1,225 Matching Annotations
  1. Last 7 days
    1. Eamonn Keogh is an assistant professor of Computer Science at the University ofCalifornia, Riverside. His research interests are in Data Mining, Machine Learning andInformation Retrieval. Several of his papers have won best paper awards, includingpapers at SIGKDD and SIGMOD. Dr. Keogh is the recipient of a 5-year NSF CareerAward for “Efficient Discovery of Previously Unknown Patterns and Relationships inMassive Time Series Databases”.

      Look into Eamonn Keogh's papers that won "best paper awards"

  2. Oct 2022
    1. https://www.youtube.com/watch?v=mI3yiPA6npA

      Generally interesting and useful, but is broadly an extended advertisement for JetPens products.

      Transparent sticky notes allow one to take notes on them, but the text is still visible through the paper.

      One can use separate pages to write notes and then use washi tape to tape the notes to the page in a hinge-like fashion similar to selectively interleaving one's books.

    1. Tomoe River Paper - Sanzen

      Apparently some suppliers are now specifying Tomoe River Sanzen paper, which presumably is the new manufacturer of the old paper brand which some are now calling Tomoe River Tomoegawa.


    1. one recognizes in the tactile realitythat so many of the cards are on flimsy copy paper, on the verge of disintegration with eachuse.

      Deutsch used flimsy copy paper, much like Niklas Luhmann, and as a result some are on the verge of disintegration through use over time.

      The wear of the paper here, however, is indicative of active use over time as well as potential care in use, a useful historical fact.

    1. For the second time Goutor mentions using different size cards for different note types, but doesn't specifically advise for it or provide a reason. Perhaps his advice for consistency and card size applies only to cards of particular types? (p28)

      link to: https://hypothes.is/a/XPphjkNZEe2s3i9VV4qt1g

      Incidentally he also specifically mentions 7x9" cards here too. How frequently used were these as a standard?

    2. While he previously recommended using note cards of the same size, the examples in Goutor (1980) have 3x5" cards for bibliographic notes and 5x7" or larger cards for content notes. (p19, 21)

      Is there a reason stated anywhere here for this discrepancy or change? One would ostensibly keep them in different places/sections of one's card index, but does the size difference help to differentiate the two to aid in sorting? Is the larger card intended to hold more long form writing?

      Goutor is in Canada, so were 5x7" cards more common or standardized there in the late 1970s and early 80s?

      A5 measures 148 × 210 millimeters or 5.83 × 8.27 inches, so is a bit larger than 5x7".

      5x7" is a more standard photo size, so was this chosen as the result of storage options from the photography space?

      5x7" is scantly available in America in 2022, but only from Hamilco. A few others make cardstock in that size but not specifically as index cards.

  3. Sep 2022
    1. Posted byu/jackbaty4 hours agoCard sizes .t3_xib133._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; } I've been on-again/off-again with paper for PKM, but one thing remains consistent each time: I don't enjoy using 4x6 index cards. I much prefer 3x5-inch cards. I realize that it's irrational, but there it is.My question is if I dive into building an antinet, will I regret using 3x5 cards? I already have hundreds of them. I have dividers, holders, and storage boxes for them. I just prefer how they _feel_, as weird as that sounds.I'd like to hear if people are using 3x5 cards successfully or if you've come to regret it.

      While it may be slightly more difficult to find larger metal/wood cases for the 4x6 or 5x8 cards, it's a minor nuisance and anyone who wants them will eventually find the right thing for them. Beyond this, choose the card size that feels right to you.

      If you don't have an idea of what you need or like, try things out for 10-20 cards and see how it works for you, your handwriting size, and general needs. People have been using 3x5, 4x6, and even larger for hundreds of years without complaining about any major issues. If Carl Linnaeus managed to be okay with 3x5, which he hand cut by the way, I suspect you'll manage too.

      Of course I won't mention to the Americans the cleverness of the A6, A5, A4 paper standards which allows you to fold the larger sizes in half to get the exact next smaller size down. Then you might get the benefit of the smaller size as well as the larger which could be folded into your collection of smaller cards, you just have to watch out for accidentally wrapping ("taco-ing") a smaller card inside of a larger one and losing it. I suppose you could hand cut your own 5" x 6" larger cards to do this if you found that you occasionally needed them.

      For the pocketbook conscious, 3x5 does have the benefit of lower cost as well as many more options and flexibility than larger sizes.

      At least commercial card sizes are now largely standardized, so you don't have deal with changing sizes the way Roland Barthes did over his lifetime.

