252 Matching Annotations
  1. Aug 2022
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    1. in the first moment of appeal, had spoken as he felt

      This implies that he wouldn't have said anything like this if he knew it would be repeated to Anne and that he spoke without thinking - he's still hurt over their breakup and perhaps wanted to say something hurtful

    2. Events of every description, changes, alienations, removals

      But as Anne observes later in the book, her own life has not changed much, she lives in the same house with the same companions, she does not seem to travel. The only change is Uppercross becoming more part of her social life than previously now her sister lives there. If she were a modern woman she would be going to work each day, seeing different people but her society is probably very small.

    3. a bow, a curtsey passed; she heard his voice

      You get the feeling from the way this is written that Anne is observing from some place else

    4. Captain Wentworth would not be satisfied without his running on to give notice

      I think he wants to give Anne prior warning

    5. Had he wished ever to see her again, he need not have waited till this time; he would have done what she could not but believe that in his place she should have done long ago, when events had been early giving him the independence which alone had been wanting

      He could have come to her or written to her, now he had sufficient money for their marriage but he chose not to - later we learn he did think about it

    6. I know you do not mind being left alone

      True because everyone wants something from her but also "How quick come the reasons for approving what we like" (Persuasion chapter 2)

    7. I was dreadfully alarmed yesterday, but the case is very different to-day

      This echoes her sentiments when Anne arrives "I was very well yesterday; nothing at all the matter with me till this morning" (Persuasion chapter 5). Her illnesses and scares fluctuate from day to day depending on what good things she may miss out on

    8. Husbands and wives generally understand when opposition will be vain

      Why is this not quoted more? Austen is a genius!

    9. brother’s

      Brother-in-law, this usage is normal for the time period. I think she really does view Charles as a brother though

    10. frightened, enquiring companions, than of very useful assistants

      Foreshadowing perhaps Louisa's fall, Henrietta and Mary going into hysterics and, Anne being the only useful person

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    1. under the influence of his captain

      This shows part of Captain Wentworth's character, his midshipmen are young and need guidance which he is providing

    2. Dick

      I'm not sure if this word had any of the same connotations during Austen's time as it does now. But Dick Musgrove does sound like a dick. It's a weird piece for such a loving close family, to have a son they didn't much care for or mourn when he died.

    3. clinging to him like an old friend

      The 1995 movie shows how good the Admiral is with the children - pretending his lap is a rolling sea

    4. the first three weeks. Michaelmas came

      Sir Walter and Elizabeth left much earlier than they needed to

    5. the sight of Mr and Mrs Musgrove’s respectable forms in the usual places

      There is a steadiness in the Musgrove parents, a constancy, real parental figures which Anne craves

    6. too much confidence by all parties, and being too much in the secret of the complaints of each house

      The 1995 adaptation does a wonderful scene of this - each character complaining to Anne in turn with their opposite sides of the argument

    7. influence

      Is Mary being treated/acting like a child as she's seen Sir Walter do?

    8. knowing our own nothingness beyond our own circle

      This feels sad - Anne is considered nothing in her own circle, although there are different concerns at Uppercross I do believe the Musgroves really accept her. They are lovely people and I think had Anne married Charles she would have been happy in their family life

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    1. I assure you, I have not seen a soul this whole long morning

      This despite just stating in the same speech that she saw her husband. Austen often pokes fun at characters inconsistencies

    2. but being alone, her being unwell and out of spirits was almost a matter of course

      Is it that Mary craves attention or could it be that she's an extrovert?

    3. French windows

      What we would call French doors. It makes characters coming to the window to talk slightly less ridiculous (sadly).

    4. I think it rather unnecessary in you to be advising me

      This reminds me of Tom Bertram, the elder brother, responding to concern from his younger brother about the proposed amateur theatricals at Mansfield Park. "Manage your own concerns, Edmund, and I’ll take care of the rest of the family" (MP chapter 13). It feels very much like "I'm the older sibling, I know what I'm doing"

    5. an agreeable manner may set off handsome features, but can never alter plain ones

      Like Sir Walter, Elizabeth cares more for appearances than substance

    6. glad to be thought of some use

      Sign of a people pleaser! Another thing Anne and Fanny Price have in common, they want to be useful

    7. autumnal months in the country

      Another link to Fanny Price who also enjoys seeing the seasons pass in the country

    8. flattered into his very best and most polished behaviour

      Mr Shepherd is so good at what he does and plays Sir Walter who is basically a child

    9. most natural

      You can almost hear Anne "everything's fine, everything's normal"

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    1. three miles

      The same distance of Netherfield from Longbourn in Pride and Prejudice but for some reason Uppercross feels much further from Kellynch Hall.

    2. delays

      She would have waited till he had sufficient money to marry - a long engagement like Mrs Musgrove abominates in Chapter 23

    3. domestic habits

      This brings to mind the "domestic virtues" of the Navy (Persuasion Chapter 24) mentioned in the last line of the novel.

    4. perhaps nearly all of peculiar attachment

      In Jane Austen The Secret Radical Helena Kelly posits that Anne and Captain Wentworth are not in love at the beginning of the book, but fall back in love during the course of the novel.

    5. almost a mother’s love

      Consider Miss Taylor (later Mrs Weston) "who had fallen little short of a mother in affection" towards Emma (Emma Chapter 1) but unlike Lady Russell the "mildness of her temper had hardly allowed her to impose any restraint; ... and Emma [continued] doing just what she liked; highly esteeming Miss Taylor's judgment, but directed chiefly by her own." (Emma Chapter 1)

    6. youth-killing dependence

      You could compare Anne's predicted fate with that of Mrs Price in Mansfield Park. She married "to disoblige her family ... a lieutenant of marines, without education, fortune, or connexions" (Chapter 1 MP) and became "worn and faded, so comfortless, so slatternly, so shabby" (Chapter 42 MP). Perhaps Lady Russell was right to be concerned.

