- Apr 2022
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www.youtube.com www.youtube.com
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- </span>00:00<span> Jess and Crabbe – Hell and Back
- </span>05:00<span> Le Knight Club – Santa Claus (Paul Johnson Remix)
- </span>07:42<span> For the Floorz – Body Angels
- </span>11:43<span> Aloud – Sex and Sun III
- </span>14:26<span> Sedat – Feel Inside
- </span>19:51<span> We in Music – Grandlife (Time Code Mix By Play Paul)
- </span>25:19<span> Alex Gopher – Party People
- </span>27:47<span> Kid Creme – The Game (Kid’s Piano Mix)
- </span>32:27<span> Royksopp – Remind Me (Ernest Saint Laurent’s Moonfish Mix)
- </span>34:54<span> Trankilou – Champagne
- </span>39:44<span> Raw Man – Europa
- </span>42:41<span> Le Knight Club – Cherie D’Amour
- </span>47:07<span> Cheek – Venus
- </span>50:04<span> Sedat – The Turkish Avenger
- </span>53:42<span> The Eternals – Wrath of Zeus (Acapella)
- </span>54:20<span> Daddy’s Favourite – Good Times
- </span>57:32<span> Alan Braxe and Fred Falke – Intro
- </span>01:00:57<span> Crydajam – Loaded
- </span>01:05:24<span> Lifelike – Black Chess
- </span>01:08:28<span> Archigram – Carnaval
- </span>01:12:34<span> Bel Amour – Promise Me (Extended)
- </span>01:17:06<span> Billy Lo – Everytime
- </span>01:19:49<span> Phoenix – If I Ever Feel Better (Buffalo Bunch Remix)
- </span>01:24:15<span> Le Knight Club – Gator
- </span>01:28:06<span> Fantom – Faithful (Etienne de Crecy Remix)
- </span>01:30:04<span> Fantom – Faithful (Original)
- </span>01:33:32<span> Fantom – Faithful (Prassay Remix)
- </span>01:36:44<span> The Buffalo Bunch – Music Box
- </span>01:40:00<span> Thomas Bangalter – Ventura
- </span>01:43:16<span> Crydajam – Playground
- </span>01:46:16<span> Archigram – In Flight
- </span>01:51:05<span> Le Knight Club – Mosquito
- </span>01:53:48<span> Deelat – Wetness Anthem
- </span>01:56:26<span> We in Music – Now That Love Has Gone (Ice Creamer Remix By Aloud)
- </span>01:59:48<span> Modjo – No more tears (Alex Gopher Remix)
- </span>02:03:07<span> Stardust – Music Sounds Better With You (Bibi & Dimitri Anthem From Paris)
- </span>02:08:11<span> Cheek – Venus (I:Cube Remix)
- </span>02:12:15<span> Cassius – La Mouche (Played Live By DJ Falcon)
- </span>02:16:18<span> Modjo – Music Takes You Back
- </span>02:19:17<span> Daft Punk – Musique
- </span>02:22:23<span> Play Paul – Holy Ghostz
- </span>02:25:56<span> Vinyl Fever – 1h45 A.M on the Floor
- </span>02:29:30<span> Modjo – On Fire (Archigram’s When What Remix)
- </span>02:33:48<span> Aloud – Bob O’lean
- </span>02:36:38<span> Archigram – Mad Joe
- </span>02:41:04<span> Raw Man – Lovers
- </span>02:44:15<span> Daft Punk – One More Time
- </span>02:49:04<span> DJ Falcon – Honeymoon
- </span>02:52:46<span> Rhythm Masters – Good Times
- </span>02:56:38<span> Cassius – Nulife
- </span>02:58:35<span> Jess & Crabbe – Crack Head (Seduction Mix by Deelat)
- </span>03:03:02<span> Modjo – On Fire
- </span>03:05:45<span> Together – Together
- </span>03:11:19<span> Daft Punk – Voyager (Dominique Torti Wild Style Remix)
- </span>03:15:25<span> Patrick Alavi – How Much That Means To Me</span>
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www.xda-developers.com www.xda-developers.com
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riddim-id.com riddim-id.com
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riddimsworld.com riddimsworld.com
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www.mixesdb.com www.mixesdb.com
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soundcloud.com soundcloud.com
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Wax tablets were the standard erasable surfacefrom antiquity to the Renaissance: one or more boards, often bound togetherin a codex form, were coated in wax to be inscribed with a stylus then erased forreuse.7 In early modern England one could also purchase pocket-sized writingtablets featuring paper that had been treated so as to offer a rigid writing surfaceon which markings made with the accompanying metal stylus could be erasedwith a little moisture.8 The slate blackboard is also attested in Europe in musicinstruction in the sixteenth century, sized either for group or for personal use(as is still the case today), and was used at least by the eighteenth century in theteaching of astronomy. The sand tray, a board or slab spread with a fine layer ofsand that one inscribed with a stick and could easily erase, was another long-lived medium: used in ancient Babylon and medieval Islam for calculations andin Europe principally for children and artists learning to write or sketch down tothe Victorian period.9 None of these temporary notes have left any traces, exceptthrough extant higher- order notes made from them.
