https://angelineboulley.com/about-angeline-boulley.html
Recommended to me by Deb Pearson as one of her favorite writers on 2025-09-14
https://angelineboulley.com/about-angeline-boulley.html
Recommended to me by Deb Pearson as one of her favorite writers on 2025-09-14
Stereotypical image of writer's table on a café table
Austen never married and remained financially dependent on her family, despite earning a meager but noteworthy wage of £684 for the four novels she published during her lifetime. (Persuasion and Northanger Abbey were published posthumously.) "She was proud of the money she earned, but it wasn't enough to subsist on," Looser says.
We recommend people come to our shop and type. We charge $5 an hour or you can look into our rental programs. We have a lot of people come in just to hang out and type. No plans on actually owning one, and that's fine with us. Come in, play, leave without the 10-30 pounds of metal with you lol. We also sell and service machine. Prices vary some. But all our machine have a 60 day guarantee from date of purchase. We do ship machines as well if you find something on our website that you like. Assuming you aren't near the Dayton Ohio area.
u/Dangerous-Ratio6448 is a typewriter repair person at TB Writers Plus
We poor schlubs out in the world don’t have teams of writers scripting our happy endings, experts caution — and so taking inspiration from rom-coms’ corny gestures just sets ourselves up for disappointment.
Standard Typewriters - Underwood 5
Portable Typewriters - Hermes 3000 - Smith-Corona Clipper, Sterling, Silent, Silent Supers (5 Series) - Royal Quiet De Luxe - Olympia SM2, SM3, SM4 (Carriage shift)
Ultra Portables - Not recommended
Typewriters for Writers by [[Joe Van Cleave]]
If you're a more serious writer, you're sure to find a smoother and better experience with a standard typewriter, but they're slightly larger and heavier (~30 pounds vs. ~15-22 pounds) than the portables. These are usually the ones I recommend if you're writing for several hours and have a dedicated space for your writing. Standards aren't as popular with most collectors, so they also tend to be less expensive.
I really love my Royal KMG, HH, and FP and my Remington Standard and Remington 17 which are all serious machines. Here are some of the other more common standards for serious writers: https://www.youtube.com/watch?v=3r3533cSZ38
Reply to u/RetailThrowAway69 at https://old.reddit.com/r/typewriters/comments/1je4owq/new_typewriter_for_a_keyboard_warrior_of_20_years/
Tested 100s of heavy desk typewriters, Here is the top 5 revealed. by [[Mr & Mrs Vintage Typewriters]]
Top Five Standard Typewriters:<br /> - Imperial 55 - Imperial 70 (after this they went to cheaper plastic parts); removable carriage, swappable typefaces; removeable core - Hermes Ambassador - removable carriage - Underwood Standards, esp. 5 - Royal 10 (carriage shift); (and subsequent incarnations like the KH, KMM, KMG, HH, FP) - Olympia SG1 (the "crown jewel" of desktop typewriters)
Also rans: - Olivetti Lexicon, Olivetti Graphica - Contintental m40 & m20 - Mercedes
Graeber left us, but as Jose Luis Borges said: “When writers die, they become books, which is, after all, not too bad an incarnation.”
for - quote - when writers die, they become books - Jose Luis Borge - source - post - LinkedIn - Jesus Martin Gonzalez, 2025, Jan 8
When it comes to some of the older manual typewriters, condition is king and a big determinant of price. For the budget range you're in, you're more likely to get something in mediocre shape that's going to require some work: cleaning, repairs, parts, other.
Your best bet is to go to a repair shop that sells machines, put your hands on them, try them out, ask lots of questions, then buy your favorite. Your time is worth money and productivity, so buy something you like out of the gate and you'll save a lot in the long run. You'll probably be happier and better off in the long run with something in the £200-400 range. It will also give you something you can start using right away to get your work done rather than faffing about.
