In 2013, Al-Jallad used the Safaitic database as he worked on an inscription containing several mysterious words: Maleh, Dhakar, and Amet. Earlier scholars had assumed that they were the names of unknown places. Al-Jallad, unconvinced, searched the database and discovered another inscription that contained all three. Both inscriptions discussed migrations in search of water, and a possibility occurred to him: if the words referred to seasons of migration, then they might be the names of constellations visible at those times.

Al-Jallad began pulling up every inscription that mentioned migrating in search of rain, and soon he had a long list of terms that had resisted translation. Comparing them with the Greek, Aramaic, and Babylonian zodiacs, he started making connections. Dhakar matched up nicely with dikra, the Aramaic word for Aries, and Amet was derived from an Arabic verb meaning “to measure or compute quantity”—a good bet for the scales of Libra. Hunting for Capricorn, the goat-fish constellation, Al-Jallad found the word ya’mur in Edward Lane’s “Arabic-English Lexicon,” whose translation read, “A certain beast of the sea, or . . . a kind of mountain-goat.” He stayed up all night, sifting the database and checking words against dictionaries of ancient Semitic languages. By morning, he had deciphered a complete, previously unknown Arabian zodiac. “We’d thought that they were place names, and, in a way, they were,” he told me. “They were places in the sky.”

The history of Arabia just before the birth of Islam is a profound mystery, with few written sources describing the milieu in which Muhammad lived. Historians had long believed that the Bedouin nomads who lived in the area composed exquisite poetry to record the feats of their tribes but had no system for writing it down. In recent years, though, scholars have made profound advances in explaining how ancient speakers of early Arabic used the letters of other alphabets to transcribe their speech. These alphabets included Greek and Aramaic, and also Safaitic; Macdonald’s rock was one of more than fifty thousand such texts found in the deserts of the southern Levant. Safaitic glyphs look nothing like the cursive, legato flow of Arabic script. But when read aloud they are recognizable as a form of Arabic—archaic but largely intelligible to the modern speaker.

StAugustine draws this same parallel when he writes to a communityof nuns, ‘let it not be only your mouth that takes food, but let yourears also drink in the word of God’.3

Absalom set up a massebah for himself as a memorial for he said, “‘I have no son to keep my name in remembrance’; he called the massebah by his own name” (2 Samuel 18:18).

Israel was forbidden to set up sacred stones, pillars: “you shall not set up a pillar (massebah), which the LORD your God hates” (Deuteronomy 16:22).

This paper supports arguments that the longevity of orality can exceed ten millennia,providing critical information essential to the further development of theoretical frameworksregarding the archaeology of orality.

“Our research suggests that Palawa oral traditions accurately recall the flooding of the land bridge between Tasmania and the mainland – showing that oral traditions can be passed down more than 400 successive generations while maintaining historical accuracy.”

Romito 2 is the 10,000-year-old burial of a male with a raregenetic disorder (acromesomelic dysplasia): a severe type ofdwarfism, which in life would have rendered him both anomalous inhis community and unable to participate in the kind of high-altitudehunting that was necessary for their survival. Studies of hispathology show that, despite generally poor levels of health andnutrition, that same community of hunter-gatherers still took pains tosupport this individual through infancy and into early adulthood,granting him the same share of meat as everyone else, andultimately according him a careful, sheltered burial.15

There was no ancient poet called “Homer,” he argued. Nor were the poems attributed to him “written” by any single individual. Rather, they were the product of a centuries-long tradition of poet-performers.