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www.kaleidosync.com www.kaleidosync.com
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www.youtube.com www.youtube.com
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www.youtube.com www.youtube.com
- Mar 2022
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psyarxiv.com psyarxiv.com
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PsyArXiv Preprints | Music in times of COVID-19. (n.d.). Retrieved March 31, 2022, from https://psyarxiv.com/z94fq/
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movement-ontology.brandazzle.net movement-ontology.brandazzle.net
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Investigate further into issues of semiotic theory and dance/music
This sounds like the sort of place where one might apply Walter Ong's work on orality or Lynne Kelly and Margo Neale's Songlines (Thames & Hudson, 2021).
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www.boombass.co www.boombass.co
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La Funk Mob was the project of Hubert Blanc-Francard AKA Boom Bass and Philippe Zdar Cerboneschi. Ultimately, La Funk Mob led to Cassius.
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www.youtube.com www.youtube.com
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www.youtube.com www.youtube.com
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www.ismn-international.org www.ismn-international.org
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lithub.com lithub.com
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Semasiography is a system of conventional symbols— iconic, abstract—that carry information, though not in any specific language. The bond between sign and sound is variable, loose, unbound by precise rules. It’s a nonphonetic system (in the most technical, glottographic sense). Think about mathematical formulas, or music notes, or the buttons on your washing machine: these are all semasiographic systems. We understand them thanks to the conventions that regulate the way we interpret their meaning, but we can read them in any language. They are metalinguistic systems, in sum, not phonetic systems.
Semasiography are iconic and abstract symbols and languages not based on spoken words, but which carry information.
Mathematical formulas, musical notation, computer icons, emoji, buttons on washing machines, and quipu are considered semasiographic systems which communicate information without speech as an intermediary.
semasiography from - Greek: σημασία (semasia) "signification, meaning" - Greek: γραφία (graphia) "writing") is "writing with signs"
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www.bbc.co.uk www.bbc.co.uk
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id3.org id3.org
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francopasut.medium.com francopasut.medium.com
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```latex Start slowly and then increase in ascending until you reach the forte, then decrease in descending until you reach the piano. Then repeat the scales (always in groups of three) with the colors in reverse, that is to start strong and decrease ifno to the floor in ascending, then increase to the strong in descending.\begin{lilypond} \header { title = "C Major Scale" }\layout { \context { \Voice \consists "Horizontal_bracket_engraver" } } \relative c' {
\clef F c,4-1\p\<\startGroup_\markup{gr. 3} d-2 e-3\stopGroup f-1\startGroup_\markup{gr. 4} g-2 a-3 b-4 \stopGroup \clef G c4-1\startGroup_\markup{gr. 3} d-2 e-3\stopGroup f-1\startGroup_\markup{gr. 4} g-2 a-3 b-4\stopGroup c-1\startGroup_\markup{gr. 3} d-2 e-3\stopGroup f-1\startGroup_\markup{gr. 4+1} g-2 a-3 b-4 c-5\f!\stopGroup b-4>\startGroup_\markup{gr. 4} a-3 g-2 f-1\stopGroup e-3\startGroup_\markup{gr. 3} d-2 c-1\stopGroup b-4\startGroup_\markup{gr. 4} a-3 g-2 f-1\stopGroup e-3\startGroup_\markup{gr. 3} d-2 c-1\stopGroup \clef F b-4\startGroup_\markup{gr. 4} a-3 g-2 f-1\stopGroup e-3\startGroup_\markup{gr. 3} d-2 c-1\p!\stopGraceMusic r } \end{lilypond}Perform loudly with the right hand and softly with the left hand, then vice versa. Then switch the \textit{crescendo} and \textit{diminuendo} between the two hands. ```
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latex Inline music fragment insertion test: \lilypond{\new RhythmicStaff { \time 3/4 c4( c16) c c c c c c c \bar "|."}}
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martin-thoma.com martin-thoma.com
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www.w3.org www.w3.org
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niklasblog.com niklasblog.com
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Get the popular south asian classical music
south asian classical music are a sort of South Asian music, the other being film, different groupings of pop, local society, extreme and aware music. In south asian classical music, the raga and the tala are two fundamental parts. The raga structures the outer layer of a melodic turn of events, and the tala keeps the time cycle. Both raga and tala are open structures for imagination and award an incredibly gigantic number of potential outcomes, regardless, the preparation of a few hundred ragas and talas as key. Raga is really identified with tala or course about "division of time", with every unit called a matra (beat, and term between beats).
south asian classical music are the classical music of the Indian subcontinent. These customs were not explicit until about the fifteenth century. During the hour of Mughal rule of the Indian subcontinent, the customs disengaged and advanced into explicit developments. Hindustani music underlines extemporization and assessment of all bits of a raga, while Carnatic introductions will generally speaking be short blueprint based. Regardless, south asian classical music and two frameworks keep having more run of the mill highlights than contrasts.