Try shops from this list: https://site.xavier.edu/polt/typewriters/tw-repair.html
I'd generally endorse most of the advice on models you'll find in these sources which are geared specifically toward writers, all three sources have lots experience and reasonable bona fides to make such recommendations. (Though they do tend toward some of the more expensive portables rather than the sturdier and more economical standard machines.)
https://www.youtube.com/watch?v=h9dXflhDed0<br /> https://www.youtube.com/watch?v=aKMt-aCHZZk<br /> https://typewriterreview.com/2020/01/10/top-10-writerly-typewriters/
Beyond this Just My Typewriter has a few short videos that'll give you a crash course on Typewriter 101: https://www.youtube.com/playlist?list=PLJtHauPh529XYHI5QNj5w9PUdi89pOXsS
u/jbhusker's advice is solid if you prefer that sort of machine instead.
reply to u/ArcherNF at https://old.reddit.com/r/typewriters/comments/1hdgte4/looking_for_a_recommendation/
Inspired by the discarded typewriters and the ubiquitous construction materials she saw all over Berlin, she created "Writer's Block," an art installation with rebar-caged writing implements placed in Bebelplatz, where in 1933 Nazis burned piles of books.
Responsibility to the tree makes everyone pause before beginning.Sometimes I have that same sense when I face a blank sheet of paper.For me, writing is an act of reciprocity with the world; it is what Ican give back in return for everything that has been given to me. Andnow there’s another layer of responsibility, writing on a thin sheet oftree and hoping the words are worth it. Such a thought could make aperson set down her pen.
St. Francis de Sales is the patron saint of deaf individuals. He is also the patron of journalists and writers because of his many written religious works. Because of these publications, he is depicted with a book in the left hand and a quill pen in the right. His feast day is January 24th.
George MacDonald (10 December 1824 – 18 September 1905) was a Scottish author, poet and Christian Congregational minister. He became a pioneering figure in the field of modern fantasy literature and the mentor of fellow-writer Lewis Carroll. In addition to his fairy tales, MacDonald wrote several works of Christian theology, including several collections of sermons.
Remember, a writer writes, always.
—Larry, Throw Momma from the Train, 1987
reply to u/virtualellie at https://www.reddit.com/r/typewriters/comments/1ds1aps/typewriter_suggestions_for_newbie/
aggregated links from prior notes:
I'd generally endorse most of the advice on models you'll find in these sources which are geared specifically toward writers, all three sources have lots experience and reasonable bona fides to make such recommendations.
Obviously, you'll want to steer towards the smaller portables in the lists, but most of what's represented should fit your criteria. You'll notice a lot of overlap but with different positioning, so there's obviously some personal preference at play. If there's a nearby shop to you, it may be worth driving over to try out the touch and feel of some machines to see which you like best. Try https://site.xavier.edu/polt/typewriters/tw-repair.html
There was also some sage advice from u/Thylacine33 about purchasing the other day which may be helpful: https://www.reddit.com/r/typewriters/comments/1drj32h/comment/lawb2h7/
Beyond this Just My Typewriter has a few short videos that'll give you a crash course on Typewriter 101: https://www.youtube.com/playlist?list=PLJtHauPh529XYHI5QNj5w9PUdi89pOXsS
“Long before ‘Brooklyn’ became a place where every novelist seemed to live, from Colson Whitehead to Jhumpa Lahiri,” she added, “Auster made being a writer seem like something real, something a person actually did.”
Remember ChatGPT? It is going to do to the white collar world what robotics and offshoring did to blue collar America. So maybe this isn't the best time to be abandoning the Humanities to focus on vocational training?
This is one of the things that doesn't seem to be being explored enough presently, or at least I'm not seeing it outside of the SAG and WGA strikes where it seems to be a side issue rather than a primary issue.
N+7 algorithm used by the Oulipo writers. This algorithm replaces every noun—every person, place, or thing—in Hacking the Academy with the person, place, or thing—mostly things—that comes seven nouns later in the dictionary. The results of N+7 would seem absolutely nonsensical, if not for the disruptive juxtapositions, startling evocations, and unexpected revelations that ruthless application of the algorithm draws out from the original work. Consider the opening substitution of Hacking the Academy, sustained throughout the entire book: every instance of the word academy is literally an accident.
How might one use quirky algorithms in interestingly destructive or even generative ways to combinatorially create new things?
