- Apr 2024
-
archive.org archive.org
-
Prelinger Archives<br /> https://archive.org/details/prelinger
ᔥDownload 9,200+ Free Films from the Prelinger Archives: Documentaries, Cartoons & More by [[Colin Marshall]]
-
-
archive.org archive.org
-
[Narrator]: The Cluttered Desk, Index Card,file folders, the in-out basket, the calculator.These are the tools of the office professional's past.Since the dawn of the computer age, better machines have always meant bigger and more powerful.But the software could not accommodate the needs of office professionals who are responsiblefor the look, shape and feel of tomorrow.
In 1983, at the dawn of the personal computer age, Apple Inc. in promotional film entitled "Lisa Soul Of A New Machine" touted their new computer, a 16-bit dual disk drive "personal office system", as something that would do away with "the cluttered desk, index cards, file folders, the in-out basket, [and] the calculator." (00:01)
Some of these things moved to the realm of the computer including the messy desk(top) now giving people two messy desks, a real one and a virtual one. The database-like structure of the card index also moved over, but the subjective index and its search power were substituted for a lower level concordance search.
30 years on, for most people, the value of the database idea behind the humble "index card" has long since disappeared and so it seems here as if it's "just" another piece of cluttery paper.
Appreciate the rosy framing of the juxtaposition of "past" and "future" jumping over the idea of the here and now which includes the thing they're selling, the Lisa computer. They're selling the idealized and unclear future even though it's really just today.
-
- Mar 2024
-
-
And then themedia giants find new crises and the nation’s inherited disregard for classreboots, as the subject recedes into the background again.
The pushing of the attention economy broadly prevents society from facing its most important problems. We're constantly distracted and are ultimately unable to focus on what is really important.
-
- Feb 2024
-
www.vaultofculture.com www.vaultofculture.com
- Jan 2024
-
Local file Local file
-
But if we are downloaded into our technology, what are the chancesthat we will thereafter be ourselves or even human?
reminiscent of the quote:
Life imitates art. We shape our tools and thereafter they shape us.<br /> —John M. Culkin, “A Schoolman’s Guide to Marshall McLuhan” (The Saturday Review, March 1967) (Culkin was a friend and colleague of Marshall McLuhan)<br /> (see: https://hypothes.is/a/6Znx6MiMEeu3ljcVBsKNOw)
or the earlier version:
But lo! men have become the tools of their tools. The man who independently plucked the fruits when he was hungry is become a farmer; and he who stood under a tree for shelter, a housekeeper.<br /> —Henry David Thoreau, Walden, p41 <br /> (see: https://hypothes.is/a/vooPrPkwEe2r_4MIb6tlFw)
-
-
danallosso.substack.com danallosso.substack.com
-
read [[Dan Allosso]] in Actual Books
Sometimes a physical copy of a book gives one information not contained in digital scans. Allosso provides the example of Charles Knowlton's book The Fruits of Philosophy which touched on abortion and was published as a tiny hand-held book which would have made it easy to pass from person to person more discretely for its time period.
-
- Dec 2023
-
Local file Local file
-
Wells attempts in this essay to help mankind "pull it's mind together" for the betterment of people and the planet. How is this supposed to happen in a modern media environment which is designed to pull our minds apart as rapidly as possible?
How might the strength of capitalism be leveraged to push people back toward a common middle rather than split them apart?
-
-
harpers.org harpers.org
-
One could easily replace World War I and idea of war here with social media/media and the essay broadly reads well today.