The foundations of sufiscore south asian classical music of India are found in the Vedic piece of Hinduism and the old Natyashastra, the laudable Sanskrit text on execution explanations by Bharata Muni.
south asian classical music have two essential parts, raga and tala. The raga, considering a changed collection of swara (notes including microtones), structures the outer layer of an essentially bewildering melodic arrangement, while the tala evaluates the time cycle. The raga gives an expert a scope to assemble the song from sounds, while the tala gives them an innovative structure for musical extemporization utilizing time. In sufiscore south asian classical music the space between the notes is in many cases more tremendous than the genuine notes, and it all things considered avoids Western classical contemplations like congruity, separation, harmonies, or change.
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Where to find classical music video song
Classical music video song is the classical music of the Indian subcontinent. It has two gigantic practices: the North Indian classical music custom is called Hindustani, while the South Indian articulation is called Carnatic. Classical music video song underlines spur of the moment creation and assessment of all bits of a raga, while Carnatic showcases will generally speaking be short affiliation based. Notwithstanding, the two frameworks keep having more common provisions than contrasts. The essential foundations of the Classical music video song of India are found in the Vedic arrangement of Hinduism and the obsolete Natyashastra, the model Sanskrit message on execution enunciations by Bharata Muni. The thirteenth period Sanskritic language text Sangita-Ratnakara of Sarangadeva is viewed as the indisputable substance by both the Hindustani music and the Carnatic music customs.
Classical music video song has two central parts, raga and tala. The raga, considering a changed collection of swara (notes including microtones), structures the outer layer of a fundamentally intricate melodic arrangement, while the tala assesses the time cycle. The raga gives an expert a compass to foster the song from sounds, while the tala outfits them with an inventive system for cadenced unconstrained creation utilizing time. In Classical music video song music, the space between the notes is routinely more basic than the authentic notes, and it overall dodges Western classical contemplations like concordance, irregularity, harmonies, or change.
The reason of Classical music video song in old India are found in the Vedic arrangement of Hinduism. The earliest Indian idea joined three explanations, syllabic show (vadya), melos (gita) and dance (nrtta). As these fields were made, sangeeta changed into an unquestionable kind of workmanship, in a plan indistinct from contemporary music.
The wonderful piece of the Classical music video song is relegated "sahityam" and sahityam is truly similar to singing the swaras by a wide margin at any rate utilizing the areas of the tune. The songs of Samaveda contain melodic substance, development, beat and metric association. This arrangement is, regardless, not stick out or restricted to Samaveda.
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Get the New Latest Romantic Hindi song music video
New Latest Romantic Hindi song music video are the conventional music of the Indian subcontinent. It has two huge practices: the North Indian conventional music service is called Hindustani, while the South Indian enunciation is called Carnatic. These practices were not explicit until about the fifteenth century. During the hour of Mughal rule of the Indian subcontinent, the practices separated and advanced into explicit plans. Hindustani music underlines extemporization and assessment of all bits of a raga, while Carnatic showcases will generally be short arrangement based. Notwithstanding, New Latest Romantic Hindi song music video and two frameworks keep having more regular components than contrasts. The foundations of sufiscore New Latest Romantic Hindi song music video of India are found in the Vedic structure of Hinduism and the old Natyashastra, the praiseworthy Sanskrit text on execution explanations by Bharata Muni. The thirteenth century Sanskrit expressing Sangita-Ratnakara of Sarangadeva is viewed as constantly satisfied by both the Hindustani music and the Carnatic music customs. New Latest Romantic Hindi song music video has two crucial parts, raga and tala. The raga, considering a changed arrangement of swara (notes including microtones), structures the outer layer of an altogether shocking melodic arrangement, while the tala evaluates the time cycle. The raga gives an expert a scope to foster the song from sounds, while the tala gives them an inventive system for musical extemporization utilizing time. In sufiscore New Latest Romantic Hindi song music video the space between the notes is as a rule more basic than the genuine notes, and it generally ignores Western old style contemplations like congruity, separation, harmonies, or change. New Latest Romantic Hindi song music video are a sort of South Asian music, the other being film, different groupings of pop, provincial society, extreme and conscious music. In New Latest Romantic Hindi song music video, the raga and the tala are two fundamental parts. The raga structures the outer layer of a melodic turn of events, and the tala keeps the time cycle. Both raga and tala are open structures for creativity and permit an incredibly massive number of potential outcomes, regardless, the preparation of a couple hundred ragas and talas as crucial. Raga is really identified with tala or bearing about "division of time", with every unit called a matra (beat, and term between beats).
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Find new melodious Hindi song music video
New Melodious Hindi song music video joins standard Melodious music and the contemporary sort that was created from it during the 20th century Melodious reclamation. Standard Melodious music has been described severally: as music sent orally, music with dark arrangers, music that is played on customary instruments, music about friendly or public character, music that changes between ages (Melodious measure), New Melodious Hindi song music video related with a gathering's Melodious Lore or music performed by custom all through a huge time frame.