      My personal experience and a long history of so many manuals on the topic saying "cards of the same size" indicates that you assuredly won't have fun mixing different sized slips together. I personally use 3x5" cards in a waste book sense, but my main/permanent collection is in 4x6" format. Sometimes I think I should have done 3 x 5, but it's more like jealousy than regret, particularly when it comes to the potential of a restored fine furniture card catalog. But then again...

  4. Aug 2022
    1. At the time he was selling, Jay-Z was also coming up with rhymes. He normally wrote down his material in a green notebook he carried around with him — but he never took the notebook with him on the streets, he says. "I would run into the corner store, the bodega, and just grab a paper bag or buy juice — anything just to get a paper bag," he says. "And I'd write the words on the paper bag and stuff these ideas in my pocket until I got back. Then I would transfer them into the notebook. As I got further and further away from home and my notebook, I had to memorize these rhymes — longer and longer and longer. ... By the time I got to record my first album, I was 26, I didn't need pen or paper — my memory had been trained just to listen to a song, think of the words, and lay them to tape." Since his first album, he says, he's never written down any of his lyrics. "I've lost plenty of material," he says. "It's not the best way. I wouldn't advise it to anyone. I've lost a couple albums' worth of great material. ... Think about when you can't remember a word and it drives you crazy. So imagine forgetting an entire rhyme. 'What's that? I said I was the greatest something?' "

      In his youth, while selling drugs on the side, Jay-Z would write down material for lyrics into a green notebook. He never took the notebook around with him on the streets, but instead would buy anything at a corner store just for the paper bags as writing material. He would write the words onto these paper bags and stuff them into his pockets (wearable Zettelkasten anyone? or maybe Zetteltasche?) When he got home, in long standing waste book tradition, he would transfer the words to his notebook.

      Jay-Z has said he hasn't written down any lyrics since his first album, but warns, "I've lost plenty of material. It's not the best way. I wouldn't advise it to anyone. I've lost a couple albums' worth of great material."


      Link to: https://hypothes.is/a/T3Z38uDUEeuFcPu2U_w_zA (Jonathan Edwards' zettelmantle)

    1. The discussion above implies that a new explanation or theory can only be justified if it is seen as different from, and possibly opposed to, established knowledge. Without such differentiation, there is no way of determining whether it illuminates things better than previous research. The detection of unexpected difference – of tensions in the empirics or how they are interpreted – indicates the need for new research.
    1. While the admin-istrative scientist Luhmann ignores the librarian’s dictum in his consideration of theproper paper for the project out of spatial concerns, DIN 1504, which, apart from theInternational Library Format, only allows DIN A 6 and DIN A 7 for “literature cards,”18regrettably goes unused.

      Despite his career as an administrative scientist, Luhmann eschewed the International Library Format which allows for DIN A6 and DIN A7 for "literature cards."

      Cross reference:

      1. See Deutsches Institut für Normung e.V. (DIN), Publikation und Dokumentation 2. Erschließung von Dokumenten, Informationsverarbeitung, Reprographie, Bibliotheksverwaltung, Normen, vol. 154 of DIN-Taschenbuch , 2nd ed. (Berlin, Kö ln: Beuth, 1984), 64f.

      link to https://hypothes.is/a/hKgd_t1jEeyxoxOujPZNkg

    1. Depending on the scope of the notes that need to be taken, one uses either the A6format, or the next bigger one, which is A5 (21 x 14.8 cm), or the double sized A4 (29.6 x 21cm). After filling them with words, sheets of A5 size will be folded once, A4 size twice, sothat they return to our basic A6 size.

      This is the first time I've seen in the literature the suggestion to write notes on larger sheets and then fold them up. This is largely only recommended here because of the standardization of the paper sizes in such a way that folding an A4 makes an A5 and folding an A5 gives an A6 and so on...

    2. After theactual note is written and the blueprints are removed, on each of the three cards one keywordis underlined with a pencil or a red pen so that each card can be placed inside the box basedon its underlined keyword

      This works, but I'm a bit disappointed at this advice/revelation...

    3. carbon paper process

      I wasn't expecting advice for creating multiple copies of cards with carbon paper...

    4. For use on the desk, papersheets are the right choice.

      paper over card in terms of sheet thickness, particularly over time

    1. AtleastonedistinguishedAmericanscholarhasmadethemthechieffactorin hisnote-system,tosuch degreeastohavenoplace for smallerpiecessave astheymight befiledwiththe larger;andhasfreelycounseledotherstodolikewise

      What scholar is being referenced here as using larger slips and suggesting others do likewise?

    2. Summary

      Dow is definitely across the spectrum on note paper sizes and leaves the choice up to the writer based on their particular needs.