James Patterson's Kentucky fried books
Link to: - Ulysses S. Grant and Mark Twain: https://hypothes.is/a/8qMVggeyEe6f7G9Gd5OrNw
11/30 Youth Collaborative
I went through some of the pieces in the collection. It is important to give a platform to the voices that are missing from the conversation usually.
Just a few similar initiatives that you might want to check out:
Storycorps - people can record their stories via an app
Project Voice - spoken word poetry
Living Library - sharing one's story
Freedom Writers - book and curriculum based on real-life stories
Bunge was a prolific intellectual, having written more than 400 papers and 80 books
A manifesto about what the Every platform is all about. They're trying to create a new(?) economic model for writers working together.
I'm not really sure how this is dramatically different from prior efforts or if the economic incentives are actually properly aligned here. Many writers without critically looking at the whole may be led here as much by marketing hype as anything else. It almost sounds like they're recreating The Huffington Post, but giving away some of the value up front instead of leaving all the value in one person's hand for a future sale.
Who owns the copyright of the created works? Are editors and proofreaders just work for hire here? What about their interests?
If we decide to part ways, Leads can leave with a copy of their email list.
While a writer may leave a collective with their email list, do they necessarily benefit from having helped to get a going concern off the ground in the first place? Where does that slice of value sit? Do they also collect a multiple of the present value of the concern the way one might in buying a pre-existing business from another?
You also need to design a compensation structure that pays writers what they’re worth.
A writer's collective trying to gather writers using the bait that they've managed to crack the problem of "paying writers what they're worth" seems to be a lot of hype.
This seems to put the already extant fear into a writer's mind that they're not being paid enough. Doesn't the broader economics of a capitalistic system already solve this issue? Where are the inequalities? What about paying the website designers and developers? What about the advertising and other marketing people?
King Richard Written by Zach Baylin
Zach Baylin is JHU A/S '02 Academy Nomination for Original Screenplay 2022
An essay is a paper in prose, small in length, and free in composition. It expresses the individual impressions and thoughts of the author on a particular topic or issue. The structure of writing an essay is determined by the requirements of the genre: the thoughts of the author of the text are set out as brief theses, each thesis must be substantiated, supported by evidence.
A person who does not often have to write various texts may find it difficult to grasp all the nuances and requirements of an essay. The work on the chosen topic will be written by professionals https://studyessay.org/, they will reveal the problem, select convincing arguments and examples, as well as properly format the text.
Consequently, the structure of the essay is circular:
The number of theses and arguments depends on the topic, the written plan of the essay, and the direction of thought development. Also, the introduction and conclusion should focus on the chosen issue. The scheme of the essay assumes the presence of paragraphs, red lines, which help in achieving the integrity of the work. Contact us here https://studyessay.org/research-proposal-writing-service/, If you need more information and help with writing your assignments.
The scheme of writing an essay is looser than that of other written works. That is why the author must independently think about the structure of the future text. The structure depends on the goals, form, volume of the work. The scheme will be most conveniently perceived if you fix it on paper. The plan of writing an essay is a kind of "skeleton", on which the author builds up thoughts and ideas. Work on the essay begins with a writing plan. To make the text connected, it is convenient to act according to the following scheme:
Despite the fact that the essay does not have any strict rules of writing, there are still a number of recommendations and peculiarities of the genre, which are worth adhering to.
with attention to the nuances of issues like diversity and feminism where he has previously faltered in his own writers’ room
How do we intentionally and proactively work to avoid the problem with Jon Stewart by addressing diversity, equity, and inclusion in the writers’ room?
Using Fragments Deliberately.
How often do published writers use deliberate fragments?
The poet Christian Wiman, who returned to his faith after having wandered from it, wrote in My Bright Abyss: Meditation of a Modern Believer that “Christ is always being remade in the image of man, which means that his reality is always being deformed to fit human needs, or what humans perceive to be their needs.”
This seems reminiscent of the reminder to recall that ancient writers actually lived and eventually quit living. C. Matthewes quote perhaps about Augustine?
What effect does the personal relationship with Christ play in this catastrophe? (the one described in American Nations). I need to return to this thesis and examine it closer.