-
- Nov 2023
-
manifold.umn.edu manifold.umn.edu
-
Cut/Copy/Paste explores the relations between fragments, history, books, and media. It does so by scouting out fringe maker cultures of the seventeenth century, where archives were cut up, “hacked,” and reassembled into new media machines: the Concordance Room at Little Gidding in the 1630s and 1640s, where Mary Collett Ferrar and her family sliced apart printed Bibles and pasted the pieces back together into elaborate collages known as “Harmonies”; the domestic printing atelier of Edward Benlowes, a gentleman poet and Royalist who rode out the Civil Wars by assembling boutique books of poetry; and the nomadic collections of John Bagford, a shoemaker-turned-bookseller who foraged fragments of old manuscripts and title pages from used bookshops to assemble a material history of the book. Working across a century of upheaval, when England was reconsidering its religion and governance, each of these individuals saved the frail, fragile, frangible bits of the past and made from them new constellations of meaning. These fragmented assemblages resist familiar bibliographic and literary categories, slipping between the cracks of disciplines; later institutions like the British Library did not know how to collate or catalogue them, shuffling them between departments of print and manuscript. Yet, brought back together in this hybrid history, their scattered remains witness an emergent early modern poetics of care and curation, grounded in communities of practice. Stitching together new work in book history and media archaeology via digital methods and feminist historiography, Cut/Copy/Paste traces the lives and afterlives of these communities, from their origins in early modern print cultures to the circulation of their work as digital fragments today. In doing so, this project rediscovers the odd book histories of the seventeenth century as a media history with an ethics of material making—one that has much to teach us today.
-
- Oct 2023
-
-
David Lynch's films are a personally structured output of his zettelkasten of ideas comprised of words, sounds, images, music, sound, people, and moods.
Tags
Annotators
-
-
-
McGillen, Petra S. The Fontane Workshop: Manufacturing Realism in the Industrial Age of Print. 1st ed. New Directions in German Studies 26. Bloomsbury Academic, 2019. https://www.bloomsbury.com/us/fontane-workshop-9781501351587/.
-
- May 2023
-
www.krapp.org www.krapp.org
-
Professor of Film & Media Studies, Informatics, English, and Music - UC Irvine
-
-
-
Wolf, Mark, ed. The Routledge Companion to Media Technology and Obsolescence. 1st ed. 63 vols. Routledge Media and Cultural Studies Companions. New York: Routledge, 2019.
-
- Mar 2023
-
web.archive.org web.archive.org
-
Structures and Transformations of the Vocabulary of the Egyptian Language: Text and Knowledge Culture in Ancient Egypt. “Altägyptisches Wörterbuch: Berlin-Brandenburgische Akademie der Wissenschaften 1999,” 2007. https://web.archive.org/web/20180627163317/https://aaew.bbaw.de/wbhome/Broschuere/index.html.
-
Die schiere Menge sprengt die Möglichkeiten der Buchpublikation, die komplexe, vieldimensionale Struktur einer vernetzten Informationsbasis ist im Druck nicht nachzubilden, und schließlich fügt sich die Dynamik eines stetig wachsenden und auch stetig zu korrigierenden Materials nicht in den starren Rhythmus der Buchproduktion, in der jede erweiterte und korrigierte Neuauflage mit unübersehbarem Aufwand verbunden ist. Eine Buchpublikation könnte stets nur die Momentaufnahme einer solchen Datenbank, reduziert auf eine bestimmte Perspektive, bieten. Auch das kann hin und wieder sehr nützlich sein, aber dadurch wird das Problem der Publikation des Gesamtmaterials nicht gelöst.
Google translation:
The sheer quantity exceeds the possibilities of book publication, the complex, multidimensional structure of a networked information base cannot be reproduced in print, and finally the dynamic of a constantly growing and constantly correcting material does not fit into the rigid rhythm of book production, in which each expanded and corrected new edition is associated with an incalculable amount of effort. A book publication could only offer a snapshot of such a database, reduced to a specific perspective. This too can be very useful from time to time, but it does not solve the problem of publishing the entire material.
While the writing criticism of "dumping out one's zettelkasten" into a paper, journal article, chapter, book, etc. has been reasonably frequent in the 20th century, often as a means of attempting to create a linear book-bound context in a local neighborhood of ideas, are there other more complex networks of ideas which we're not communicating because they don't neatly fit into linear narrative forms? Is it possible that there is a non-linear form(s) based on network theory in which more complex ideas ought to better be embedded for understanding?
Some of Niklas Luhmann's writing may show some of this complexity and local or even regional circularity, but perhaps it's a necessary means of communication to get these ideas across as they can't be placed into linear forms.
One can analogize this to Lie groups and algebras in which our reading and thinking experiences are limited only to local regions which appear on smaller scales to be Euclidean, when, in fact, looking at larger portions of the region become dramatically non-Euclidean. How are we to appropriately relate these more complex ideas?
What are the second and third order effects of this phenomenon?
