1,833 Matching Annotations
  1. Mar 2023
  2. Feb 2023
  3. Jan 2023
    1. This seems to have an interesting relation to the tradition of wassailers and "luck visitors" traditions or The Christmas Mummers (1858). The song We Wish You a Merry Christmas (Roud Folk Song Index #230 and #9681) from the English West Country (Cornwall) was popularized by Arthur Warrell (1883-1939) in 1935. It contains lyrics "We won't go until we get some" in relation to figgy pudding and seems very similar in form to Mari Lwyd songs used to gain access to people's homes and hospitality. An 1830's version of the song had a "cellar full of beer" within the lyrics.

      I'm curious if the Roud Folk Song Index includes any Welsh songs or translations that have similar links? Perhaps other folk song indices (Child Ballads?) may provide clues as well?

    1. https://www.npr.org/sections/health-shots/2023/01/18/1139783203/what-makes-songs-swing-physicists-unravel-jazz-mystery

      Spaces in both language, text, and music help to create the texture of what is being communicated (and/or not).


      Link to Edward Tufte's latest book in section entitled "Spacing enhances complex meaning, encourages slow, thoughtful reading":

      <small><cite class='h-cite via'> <span class='p-author h-card'>KevinMarks</span> in #meta 2023-01-19 (<time class='dt-published'>01/19/2023 11:32:19</time>)</cite></small>


      Link to Indigenous astronomy example of negative spaces (like the Great Emu)

  4. Dec 2022
    1. HERE'S THE FIRST thing you should know about Grant McLennan: he wasn't a genius. Neither is his friend and songwriting partner Robert Forster, with whom he formed the Go-Betweens in late 1977. Rather, both were artisans of the first order: talented songwriters who worked diligently at their craft and believed completely in the value of what they were doing. Their aesthetics were finely tuned and they understood – first intuitively, then by experience – what it took to make great records.

      Maybe 'genius' is in the ability to keep going.

    1. Aleatoric music (also aleatory music or chance music; from the Latin word alea, meaning "dice") is music in which some element of the composition is left to chance, and/or some primary element of a composed work's realization is left to the determination of its performer(s). The term is most often associated with procedures in which the chance element involves a relatively limited number of possibilities.