Explaining the purpose of the activities
explain the purpose of the methods you take in a consultation. this can help writers who feel like the session is not moving fast enough
correspondence to the instructor and to other students, what technology should be used to communicate, and what kinds of questions might be asked (and how frequently). Similarly, multilingual students may have different cultural con-ventions governing their understanding of such issues as plagiarism
some concerns that may need to be addressed
Preparing Faculty to Work with Multilingual Writers
work with faculty development department & WPA to train faculty on course/assignment design for multilingual writers
course assignments should avoid relying on specific cultural knowledge to complete the assignment
pay close attention to course assignments that violate this rule and assess if a writer is missing cultural context to answer certain parts of an assignment
f a student has difficulty understanding written instructions, oral and/or video in-struction might provide more clarity.
should think broadly about the kinds of technolo-gies they might allow students to use in an OWC
slow responses can be because a writer is trying to come up with the right words, but can also be technology-related. writers on their phones will have a much harder time navigating WCONLINE. but if that's all a writer has, we can't tell them not to use it. how do we support them?
links to videos or online help guides
locate instructional resources for writers to help familiarize them with expectations and practical methods for writing in academic contexts -- e.g. Purdue OWL video series on MLA formatting
A Position Statement of Principles and Example Effective Practices for OWI (CCCC OWI Committee, 2013) provided a starting point from specific OWI principles by helping to raise questions particular to multilingual writers
reread these principles
teachers should provide explicit expectations and instructions for how to par-ticipate in particular parts of the OWC
negotiating roles early on in the session = crucial to the writer's understanding of how much they should participate
onsider the kinds of technologies their students might already be familiar with, or they can leave open the technologies students can use to accomplish various writing tasks (if appropriate) to draw upon students’ current literacy practices.
consider identifying and testing out technologies that would support students' linguistic needs
“the process of acquiring syntactic and lexical competence” in a language does not happen in a semester or in a year
taking the time to read over what past consultants have worked on with this writer can be important to reinforcing the skills taught. comprehensive reporting is important as well. It's not enough to say that you worked on X with a writer; expand on where you think their progress is at. have they become proficient in this skill or is further support/reinforcement needed?
The contextual cues that instructors might rely on to detect specific linguistic needs in an onsite classroom are sometimes absent in an online en-vironment, although other cues might be present.
watch for cues that a writer has linguistic needs -- these cues may be different depending on the environment (online vs. f2f)
multilingual to refer to students who might speak a language other than English as their first language, speak multiple lan-guages fluently, or perhaps speak multiple dialects of English
multilingual writer definition
Chapter 9 of Foundation Practices of Online Writing Instruction -- Multilingual Writers and OWI
The component is pluggable, you can configure ingestion of metrics to any monitoring system by implementing MetricCollector interface. By default metrics are sent to Ostrich, statistic library bundled into secor.
Just inject prometheus simple client into this module and you could get prometheus working for secor.
Photo of Ralph Ellison, Langston Hughes, and James Baldwin: three of the most prominent African American writers of the Civil Rights era. Image credit: New York Public Library Digital Collections.
The responses show that beyond BCcampus, the Open Modernisms anthology builder is going to find traction across Western Canada. James Gifford presented a paper co-authored with Stephen Ross and Matt Huculak on the major innovations coming to BC as Open Modernisms prepares to launch its Phase 1 with a custom Islandora build for preparing modernist texts that are in the public domain in Canada.
Treat yourself as a writer and approach each commit as a chapter in a book. Writers don’t publish first drafts. Michael Crichton said, “Great books aren’t written– they’re rewritten.”
There are, indeed, some men who have a good delivery, but cannot compose anything to deliver. Now, if such men take what has been written with wisdom and eloquence by others, and commit it to memory, and deliver it to the people, they cannot be blamed, supposing them to do it without deception
Composers vs. orators
But we cannot arrive at such power of thought suddenly or even soon. 3. In the first place, a certain form of thinking must be acquired by great practice in writing, a form which may be continually attendant on our meditations. A habit of thinking must then be gradually gained by embracing in our minds a few particulars at first, in such a way that they may be faithfully repeated.
Writing is hard and it is not something you can put off. It is a habit, a lifestyle and way of thinking