An example of this sort of non-linear examination can be seen in attempting to translate the complexity inherent in the Wb (Wörterbuch der ägyptischen Sprache) into a simple, linear dictionary of the Egyptian language. While the simplicity can be handy on one level, the complexity of transforming the entirety of the complexity of the network of potential meanings is tremendously difficult.
-
Die schiere Menge sprengt die Möglichkeiten der Buchpublikation, die komplexe, vieldimensionale Struktur einer vernetzten Informationsbasis ist im Druck nicht nachzubilden, und schließlich fügt sich die Dynamik eines stetig wachsenden und auch stetig zu korrigierenden Materials nicht in den starren Rhythmus der Buchproduktion, in der jede erweiterte und korrigierte Neuauflage mit unübersehbarem Aufwand verbunden ist. Eine Buchpublikation könnte stets nur die Momentaufnahme einer solchen Datenbank, reduziert auf eine bestimmte Perspektive, bieten. Auch das kann hin und wieder sehr nützlich sein, aber dadurch wird das Problem der Publikation des Gesamtmaterials nicht gelöst.
link to https://hypothes.is/a/U95jEs0eEe20EUesAtKcuA
Is this phenomenon of "complex narratives" related to misinformation spread within the larger and more complex social network/online network? At small, local scales, people know how to handle data and information which is locally contextualized for them. On larger internet-scale communication social platforms this sort of contextualization breaks down.
For a lack of a better word for this, let's temporarily refer to it as "complex narratives" to get a handle on it.
Tags
- non-linear narratives
- open questions
- network theory
- dumping out one's zettelkasten
- complex narratives
- thinking inside of the box
- small local wastes in exchange for greater global efficiencies
- social media
- zettelkasten examples
- context collapse
- read
- XX
- Lie groups
- misinformation
- linear narratives
- digital humanities
- media studies
- rhetoric
- references
- card index as autobiography
- experimental nonfiction
- local vs. global
- Wörterbuch der ägyptischen Sprache
- zettelkasten complexity
- insight
- thinking outside of the box
- Lie theory
- digitized note collections
Annotators
URL
-
-
www.jstor.org www.jstor.org
-
Paris on the Amazon?: Postcolonial Interrogations of Benjamin’s European Modernism (pp. 216-245) Willi Bolle From: A Companion to the Works of Walter Benjamin, Camden House (2009) Edition: NED - New edition https://www.jstor.org/stable/10.7722/j.ctt14brv7g
...and complete but constitutes an open repertoire, always in movement, expressing and stimulating the spirit of experimentation and invention. Let us remember that Benjamin, in his early work Einbahnstraße (One-Way Street, 1923/28), argued in favor of direct communication between the “ Zettelkasten ” (card box...
communication between?! though it is 2009 and after Luhmann's reference to communication with slip boxes....
-
- Feb 2023
-
blay.se blay.se
-
Vismann, Cornelia. Files: Law and Media Technology. Stanford University Press, 2008.
This looks intriguing...
autocomplete tells me I've seen her before....
update: it's a Rowan Wilken reference! https://hypothes.is/a/xwRnzr-REeyvvDd7YBbLVA
-
- Jan 2023
-
-
“She is likely our earliest Black female ethnographic filmmaker,” says Strain, who also teaches documentary history at Wesleyan University.
Link to Robert J. Flaherty
Where does she sit with respect to Robert J. Flaherty and Nanook of the North (1922)? Would she have been aware of his work through Boaz? How is her perspective potentially highly more authentic for such a project given her context?
-
-
hcommons.social hcommons.social
-
Ryan Randall @ryanrandall@hcommons.socialEarnest but still solidifying #pkm take:The ever-rising popularity of personal knowledge management tools indexes the need for liberal arts approaches. Particularly, but not exclusively, in STEM education.When people widely reinvent the concept/practice of commonplace books without building on centuries of prior knowledge (currently institutionalized in fields like library & information studies, English, rhetoric & composition, or media & communication studies), that's not "innovation."Instead, we're seeing some unfortunate combination of lost knowledge, missed opportunities, and capitalism selectively forgetting in order to manufacture a market.
https://hcommons.social/@ryanrandall/109677171177320098
-
-
events.jhu.edu events.jhu.edu
-
-
wiki.rel8.dev wiki.rel8.dev
-
Books and Presentations Are Playlists, so let's create a NeoBook this way.
https://wiki.rel8.dev/co-write_a_neobook
A playlist of related index cards from a Luhmann-esque zettelkasten could be considered a playlist that comprises an article or a longer work like a book.
