https://www.napkin.one/

Yet another collection app that belies the work of taking, making, and connecting notes.

Looks pretty and makes a promise, but how does it actually deliver? How much work and curation is involved? What are the outputs at the other end?

An association copy is a copy of a book which belonged to the author or someone connected to them or a copy of a book that once belonged to someone particularly associated with its contents, often annotated.

I've got association copies of some information theory texts...

Just as Warburg's suggestion that an album of collected stamps could help us to understand the world visually if all other images were lost, perhaps subsections of traces of other cultures could do the same.

Typewriter Tips: Budgeting (AKA How to get cheap typewriters!)

• antique malls (look in unconventional places (like luggage))
• estate sales (everything must go)
• yard sales
• auctions
• facebook marketplace (negotiating)

Hunting tips - look for cases, folks they often don't know what's in them or think they're luggage - look under things - negotiate<br /> - bundle items as a group to negotiate<br /> - Tell friends and you'll get an army looking for you

TYPEWRITER TOUR: How I ended up with 17 typewriters (story time)

California Typewriter got Sara into collecting.

She names her typewriters.

She likes the consistency of the Corona Pacemaker, the IBM Selectric II, and the Olympia Electric.

• Smith-Corona Corsair Deluxe Aqua/Blue Travel
• Royal Futura 800

Any book collector worth their salt will already have in mind the way they want their collection arranged. Only someone who wants to use it as wallpaper would have a service arrange it.

I wonder what the other two cases were?

Perhaps the collector's fallacy may turn out to be useful in this broader argument?

David Quammen on Books

Of course anyone who truly loves books buys more of them than he or she can hope to read in one fleeting lifetime. A good book, resting unopened in its slot on a shelf, full of majestic potentiality, is the most comforting sort of intellectual wallpaper.<br /> —David Quammen (1948 ― ), science, nature, and travel writer in The Boilerplate Rhino: Nature in the Eye of the Beholder

Syndication link: - https://boffosocko.com/2016/08/03/intellectual-wallpaper/

https://en.wikipedia.org/wiki/Hodge-podge

How is this broadly related to the intellectual history of commonplace books, zettelkasten, and other note taking matters.

I recall an idea of a Hodge-podge book from my youth, but these may have been published children's activity books for fun rather than collecting tidbits as in something closer to a scrapbook.

Link to: - Eminem's stacking ammo - Thought about this randomly while editing notes for [[Forte2022]]

Four broad criteria for collecting notes: - Is it surprising? - Is it useful? - Is it personal? - Does it inspire me?

Forte places these in the exact reverse order, but I would prefer to place them in order of importance to me, based on experience. I don't use the inspiration portion as often, but it may be more valuable for fiction writers, artists, and other creatives.

Spinney, L. (2020). What are COVID archivists keeping for tomorrow’s historians? Nature, 588(7839), 578–580. https://doi.org/10.1038/d41586-020-03554-0

"I have, in the following little volume, collected a few of these, the Love-Songs of a single province merely, which I either took down in each county of Connacht from the lips of the Irish-speaking peasantry - a class which is disappearing with most alarming rapidity - or extracted from MSS, in my own possession, or from some lent to me, made by different scribes during this century, or which I came upon while examining the piles of modern manuscript Gaelic literature that have found their last resting-place on the shelves of the Royal Irish Academy." (iv)

The way Hyde makes reference to sources is casual and non-specific. It would be difficult for a reader to access his sources. Because we have such little insight, it is important to be alert to potential biases in the collecting and editing process.

If we can identify consistencies among the anthologized songs in terms of their depiction of love and lovers, and/or among songs which are excluded from the anthology, we will have reason to regard the very partial disclosure of sources with suspicion.

As I have already noted, part of Hyde’s project is to bring the reader into contact with language which has an ‘unbounded’ power to excite the Irish Muse. Perhaps part of the way he contrives this encounter is to control the kind of subject matter that will appear to the reader as that which occurs most naturally in the Irish language.