230 Matching Annotations
  1. Feb 2016
  2. sammiecurtin.weebly.com sammiecurtin.weebly.com
    1. :)

      This gives me a feel for the casual tone you're working to strike, but I'm wondering if given the initial clause about letting us in on a secret, you might end the sentence with a ... for drama instead and to fend off some of the more conservative audience members who might judge you for using emoticons as a teacher (I don't, but have their imaginary lenses on my shoulder as I read).

    1. She is the reason I want to work with students.

      Sounds like a real inspiration. I wonder if you might quote her? I am also looking at this and wondering about balance. How can we fit you and your strengths back into this page before we leave it, as readers? Is there a way to bring us back to you through a moment mentioning the image or the metaphor it might illustrate, experience it conveys about you and who you are as an educator? (just brainstorming)

  3. Aug 2015
  4. Feb 2015
  5. Oct 2013
    1. The fear of failure, moreover, and the expectation of praise for what we shall say gives a spur to our exertions, and it may seem strange that though the pen delights in seclusion and shrinks from the presence of a witness, extemporal oratory is excited by a crowd of listeners, as the soldier by the mustering of the standards.

      Do we approach audiences different in writing and speaking? How do we distinguish and approach each?

    1. Rhetoric falls into three divisions, determined by the three classes of listeners to speeches. For of the three elements in speech-making -- speaker, subject, and person addressed -- it is the last one, the hearer, that determines the speech's end and object. [1358b] The hearer must be either a judge, with a decision to make about things past or future, or an observer. A member of the assembly decides about future events, a juryman about past events: while those who merely decide on the orator's skill are observers. From this it follows that there are three divisions of oratory-(1) political, (2) forensic, and (3) the ceremonial oratory of display.
  6. Sep 2013
    1. For of the three elements in speech-making -- speaker, subject, and person addressed -- it is the last one, the hearer, that determines the speech's end and object. [1358b] The hearer must be either a judge, with a decision to make about things past or future, or an observer. A member of the assembly decides about future events, a juryman about past events: while those who merely decide on the orator's skill are observers. From this it follows that there are three divisions of oratory-(1) political, (2) forensic, and (3) the ceremonial oratory of display.

      I like how he divides these categories into past, present, and futures.