    3. But adoption of some particular size and strictadherence thereto are not absolutely incumbent.

      After suggesting consistency on slip size, Dow waffles on the use of multiple sizes. He does indicate that one might want to use the size as an indicator of the type of note, though he doesn't give a specific example

    4. shall I adopt the 3x5 slip or the 4x61

      Dow indicates in 1924 that 3 x 5" and 4 x 6" are both commonly had in a range of materials the US as well as boxes or cases to keep them in. He does mention that one can also cut their own paper, indicating that this is a possibility.

    1. (see paragraph 28)

      an example within this essay of a cross reference from one note to another showing the potential linkages of individual notes within one's own slipbox.

    2. Mechanical form.Use standard size (8t/,xll in.) type-writer pa er or the essay paper in standard use a t the in-stitution. %or typing, use an unruled bond paper of goodquality, such as “Paragon Linen” or “Old Hampshire Mills.”At the left of the page leave a margin of 1% to l’/e inches;and a t the top, bottom, and right of the page, a margin of1 inch. Write only on one side of the paper. In ty in thelines should be double-spaced. Each chapter shouyd feginon a new page. Theses for honors and degrees must be typed;other essays may be typed or legibly written in ink. Whetherthe essay is typed or written, the use of black ink is prefer-able. The original typewritten copy must be presented. Incase two copies of a thesis are required, the second copymust be the first carbon and must be on the same quality ofpaper as the original.

      Definitely a paragraph aimed at the student in the manner of a syllabus, but also an interesting tidbit on the potential evolution of writing forms over time.

      How does language over time change with respect to the types and styles of writing forms, particularly when they're prescribed or generally standardized over time? How do these same standards evolve over time and change things at the level of the larger pictures?

    1. Every book I read is also broken up and digested on these cards, which are all loosely by themed.

      Holiday analogizes his reading and note taking practice as a means of digesting books into his note card collection.

      Link to: - https://hypothes.is/a/OZ2r9rOfEeu9oFPzd3bMlw - Reader's Digest as a popular example

      How do the ideas of "digesting books" and "ruminant machines" relate to the psychology phenomenon of diffuse thinking over time?

  5. Jul 2022
    1. Quarto 215 x 275 mm

      roughly 8.46 inches x 10.8 inches or about the size of an 8.5 x 11" sheet

    1. der Beschaffenheit des Themas und des Materials wird es oft_ praktisch sein, von sachlicher Ordnung abzusehen und nur dieHuGBerlich chronologische anzuwenden. Gerade dann ist es vongréBtem Wert, die Eintragungen auf lose Blu&tter zu machen,damit man dieselben nach den verschiedenen Gesichtspunktender Zusammengehirigkeit zeitweilig umordnen und dann wiederin die Grundordoung zurticklegen kann. Um die einzelnenNotizen leicht auffinden zu kinnen, ist es ratsam, die Datenoder Schlagwirter oben dartiberzuschreiben; und die Bl&tteroder Zettel miissen von nicht zu diinnem Papier sein, damitman sie schnell durchblattern kann.Soweit es sich um Abschriften ganzer Akten oder Nach-richten handelt, bedarf es keiner besonderen Erérterungen.Doch solche véllige Abschriften wird man nur machen, wo essich um archivalische Quellen oder entlegenere Drucke handelt,die man nicht so leicht wieder erreichen kann. Im tibrigenwird man sich mit Ausztigen und Notizen begniigen, welcheentweder das aus den Quellen ausheben, was fiir das Themain Betracht kommt, oder nur im allgemeinen auf die Quellen-stellen hinweisen. Im ersteren Falle kommt es darauf an, dasBrauchbare und Wichtige scharf zu erkennen und prizis zunotieren; im letzteren Falle mu8 die Hindeutung wenigstensderart prizisiert sein, daf8 man beim sp&teren Durchsehen derNotizen gleich ersieht, was in der betreffenden Quellenstellezu erwarten ist, und da® die Identit&t der Notiz mit dem Inhaltder Quellenstelle nicht zweifelhaft sein kann; bei Urkundenerfordert letzteres besondere Sorgfalt, da nicht selten iiber den-selben (tegenstand zur selben Zeit mehrere dhnliche Dokumenteausgestellt worden sind: man tut daher gut, die Identitét jedesStiickes durch Aufnotierung des Anfanges und Schlusses (In-cipit und Explicit) sicherzustellen, wobei zu bemerken ist, dafhier als Anfang und Schlu8 nicht die formelhaften Teile, diesogenannten Protokolle, welche eben als feststehende Formelnnicht fiir die einzelne Urkunde unterscheidend sind, gelten,sondern daf man Anfang und Schlu8 des individuellen Textesnotiert, eine Art der Bezeichnung, die allgemein bei den pupst-lichen Bullen angewandt wird, indem man von der Bulle Unamsanctam oder Ausculta fili usw. spricht.