Starting during the 20th century, a new kind of standard Melodious music created from standard New Melodious Hindi song music video. This cooperation and period is known as the (second) Melodious recuperation and showed up at a top during the 1960s. This sort of music is on occasion called contemporary Melodious music or Melodious recuperation music to remember it from earlier Melodious constructions. More unobtrusive, near recuperations have happened elsewhere in the world at various events, but the term Melodious music has regularly not been applied to the new music made during those reclamations. This sort of Melodious music moreover joins blend classes, for instance, Melodious stone, Melodious metal, and others. While contemporary Melodious music is a class ordinarily obvious from standard Melodious music, in U.S. English it has a comparable name, and it as often as possible offers comparative performers and scenes as customary New Melodious Hindi song music video.
The terms New Melodious Hindi song music video, Melodious song, and Melodious dance are almost continuous enunciations. They are increases of the term Melodious Lore, which was founded in various years earlier by the English classicist William Thoms to depict "the practices, customs, and odd thoughts of the rough classes". The term further gets from the German explanation volk, in the sensation of "people generally" as applied to standard and public music by Johann Gottfried Herder and the German Romantics over numerous years sooner. Anyway it is seen that Melodious music is the music of people, onlookers find a more precise definition to be unpretentious. Some differ that the term New Melodious Hindi song music video should be used. Melodious music may overall have specific characteristics yet it can't clearly be isolated in basically musical terms. One significance oftentimes given is that of "old songs, with no known arrangers," another is that of music that has been submitted to a formative pattern of oral transmission.... the planning and once again framing of the New Melodious Hindi song music video by the neighborhood gives it its Melodious person."
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Latest list of romantic Hindi Instrumental music
In business famous music, Romantic Hindi Instrumental music are now and again renderings, remixes of a delivery that highlights vocals, at any rate they may comparably be courses of action at first considered without vocals. One portrayal of a gathering in which both vocal/instrumental and just instrumental tunes are passed on is blues. A blues band frequently utilizes for the most part tunes that have verses that are sung, in any case during the band's show, they may besides perform Romantic Hindi Instrumental music.
Something contrary to Romantic Hindi Instrumental music, that is, music for voices alone, with no support instruments, is a cappella, an Italian enunciation that infers "in the shelter". In early music, instruments, for example, trumpet and drums were viewed as outside instruments, and music for inside a place of refuge for the most part utilized all the more peaceful instruments, voices, or fundamentally voices alone.
A Romantic Hindi Instrumental music is a recording customarily with no vocals, regardless the way that it may combine some incomprehensible vocals, for example, hollered support vocals in a huge band setting. Through semantic extension, a more wide vibe of the word tune might recommend instrumentals. The music is essentially or solely passed on utilizing musical instruments. A Romantic Hindi Instrumental music can exist in music documentation, after it is framed by a writer; in the psyche of the arranger (particularly in conditions where the authentic author will play out the piece, as due to a blues solo guitarist or a gathering music fiddle player); as a piece that is performed live by a solitary instrumentalist or a musical organization, which could go in segments from a gathering or threesome to a tremendous immense band, show band or group.
In a melody that is overall sung, a segment that isn't sung now which is played by instruments can be known as a Romantic Hindi Instrumental music, obviously, in the event that it happens toward the start of the tune, before the specialist begins to sing, an instrumental show. In the event that the instrumental area incorporates the limit, musicality, and regularly the virtuosity of a specific entertainer (or party of entertainers), the part might be known as a "solo" (e.g., the guitar solo that is a basic piece of significant metal music and hard rock tunes). In the event that the Romantic Hindi Instrumental music are percussion instruments, the range can be known as a percussion break or "percussion break". These breaks are a kind of break in the tune.
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Get the instrumental indian music videos
An instrumental indian music videos is a recording customarily without any vocals, in spite of the way that it might fuse some garbled vocals, for instance, shouted support vocals in a significant band setting. Through semantic expanding, a more broad sensation of the word song may suggest instrumentals. An instrumental indian music videos can exist in music documentation, after it is created by an essayist; in the mind of the arranger (especially in circumstances where the real writer will play out the piece, as because of a blues solo guitarist or a group music fiddle player); as a piece that is performed live by a lone instrumentalist or a musical company, which could go in fragments from a group or trio to a colossal huge band, show band or outfit.
In a song that is by and large sung, a section that isn't sung at this point which is played by instruments can be called an instrumental indian music videos, on the other hand, if it occurs at the beginning of the tune, before the craftsman starts to sing, an instrumental show. If the instrumental portion includes the capacity, musicality, and routinely the virtuosity of a particular performer (or social event of performers), the part may be known as a "solo" (e.g., the guitar solo that is a fundamental section of generous metal music and hard rock tunes). If the instrumental indian music videos are percussion instruments, the span can be known as a percussion break or "percussion break". These interludes are a sort of break in the song.
In business notable music, instrumental indian music videos are sometimes renderings, remixes of a taking a gander at discharge that highlights vocals, yet they may comparatively be plans at first considered without vocals. One portrayal of a portrayal in which both vocal/instrumental and just instrumental tunes are passed on is blues. A blues band from time to time utilizes for the most part melodies that have refrains that are sung, however during the band's show, they may correspondingly perform instrumental indian music videos.
