becomes despondent in the wake of his father Peter’s (Jackman) remarrying and birth of a succeeding sibling. Within the film’s contextual setting however — where intricately interwoven circumstances might otherwise reflect nothing more than a temporarily disheveled family milieu, Nicholas nevertheless, finds himself in a disparate struggle to retain his sense of place, meaning, and functional connection with the world and others.

The Quarantine Stream: Ten Years Later, ‘The Social Network’ Has Become a Supervillain Origin Story

ARCHIVIST (overlapping) Mm, they were… Well, let’s just say it’s not a complete shock there was something unnatural to them. Didn’t know we had copies in the Institute, though, let alone original cuts. [He laughs.] ARCHIVIST (CONT’D) Records indicate they ended up in… (paper flips) Artefact Storage.

She cites The Rules of the Game

Baby Face, and Red-Headed Woman.

In Latin America, filmmakers have found a political conscience, and with it, touched a nerve at the box office. Films that deal with government and police corruption, corporate irresponsibility and economic inequality are hitting theaters, as well as bubbling up internationally at festivals

Katherine Stinson