Just as one can create a list of all the paths through a Choose Your Own Adventure book, one could do something similar with linked notes. Ward Cunningham has done something similar to this programmatically with the idea of a Markov monkey.
-
- Dec 2022
-
zephoria.medium.com zephoria.medium.com
-
Musk appears to be betting that the spectacle is worth it. He’s probably correct in thinking that large swaths of the world will not deem his leadership a failure either because they are ideologically aligned with him or they simply don’t care and aren’t seeing any changes to their corner of the Twitterverse.
How is this sort of bloodsport similar/different to the news media coverage of Donald J. Trump in 2015/2016?
The similarities over creating engagement within a capitalistic framing along with the need to only garner at least a minimum amount of audience to support the enterprise seem to be at play.
Compare/contrast this with the NBAs conundrum with the politics of entering the market in China.
-
A lot has changed about our news media ecosystem since 2007. In the United States, it’s hard to overstate how the media is entangled with contemporary partisan politics and ideology. This means that information tends not to flow across partisan divides in coherent ways that enable debate.
Our media and social media systems have been structured along with the people who use them such that debate is stifled because information doesn't flow coherently across the political partisan divide.
-
- Nov 2022
-
www.iamabook.online www.iamabook.online
-
https://www.iamabook.online/
-
-
docs.google.com docs.google.com
-
- Oct 2022
-
Local file Local file
-
By teaching them all to read, we have left them atthe mercy of the printed word.
Knowing how to read without the associated apparatus of the trivium, leaves people open to believing just about anything. You can read words, but knowing what to do with those words, endow them with meaning, and reason with them. (summarization)
Oral cultures with knowledge systems engrained into them would likely have included trivium-esque structures to allow their users to not only better remember to to better think and argue.
-
- Jul 2022
-
www.zylstra.org www.zylstra.org
-
https://www.zylstra.org/blog/2022/06/spring-83/
I've been thinking about this sort of thing off and on myself.
I too almost immediately thought of Fraidyc.at and its nudge at shifting the importance of content based on time and recency. I'd love to have a social reader with additional affordances for both this time shifting and Ton's idea of reading based on social distance.
I'm struck by the seemingly related idea of @peterhagen's LindyLearn platform and annotations: https://annotations.lindylearn.io/new/ which focuses on taking some of the longer term interesting ideas as the basis for browsing and chewing on. Though even here, one needs some of the odd, the cutting edge, and the avant garde in their balanced internet diet. Would Spring '83 provide some of this?
I'm also struck by some similarities this has with the idea of Derek Siver's /now page movement. I see some updating regularly while others have let it slip by the wayside. Still the "board" of users exists, though one must click through a sea of mostly smiling and welcoming faces to get to it the individual pieces of content. (The smiling faces are more inviting and personal than the cacophony of yelling and chaos I see in models for Spring '83.) This reminds me of Stanley Meyers' frequent assertion that he attempted to design a certain "sense of quiet" into the early television show Dragnet to balance the seeming loudness of the everyday as well as the noise of other contemporaneous television programming.
The form reminds me a bit of the signature pages of one's high school year book. But here, instead of the goal being timeless scribbles, one has the opportunity to change the message over time. Does the potential commercialization of the form (you know it will happen in a VC world crazed with surveillance capitalism) follow the same trajectory of the old college paper facebook? Next up, Yearbook.com!
Beyond the thing as a standard, I wondered what the actual form of Spring '83 adds to a broader conversation? What does it add to the diversity of voices that we don't already see in other spaces. How might it be abused? Would people come back to it regularly? What might be its emergent properties?
It definitely seems quirky and fun in and old school web sort of way, but it also stresses me out looking at the zany busyness of some of the examples of magazine stands. The general form reminds me of the bargain bins at book stores which have the promise of finding valuable hidden gems and at an excellent price, but often the ideas and quality of what I find usually isn't worth the discounted price and the return on investment is rarely worth the effort. How might this get beyond these forms?