Something as opposed to instrumental indian music videos, that is, music for voices alone, with no reinforcement instruments, is a cappella, an Italian articulation that means "in the asylum". In early music, instruments, for instance, trumpet and drums were seen as outside instruments, and music for inside an asylum normally used more quiet instruments, voices, or basically voices alone.
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Latest instrumental despacito music
instrumental despacito music beat the outline of 47 nations and displayed at the guideline ten of 6 others. In the US, it changed into the crucial music basically in Spanish to best the Load up Hot 100 since the time Los del Río's "Macarena" in 1996, resulting to tying the longest-dominating first on the Declaration Hot 100 at the time with around four months, comparably as changing into the best running first on the Hot Latin Melodies list with 56 weeks. instrumental despacito music additionally changed into the essential Latin song to get a diamond affirmation by the Recording creation Relationship of usa. The song video shows both talented laborers playing out the tune in the La Perla space of Old San Juan, Puerto Rico and general bar La Factoría. instrumental despacito music was the top-saw YouTube video ever from August 2017 to November 2020 and changed into the top video on the site page to appear at the achievement of 3, four, 5, six, and seven billion perspectives.
instrumental despacito music is a tune by Puerto Rican craftsman Luis Fonsi featuring Puerto Rican rapper Daddy Yankee from Fonsi's 2019 studio mix Vida. followed through on January 12, 2017, the music was made by Fonsi, Erika Ender and Daddy Yankee, and made by Mauricio Rengifo and Andrés Torres. A remix side featuring Canadian Justin Bieber was out on April 17, 2017, which helped with getting top the tune's layout appearance in changed nations, including a combination of number-one positions. instrumental despacito music has been everything considered apparent by music journalists as being instrumental in keeping up with Spanish-language striking music in the standard market again.
It is a reggaeton and Latin pop tune made by and for quite a while with lines about requiring a bond acted in a delicate and respecting way. instrumental despacito music by and large has remarkable outlines from music erudite people, who endorse the mix among Latin and metropolitan beat, its overwhelming quality, and its substance picture. instrumental despacito music has been comparatively positioned among the top tunes ever and the top tunes of 2017 by different movements, which recommended it as perhaps the most winning Spanish-language tracks in standard music record.
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Get latest instrumental music indian
An instrumental music indian is a recording normally with no vocals, regardless the way that it may join some uncertain vocals, for example, yelled help vocals in a huge band setting. Through semantic extension, a more wide impression of the word tune might propose instrumentals. The music is essentially or only passed on utilizing instruments. An instrumental music indian can exist in music documentation, after it is framed by a writer; in the brain of the arranger (particularly in conditions where the veritable essayist will play out the piece, as by excellence of a blues solo guitarist or a gathering music fiddle player); as a piece that is performed live by a solitary instrumentalist or a melodic organization, which could go in segments from a gathering or threesome to a gigantic tremendous band, show band or outfit. In a tune that is all things considered sung, a segment that isn't sung now which is played by instruments can be called an instrumental music indian, obviously, in the event that it happens near the start of the tune, before the specialist begins to sing, an instrumental show. On the off chance that the instrumental area incorporates the limit, musicality, and reliably the virtuosity of a specific entertainer (or get-together of entertainers), the part might be known as a "solo" (e.g., the guitar solo that is a fundamental piece of impressive metal music and hard rock tunes). On the off chance that the instrumental music indian are percussion instruments, the stretch can be known as a percussion break or "percussion break". These recesses are a sort of break in the tune.
In business famous music, instrumental music indian are every once in a while renderings, remixes of a differentiating discharge that highlights vocals, at any rate they may comparably be game-plans at first considered without vocals. One portrayal in which both vocal/instrumental and exclusively instrumental tunes are passed on is blues. A blues band frequently for the most part utilizes melodies that have holds back that are sung, in any case during the band's show, they may in like way perform instrumental music indian.
Something instead of instrumental music indian, that is, music for voices alone, with no support instruments, is a cappella, an Italian verbalization that suggests "in the place of refuge". In early music, instruments, for example, trumpet and drums were viewed as outside instruments, and music for inside a refuge commonly utilized all the more calm instruments, voices, or basically voices alone.
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- New Latest Romantic Hindi song music video
- Latest Romantic Hindi song music
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- New Melodious Hindi song music video
- instrumental despacito music
- asian classical music
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dogtrax.edublogs.org dogtrax.edublogs.org
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I do think that all the work I did in polishing up the song in the production version in my, ahen, “studio” (ie, corner of my room) was worth it — it forced me to listen to the song closely, day after day, and to tweak the lyrics and timing of the voice, and all that planning and thinking and tinkering informed even this acoustic version, even though it very basic in nature.
I feel that in an era of abundance (400 tracks, not 4), there is something about stripping things back.
