26 Matching Annotations
  1. Sep 2023
    1. ctually, the reed in the oboe, cor anglais,bassoon and double bassoon is made of two pieces of cane bound together: allthese are therefore 'double-reed' instruments. The clarinets and saxophones,on the other hand, are 'single-reed' instruments
    2. Transposing instruments are described by thenote which is sounded when Cis played

      written note vs sounding note

    3. Transposing instruments

      written note vs sounding note

  2. Jul 2023
    1. street bands, made up of various combinations of brass instruments, clarinets, and drums, which played marches, hymns, popular songs

      open-air performances - needed loud instruments

  3. Jun 2023
  4. Mar 2023
    1. GPT and other large language models are aesthetic instruments rather than epistemological ones. Imagine a weird, unholy synthesizer whose buttons sample textual information, style, and semantics. Such a thing is compelling not because it offers answers in the form of text, but because it makes it possible to play text—all the text, almost—like an instrument.

      ChatGPT as an instrument that allows one to play text like an instrument.

  5. Aug 2022
  6. Jul 2022
    1. This process serves a similar purpose in sociology to that of theblow-pipe and the balance in chemistry, or the prism and the electro¬scope in physics. That is to say, it enables the scientific worker to breakup his subject-matter, so as to isolate and examine at his leisure itsvarious component parts, and to recombine them in new and experi¬mental groupings in order to discover which sequences of events have acausal significance

      Beatrice Webb analogized the card index (or note taking using slips of paper) as serving the function of a scientific tool for sociologists the way that chemists use blow pipes and balances or physicists use the prism or electroscope. These tools all help the researcher examine small constituent parts and then situate them in other orderings to provide insight into the subject areas.

  7. Nov 2019
    1. Pour re-dessiner le monde selon nos valeurs, apprenons vite à écrire avec les instrumentsnumériques.

      Le processus d'écriture participe lui-même à la construction de la pensée.

      Le geste d'écrire est un geste qui dessine le monde.

      L'acte d'écriture étant réalisé par le biais des outils numériques; ceux-ci ont une influence sur la forme du monde.

  8. Feb 2019
  9. Sep 2017
    1. Where there is a contradiction between international law and a domestic statute, the Court would give effect to the latter. In

      If contradiction, then domestic law takes precedence. If no contradiction, international obligations must be read so as to be incorporated

    2. In Vishakav State of Rajasthan226, this Court observed that in the absence of domestic law, the Convention on the Elimination of Discrimination against Women (CEDAW) is applicable

      Vishakha - applicability of international instruments in the absence of domestic law.

    3. while acceding to the ICCPR, India did not file any reservation or declaration to Article 17. While India filed reservations against Articles 1, 9 and 13, there was none to Article 17

      Not reservation against Article 17 of ICCPR

    4. Article 17 of the ICCPR provides thus:“The obligations imposed by this article require the State to adopt legislative and other measures to give effect to the prohibition against such interferences and attacks as well as to the protection of the right.”
    5. Article 12 of the Universal Declaration of Human Rights
    6. Article 51 of the Constitution, which forms part of the Directive Principles, requires the State to endeavour to “foster respect for international law and treaty obligations in the dealings of organised peoples with one another

      Article 51 - basis for incorporating international law and obligations

    7. adverted to international conventions acceded to by India including the UDHR and ICCPR. Provisions in these conventions which confer a protection against arbitrary and unlawful interference with a person’s privacy, family and home would, it was held, be read in a manner which harmonizes the fundamental rights contained in Articles 14, 15, 19 and 21 with India’s international obligations

      Nalsa - recognition of international conventions in interpreting FRs

    8. India’s international commitments under the Universal Declaration of Human Rights (UDHR) and International Covenant on Civil and Political Rights(ICCPR)

      ICCPR and UDHR as instrumental in foundation for affirmation of privacy

  10. Jun 2017
    1. But there were certainly many kinds of instruments being played in Jamaica at the time.

      John Taylor (1687) describes a "kitt" thusly: "Then those pore slaves leave off work and repaire to their houses, where they gett their suppers, make a great fier, and with a kitt (made of a gourd or calabash with one twine string)"

    1. Anyone working with the latest generation of MIDI musical instruments – like the Eigenharp, LinnStrument, ROLI Seaboard, Haken Continuum and the Madrona Soundplane – has probably encountered the work of Belgium-based programmer & electronic musician Geert Bevin.

      My thoughts exactly.

      And it carries over to much of the world of expressiveness in electronic music, centred around the emerging MPE standard: Multidimensional Polyphonic Expression.

      Let me geek out a minute. ;)

      Coming late to this MPE game, been really taken by the fact that Bevin’s name is everywhere. Given his work with many manufacturers, it’s no exaggeration to say that this type of musical expressiveness wouldn’t have expanded the way it did if it weren’t for Geert Bevin. Of course, MPE isn’t that mainstream, yet. You could even say that it’s a bit of a niche, in terms of the already peculiar world of electronic music. Besides, it’s just an implementation of some things which have been in the MIDI specifications from the start, over 30 years ago. But there’s more than smoke, here.

      A few days ago, ROLI has announced the Seaboard Block, which might be the most affordable MPE device as of yet. It’s also the missing piece of the puzzle in ROLI’s lineup, linking the Seaboard line of highly expressive keyboards with the Blocks line of modular controllers. Some have been saying that the Seaboard Block is the point at which the Blocks line starts to make sense. Both there are more dots to connect. One is that ROLI also owns JUCE, which is fast becoming the tool of choice to develop music apps on multiple platforms, including mobile. Not sure how sophisticated JUCE’s MPE support is, but it does have some MPE-specific classes. Another point, mentioned in the comments on this interview, is that Bevin was instrumental in the MPE support in Moog’s Model 15 and Animoog synths on iOS. As these apps are quite influential, their continued development can have a big impact on the iOS part of the MPE scene.

      Speaking of iOS, the fact that the latest version of Audiobus can route MIDI could open up interesting possibilities. Jesse Chappell, developer of two MPE-savvy iOS apps (ThumbJam and DrumJam) has been teasing a forthcoming app which would somehow deal with MPE in a thorough way.

      And there’s a broader context for all of this. Hardware and software devices for electronic music (controllers, synthesizers, loopers, etc.) have been integrating into complete solutions. Several manufacturers have been doing both hardware and software. There aren’t that many hardware solutions for the sound output from MPE, but it’d only take a fairly simple box (maybe Arduino-based?) to allow much of the hardware synth world to receive MPE in an appropriate way (something which is already possible in software).

      So it really is a fascinating time to be getting into musical expressiveness through digital means.

  11. Feb 2017
    1. Such are the "instruments" employed by our modem sciences; let us now turn to the comple-menlary aids employed in the various sectors of our culture

      Note his emphasis upon these instruments and the work they have done, which includes shaping the human imagination.

  12. Jun 2016
    1. Manual for thePatterns of Patterns of Adaptive Adaptive Learning ScalesLearning Scales

      Midgley, Carol, Martin L Maehr, Ludmila Z Hruda, Eric Anderman, Lynley Anderman, Kimberley E Freeman, and T Urdan. 2000. “Manual for the Patterns of Adaptive Learning Scales.” Ann Arbor 1001: 48109–41259.

      This is a survey for working out students' motivation, performance avoidance, and so on.