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  1. Last 7 days
  2. Nov 2022
  3. Oct 2022
  4. Sep 2022
    1. This too is in the Town Hall, opposite the chamber where stands the hearth. In this room they entertain the winners in the Olympic games.

      Altar of Hestia located here. it was the sacred ever burning hearth from which all other altars received their fire.

    2. In this room they entertain the winners in the Olympic games.

      The House of Magistrates is where the victors were honored with a banquet

  5. Aug 2022
  6. Jul 2022
    1. The numbers themselves have also been a source ofdebate. Some digital users identify a new notechronologically. One I made right now, for example,might be numbered “202207201003”, which would beunique in my system, provided I don’t make another thisminute. The advantage of this system is that I could keeptrack of when I had particular ideas, which might comein handy sometime in the future. The disadvantage is thatthe number doesn’t convey any additional information,and it doesn’t allow me to choose where to insert a newnote “behind” the existing note it is most closely relatedto.

      Allosso points out some useful critiques of numbering systems, but doesn't seem to get to the two core ideas that underpin them (and let's be honest, most other sources don't either). As a result most of the controversies are based on a variety of opinions from users, many of whom don't have long enough term practices to see the potential value.

      The important things about numbers (or even titles) within zettelkasten or even commonplace book systems is that they be unique to immediately and irrevocably identify ideas within a system.

      The other important piece is that ideas be linked to at least one other idea, so they're less likely to get lost.

      Once these are dealt with there's little other controversy to be had.

      The issue with date/time-stamped numbering systems in digital contexts is that users make notes using them, but wholly fail to link them to anything much less one other idea within their system, thus creating orphaned ideas. (This is fine in the early days, but ultimately one should strive to have nothing orphaned).

      The benefit of Luhmann's analog method was that by putting one idea behind its most closely related idea was that it immediately created that minimum of one link (to the thing it sits behind). It's only at this point once it's situated that it can be given it's unique number (and not before).


      Luhmann's numbering system, similar to those seen in Viennese contexts for conscription numbers/house numbers and early library call numbers, allows one to infinitely add new ideas to a pre-existing set no matter how packed the collection may become. This idea is very similar to the idea of dense sets in mathematics settings in which one can get arbitrarily close to any member of a set.

      link to: - https://hypothes.is/a/YMZ-hofbEeyvXyf1gjXZCg (Vienna library catalogue system) - https://hypothes.is/a/Jlnn3IfSEey_-3uboxHsOA (Vienna conscription numbers)

  7. Jun 2022
    1. Das gerichtliche Aktenzeichen dient der Kennzeichnung eines Dokuments und geht auf die Aktenordnung (AktO) vom 28. November 1934 und ihre Vorgänger zurück.[4]

      The court file number is used to identify a document and goes back to the file regulations (AktO) of November 28, 1934 and its predecessors.

      The German "file number" (aktenzeichen) is a unique identification of a file, commonly used in their court system and predecessors as well as file numbers in public administration since at least 1934.

      Niklas Luhmann studied law at the University of Freiburg from 1946 to 1949, when he obtained a law degree, before beginning a career in Lüneburg's public administration where he stayed in civil service until 1962. Given this fact, it's very likely that Luhmann had in-depth experience with these sorts of file numbers as location identifiers for files and documents.

      We know these numbering methods in public administration date back to as early as Vienna, Austria in the 1770s.


      The missing piece now is who/where did Luhmann learn his note taking and excerpting practice from? Alberto Cevolini argues that Niklas Luhmann was unaware of the prior tradition of excerpting, though note taking on index cards or slips had been commonplace in academic circles for quite some time and would have been reasonably commonplace during his student years.

      Are there handbooks, guides, or manuals in the early 1900's that detail these sorts of note taking practices?

      Perhaps something along the lines of Antonin Sertillanges’ book The Intellectual Life (1921) or Paul Chavigny's Organisation du travail intellectuel: recettes pratiques à l’usage des étudiants de toutes les facultés et de tous les travailleurs (in French) (Delagrave, 1918)?