      Je nach der Beschaffenheit des Themas und des Materials wird es oft praktisch sein, von sachlicher Ordnung abzusehen und nur die äußerlich chronologische anzuwenden. Gerade dann ist es von größtem Wert, die Eintragungen auf lose Blätter zu machen, damit man dieselben nach den verschiedenen Gesichtspunkten der Zusammengehörigkeit zeitweilig umordnen und dann wieder in die Grundordoung zurücklegen kann. Um die einzelnen Notizen leicht auffinden zu können, ist es ratsam, die Daten oder Schlagwörter oben darüberzuschreiben; und die Blätter oder Zettel müssen von nicht zu dünnem Papier sein, damit man sie schnell durchblättern kann.

      Soweit es sich um Abschriften ganzer Akten oder Nachrichten handelt, bedarf es keiner besonderen Erörterungen. Doch solche völlige Abschriften wird man nur machen, wo es sich um archivalische Quellen oder entlegenere Drucke handelt, die man nicht so leicht wieder erreichen kann. Im übrigen wird man sich mit Auszügen und Notizen begnügen, welche entweder das aus den Quellen ausheben, was für das Thema in Betracht kommt, oder nur im allgemeinen auf die Quellenstellen hinweisen. Im ersteren Falle kommt es darauf an, das Brauchbare und Wichtige scharf zu erkennen und präzis zu notieren; im letzteren Falle muß die Hindeutung wenigstens derart präzisiert sein, daß man beim späteren Durchsehen der Notizen gleich ersieht, was in der betreffenden Quellenstelle zu erwarten ist, und daß die Identität der Notiz mit dem Inhalt der Quellenstelle nicht zweifelhaft sein kann; bei Urkunden erfordert letzteres besondere Sorgfalt, da nicht selten über den-selben (tegenstand zur selben Zeit mehrere ähnliche Dokumente ausgestellt worden sind: man tut daher gut, die Identität jedes Stückes durch Aufnotierung des Anfanges und Schlusses (Incipit und Explicit) sicherzustellen, wobei zu bemerken ist, daf hier als Anfang und Schluß nicht die formelhaften Teile, die sogenannten Protokolle, welche eben als feststehende Formeln nicht für die einzelne Urkunde unterscheidend sind, gelten, sondern daß man Anfang und Schluß des individuellen Textes notiert, eine Art der Bezeichnung, die allgemein bei den päpstlichen Bullen angewandt wird, indem man von der Bulle Unam sanctam oder Ausculta fili usw. spricht.

      Google translation:

      Depending on the nature of the subject and the material, it will often be practical to dispense with factual order and use only the outwardly chronological one. It is precisely then that it is of the greatest value to make the entries on loose sheets of paper, so that they can be temporarily rearranged according to the various aspects of belonging together and then put back into the basic order. In order to be able to easily find the individual notes, it is advisable to write the dates or keywords above them; and the sheets or slips of paper must be of paper that is not too thin so that they can be leafed through quickly.

      As far as copies of entire files or messages are concerned, no special discussion is required. But such complete copies will only be made from archival sources or more remote prints that cannot easily be accessed again. For the rest, one will be content with excerpts and notes, which either extract from the sources what comes into consideration for the subject, or only refer to the sources in general. In the first case it is important to clearly recognize what is useful and important and to write it down precisely; in the latter case, the indication must at least be specified in such a way that, when looking through the notes later, one can immediately see what is to be expected in the relevant source and that the identity of the note with the content of the source cannot be in doubt; for certificates the latter requires special care, as it is not uncommon for same (te, several similar documents existed at the same time have been issued: one does therefore well, the identity of each piece by notating the beginning and end (Incipit and explicit), noting that here as beginning and end not the formulaic parts that so-called protocols, which are simply fixed formulas are not distinctive for the individual document, apply, but that one sees the beginning and end of the individual text noted, a form of designation commonly applied to the papal bulls, speaking of the bull Unam sanctam or Ausculta fili, etc.

