11ay28d/how_did_you_teach_yourself_zettelkasten/

reply to u/MisterTTS at https://www.reddit.com/r/antinet/comments/1301mhl/any_good_antinet_programs_and_android_apps_out/

I've searched for ages, built programs for myself, and come to the conclusion that there is no really good app or workflow that will allow you to do both paper and digital at the same time without a lot of extra unnecessary repetitive work that doesn't provide you with tangible benefit to pay for itself. The best bet currently to save yourself a lot of time and headache is to pick one or the other and just go with it.

I do my thinking with pen on paper. Digital tools, even (or especially?) the note-taking ones, are just not for me. <br><br>They may be easy to access or carry around, but what’s the point if they constrain the output?

— Julia Pappas (@JuliaPappasJoy) March 30, 2023

A common issue of many digital note taking apps is that while they may have ease for cutting and pasting data into them, moving data around, visualizing it in various forms, and exporting it into a final product may be much more difficult. At the opposite end of the spectrum, physical index cards are much easier to sort, resort, and place into an outline form to create output.

Those who practice analog note taking have a high level of friction which prevents them from over-collecting (or "capture bloat", importing "all the things", or "collector's fallacy") ideas, which may not rise to a certain level of value. Beyond this, the requirement to find at least one other note to link each idea to provides a smaller hurdle against these hoarding practices.

reply to u/m_t_rv_s__n at https://www.reddit.com/r/Zettelkasten/comments/10m3abl/interested_in_seeing_what_others_referencebib/

An example of my digital "bib notes" for: Sayers, Dorothy L. The Lost Tools of Learning. E. T. Heron, 1948.

https://hypothes.is/users/chrisaldrich?q=url%3Aurn%3Ax-pdf%3A13447fd092edd947b775ba269de28ee6

There are some other good anecdotal examples here too.

Sometimes collecting some sorts of data in one's notes (even, and particularly in digital notes) is not a useful practice as one eventually realizes that they remain unsearched and unused.

One thing which may not come under this heading is the difference in what others say versus what you write yourself, especially as it relates to plagiarism.

https://www.reddit.com/r/antinet/comments/10fn1vb/i_made_a_script_to_turn_obsidian_files_into_tiny/

https://www.youtube.com/watch?v=SYj1jneBUQo

Forrest Perry shows part of his note taking and idea development process in his hybrid digital-analog zettelkasten practice. He's read a book and written down some brief fleeting notes on an index card. He then chooses a few key ideas he wants to expand upon, finds the physical index card he's going to link his new idea to, then reviews the relevant portion of the book and writes a draft of a card in his notebook. Once satisfied with it, he transfers his draft from his notebook into Obsidian (ostensibly for search and as a digital back up) where he may also be refining the note further. Finally he writes a final draft of his "permanent" (my framing, not his) note on a physical index card, numbers it with respect to his earlier card, and then (presumably) installs it into his card collection.

In comparison to my own practice, it seems like he's spending a lot of time after-the-fact in reviewing over the original material to write and rewrite an awful lot of material for what seems (at least to me—and perhaps some of it is as a result of lack of interest in the proximal topic), not much substance. For things like this that I've got more direct interest in, I'll usually have a more direct (written) conversation with the text and work out more of the details while reading directly. This saves me from re-contextualizing the author's original words and arguments while I'm making my arguments and writing against the substrate of the author's thoughts. Putting this work in up front is often more productive at least for areas of direct interest. I would suspect that in Perry's case, he was generally interested in the book, but it doesn't impinge on his immediate areas of research and he only got three or four solid ideas out of it as opposed to a dozen or so.

The level of one's conversation with the text will obviously depend on their interest and goals, a topic which is relatively well laid out by Adler & Van Doren (1940).

Usual advice is to move PRN, but what does the spectrum here look like? Collect examples.

https://www.youtube.com/watch?v=VFs3_COOMp8

He opens up saying that he uses some small plastic containers for mushrooms that he got from the supermarket for storing his notes/slips! This is definitely a unique form of zettelkasten box!

He talks about the benefits and some of the joys of using analog practices, particularly in analogy to music and arts.

"meine kleine zettelkasten show" sounds like it ought to be a Mozart compisition like Eine Kleine Nachtmusik

The time it takes to make notes is an important investment. If it's not worth the time, what were you actually doing? Evergreen/permanent notes are only useful if you're going to use them later in some sort of output. Beyond this they may be useful for later search.

But if you're not going to search them or review them, which the writer says they didn't, then what was the point?

Have a reason for taking a note is of supreme importance. Otherwise, you're just collecting scraps...

People who have this problem shouldn't be using digital tools they should be spending even more time writing by hand. This will force them into being more parsimonious.

https://www.reddit.com/r/antinet/comments/zj9xcj/actually_using_note_cards/

Example of someone who felt that speeding up their note taking by using digital tools rather than analog ones.

https://www.indxd.ink/

A digital, web-based index tool for your analog notebooks. Ostensibly allows one to digitally index their paper notebooks (page numbers optional).

It emails you weekly text updates, so you've got a back up of your data if the site/service disappears.

This could potentially be used by those who have analog zettelkasten practices, but want the digital search and some back up of their system.