      Further recall that Bruno Winck has linked some of the note taking using index cards to legal studies to Roland Claude's 1961 text:

      I checked Chavigny’s book on the BNF site. He insists on the use of index cards (‘fiches’), how to index them, one idea per card but not how to connect between the cards and allow navigation between them.

      Mind that it’s written in 1919, in Strasbourg (my hometown) just one year after it returned to France. So between students who used this book and Luhmann in Freiburg it’s not far away. My mother taught me how to use cards for my studies back in 1977, I still have the book where she learn the method, as Law student in Strasbourg “Comment se documenter”, by Roland Claude, 1961. Page 25 describes a way to build secondary index to receive all cards relatives to a topic by their number. Still Luhmann system seems easier to maintain but very near.


      <small><cite class='h-cite via'> <span class='p-author h-card'> Scott P. Scheper </span> in Scott P. Scheper on Twitter: "The origins of the Zettelkasten's numeric-alpha card addresses seem to derive from Niklas Luhmann's early work as a legal clerk. The filing scheme used is called "Aktenzeichen" - See https://t.co/4mQklgSG5u. cc @ChrisAldrich" / Twitter (<time class='dt-published'>06/28/2022 11:29:18</time>)</cite></small>


      Link to: - https://hypothes.is/a/Jlnn3IfSEey_-3uboxHsOA - https://hypothes.is/a/4jtT0FqsEeyXFzP-AuDIAA