      Continuing on in his advice on note taking, Bernheim tells us that notes on loose sheets of paper (presumably in contrast with the bound pages of a commonplace book or other types of notebooks), "can be temporarily rearranged according to the various aspects of belonging together and then put back into the basic order". He recommends giving them dates (presumably to be able to put them back into their temporal order), as well as keywords. He also suggest that "the sheets or slips of paper must be of paper that is not too thin so that they can be leafed through quickly." (translated from German)

      Note that he doesn't specify the exact size of the paper (at least not in this general section) other than to specify either "die Blätter oder Zettel" (sheets or slips) . Other practices may be more indicative of the paper size he may have had in mind. Are his own papers extant? Might those have an indication of his own personal practice as it may have differed from his published advice?

    1. so let's suppose let's suppose your listeners are with me and you know we kind of agree like okay yes transformation's necessary and uh again i want to emphasize i'm not talking about reform i'm not talking 00:58:59 about a softer better capitalism i'm not talking about you know improved voter registration or like any of those things i'm talking about de novo starting over from scratch what might be 00:59:13 best and if it turns out that the old systems were better than anything that humanity can come up with well then you know that's the answer but i can't imagine that's true because the old systems were never designed in any kind of 00:59:25 you know thoughtful science driven [Music] you know process to to to test to explore and to come up with fitness like what is the you know we don't even have a fitness for our current society 00:59:39 much less of fitness for societal designs i mean we have the gdp but that's a terrible terrible limited fitness metric 00:59:51 okay so suppose you're with me suppose we're we're on board we we want to do this de novo design thing where do we start what's the what's what where do we even get off the 01:00:03 ground on this and i suggest that the way to do it is through first address worldview from world view once we understand what the world view is 01:00:15 what a reasonable useful world view will be for this project then then purpose derives worldview begets purpose once you understand what it is you want 01:00:28 what you value what do you value once you understand what you value then you can say well i value a and therefore the purpose is to 01:00:39 have a manifest in society for example so once you have purpose then you can think about what metrics how would you measure whether are you so 01:00:53 here's a new design is it fit for purpose does it do does it fulfill its purpose you know that's the question and then metrics go with some kind of fitness evaluation 01:01:05 and then finally last of all of those would be the design okay we know what we know what we value we know what this thing is supposed to do we know what the purpose is we know that attractor is supposed to you know plow the ground or something we 01:01:18 know what this is supposed to do we know how to measure success and uh now finally then let's talk about design what are the what are the you know the specifics and mechanics and 01:01:31 how does that happen and the the series is really kind of laid out this way the first paper really talks about world view and purpose the second paper talks about the you know the more the mechanics of things 01:01:44 like viability how would you make this thing viable things like that and then the very last paper that's titled the subtitle design okay so uh that's how we uh and 01:01:56 and maybe i will just mention here that i put metrics before design because we might have some ideas uh getting back to that preference factor we might have some ideas like we would like people not to die at 01:02:08 30 you know we'd like people to mostly live to a ripe old age and have you know enough water water to drink and food to eat and all that kind of stuff so uh you know what kind of design once 01:02:20 now that we have metrics to measure that kind of stuff longevity and nutrition and things what kind of designs would help us to reach those targets you know so that's one reason why design 01:02:31 why metrics comes before design okay

      Process flow: Worldview, purpose, metric and finally design

      Paper 1: Worldview and purpose Paper 2: practical implementation Paper 3: Design

  6. Jun 2022
    1. The correlation between the antinet and programming languages. They bought have an output of some sort. For the antinet it could be a book and an app for the other. When building up your antinet you are literally writing you’re output. Each main card eventually will flow into a larger text. Reformulated or not. When programming you make code-blocks. Small chunks of code to use in other parts of the program. Those small chunks were made previously or taken from an other program and re formulated to work in that new program you are working on. From all those small pieces of code you make a big program your output. In bought cases most of the work is done before hand. Building it up is the easy part because you don’t begin with an empty screen or paper.

      You're sure to love Markus Krajewski's book Paper Machines: About Cards & Catalogs, 1548-1929 (History and Foundations of Information Science) which covers this very idea from a historical perspective.

  7. bafybeiccxkde65wq2iwuydltwmfwv733h5btvyrzqujyrt5wcfjpg4ihf4.ipfs.dweb.link bafybeiccxkde65wq2iwuydltwmfwv733h5btvyrzqujyrt5wcfjpg4ihf4.ipfs.dweb.link
  8. May 2022
    1. Despite the librarian card-theoreticalrecommendation of only using cardboard or strong paper as a bearer of information,17Luhmann relies on plain typewriter paper for spatial economy, which can quickly lead,however, to the deterioration of the medium with frequent browsing.