It also brings up the idea of what other online forms we may have had with this same sort of raw experimentation? How might the internet have looked if there had been a bigger rise of the wiki before that of the blog? What would the world be like if Webmention had existed before social media rose to prominence? Did we somehow miss some interesting digital animals because the web rose so quickly to prominence without more early experimentation before its "Cambrian explosion"?
I've been thinking about distilled note taking forms recently and what a network of atomic ideas on index cards look like and what emerges from them. What if the standard were digital index cards that linked and cross linked to each other, particularly in a world without adherence to time based orders and streams? What does a new story look like if I can pull out a card either at random or based on a single topic and only see it or perhaps some short linked chain of ideas (mine or others) which come along with it? Does the choice of a random "Markov monkey" change my thinking or perspective? What comes out of this jar of Pandora? Is it just a new form of cadavre exquis?
This standard has been out for a bit and presumably folks are experimenting with it. What do the early results look like? How are they using it? Do they like it? Does it need more scale? What do small changes make to the overall form?
For more on these related ideas, see: https://hypothes.is/search?q=tag%3A%22spring+%2783%22
Tags
- web standards
- combinatorial creativity
- atomic notes
- experimental media
- Spring '83
- index cards
- read
- Lindy library
- Fraidyc.at
- narrative forms
- Derek Sivers
- quiet
- media studies
- experimental fiction
- Markov monkey
- Pandora's box
- yearbooks
- Dragnet
- cadavre exquis
- calmness
- atomic idea links
- alternate universes
- Now Now Now
Annotators
URL
-
- Jun 2022
-
www.kcet.org www.kcet.org
-
Lois Weber<br /> - First woman accepted to Motion Picture Director's Association, precursor of Director's Guild<br /> - First directors committee of the Academy of Motion Picture Arts and Sciences<br /> - Mayor of Universal City<br /> - One of the highest paid and most influential directors in Hollywood of her day<br /> - one of first directors to form her own production company
See also: - https://en.wikipedia.org/wiki/Lois_Weber
-
Where are My Children?, Universal's top film of 1916, written and directed by their top director Lois Weber, discussed abortion and birth control. It was added to the National Film Registry in 1993.
See also - Stamp, Shelley. Lois Weber in Early Hollywood. University of California Press, May 2015. ISBN 9780520284463
Watched this last night
-
-
hcommons.org hcommons.org
-
https://hcommons.org/deposits/item/hc:33585/
See also Wiki created in combination with this course: https://digitalbookhistory.com/culturesofthebook/Main_Page
-
- May 2022
-
marshallmcluhan.com marshallmcluhan.com
-
Why is the title of the book “The medium is the massage” and not “The medium is the message”? Actually, the title was a mistake. When the book came back from the typesetter’s, it had on the cover “Massage” as it still does. The title was supposed to have read “The Medium is the Message” but the typesetter had made an error. When Marshall saw the typo he exclaimed, “Leave it alone! It’s great, and right on target!” Now there are four possible readings for the last word of the title, all of them accurate: “Message” and “Mess Age,” “Massage” and “Mass Age.”
Quote from the Commonly Asked Questions (and Answers) on https://marshallmcluhan.com/common-questions/ with answers written by Dr. Eric McLuhan, Marshall McLuhan's eldest son.
-
-
Local file Local file
-
Eddy, Matthew Daniel (anticipated 2022). Media and the Mind: Art, Science, and Notebooks as Paper Machines, 1700-1830. University of Chicago Press. https://press.uchicago.edu/ucp/books/book/chicago/M/bo173084820.html
-
- Apr 2022
-
mastodon.social mastodon.social
-
The historian in me always wants to look back at how this sort of media control has played out historically, so thinking about examples like William Randolph Hearst, Henry Luce, David Sarnoff, Axel Springer, Kerry Packer, or Rupert Murdoch across newspapers, radio, television, etc. might be interesting. See also: https://en.wikipedia.org/wiki/Media_proprietor
Tim Wu's The Master Switch is pretty accessible in this area.
On the intercultural front, the language (very careful public relations and "corporate speak") used in this leaked audio file of the most recent Twitter All Hands phone call might be fascinating and an interesting primary source for some of the questions you might be looking at on such an assignment. https://peertube.dk/w/2q8cdKR1mTCW7RyMQhcBEx
Who are the multiple audiences (acknowledged and unacknowledged) being addressed? (esp. as they address leaks of information in the call.)