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musicbrainz.org musicbrainz.org
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musicmachinery.com musicmachinery.com
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musicbrainz.org musicbrainz.org
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- musicbrainz:artist=<MBID>
- musicbrainz:release=<MBID>
- musicbrainz:track=<MBID>
- musicbrainz:label=<MBID>
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- Feb 2022
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musicbrainz.org musicbrainz.org
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musicbrainz.org musicbrainz.org
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In a nutshell, an MBID is a 36 character Universally Unique Identifier that is permanently assigned to each entity in the database, i.e. artists, release groups, releases, recordings, works, labels, areas, places and URLs. MBIDs are also assigned to Tracks, though tracks do not share many other properties of entities. For example, the artist Queen has an artist MBID of 0383dadf-2a4e-4d10-a46a-e9e041da8eb3, and their song Bohemian Rhapsody has a recording MBID of b1a9c0e9-d987-4042-ae91-78d6a3267d69.
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picard.musicbrainz.org picard.musicbrainz.org
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www.mixcloud.com www.mixcloud.com
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www.youtube.com www.youtube.comYouTube1
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shop.versatilerecords.com shop.versatilerecords.com
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www.youtube.com www.youtube.com
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soundcloud.com soundcloud.com
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soundcloud.com soundcloud.com
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www.puissancejazz.com www.puissancejazz.com
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eev.ee eev.ee
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www.theverge.com www.theverge.com
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What tabs would be particularly useful for is new music discovery, like an album you’ve been wanting to get around to hearing but haven’t yet had the time. I bump into this problem quite a bit. Adding a new album to my “Liked” songs on Spotify shuffles it in with all of my favorite stuff, and decluttering that playlist later is a hassle. Making a new album a playlist almost assures that it’ll be forgotten about. My decrepit, goldfish memory doesn’t have the space to remember to return to a playlist of an album two weeks later. As my colleague Victoria notes, she’s always “forgetting what I’m supposed to listen to next.” You know what would help with that? Tabs.
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www.youtube.com www.youtube.com
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www.youtube.com www.youtube.com
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www.youtube.com www.youtube.com
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www.youtube.com www.youtube.com
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- Jan 2022
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www.reddit.com www.reddit.com
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Now with a true representation of the input, you can build the chord detection logic by checking the notes against major scales. If we assume all chords contain their root we can build the major scale corresponding with the lowest note and quickly check to see which pieces of it are present, or declare this "not a chord" if we have a note that isn't part of the scale. Above, we'd find the C, E, G, D and realize it's a 1/3/5 chord + the 9th note of the scale and call it {base} add 9.
Ideas for figuring out chords.
The GUI for guitar chords: https://www.chordfinder.us/
Another site is https://oolimo.com/guitarchords/find
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slideplayer.com slideplayer.com
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research.aalto.fi research.aalto.fi
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hal.archives-ouvertes.fr hal.archives-ouvertes.fr
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cedric.cnam.fr cedric.cnam.fr
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www.youtube.com www.youtube.com
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Rare
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Local file Local file
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In the absence of musical notation of works by, or even performed by, Pietrobono, save references to the regional or national repertories he performed, and the titles of a handful of works taught by Pietrobono to his students during the last two decades of his life, with what are we le
We are missing a lot of musical info about Pietrobono because of the tradition of non-notarized playing of music and singing.
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Local file Local file
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, and played not only the organ but the chitarino
Leonello learned music not just as a mathematic/ theoretical practice but also a practical practice.
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Local file Local file
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Leonello holds in his hands a small hammer; so far it has been impossible to discover the precise meaning of this, which is doubtless another of the symbolic imprese in which Leonello, like many of the patrons of his day, took such naive delig
If this is Leonello, the hammer may be alluding to Pythagoras, since he was so interested in music. But what does the ring symbolize?
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musicontology.com musicontology.com
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motools.sourceforge.net motools.sourceforge.net
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www.tunefind.com www.tunefind.comTunefind1
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soundcloud.com soundcloud.com
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www.mixcloud.com www.mixcloud.com
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dogtrax.edublogs.org dogtrax.edublogs.org
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I’m always anxious about my singing voice, which is one reason why I always am ready to call anything I record a “demo” and cover myself from criticism (that I can’t sing as well as I should be able to, given how many years I’ve been at this).
I find the idea of a 'demo' interesting. With technology as it is these days, it feels like a mindset more than anything else. I was interested in listening to The Story of 1999 podcast series and the way in which Prince recorded everything with a thought that it might be the take. He then covered up the bits that he did not want with explosions.
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dogtrax.edublogs.org dogtrax.edublogs.org
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My next step will be to record some lead vocals, which I will do as another track in Soundtrap. I may add some more live keyboards (myself, playing, as opposed to loops) at the end, to give the second half of the song more texture. In regards to vocals, I aim to do my best, but in my mind, I keep wondering: Who else could I ask to sing this? Or help me sing this? A backing track might make all the difference in the world.