      For Luhmann's time, the librarian recommendation for substrate was either cardboard or strong paper as the carrier for information, but he eschewed this recommendation in favor of plain typewriter paper because it took up less space. This came at the cost of deterioration of many of his cards through regular use however.

    1. In §§ 4–5, I examine the socio-evolutionary circumstances under which a closed combinatory, such as the one triggered by the Llullian art, was replaced by an open-ended combinatory, such as the one triggered by a card index based on removable entries. In early modernity, improvement in abstraction compelled scholars to abandon the idea that the order of knowledge should mirror the order of nature. This development also implied giving up the use of space as a type of externalization and as the main rule for checking consis-tency.

      F*ck! I've been scooped!

      Apparently I'm not the only one who has noticed this, though I notice that he doesn't cite Frances A. Yates, which would have certainly been the place for having come up with this historical background (at least that's where I found it.)

      The Llullian arts can be more easily practiced with ideas placed on moveable index cards than they might be with ideas stored in one's own memory. Thus the index card as a tool significantly decreases the overhead and provides an easier user interface for permuting one's ideas and combining them. This decrease in mental work appearing at a time of information overload also puts specific pressure on the older use of the art of memory to put it out of fashion.

    1. is the the um the writing by hand um because you know you can you can certainly write by hand and write down facts you know as well um 00:30:36 and uh and so yeah but i but what i what i do hold is that it's way way harder to uh store a lot of facts in 00:30:49 you know an analog settle costin because there's no copy paste you actually have to write out the facts by hand and as a result of that i think there are more benefits over digital in that you 00:31:02 are writing down uh neuro imprinting you know facts onto your mind that you can later recall more rapidly and stuff and um i think that's a benefit

      Keeping a manual zettelkasten using pen/pencil and paper may be beneficial to some as it will tend to remove the easy functionality of cut and paste in the digital space and force the user to think a bit more deeply about what they're working on and expand on it. Those with paper zettelkasten aren't as likely to spend time collecting simple facts as a result of this. This will make the content going into the system much more solid and reusable in the future.

    1. +#@##9'&2$H1*$1&$1)+Y$1$9#).-)C1&0#Y$+"1+$+--@$9810#$-&Y$1)-=&4Y$1&4$10)-**$919#)V

      ... notekeeping was an art, a performance, that took place on, around, and across paper. —Matthew Daniel Eddy

      I'm also reminded of this in the framing of lack of performance as students I didn't know regularly asked me in college why I didn't take notes.

      Only years on now do I realize it was because they and I had been taking the wrong types of notes.

      Odd that this .pdf is garbling the highlighted text...



    1. In my paper writing, I put wikilinks around things that I want to follow up on. They stand out visually when you scan back over something afterwards.

      I do the same often!

  9. Apr 2022
    1. Wilken, Rowan. “The Card Index as Creativity Machine.” Culture Machine 11 (2010): 7–30.

      file: https://culturemachine.net/wp-content/uploads/2019/01/373-604-1-PB.pdf

    2. In a remarkable essay on precursors to hypertext, Peter Krapp(2006) provides a useful overview of the development of the indexcard and its use by various thinkers, including Locke, Leibniz, Hegel,and Wittgenstein, as well as by those known to Barthes and part of asimilar intellectual milieu, including Michel Leiris, Georges Perec,and Claude Lévi-Strauss (Krapp, 2006: 360-362; Sieburth, 2005).1

      Peter Krapp created a list of thinkers including Locke, Leibniz, Hegel, Wittgenstein, Barthes, Michel Leiris, Georges Perec, and Lévi-Strauss who used index cards in his essay Hypertext Avant La Lettre on the precursors of hypertext.

      see also: Krapp, P. (2006) ‘Hypertext Avant La Lettre’, in W. H. K. Chun & T. Keenan (eds), New Media, Old Theory: A History and Theory Reader. New York: Routledge: 359-373.

      Notice that Krapp was the translator of Paper Machines About Cards & Catalogs, 1548 – 1929 (MIT Press, 2011) by Marcus Krajewski. Which was writing about hypertext and index cards first? Or did they simply influence each other?