-
-
en.wikipedia.org en.wikipedia.org
-
docdrop.org docdrop.org
-
Roberts, B. (2006) ‘Cinema as Mnemotechnics’, Angelaki, 11 (1):55-63.
this looks interesting and based on quotes in this paper in the final pages might be interesting or useful with respect to pulling apart memory and orality
-
QuotingFriedrich Kittler, Thorn explains that the aim of such an all-encompassing approach to media is to focus on the ‘networks oftechnologies and institutions that allow a given culture to select,store, and process relevant data’ (cited in Thorn, 2008: 7).
Has media studies looked at primary orality and the ideas of space repetition, art, dance, and mnemonics as base layers of media by which cultures created networks of knowledge and culture that they might use to select, store, process, copy, and pass along their knowledge?
-
What Iam alluding to here is well drawn out in Walter Benjamin’s reflectionin his Moscow Diary on how we ‘grasp’ a visual image. ‘One does notin any way enter into its space’, he writes. Rather, ‘It opens up to usin corners and angles in which we believe we can localise crucialexperiences of the past; there is something inexplicably familiarabout these spots’ (Benjamin, 1985: 42).
-
-
waxy.org waxy.org
- Feb 2022
-
harpers.org harpers.org
-
What a fantastic glimpse of our current culture.
-
- Jan 2022
-
twitter.com twitter.com
-
Surely you're already up on the work of @AnneGanzert? https://link.springer.com/book/10.1007%2F978-3-030-35272-1
Syndicated: https://twitter.com/ChrisAldrich/status/1424235840088133635
Bonus points to the first one who can publish with a serious reference to "Lines of Thought" by Ayelet Even-Ezra. https://press.uchicago.edu/ucp/books/book/chicago/L/bo63098990.html
Syndicated: https://twitter.com/ChrisAldrich/status/1424236570471636993
And finally, just for fun https://condenaststore.com/featured/the-conspiracy-board-brendan-loper.html
Syndicated: https://twitter.com/ChrisAldrich/status/1424236850902753281
-
- Nov 2021
-
site.pennpress.org site.pennpress.org
-
https://site.pennpress.org/material-texts-2021/9780812224955/bitstreams/
Something about this seems related to the ideas of archiving and saving digital and physical culture.
-
- Aug 2021
-
tvtropes.org tvtropes.org
-
TV Tropes
https://tvtropes.org/pmwiki/pmwiki.php/Main/StringTheory
Sometimes also called anacapa charts in criminology.
-
- Jul 2021
-
delong.typepad.com delong.typepad.com
-
whether the advent of modem communications media has much enhanced our understanding of the world in which we live.
But it may be seriously questioned whether the advent of modem communications media has much enhanced our understanding of the world in which we live.
Now that I'm thinking about it, I sort of want the ability to more easily capture audio, annotate and save it while I'm listening to radio or even television. Pausing the media and having the ability to reply it (TIVO and some DVRs provide this capability) and do other things with it would be truly fantastic, especially for saving tidbits for later use and consumption.
-
- Jun 2021
-
voicethread.com voicethread.com
-
Mentioned by Lysandra Cook at I Annotate 2021
Tags
Annotators
URL
-
- Mar 2021
-
rachelcoldicutt.medium.com rachelcoldicutt.medium.com
-
Sociologist Michael Warner built on this some ten years later, saying:Counterpublics are spaces of circulation in which it is hoped that the poiesis of scenemaking will be transformative, not replicative merely.Poiesis is a fancy way of talking about the art and the act of creating, inventing — and it’s closely related to technique. Consciously making a scene that others can join in with.Economist Kim Crayton’s antiracism programme, Cause a Scene speaks directly to this: she is bringing a clear set of principles to life through leadership training and sharing content to achieve “strategic disruption of the status quo in technical organizations”.Making a scene is galvanising and welcoming, dynamic and inclusive by default.
I like this idea of creating a space and causing a scene to pull people in.
Not too dissimilar to the aculturation Hollywood does to help normalize certain activities just by showing them increasingly.
Definitely want to circle back to this with additional examples and expand on it.