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    1. contrary to my judgement, submitted to an amicable compromise

      I think this says something about the Mr Wentworth's character. He is aware that people don't steal apples for fun but out of necessity. Mr Shepherd obviously thinks the person should be punished

    2. obscure birth into undue distinction

      Sir Walter bases peoples worth on their lineage, not their actions or character - he mocks Lord St Ives for his father being a poor curate like this somehow makes him less of a person. Titles aren't worth anything to him if they are earned. Which is funny because Baronet is a title that could be bought or "earned" (gifted for performing some duty for royalty), it is the lowest ranked title that can be inherited. For all his airs Sir Walter isn't even part of the nobility.

    3. established usages

      Sir Walter is asking for the ridiculous - that people can stay in his home but not be allowed in the grounds. Mr Shepherd is very diplomatically stating that there is a standard set of usage for tenants (kinda like tenants rights).

    4. nothing being of so much use to Mrs Clay’s health as a drive to Kellynch

      Sounds like father and daughter are working together on her plot to seduce Sir Walter

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    1. How quick come the reasons for approving what we like!

      This quote should be more popular. It's very true

    2. perfectly good spirits

      Lady Russell is minimising Anne's heartbreak - she whisked Anne away to Bath to get her mind off Wentworth unsuccessfully. Anne's aversion to Bath is probably why she doesn't visit with Lady Russell each winter (it seems odd for Lady R to leave her behind)

    3. lose neither consequence nor enjoyment

      It's very hard to not eye roll at their entitlement

    4. But the usual fate of Anne attended her, in having something very opposite from her inclination fixed on

      A similar sentiment is expressed by Fanny Price in Mansfield Park: "her wishes were overthrown ... she was so totally unused to have her pleasure consulted, or to have anything take place at all in the way she could desire" (chapter 28 MP)

    5. interest

      I take this to mean that he wants to get paid too and he's probably being chased by Sir Walters creditors

    6. the person who has contracted debts must pay them

      In this time period "debts of honour" ie. gambling debts were considered more important/more shameful to wriggle out of than debts to tradespeople. This probably has some classism attached to it - you were in debt to someone of your rank rather than someone beneath you.

    7. she had a value for rank and consequence

      This is really hard for a modern reader to understand. Austen has just said how sensible Lady Russell is but she too panders to Sir Walter. This may be part of the reason she rejects Wentworth for Anne; true, he didn't have money but he also wasn't important enough - were he a penniless titled person I bet she would have supported the match. Austen excels at writing well rounded complex characters, she often pokes fun at their inconsistencies.

    8. he meant

      He's a master manipulator, you can see where his daughter Mrs Clay learnt it - good for them, they have no power in this situation. Sir Walter requires expert handling and he is handled by everyone around him almost like a child

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    1. happy thought

      This shows that Elizabeth is cruel. It makes her happy to be denying her sister, who has already been denied by not being included in these trips to London

    2. 1814

      This is the only Austen novel (I think! please correct me) set in a definite stated time. It's because there's a lull in the war which readers know will impact the Navy after the events of the novel conclude. (Do check out Synchronous *Emma* a project tracking the events of the novel in real time)

    3. Tattersall’s

      A popular horse auction (and place to be seen) - which still exists today!

    4. the heir of the house of Elliot

      This sounds so important! There is a family rumour/myth/tradition that Austen had intended to title this book The Elliot's, an interesting choice as this is almost chronicling the downfall of a once great family.

    5. she was only Anne.

      We are hearing the echo of Sir Walter and Elizabeth's opinions/words. This is a strange introduction for the main character, she is ignored and secondary. Chapter 1 focuses on Sir Walter and then the family context, Chapters 2 and 3 are a group setting (and people finally speak). A first time reader may not identify Anne as the main character till chapter 4 when the text pivots to focus on her. In chapter 1 we hear of Elizabeth's disappointment with Mr Elliot but the history with Wentworth is hidden till Anne is alone. Modern texts tend to have more active, vibrant main characters (like Lizzy Bennet) who have agency and push the story forward through their choices and actions. Fanny Price in Mansfield Park is another good example of the sort of main character modern readers struggle with.

    6. her mother’s rights and consequence

      This was common at the time - someone had to step up to play mother / become the lady of the house. Fanny Knight (Austen's niece) did it. This would be considered parentification now. (Definition "the assumption of a parentlike (or adult) role by a child.")

    7. youthful infatuation

      Potential parallels to Mr Bennet's feelings for Mrs Bennett in Pride and Prejudice. Mr Bennet had been "captivated by youth and beauty, and that appearance of good-humour which youth and beauty generally give, [and] had married a woman whose weak understanding and illiberal mind had very early in their marriage put an end to all real affection for her." (P&P Chapter 42) Perhaps this also parallels Sir Thomas Bertram's feelings for Lady Bertram in Mansfield Park. It's never stated that Sir Thomas regrets his match but she "captivated" him (chapter 1 MP) and became a "woman who spent her days in sitting, nicely dressed, on a sofa, doing some long piece of needlework, of little use and no beauty, thinking more of her pug than her children" (chapter 2 MP). It seems more fitting somehow that it was the men making choices led my their hormones more than the women (though you must consider Lydia Bennet). Austen points out constantly how women had few choices in life and marriage, they had to make good ones as they would be trapped, they did not have the same freedoms as men.