1971 – 5.15pm – UFO – Reflections In The Water (ATV Midlands)
Heavy Rain * During a rainstorm in the jungle, I indulge happily in the cool shower which takes away a devastating and thirst-inducing drought for all animals living there, and my mummy Lady Penelope joins me.
From one obsessive, insane history editor to another, thanks for posting the question! ;D
A conclusion I came to is that these men feel like most people (including the “mass media”) don’t take the time—or have no interest in taking the time—to understand them or where they come from.
for - liberal woman dates conservative men - they feel unheard
you can feel that as you're walking around you can feel that data on your wrist
for - sensory substitution - like a new interoception - new exterocepation - feel the data
What deity are we going to invoke with AI
I invoke Eiru. I train the model to think feel and act as Eiru.
It spits contempt at insolence itself
Must we expect someone to conquer Zeus?
What is your profit in this? Think about it.
‘Living the Life That You Are: Finding Wholeness When You Feel Lost, Isolated, and Afraid
follow up - book - ‘Living the Life That You Are: Finding Wholeness When You Feel Lost, Isolated, and Afraid - author - Nic Higham
my favorite detail about this scene is how he's holding the coffee mug at the end. He has his hand on the hot part not by the handle, almost like a last bit of comfort/distraction, a little warmth, the very thing that brought life in the first place.
people holding warm drinks induce "warm" feelings in viewers.<br /> teddy was alone at the dinner, so the cup of coffee was his only friend.<br /> earlier in the movie, there are at least 2 references to "this technology is the friend we need"<br /> ref 1 at the "bash liif presentation" at 0:25:30 - "all of my life's work, really i see, has been driven by an inexpressible need for a friend, who would understand and soothe me."<br /> "if i feel sad, afraid, or alone ..."<br /> 0:56:20 "lot of fear out there ... parents dont know what to say to their kids ..."<br /> "your words are a great comfort to our viewers ..."<br /> "whenever i feel afraid or alone in this, i think of you, and i just feel better"<br /> ref 2 01:18:40 "And who knows? Maybe, just maybe,<br /> one of our scientists can be that friend we all need to lean on during uncertain times."<br /> its also a personality test. in times of stress, some people prefer company (neurotic types, dependent, followers), and some people prefer solitude (psychotic types, free, leaders).
One of my inquiries was for anecdotes regarding mistakes made between the twins by their near relatives. The replies are numerous, but not very varied in character. When the twins are children, they are usually distinguished by ribbons tied round the wrist or neck; nevertheless the one is sometimes fed, physicked, and whipped by mistake for the other, and the description of these little domestic catastrophes was usually given by the mother, in a phraseology that is some- [p. 158] what touching by reason of its seriousness.
The opposite situation is what Krebs calls metrical dissonance.I will argue that in jazz styles where swing rhythm is pervasive, halvingthe prevailing note-value can produce metrical dissonance, and that this dissonance is one of the main factors contributing to listeners’ perception of double time.To consider the idea of swing eighth notes in terms of Krebs’ metrical layers, I will callthe quarter-note level of rhythm the “beat layer” and the level at which quarter notes have been subdivided into swing eighths the “sub-beat layer.” The beat layer and sub-beat layer can be regarded as two different ways of grouping a third layer of
Music theorists have long been aware that different levels of beat are often simultaneously available to the listener. Harald Krebs (1999) uses the term “metrical layers” to describe this phenomenon. In the normal case, metrical layers nest neatly insideone another; they are metrically consonant with each other. This occurs, for example, in Pachelbel’s Canonas the prevailing note-values are repeatedly halved. Figure 3.1 shows this nesting relationship between layers. There is no need for a separate micropulse layer because the layers are metrically consonant: both eighth notes and quarter notes can be expressed as groupings of sixteenth notes.
“Double time”is defined by the New Grove Dictionary of Jazzas “the apparent doubling of the tempo [...] achieved by halving the prevailing note-value” (Kernfeld, 2002). In an explanation of the same term written for a popular audience, the book What to Listen for in Jazzclarifies that double time “involves a doubling of tempo in the rhythm section, a doubling of the general speed of the melody line, or both” (Kernfeld, 1997).The Grove’s use of the word “apparent” implies that the tempo has not in fact doubled. To emphasize this point, some authors prefer the more precise term “double-time feel,” reserving the term “double time” for a true doublingof tempo(Levine, 1995).
For dynamic routes, such as our src/routes/blog/[slug].svelte example, that's not enough. In order to render the blog post, we need to fetch the data for it, and we can't do that until we know what slug is. In the worst case, that could cause lag as the browser waits for the data to come back from the server. We can mitigate that by prefetching the data. Adding a sveltekit:prefetch attribute to a link... <a sveltekit:prefetch href="blog/what-is-sveltekit">What is SvelteKit?</a> ...will cause SvelteKit to run the page's load function as soon as the user hovers over the link (on a desktop) or touches it (on mobile), rather than waiting for the click event to trigger navigation. Typically, this buys us an extra couple of hundred milliseconds, which is the difference between a user interface that feels laggy, and one that feels snappy.
If there was a place I thought reactivity would be weak, I embraced it and I worked on it until I was happy with the results.
but everything they were doing started to make sense
I kept on wanting them to work like Fine-Grained reactivity, since it was much more intuitive.
Vue was always felt contrived for me.
I couldn't land on how I wanted to box primitives. Should I use a getter/setter, or function form like Knockout, or explicit get/set like MobX? These were all ugly.
Because keeping track of your tasks is an intensely personal thing, and people will reject anything that doesn't feel right pretty much instantly.
"It's awfully late", he warned her
“My mother says I’m great And it always makes me sad”
Haven't heard this record yet. Love Wilco. Uncle Tupelo I was obsessed with.
who say they feel the sting of racism much the same as other blacks.
latinos feel like they get the same racism as black people
You feel like you're engaged in enjoyable play when your thinking has the right level of ambiguity and uncertainty FOR YOU
Play is haptic. It has a feel. And that feel is very idiosyncratic (and not customizable).
Scratching around...
This is a feldgang, but with a twist. I see you taking on different identities, passing on to the next one some "baton" and then carrying on the conversation within that new set of bones. Or maybe it is a strawberry runner putting down roots and making a rhizomatic mat and carrying on, passing on hyphae and rooting ever on. All I know for sure is that I want to draw a random walking line down your post's page. I don't know why, but that is what I see in my crystal self.
I’m sorry, but this sort of quasi-mystical garbage debases the very notion of education and harms Knewton’s brand in the process.