- Oct 2024
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en.wikipedia.org en.wikipedia.org
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https://en.m.wikipedia.org/wiki/Fetih_1453
Here is the full movie (for free on YouTube): https://youtube.com/watch?v=yWlpCdoXTpY&si=bv2Dx11y6L_ooWIS
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en.wikipedia.org en.wikipedia.org
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The film marks the highest-budget production in Iranian cinema to date.[3]
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- Aug 2024
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www.youtube.com www.youtube.com
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ultimately dissociation doesn't really happen it's um it's a model i think it's a an accurate a very useful model but the best way i can i can describe this is using the analogy of going to a 3d imax cinema
for - metaphor - analogy - dissociation - Bernardo Kastrup - to - 3D imax cinema - localize Rupert Spira - terminology - dissociate - Bernado Kastrup - terminology - localize and contract - Rupert Spira - universal consciousness contracts to finite human consciousness - question - meaning of dissociate - Bernardo Kastrup
metaphor - analogy - dissociation - Bernardo Kastrup - to - 3D imax cinema - Rupert Spira - At 3d Imax cinema, we wear a pair of special glasses - that make the otherwise fuzzy image to acquire a 3rd dimension - In the same way, our raw universal consciousness is like the fuzzy pattern we see on the 3d Imax screen when we DON'T have any special glasses on - When we perceive and think, it is like putting on the 3D glasses in the Imax theatre and suddenly we see objects with great clarity - Spira talks about universal consciousness "localizing" within its own activity - in the form of a finite mind of a human being
question - meaning of dissociate - Bernardo Kastrup - Does Kastrup mean that we infinite / universal consciousness dissociates from itself into the finite human consciousness? - answer - It appears so, as at time 45:50, Spira summarizes Kastrup's views on dissociation
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- universal consciousness contracts to finite human consciousness
- metaphor - analogy - dissociation - Bernardo Kastrup - to - 3D imax cinema - localize Rupert Spira
- terminology - dissociate - Bernado Kastrup
- terminology - localize and contract - Rupert Spira
- question - meaning of dissociate - Bernardo Kastrup
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en.wikipedia.org en.wikipedia.org
- Nov 2023
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www.amazon.com www.amazon.com
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thunderbolt apple cinema 27” thunderbolt 2 monitor (the one with the lightning icon on the video plug, not the mini dvi box looking thing)
Wonderful! This is also my monitor.
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fipresci.org fipresci.org
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The Malayalam Cinema Today selection was disappointing. In a short essay published in the festival catalog, K. P. Jayakumar notes that Malayalam cinema is in the midst of a crisis brought on by globalization and by the influence of the Hollywood, Tamil, and Hindi film industries on the tastes of the local audience. Instead of following the path of other regional-language cinemas by projecting a valid representation of local identity, Malayalam cinema has so far settled for weakly imitative forms, according to Jayakumar. On the whole, the films in this section bore out this assessment. Even an above-average entry, veteran director T. V. Chandran’s oddly titled Beyond the Wail (Vilaapangalkkappuram), about a Muslim woman who flees from Gujarat to Kerala after the 2002 riots in her home state, suffers from the heavily obvious, over-slick style that dogs, more disastrously, Jayaraj’s Gulmohar and Madhupal’s Thalappavu (which both deal with the Naxalite struggles for land reforms in Kerala in the 1970s). M. Mohanan’s As the Story Unfolds… (Kadhaparayumpol) has some success with its light-comic approach to the problems of rural tradesmen (in particular, a poor village barber) in the face of modernization, but the film wastes its promise in torrents of crude sentimentality. Let’s hope that the best film in the section, Anjali Menon’s Lucky Red Seeds (Manjadikkuru), points to a larger renewal of Malayalam cinema and is not merely an isolated triumph by a gifted and intelligent first-time filmmaker. (Chris Fujiwara)
Chris Fujiwara on Malayalam Cinema (2008) Hints at Manjadikkuru opening up to a new generation of Malayalam films in terms of form and themes.
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- Aug 2023
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moochinaboutltd.bandcamp.com moochinaboutltd.bandcamp.com
- Jul 2023
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moochinaboutltd.bandcamp.com moochinaboutltd.bandcamp.com
- Mar 2023
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www.nytimes.com www.nytimes.com
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Tom Luddy, a Behind-the-Scenes Force in Cinema, Dies at 79 <br /> Penelope Green
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- Jan 2023
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mc.movielabs.com mc.movielabs.com
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- Dec 2022
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www.rollingstone.com www.rollingstone.com
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ringostrack.com ringostrack.com
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- Oct 2022
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structurae.net structurae.net
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- Aug 2022
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lavillette.com lavillette.com
- Jun 2022
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www.cinematheque.fr www.cinematheque.fr
- Apr 2022
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docdrop.org docdrop.org
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Roberts, B. (2006) ‘Cinema as Mnemotechnics’, Angelaki, 11 (1):55-63.
this looks interesting and based on quotes in this paper in the final pages might be interesting or useful with respect to pulling apart memory and orality
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Humanist concerns about printing motivated one early appearance of the theme, in Erasmus’s famous digressive commentary on the adage festina lente (make haste slowly), first published in 1525: “Is there anywhere on earth exempt from these swarms of new books? Even if, taken out one at a time, they offered something worth knowing, the very mass of them would be a serious impedi-ment to learning from satiety if nothing else, which can do far more damage where good things are concerned or simply from the fact that men’s minds are easily glutted and hungry for something new, and so these distractions call them away from the reading of ancient authors.” Erasmus complained here about a flood of new books because these were of lesser value than ancient texts and dis-tracted readers from true learning. Erasmus blamed the flood of bad new books on printing.
I'm reminded here of a similar conversation I had circa 1996 with cinematographer Caleb Deschanel who lamented with me about the increase in the number of new low quality movies available on VHS and DVD and how we both spent time watching a lot of crap instead of focusing on the auteurs and better quality cineaste experiences that were available in remastered formats and collections like the Criterion Collection.
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- Jan 2022
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read.dukeupress.edu read.dukeupress.edu
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- Mar 2021
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lasttimeisawdotcom.wordpress.com lasttimeisawdotcom.wordpress.com
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there are no Altmanesque flourishes
Indeed, there is a resemblance to Altman.
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Disney CEO: No “going back” to old way of movie watching. (n.d.). Retrieved March 3, 2021, from https://nypost.com/2021/03/02/disney-ceo-no-going-back-to-old-way-of-movie-watching/?utm_source=NYPTwitter&utm_campaign=SocialFlow&utm_medium=SocialFlow
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- Mar 2020
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en.wikipedia.org en.wikipedia.org
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the scene in which their characters wander through New York together was unscripted
Blue Valentine
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- Nov 2019
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www.ledevoir.com www.ledevoir.com
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cinéma expressionniste
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- Sep 2018
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www.what-song.com www.what-song.com
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