<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'>sgtstretch </span> in @Gaby @pimoore so a good friend of mine makes [INDXD](https://www.indxd.ink/) which is for indexing analog notebooks and being able to find things. I don't personally use it, but I know @patrickrhone has written about it before. (<time class='dt-published'>10/27/2022 17:59:32</time>)</cite></small>

Goutor mentions that the innovation of photocopying, while potentially useful in some cases, isn't a replacement for actual reading and proper note taking. (p30) These same sorts of affordances and problems might be similar in the newer digital/online realm for people who rely on either whole scale copy/pasting or highlight capturing of texts, but who don't do the actual work of reading, processing, and creating good notes.

Some of the benefits like portability, ease of access, ability to work with delicate primary materials, better facsimiles of things like maps or tables, etc. are still true.

An explicit reference in 1931 in a section on note taking to cross links between entries in accounting ledgers. This linking process is a a precursor to larger database processes seen in digital computing.

Were there other earlier references that are this explicit within either note making or accounting contexts? Surely... (See also: Beatrice Webb's scientific note taking)

Just the word "digital" computing defines that there must have been an "analog' computing which preceded it. However we think of digital computing in much broader terms than we may have of the analog process.

Human thinking is heavily influenced by associative links, so it's only natural that we should want to link our notes together on paper as we've done for tens of thousands of years (at least.)

https://web.archive.org/web/20120122115952/http://pileofindexcards.org/blog/2006/10/13/one-pocket-rule/

Noguchi Yukio had a "one pocket rule" which they first described in “「超」整理法 (cho seiri ho)”. The broad idea was to store everything in one place as a means of saving time by not needing to search in multiple repositories for the thing you were hunting for. Despite this advice the Noguchi Filing System didn't take complete advantage of this as one would likely have both a "home" and an "office" system, thus creating two pockets, a problem that exists in an analog world, but which can be mitigated in a digital one.

The one pocket rule can be seen in the IndieWeb principles of owning all your own data on your own website and syndicating out from there. Your single website has the entire store of all your material which makes search much easier. You don't need to recall which platform (Twitter, Facebook, Instagram, et al.) you posted something on, you can save time and find the thing much more quickly by searching one place.

This principle also applies to zettelkasten and commonplace books (well indexed), which allow you to find the data or information you put into them quickly and easily.

reply to: https://www.reddit.com/r/antinet/comments/wv9hvq/digitizing_and_compressing_notes_question/

I've got a process I still use, though less frequently, that does both photos as well as optical character recognition (OCR) to digitize the words: https://boffosocko.com/2021/12/20/handwriting-my-website-with-a-digital-amanuensis/ The comments have some rich commentary with related ideas as well.

But isn't Scheper's Method explicitly that of Niklas Luhmann?!?

affordance of location on a page in analog pen/paper versus digital line by line in note taking

I did sort of like the idea of creating information anywhere on the page within OneNote, but it didn't make things easy to draw or link pieces on the same page in interesting ways (or at least I don't remember that as a thing.)

https://vimeo.com/729407073

MakingKnowledge: Scott Scheper from Dan Allosso on Vimeo.

Various names Luhmann gives to the effects seen in his slip box: - ghost in the box - second mind - alter ego - communication partner

These are tangential ideas and words which lead up to the serendipity of combinatorial creativity, but aren't quite there.

I'll push back on this a bit. I suspect that even though one might create multiple links to digital notes in all directions like this, it really doesn't happen happen at scale like this in practice.

I'd be willing to guess that very few people in the digital space are linking their ideas to more than two or three others. In fact, I suspect that if you looked at many digital ZKs you'd find a lot of orphaned notes floating around.

Separately, even in the analog space, the two links (down or forward) isn't always correct either. I cross link all over the place. The one constant benefit of the analog is that you're generally required to create at least one link because you have to place the card somewhere, and this isn't the case in most digital contexts/tools.

I'd posit that it's a lot of work to link a new idea into your system once much less in multiple places. Generally the more ideas you can link/cross-link it to, the more likely you'll run across it in the future and have potential to reuse it. I'd also suggest that the more links it's got, the better you'll "own" it. These addition links will also allow you to better compare/contrast various ideas by juxtaposing them in the future.

Theorem: more (good/great) links = more complexity which yields more "life", serendipity, and surprise to be found in your slip box for future use.

The fact that there are three discrete emoji for the - card file box 🗃️ - card index dividers 🗂️ - card index (aka rolodex) 📇

indicate the importance of these older analog tools, even in a more modern digital space.

Why the choice of this metaphor? Is literacy an accordion file? Is it that the definition of literacy is expanding? Who has the right to say what literacy means or how it expands? Or is this position statement a backward looking report on the change that has already taken place? I have been using cheap and adaptable media tools for years but I am still writing "essays" and "poems" and research presentations with them just like I did in the analog 20th century days.

sowohl analog als auch digital - es sind nicht Gegensätze!

So what is the exact definition of digital age? When can we say that we live in a digital age?

Noted by jjhunter on RQO.

Is the phrase "digital writing" as fraught as "digital native"? Or has it morphed into just plain writing? I still find myself bridging the gap analog -digital gap. For example, a summer goal is to make annotation of pdf's as close to paper as I can. I invested in a reMarkable tablet to make this happen. Do I consider it "digital writing"--yes and no. It is the merging of digital and analog. I do it so as to have less friction and quicker feedback with students. None of this matters if students can't take in the feedback or if my feedback sucks, but that is another pedagogic and compositional concern.

Very cool.

I find this list a bit vague... It felt like a "to-do" list so vague that it reminds me more of "analog-lit" really... "Interactive fiction"? Can't a paper book be interactive...?