28 Matching Annotations
  1. Oct 2023
    1. in 8:40, links are used in images to show dynamic threads. I can see this linking for information and expanding on the search of elements

  2. May 2023
    1. It’s great that there’s interest in this stuff. Your articles are inspiring, as is Jillian Hess’s NotesSubstack, team Greene/Holiday/Oppenheimer, and the German scholars who focus on the technology of writing, such as Hektor Haarkötter. But I don’t see this as nostalgia. For me it’s history in service of the present and the future.

      reply to u/atomicnotes at https://www.reddit.com/r/Zettelkasten/comments/13cqnsk/comment/jjkwc05/?utm_source=reddit&utm_medium=web2x&context=3

      Definitely history in service of the present and the future. Too many people are doing some terribly hard work attempting to reinvent wheels which have been around for centuries.

  3. Oct 2022
  4. Jul 2022
    1. When we see the world from the vantage point of all-at-oneness, always right here, we can be said to be like a pearl in a bowl. Flowing with every turn without any obstructions or stoppages coming from our emotional reactions to different situations. This is a very commonly used image in Zen — moving like a pearl in a bowl. As usual, our ancestors comment on this phrase, wanting to break open our solidifying minds even more. Working from Dogen’s fascicle Shunju, Spring and Autumn, we have an example of opening up even the Zen appropriate phrase — a pearl in a bowl. Editor of the Blue Cliff Record Engo ( Yuan Wu) wrote: A bowl rolls around a pearl, and the pearl rolls around the bowl. The absolute in the relative and the relative in the absolute.   Dogen: The present expression “a bowl rolls around a pearl” is unprecedented and inimitable, it has rarely been heard in eternity. Hitherto, people have spoken only as if the pearl rolling in the bowl were ceaseless.

      This is like the observation I often make in Deep Humanity and which is a pith BEing Journey

      When we move is it I who goes from HERE to THERE? Or am I stationary, like the eye of the hurricane spinning the wild world of appearances to me and surrounding me?

      I am like the gerbil running on a cage spinning appearances towards me but never moving an inch I move while I am still The bowl revolves around this pearl.

  5. May 2022
    1. I’ve spent years studying how prolific writers, artists, and thinkersof the past managed their creative process. I’ve spent countlesshours researching how human beings can use technology to extendand enhance our natural cognitive abilities. I’ve personally

      experimented with every tool, trick, and technique available today for making sense of information. This book distills the very best insights I’ve discovered from teaching thousands of people around the world how to realize the potential of their ideas.

      All this work just for this? When some basic reading of historical note taking, information management, and intellectual history would have saved him the time and effort? Looking through the references I'm not seeing much before even 2010, so it seems as if he's spent most of his time reinventing the wheel.

  6. Apr 2022
    1. three steps required to solve the all-importantcorrespondence problem. Step one, according to Shenkar: specify one’s ownproblem and identify an analogous problem that has been solved successfully.Step two: rigorously analyze why the solution is successful. Jobs and hisengineers at Apple’s headquarters in Cupertino, California, immediately got towork deconstructing the marvels they’d seen at the Xerox facility. Soon theywere on to the third and most challenging step: identify how one’s owncircumstances differ, then figure out how to adapt the original solution to thenew setting.

      Oded Shenkar's three step process for effective problem solving using imitation: - Step 1. Specify your problem and identify an analogous problem that has been successfully solved. - Step 2. Analyze why the solution was successful. - Step 3. Identify how your problem and circumstances differ from the example problem and figure out how to best and most appropriately adapt the original solution to the new context.

      The last step may be the most difficult.


      The IndieWeb broadly uses the idea of imitation to work on and solve a variety of different web design problems. By focusing on imitation they dramatically decrease the work and effort involved in building a website. The work involved in creating new innovative solutions even in their space has been much harder, but there, they imitate others in breaking the problems down into the smallest constituent parts and getting things working there.


      Link this to the idea of "leading by example".

      Link to "reinventing the wheel" -- the difficulty of innovation can be more clearly seen in the process of people reinventing the wheel for themselves when they might have simply imitated a more refined idea. Searching the state space of potential solutions can be an arduous task.

      Link to "paving cow paths", which is a part of formalizing or crystalizing pre-tested solutions.

