When it comes to some of the older manual typewriters, condition is king and a big determinant of price. For the budget range you're in, you're more likely to get something in mediocre shape that's going to require some work: cleaning, repairs, parts, other.

Your best bet is to go to a repair shop that sells machines, put your hands on them, try them out, ask lots of questions, then buy your favorite. Your time is worth money and productivity, so buy something you like out of the gate and you'll save a lot in the long run. You'll probably be happier and better off in the long run with something in the £200-400 range. It will also give you something you can start using right away to get your work done rather than faffing about.

Try shops from this list: https://site.xavier.edu/polt/typewriters/tw-repair.html

I'd generally endorse most of the advice on models you'll find in these sources which are geared specifically toward writers, all three sources have lots experience and reasonable bona fides to make such recommendations. (Though they do tend toward some of the more expensive portables rather than the sturdier and more economical standard machines.)

https://www.youtube.com/watch?v=h9dXflhDed0<br /> https://www.youtube.com/watch?v=aKMt-aCHZZk<br /> https://typewriterreview.com/2020/01/10/top-10-writerly-typewriters/

Beyond this Just My Typewriter has a few short videos that'll give you a crash course on Typewriter 101: https://www.youtube.com/playlist?list=PLJtHauPh529XYHI5QNj5w9PUdi89pOXsS

u/jbhusker's advice is solid if you prefer that sort of machine instead.

reply to u/ArcherNF at https://old.reddit.com/r/typewriters/comments/1hdgte4/looking_for_a_recommendation/

https://en.wikipedia.org/wiki/George_MacDonald

—Larry, Throw Momma from the Train, 1987

https://tbwritersplus.com/

https://www.tbwritersplus.com/projects-8-1

Before You Buy a Typewriter … Six Top Things You Need to Know by [[CreateX3]]

reply to u/virtualellie at https://www.reddit.com/r/typewriters/comments/1ds1aps/typewriter_suggestions_for_newbie/

aggregated links from prior notes:

I'd generally endorse most of the advice on models you'll find in these sources which are geared specifically toward writers, all three sources have lots experience and reasonable bona fides to make such recommendations.

• https://www.youtube.com/watch?v=h9dXflhDed0
• https://www.youtube.com/watch?v=aKMt-aCHZZk
• https://typewriterreview.com/2020/01/10/top-10-writerly-typewriters/

Obviously, you'll want to steer towards the smaller portables in the lists, but most of what's represented should fit your criteria. You'll notice a lot of overlap but with different positioning, so there's obviously some personal preference at play. If there's a nearby shop to you, it may be worth driving over to try out the touch and feel of some machines to see which you like best. Try https://site.xavier.edu/polt/typewriters/tw-repair.html

There was also some sage advice from u/Thylacine33 about purchasing the other day which may be helpful: https://www.reddit.com/r/typewriters/comments/1drj32h/comment/lawb2h7/

Beyond this Just My Typewriter has a few short videos that'll give you a crash course on Typewriter 101: https://www.youtube.com/playlist?list=PLJtHauPh529XYHI5QNj5w9PUdi89pOXsS

https://site.xavier.edu/polt/typewriters/typers.html

This is one of the things that doesn't seem to be being explored enough presently, or at least I'm not seeing it outside of the SAG and WGA strikes where it seems to be a side issue rather than a primary issue.

How might one use quirky algorithms in interestingly destructive or even generative ways to combinatorially create new things?

James Patterson's Kentucky fried books

Link to: - Ulysses S. Grant and Mark Twain: https://hypothes.is/a/8qMVggeyEe6f7G9Gd5OrNw

I went through some of the pieces in the collection. It is important to give a platform to the voices that are missing from the conversation usually.

Just a few similar initiatives that you might want to check out:

Storycorps - people can record their stories via an app

Project Voice - spoken word poetry

Living Library - sharing one's story

Freedom Writers - book and curriculum based on real-life stories

https://www.lydiawills.com/agency.html

https://every.to/letter

A manifesto about what the Every platform is all about. They're trying to create a new(?) economic model for writers working together.

I'm not really sure how this is dramatically different from prior efforts or if the economic incentives are actually properly aligned here. Many writers without critically looking at the whole may be led here as much by marketing hype as anything else. It almost sounds like they're recreating The Huffington Post, but giving away some of the value up front instead of leaving all the value in one person's hand for a future sale.

Who owns the copyright of the created works? Are editors and proofreaders just work for hire here? What about their interests?

While a writer may leave a collective with their email list, do they necessarily benefit from having helped to get a going concern off the ground in the first place? Where does that slice of value sit? Do they also collect a multiple of the present value of the concern the way one might in buying a pre-existing business from another?

A writer's collective trying to gather writers using the bait that they've managed to crack the problem of "paying writers what they're worth" seems to be a lot of hype.

This seems to put the already extant fear into a writer's mind that they're not being paid enough. Doesn't the broader economics of a capitalistic system already solve this issue? Where are the inequalities? What about paying the website designers and developers? What about the advertising and other marketing people?

Zach Baylin is JHU A/S '02 Academy Nomination for Original Screenplay 2022

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The scheme of writing an essay is looser than that of other written works. That is why the author must independently think about the structure of the future text. The structure depends on the goals, form, volume of the work. The scheme will be most conveniently perceived if you fix it on paper. The plan of writing an essay is a kind of "skeleton", on which the author builds up thoughts and ideas. Work on the essay begins with a writing plan. To make the text connected, it is convenient to act according to the following scheme:

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How do we intentionally and proactively work to avoid the problem with Jon Stewart by addressing diversity, equity, and inclusion in the writers’ room?

How often do published writers use deliberate fragments?

This seems reminiscent of the reminder to recall that ancient writers actually lived and eventually quit living. C. Matthewes quote perhaps about Augustine?

What effect does the personal relationship with Christ play in this catastrophe? (the one described in American Nations). I need to return to this thesis and examine it closer.

explain the purpose of the methods you take in a consultation. this can help writers who feel like the session is not moving fast enough

some concerns that may need to be addressed

work with faculty development department & WPA to train faculty on course/assignment design for multilingual writers

pay close attention to course assignments that violate this rule and assess if a writer is missing cultural context to answer certain parts of an assignment

slow responses can be because a writer is trying to come up with the right words, but can also be technology-related. writers on their phones will have a much harder time navigating WCONLINE. but if that's all a writer has, we can't tell them not to use it. how do we support them?

locate instructional resources for writers to help familiarize them with expectations and practical methods for writing in academic contexts -- e.g. Purdue OWL video series on MLA formatting

reread these principles

negotiating roles early on in the session = crucial to the writer's understanding of how much they should participate

consider identifying and testing out technologies that would support students' linguistic needs

taking the time to read over what past consultants have worked on with this writer can be important to reinforcing the skills taught. comprehensive reporting is important as well. It's not enough to say that you worked on X with a writer; expand on where you think their progress is at. have they become proficient in this skill or is further support/reinforcement needed?

watch for cues that a writer has linguistic needs -- these cues may be different depending on the environment (online vs. f2f)

multilingual writer definition

Chapter 9 of Foundation Practices of Online Writing Instruction -- Multilingual Writers and OWI

Just inject prometheus simple client into this module and you could get prometheus working for secor.

Photo of Ralph Ellison, Langston Hughes, and James Baldwin: three of the most prominent African American writers of the Civil Rights era. Image credit: New York Public Library Digital Collections.

Composers vs. orators

Writing is hard and it is not something you can put off. It is a habit, a lifestyle and way of thinking