    1. As more and more parts of the world became literate, new technologies, above all paper and print, increased the reach and influence of written stories. Both inventions lowered the cost of literature, which meant that new groups of readers could have access to written stories. And new readers meant new stories started to appear, catering to these readers’ tastes and interests.
    1. Wax tablets were the standard erasable surfacefrom antiquity to the Renaissance: one or more boards, often bound togetherin a codex form, were coated in wax to be inscribed with a stylus then erased forreuse.7 In early modern England one could also purchase pocket-sized writingtablets featuring paper that had been treated so as to offer a rigid writing surfaceon which markings made with the accompanying metal stylus could be erasedwith a little moisture.8 The slate blackboard is also attested in Europe in musicinstruction in the sixteenth century, sized either for group or for personal use(as is still the case today), and was used at least by the eighteenth century in theteaching of astronomy. The sand tray, a board or slab spread with a fine layer ofsand that one inscribed with a stick and could easily erase, was another long-lived medium: used in ancient Babylon and medieval Islam for calculations andin Europe principally for children and artists learning to write or sketch down tothe Victorian period.9 None of these temporary notes have left any traces, exceptthrough extant higher- order notes made from them.
  10. Mar 2022
  11. Feb 2022
    1. Like every B size, a B5 paper sheet cannot be printed with a personal printer. It’s because the size is used in professional printing. This paper size is used to create magazines, menus, or flyers for advertising. 2

      This is silly and wrong. B5 paper is slightly smaller than A4 or American letter size paper. If a personal printer can print those common sizes, it should be able to print A5, too. A printer with A4 or letter paper would probably print the B5 page either centered or upper-left aligned on the paper. If the printer will not print the B5 page, that is the fault of the software, like the application, printer driver, or even the operating system. Updating or replacing those should enable the printer to print B5. If that doesn't work or isn't possible, then printing the B5 page to a new document, like a PDF, set up for A4 or letter paper should help. Printing that new document should work.

    1. Gerben and Brendan Howell created PenPub which connects with a Moleskine/Neo smartpen via bluetooth, turns the lines into an SVG file, uploads that to a static web server, and thereby creates a ‘paper website’ that is a live reflection of your notebook (with a few seconds delay)

      syndicated copy

  12. Jan 2022
    1. Literature Essay Outline

      An essay is a paper in prose, small in length, and free in composition. It expresses the individual impressions and thoughts of the author on a particular topic or issue. The structure of writing an essay is determined by the requirements of the genre: the thoughts of the author of the text are set out as brief theses, each thesis must be substantiated, supported by evidence.

      A person who does not often have to write various texts may find it difficult to grasp all the nuances and requirements of an essay. The work on the chosen topic will be written by professionals https://studyessay.org/, they will reveal the problem, select convincing arguments and examples, as well as properly format the text.

      Consequently, the structure of the essay is circular:

      1. introduction;
      2. theses and arguments;
      3. conclusion.

      The number of theses and arguments depends on the topic, the written plan of the essay, and the direction of thought development. Also, the introduction and conclusion should focus on the chosen issue. The scheme of the essay assumes the presence of paragraphs, red lines, which help in achieving the integrity of the work. Contact us here https://studyessay.org/research-proposal-writing-service/, If you need more information and help with writing your assignments. enter image description here

      How to write an essay: outline

      The scheme of writing an essay is looser than that of other written works. That is why the author must independently think about the structure of the future text. The structure depends on the goals, form, volume of the work. The scheme will be most conveniently perceived if you fix it on paper. The plan of writing an essay is a kind of "skeleton", on which the author builds up thoughts and ideas. Work on the essay begins with a writing plan. To make the text connected, it is convenient to act according to the following scheme:

      1. choose a topic;
      2. fix theses and thoughts on the issue;
      3. justify the stated ideas, pick up arguments;
      4. build the theses in a logical sequence, the thoughts should follow one another.

      Essay writing tips

      1. The main recommendation for writing an essay is to outline the text. This will help to keep the thought in one line, remember the topic and purpose.
      2. The essay is a genre that does not involve writing long texts. Thoughts should be expressed briefly, but understandable to the reader.
      3. It is helpful to reread your essay to make sure that the text is connected logically, the topic is not lost and all theses and arguments are mentioned.

      Despite the fact that the essay does not have any strict rules of writing, there are still a number of recommendations and peculiarities of the genre, which are worth adhering to.

  13. Dec 2021
    1. One more thing ought to be explained in advance: why the card index is indeed a paper machine. As we will see, card indexes not only possess all the basic logical elements of the universal discrete machine — they also fi t a strict understanding of theoretical kinematics . The possibility of rear-ranging its elements makes the card index a machine: if changing the position of a slip of paper and subsequently introducing it in another place means shifting other index cards, this process can be described as a chained mechanism. This “ starts moving when force is exerted on one of its movable parts, thus changing its position. What follows is mechanical work taking place under particular conditions. This is what we call a machine . ” 11 The force taking effect is the user ’ s hand. A book lacks this property of free motion, and owing to its rigid form it is not a paper machine.

