Do I own my content on The Grid? Yes, you own your content. The engine AutoDesigns your site, publishes it, and stores it on Github. Your source content will live in a Github repository that you can access and download anytime.

you post to your site

Set body copy as justified left, ragged right?

Limit line length to 350–550 pixels by splitting wide pages into two or more columns?

bound together by a systematic, continuous, organized knowledge structure supports the act of new knowledge creation also known as scholarship

a collection of services that support the creation of new knowledge

As important as the information itself, is providing and supporting an environment that allows for the transformation of that information into new knowledge

‘We need to return to the original purpose of the library, which is to support all the various needs of the scholar and provide him or her with a place to come up with ideas and make breakthroughs that would not otherwise have happened.’

the future of visualization

Although people weren’t used to scrolling in the mid-nineties, nowadays it’s absolutely natural to scroll. For a continuous and lengthy content, like an article or a tutorial, scrolling provides even better usability than slicing up the text to several separate screens or pages.

We strongly prefer our own term, knowledge-building community. It suggests continuity with the other knowledge-building communities that exist beyond the schools, and the term building implies that the classroom community works to produce knowledge - a collective product and not merely a summary report of what is in individual minds or a collection of outputs from group work.

We are using the term phygital as a way of emphasizing that these are a class of objects that have not simply had some digital functionality embedded within then but are connected devices whose functionality and operation is designed to exist simultaneously in both virtual and physical space.

this paper is speculating on a future in which creating game objects that link the physical and the digital presents an exciting and practical opportunity for game designers. However, such objects require interaction design approaches that not only utilise understandings from product design and graphical user interface but also how they might effectively be combined dynamically.

Example Game/Interaction Spaces for Game Objects used with Screens.

Dan Saffer suggests hidden affordances may actually be regarded as ‘discoverable’ (Saffer 2013) in recognition that designers may deliberately allow them to be revealed through accidental use or deliberate exploration. This is similar to the practice of game designers leaving hidden elements, or ‘easter eggs’, within their games that are discovered by accident, this practice hints at a possible interesting opportunity yet to be applied to game objects.

the interaction design of phygital objects for games requires games designers to not only fully understand the virtual aspects the affordances they are perhaps used to, but also to extend these to include the affordances we associate with physical objects to ensure their overall game design does not cause confusion for the player.

Interaction Design as defined by Verplank

mimetic interfaces

phygita

Internet of Things

games that use objects as physical game pieces to enhance the players’ interaction with virtual games.

While the Atom Protocol specifies the formats of the representations that are exchanged and the actions that can be performed on the IRIs embedded in those representations, it does not constrain the form of the URIs that are used. HTTP [RFC2616] specifies that the URI space of each server is controlled by that server, and this protocol imposes no further constraints on that control.

But when asked what he would have done differently, the answer was easy. "I would have got rid of the slash slash after the colon. You don't really need it. It just seemed like a good idea at the time."

Survey design The survey was intended to capture as broad and complete a view of data production activities and curation concerns on campus as possible, at the expense of gaining more in-depth knowledge.

Once you abandon entirely the crazy idea that the type of a value has anything whatsoever to do with the storage, it becomes much easier to reason about it. Of course, my point above stands: you don't need to reason about it unless you are writing unsafe code or doing some sort of heavy interoperating with unmanaged code. Let the compiler and the runtime manage the lifetime of your storage locations; that's what its good at.

Surely the most relevant fact about value types is not the implementation detail of how they are allocated, but rather the by-design semantic meaning of “value type”, namely that they are always copied “by value”.

I first encountered empathy as an explicit design principle in the context of design thinking. You can’t design anything truly useful unless you understand the people for whom you’re designing.

Here one may certainly admire man as a mighty genius of construction, who succeeds in piling an infinitely complicated dome of concepts upon an unstable foundation, and, as it were, on running water. Of course, in order to be supported by such a foundation, his construction must be like one constructed of spiders' webs: delicate enough to be carried along by the waves, strong enough not to be blown apart by every wind.

It is remarkable that this was brought about by the intellect, which was certainly allotted to these most unfortunate, delicate, and ephemeral beings merely as a device for detaining them a minute within existence.

Model

lens for designing

For Foddy, QWOP was designed as a critique of the classic arcade game Track & Field. Foddy always looks to the games of his childhood when developing his own works rather than his more recent philosophy studies.