  7. Jun 2021
    1. Rather than write new tooling we decided to take advantage of tooling we had in place for our unit tests. Our unit tests already used FactoryBot, a test data generation library, for building up test datasets for a variety of test scenarios. Plus, we had already built up a nice suite of helpers that we coud re-use. By using tools and libraries already a part of the backend technology’s ecosystem we were able to spend less time building additional tooling. We had less code to maintain because of this and more time to work on solving our customer’s pain points.
  8. May 2021
    1. MJML comes out of the box with a set of standard components to help you build easily your first templates without having to reinvent the wheel.
  9. Nov 2020
    1. from my point of view, it is (by far) the best way, to build a layer on top https://github.com/material-components/material-components-web . This is also the path that the Angular Material team has taken, although they have already made a huge effort to create the components themselves.
    1. This is Sass based, and therefore doesn't require Svelte components

      Just because we could make Svelte wrapper components for each Material typography [thing], doesn't mean we should.

      Compare:

      • material-ui [react] did make wrapper components for typography.

        • But why did they? Is there a technical reason why they couldn't just do what svelte-material-ui did (as in, something technical that Svelte empowers/allows?), or did they just not consider it?
      • svelte-material-ui did not.

        • And they were probably wise to not do so. Just reuse the existing work from the Material team so that there's less work for you to keep in sync and less chance of divergence.
  10. Oct 2020
    1. Other frameworks, which use a template syntax built atop HTML — Svelte, Vue, Ractive, Glimmer etc — have historically been fragmented, meaning those tools need to be reinvented many times.
  11. Sep 2020
    1. The main rationale for this PR is that, in my hones opinion, Svelte needs a way to support style overrides in an intuitive and close to plain HTML/CSS way. What I regard as intuitive is: Looking at how customizing of styles is being done when applying a typical CSS component framework, and making that possible with Svelte.
    1. Why make another UI component kit when we already got Smelte and SMUI? What's so special about Svelta?
  12. Jul 2020
    1. Why did Rails team decide they need to implement their own "version" of Timecop?

      On the one hand, that's great to reduce dependencies, but on the other hand, small dependencies are great (and rails already has lots of them), it just bloats ActiveSupport more, and creates a needless "duplication" of an already popular de facto standard for this problem -- one which (unlike Timecop) can't be easily used outside of the Rails/ActiveSupport ecosystem. It doesn't seem different enough to warrant creating it...

      Timecop: Works with Rails and non-Rails

      ActiveSupport::Testing::TimeHelpers: for use outside rails, requires dependency on bigger gem, AS.

    1. Många upplever sina största svårigheter i relationer med andra särskilt med de mest nära, kära och intima. Lev livet fullt ut visar oss hur våra relationer kan vara en ingång till ett andligt uppvaknande, om vi använder oss av dem på ett klokt och vist sätt.

      Och här låter det som att den som TÄNKER för mycket behöver balansera det med motsatsen att KÄNNA, vilket man har god nytta av i relationer exempelvis.

      Igen, Carl Jungs typteori. Medicinhjulets väderstreck, elementens eld (tänkande) och dess motsats vatten (känslor)

    2. Dessa ingångar eller portar, som han kallar dem, kan alla användas för att ta oss tillbaka till nuet, där inga problem finns. Det är bara i nuet som vi hittar glädjen och kan omfamna vårt sanna jag.

      Här verkar han utgå från att det faktiskt finns minst fyra "portar" vilket stämmer överens med Carl Jungs teori att den MINST utvecklade funktionen hos en individ är "porten till det undermedvetna" varigenom all mänsklig transformation sker.

      Man går helt enkelt in genom sitt MINST utvecklade personlighetsdrag och kan då nå sitt meditativa jag som ligger under och bakom alla personlighetsdrag. De olika personlighetsdragen är tänkande (eld), kännande (vatten), kroppsliga intryck (jord) respektive intuition (luft).

      Det är i sin tur samma sak som indiankulturernas medicinhjuls fyra väderstreck med människan i mitten.

    3. Dessa ingångar eller portar, som han kallar dem, kan alla användas för att ta oss tillbaka till nuet, där inga problem finns.

      Men här skriver de att han pekar på FLERA portar. Kanske utgår Eckhart Tolle från Jungs funktioner och säger att det finns fyra - tänkande, kännande, intuition och sinnesintryck. Bakom/under dessa finns den fullt ut levande människan som gör att vi upplever glädjen och kan omfamna vårt sanna jag.

      Exakt samma fyra mänskliga medvetande-funktioner som återfinns i indiankulturernas medicinhjul som de fyra väderstrecken och i den antika elementlärans vatten (känsla), eld (tänkande), luft (intuition) och jord (sinnesintryck)

  13. Jun 2020