One of the things that intrigues me about taking a song from its core elements and building it out as the different journeys it can take. For example, in a documentary on U2's Joshua Tree, Brian Eno threw around the faders and demonstrated how the track (might have been Street with No Name, can't quite remember) could have been a Depeche Mode song. This is one of the things that always interests me with the Song Exploder podcast. I wonder then if you ever scrap a take and build a song up again with a whole different vibe.
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www.whosampled.com www.whosampled.com
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archive.org archive.org
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10 Hours Of East German Communist Music
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en.wikipedia.org en.wikipedia.org
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"Twist of Fate" is a song recorded by English-Australian singer Olivia Newton-John for the soundtrack album to the 1983 romantic fantasy comedy film, Two of a Kind. Written by Peter Beckett and Steve Kipner,[2] and produced by David Foster, the song was released as the first single from the album on 21 October 1983, and reached number four in Australia and Canada. It reached its peak position of number five on the US Billboard Hot 100 on January 1984, becoming Newton-John's last top-ten single on the chart to date. Billboard ranked "Twist of Fate" as the 42nd most popular single of 1984.
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en.wikipedia.org en.wikipedia.org
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As a songwriter and producer, he worked with Olivia Newton-John from 1971 through 1989. He wrote her number-one hit singles: "Have You Never Been Mellow" (1975), "You're the One That I Want" (1978 duet with John Travolta), "Hopelessly Devoted to You" (1978), and "Magic" (1980). He also produced the majority of her recorded material during that time including her number-one albums, If You Love Me, Let Me Know (1974), Have You Never Been Mellow (1975), and Olivia's Greatest Hits Vol. 2 (1982). He was a co-producer of Grease (1978) – the soundtrack for the film Grease.
- PRODUCER
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en.wikipedia.org en.wikipedia.org
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Producer(s)John Farrar
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"Heart Attack" is a song recorded by English-born Australian singer Olivia Newton-John for her second greatest hits album Olivia's Greatest Hits Vol. 2 (1982). Written by Paul Bliss and Steve Kipner, and produced by John Farrar, the song was the first single released from the album and was nominated for a Grammy Award for Best Female Pop Vocal Performance in 1983.
- HEAR
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en.wikipedia.org en.wikipedia.org
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Personnel[edit] From the Physical album's liner notes:[22] Olivia Newton-John – lead and backing vocals John Farrar – guitar and backing vocals Steve Lukather – guitar solo David Hungate – bass Bill Cuomo – Prophet 5 Robert Blass – keyboards Carlos Vega – drums and percussion Lenny Castro – percussion Gary Herbig – horns
- Farrar: producer
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The song's guitar solo was performed by Steve Lukather, best known as a founding member of the American rock band Toto.
- OK
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www.youtube.com www.youtube.com
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- SEE
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getpocket.com getpocket.com
- Dec 2021
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en.wikipedia.org en.wikipedia.org
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The Love That Whirls (Diary of a Thinking Heart) (1982) Mercury
DESCUBRIMIENTO!!!
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Però dici che adesso l'indie va di moda quindi fanculo tutti, facciamo il cazzo che ci pare
Così si fa
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www.youtube.com www.youtube.com
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Easy Star All-Stars
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soundcloud.com soundcloud.com
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support.focusrite.com support.focusrite.com
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Instrument Level is the most variable level signal which will travel through a TS (Tip, Sleeve) jack connection and will also require a preamp to be raised to Line Level. "Inst" should be selected whenever you connect an instrument, such as a guitar or bass guitar, directly to your interface.
Choose "instrument" when plugging in a guitar. Why? The impedance and max input level match that of the instrument and thus produce the most natural (correct?) sound.
The input is by default at mic level which is not preamped.
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soundcloud.com soundcloud.com
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Jamiroquai (The Remix Project)
- 0:00:00 Too Young To Die (Irregular Disco Workers Remix) by Jamiroquai
- 0:06:53 Alright (Joshua Pathon Downtempo Mix) by Jamiroquai
- 0:11:40 Deeper Underground (DJ Glen Remake) by Jamiroquai
- 0:18:08 Space Cowboy (D.Morales RMX / Francesco Cofano 2014 Re-Touch) by Jamiroquai
- 0:23:00 Cosmic Girl (Johnny Roostar Mix) by Jamiroquai
- 0:28:38 You Give Me Something (Jon Parry Remix) by Jamiroquai
- 0:33:58 Light Years (Micky Da Funk Bootleg Remix) by Jamiroquai
- 0:40:01 Love Foolosophy (FM Groovin' Mix) by Jamiroquai
- 0:44:45 Don't Give Hate A Chance (Mikeandtess Re-Edit) by Jamiroquai
- 0:52:15 Bad Girls (Live at The Britts 2002) [No Legal House Mix] by Jamiroquai
- 0:57:15 White Knuckle Ride (Penguin Remix) by Jamiroquai
- 1:02:06 Supersonic (Manuel Figara Edit) by Jamiroquai
- 1:08:20 Electric Mistress (Todd-If-Field-Mix) by Jamiroquai
- 1:14:44 Lifeline (Shook Mix) by Jamiroquai
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soundcloud.com soundcloud.com
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Jamiroquai (The 2nd Remix Project):
- 00:00 Stillness In Time (Timmy Regisford and Adam Rios Voc) by Jamiroquai
- 06:28 Summer Girl (Walterino Remode) by Jamiroquai 12:44 Shake It On (Lavvy Levan Edit) by Jamiroquai
- 18:10 Cloud 9 (Purple Disco Machine Remix) by Jamiroquai
- 23:45 Too Young To Die (Rhemi Remix) by Jamiroquai
- 29:12 Little L (Blaze Shelter Mix) by Jamiroquai
- 35:20 Seven Days In Sunny June (Renato Bethlehem Mix) by Jamiroquai
- 40:13 Corner of The Earth (T.R.A.R Vocal Mix) by Jamiroquai
- 46:41 Runaway (Grant Nelson Remix) by Jamiroquai
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www.nova.fr www.nova.fr
- Nov 2021
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Δώστε ένα πακέτο στα μίνιονς του Kaiser και εύχομαι το billions να είναι ΚαλοPfizer Και όταν θα επέλθει η ανοσία στην αγέλη θα δούμε πόσες μέλισσες θα υπάρχουν στην κυψέλη και εν τέλει
Στερεη αποψη για τον εμβολιασμό στον covid19.