    1. [Verse]Paul JohnsonDJ FunkDJ SneakDJ RushWax MasterHyperactiveJammin GeraldBrian WilsonGeorge ClintonLil LouisAshley BeedleNeil LandstrummKenny DopeDJ HellLouie VegaK-AlexiDr. Dre is in the house, yeahArmando in the houseGemini is in the houseJeff Mills is in the houseDJ DeeonDJ MiltonDJ SlugoDJs on the lowGreen VelvetJoey BeltramDJ ESPRoy DavisBoo WilliamsDJ TonkaDJ SkullDJ PierreMike Dearborn in the house, yeahTodd Edwards in the houseRomanthony in the houseCVO in the houseLuke SlaterDerrick CarterRobert HoodParris MitchellDave Clarke is in the houseVan Helden in the houseArmani in the houseSurgeon is in the house, yeah
    1. TEACHERS tracklist: Paul Johnson v. Jammin Gerald - CK's 'Partyin' with Paul' edit DJ Deeon 'Freak Mode II' intro DJ Deeon 'House-o-Matic' DJ Milton v. Thomas Bangalter 'Bang-o-Matics' CK edit Robert Armani v. Thomas Bangalter 'CK's Rollin' Up edit' Thomas Bangalter 'Spinal Beats' Cajmere / Dajae 'Brighter Days (Underground Goodies mix)' Paul Johnson 'Y'All Stole Them Dances' Gemini 'Le Fusion / Don't Stop' Paul Johnson / Robert Armani / Louis Bell/ Rick Garcia 'Mix It (CK's Baddest DJ edit)' DJ Deeon 'Freaks / Do-U-C' DJ Deeon 'In The House!' Robert Armani 'Ambulance' Gant-Man 'Gon' Bang Da Box' Thomas Bangalter v. George Kranz 'CK's Spinal Skranz edit' DJ Funk 'Work It!' Parris Mitchell Project feat. Waxmaster 'Ghetto Shout Out!' Daft Punk v. Waxmaster Teach that Body (CK's Chi-town edit)' DJ Slugo 'DJs on the Low'
  8. May 2022
  9. Apr 2022
      1. </span>00:00<span> Jess and Crabbe – Hell and Back
      2. </span>05:00<span> Le Knight Club – Santa Claus (Paul Johnson Remix)
      3. </span>07:42<span> For the Floorz – Body Angels
      4. </span>11:43<span> Aloud – Sex and Sun III
      5. </span>14:26<span> Sedat – Feel Inside
      6. </span>19:51<span> We in Music – Grandlife (Time Code Mix By Play Paul)
      7. </span>25:19<span> Alex Gopher – Party People
      8. </span>27:47<span> Kid Creme – The Game (Kid’s Piano Mix)
      9. </span>32:27<span> Royksopp – Remind Me (Ernest Saint Laurent’s Moonfish Mix)
      10. </span>34:54<span> Trankilou – Champagne
      11. </span>39:44<span> Raw Man – Europa
      12. </span>42:41<span> Le Knight Club – Cherie D’Amour
      13. </span>47:07<span> Cheek – Venus
      14. </span>50:04<span> Sedat – The Turkish Avenger
      15. </span>53:42<span> The Eternals – Wrath of Zeus (Acapella)
      16. </span>54:20<span> Daddy’s Favourite – Good Times
      17. </span>57:32<span> Alan Braxe and Fred Falke – Intro
      18. </span>01:00:57<span> Crydajam – Loaded
      19. </span>01:05:24<span> Lifelike – Black Chess
      20. </span>01:08:28<span> Archigram – Carnaval
      21. </span>01:12:34<span> Bel Amour – Promise Me (Extended)
      22. </span>01:17:06<span> Billy Lo – Everytime
      23. </span>01:19:49<span> Phoenix – If I Ever Feel Better (Buffalo Bunch Remix)
      24. </span>01:24:15<span> Le Knight Club – Gator
      25. </span>01:28:06<span> Fantom – Faithful (Etienne de Crecy Remix)
      26. </span>01:30:04<span> Fantom – Faithful (Original)
      27. </span>01:33:32<span> Fantom – Faithful (Prassay Remix)
      28. </span>01:36:44<span> The Buffalo Bunch – Music Box
      29. </span>01:40:00<span> Thomas Bangalter – Ventura
      30. </span>01:43:16<span> Crydajam – Playground
      31. </span>01:46:16<span> Archigram – In Flight
      32. </span>01:51:05<span> Le Knight Club – Mosquito
      33. </span>01:53:48<span> Deelat – Wetness Anthem
      34. </span>01:56:26<span> We in Music – Now That Love Has Gone (Ice Creamer Remix By Aloud)
      35. </span>01:59:48<span> Modjo – No more tears (Alex Gopher Remix)
      36. </span>02:03:07<span> Stardust – Music Sounds Better With You (Bibi & Dimitri Anthem From Paris)
      37. </span>02:08:11<span> Cheek – Venus (I:Cube Remix)
      38. </span>02:12:15<span> Cassius – La Mouche (Played Live By DJ Falcon)
      39. </span>02:16:18<span> Modjo – Music Takes You Back
      40. </span>02:19:17<span> Daft Punk – Musique
      41. </span>02:22:23<span> Play Paul – Holy Ghostz
      42. </span>02:25:56<span> Vinyl Fever – 1h45 A.M on the Floor
      43. </span>02:29:30<span> Modjo – On Fire (Archigram’s When What Remix)
      44. </span>02:33:48<span> Aloud – Bob O’lean
      45. </span>02:36:38<span> Archigram – Mad Joe
      46. </span>02:41:04<span> Raw Man – Lovers
      47. </span>02:44:15<span> Daft Punk – One More Time
      48. </span>02:49:04<span> DJ Falcon – Honeymoon
      49. </span>02:52:46<span> Rhythm Masters – Good Times
      50. </span>02:56:38<span> Cassius – Nulife
      51. </span>02:58:35<span> Jess & Crabbe – Crack Head (Seduction Mix by Deelat)
      52. </span>03:03:02<span> Modjo – On Fire
      53. </span>03:05:45<span> Together – Together
      54. </span>03:11:19<span> Daft Punk – Voyager (Dominique Torti Wild Style Remix)
      55. </span>03:15:25<span> Patrick Alavi – How Much That Means To Me</span>
  10. Mar 2022
  11. soundcloud.com soundcloud.com