-
-
psyarxiv.com psyarxiv.com
-
Speranza, T., Abrevaya, S., & Ramenzoni, V. C. (2021). Body Image During Quarantine; Generational Effects of Social Media Pressure on Body Appearance Perception. PsyArXiv. https://doi.org/10.31234/osf.io/y826u
-
-
twitter.com twitter.com
-
ReconfigBehSci. (2021, February 26). RT @PsyArXivBot: Body Image During Quarantine; Generational Effects of Social Media Pressure on Body Appearance Perception https://t.co/Y6… [Tweet]. @SciBeh. https://twitter.com/SciBeh/status/1366708215900176385
-
-
twitter.com twitter.com
-
Darren Dahly. (2019, September 4). It seems appropriate to do a thread on our recent session about the use of Twitter by statisticians. Https://t.co/eFwLDuXnOU [Tweet]. @statsepi. https://twitter.com/statsepi/status/1169313702715281408
-
- Oct 2020
-
journals.sagepub.com journals.sagepub.com
-
If alternative media theory is correct in orienting us to production—the how of media, rather than the what—ASM, not CSM, offer a more fitting suite of tools for people to both make media and shape media distribution infrastructures.
-
We have to recognize that prior to Web 2.0 and social media, “the media” often connoted “mass media,” broadcast from the few to the many.
One of the issues we're seeing is that mass media still exists within platforms like Facebook and Google, the problem is that the "gatekeepers" now have vastly different structure and motivation. The ostensible gatekeeper now is an algorithm that puts all it' emphasis on velocity, stickiness, shareability, and the power of anger (which pushes clicks, likes, and shares). Thus the edge content is distributed far and wide rather than the "richest" and most valuable content that a democracy relies on for survival. Mass media is still with us, we've just lost the value of the helmsperson controlling the direction of the rudder.
-
-
adanewmedia.org adanewmedia.org
- Feb 2020
-
journals.sagepub.com journals.sagepub.com
-
One important aspect of critical social media research is the study of not just ideolo-gies of the Internet but also ideologies on the Internet. Critical discourse analysis and ideology critique as research method have only been applied in a limited manner to social media data. Majid KhosraviNik (2013) argues in this context that ‘critical dis-course analysis appears to have shied away from new media research in the bulk of its research’ (p. 292). Critical social media discourse analysis is a critical digital method for the study of how ideologies are expressed on social media in light of society’s power structures and contradictions that form the texts’ contexts.
-
- Jul 2019
-
journals.sagepub.com journals.sagepub.com
-
In the years between 2004 and 2012, many media critics proclaimed a promising new mediascape of democratic production and thus democratic organization (Benkler, 2006; Bruns, 2008; Shirky, 2009)—precisely what alternative media theorists had been calling for in previous decades.
I note here that they mention production and organization, but there is a missing piece of "distribution". In large part, part of the problem with current corporate social media is one of how their content is distributed and the advertising model that drives what sorts of content are distributed.
-
In this sense, it isn’t the medium that is the message as McLuhan (1994) famously states; rather the process of producing media is the message as Benjamin (1970; See also Waltz, 2005) argued, whether the media in question be print, radio, TV, or online.
-
Drawing on Walter Benjamin’s (1970) important essay “The Author as Producer,” Chris Atton (2002) argues that alternative media “are crucially about offering the means for democratic communication to people who are normally excluded from media production” (p. 4). That is to say, alternative media are defined as much by their content (i.e., radical, progressive, socialist, anarchist, feminist, queer, or anti-racist) as by the contours and practices of their underlying conditions of production, which are meant to allow democratic participation in making media.
-
- Aug 2018
-
-
Social media is well-understood to be contributing to identity politics, but I’d argue it’s contributing to something deeper: identity paralysis. This condition is one in which we have a forced awareness of how everything we say and do — even the seemingly inconsequential, like the shoes we wear, or the airline we fly — reflects on us.
This relates to another article on gender dysphoria in teens.
Among the noteworthy patterns Littman found in the survey data: 21 percent of parents reported their child had one or more friends become transgender-identified at around the same time; 20 percent reported an increase in their child’s social media use around the same time as experiencing gender dysphoria symptoms; and 45 percent reported both.
Is rapid-onset gender dysphoria a response—if only partially—to the identity paralysis borne out of an age of pervasive social media?
-