      The mechanical work of moving an index card from one position to another (and potentially changing or modifying links to it in the process) allows us to call card catalogues paper machines. This property is not shared by information stored in codices or scrolls and thus we do not call books paper machines.

    2. This comparison is not to claim that the index catalog is already a Turing machine. Comparisons, transfers, and analogies are not that simple. If the elements of a universal discrete machine are present, they still lack the computational logic of an operating system, the development of which constitutes Turing ’ s foundational achievement. What is described here is merely the fact that the card catalog is liter-ally a paper machine, similar to a nontrivial Turing machine only in having similar components — no more, no less.

      I felt some of this missing piece and so included the idea of human interaction as part of the process to make up the balance.

    1. https://arxiv.org/abs/2111.07624


    2. 注意力机制在计算机视觉中发挥了越来越重要的作用。研究进展可大致分为四个阶段。
      1. RAM开始
      2. STN
      3. SENet
      4. 自注意力
    1. Zotero + SciHub


  14. Nov 2021
    1. https://www.amazon.com/Blog-Paper-Advanced-Taking-Technology/dp/1926892100/

      Doing some research for my Paper Website / Blog.

      Similar to some of the pre-printed commonplace books of old particularly with respect to the tag and tag index sections.

      I sort of like that it is done in a way that makes it useful for general life even if one isn't going to use it as a "blog".

      How can I design mine to be easily photographed and transferred to an actual blog, particularly with Micropub in mind?

      Don't forget space for the blog title and tagline. What else might one put on the front page(s) for identity? Name, photo, address, lost/found info, website URL (naturally)...

      Anything else I might want to put in the back besides an category index or a tag index? (Should it have both?)

    1. I find something very appealing about this user interface as a way to create a website: https://paperwebsite.com/.

      A micropub client that could do this would be fascinating...

    1. How people use to write was on Papyrus which was made out of hands and other natural things you find in nature. People also wrote with black and red ink. And they would make those into scrolls. What is papyrus?

  15. Oct 2021
    1. Egyptian paper was made from rags. Wail paper from China was made from recitaled products like wood bark from trees and fish nets and other things

  16. Sep 2021
  17. Aug 2021
    1. Want to Write a Book? You Probably Already Have!

      Patrick Rhone


      Paper is the best solution for the long term. If it's not on paper it can be important, if it's not it won't be.

      Our writing is important. It is durable.

      All we know about the past is what survived.

      Analogy: coke:champaign glass::blogger:book

      Converting one's blog into a book.

      "The funny thing about minimalism is that there's only so much you can say."

      Change the frame and suddenly you've changed the experience.

    1. ncludes curated texts

      Start with student self-curation using analog versions of hypothes.is (paragraphs on half sheets of paper with plenty of room for sharing). Move on to Hypothes.is or NowComment to do digital annotation.

  18. Jul 2021
    1. It turns out that the physical law (as distinct from the laws of physics) takes up a lot of space, and Harvard Law School was sending more and more books out to a remote depository, to be laboriously retrieved when needed.
  19. Jun 2021
  20. May 2021
    1. Erich Segal

      Reasonably certain that this is the same Erich Segal who wrote the screenplays for Love Story and The Yellow Submarine.

      Also interesting that the movie The Paper Chase is advertised on the same page as this story.

    1. Media theorist Markus Krajewski has devoted a book specifically to the paper machinery of cards and catalogs. He traces the origins of this machinery back to sixteenth-century attempts at indexing books, and through the twists and turns of library technology in Europe and the U.S. over the following centuries.
    1. He proposed the standardized paper size system used globally today except in Canada and the US defined by ISO 216, which has A4 as the most commonly used size.

      This is an interesting bit of trivia.

  21. Apr 2021
  22. Mar 2021
    1. The urgent argument for turning any company into a software company is the growing availability of data, both inside and outside the enterprise. Specifically, the implications of so-called “big data”—the aggregation and analysis of massive data sets, especially mobile

      Every company is described by a set of data, financial and other operational metrics, next to message exchange and paper documents. What else we find that contributes to the simulacrum of an economic narrative will undeniably be constrained by the constitutive forces of its source data.

  23. Feb 2021
    1. paper COVID-19, lockdowns and well-being: Evidence from Google Trends in the Journal of Public Economics.


  24. Jan 2021
  25. Dec 2020
  26. icla2020b.jonreeve.com icla2020b.jonreeve.com
    1. It’s when it’s all over that you’ll miss him,

      I find it really interesting that there are quotes like this in the text, which are used a lot even today by a lot of people. It would be a good topic for the paper, to find quotes like that throughout the text and see how many of them are in each story.

  27. Oct 2020