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Μηχανορραφία η δημοσιογραφία του καθεστώτος φτιάχνεται η αγιογραφία Αλλά μη μου αγχώνεσαι, “Hakuna Μatata” Μην είσαι πιο πολύ απ' όσο πρέπει τρομοκράτα Ούτε γάτα ούτε ζημιά, καναπεδοπατάτα γαμάτα τα μαντάτα για την αρχοντοχωριάτα
Η Μαρέβα ειναι η "αρχοντοχωριάτα" που φτιάχνεται του καθεστώτος η αγιογραφία?
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Κάθε σπιτικό ο λαβύρινθος του Πάνα δέρνει η μάνα το παιδί και το παιδί τη μάνα Μεγάλοι και μικροί,
Αυτο μας συνεβη στην καραντινα, το'βλεπα στα ματια φιλων.
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Σιγά μην επενδύσουν στραγάλι για μια Μ.Ε.Θ. όσοι νοσούν σπιτάκι τους, ν' ακούσουν Megadeth
Σωστη διάγνωση της αντιμετωπισης του covid19 σε Ελλαδα.
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το φρύδι απ' την ανόρθωση, παθαίνει υπερκόπωση Στομωμένα στόματα με πώματα στο τσάνελ σέρνονται με γόνατα τα πτώματα στο πάνελ Σφουγγίσουν σάλια, ανάβουν μανουάλια τα χάλια κάτω απ' το χαλί να αποσβεστούν τσουβάλια
ΑΡΔακια των πανελ.
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Σίγουρα ανήκεις στη σωστή κατηγορία; Είσαι γιος του Παρταόλα ή ο γιος του Παρτατρία;
Ξεκαθαρη στρατευση.
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Σε Gremlin μετατρέπεται με φαγητό ο Gizmo και ο απολιτίκ στην πείνα, γίνεται φασίζμο Ακροδεξιό γκωνάρι ακρογωνιαίο
Παντα οι Απολιτικ ηταν η απειλη.
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όσο πατά ο φιλελέφαντας
Ωραία λεξη ο "φιλελέφαντας".
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soundcloud.com soundcloud.com
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www.nytimes.com www.nytimes.com
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www.youtube.com www.youtube.com
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www.thisiscolossal.com www.thisiscolossal.com
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A Moving Performance
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en.wikipedia.org en.wikipedia.org
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Mentioned at Coffee With a Codex on 2021-11-01 with an example on the closing pages of LJS 418, which isn't very clear/good, and another in MS Codex 1248, which is in a tiny manuscript, but very clear and lovely.
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- Oct 2021
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builderscollective.com builderscollective.com
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A podcast about resilience inspired Caleb Chan to compose this theme music, incorporating a heartbeat and a world music influence.
Design for Resilience
Exploring how we imagine, design, and build the future together.
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soundcloud.com soundcloud.com
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Exploring how we imagine, design, and build the future together.
A podcast about resilience inspired Caleb Chan to compose this theme music, incorporating a heartbeat and a world music influence.
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www.setlist.fm www.setlist.fm
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Created an account at https://www.setlist.fm/signup/success
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forum.artofmemory.com forum.artofmemory.com
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I just bookmarked this article published today in Current Biology for later reading and annotation. While the article isn't specifically focused on memory, the fact that it touches on visual structures, emotion, music, and movement (dance) which are core to some peoples' memory toolkits, I thought that many here would find it to be of interest.
One of the authors provided the following tl;dr synopsis:
"Across the world, people express emotion through music and dance. But why do music and dance go together?
We tested a deceptively simple hypothesis: Music and movement are represented the same way in the brain."
- Article: Visual and auditory brain areas share a representational structure that supports emotion perception01283-5) (Current Biology, 2021)
- Preprint: https://www.biorxiv.org/content/10.1101/254961v4
For those who haven't integrated song or dance into their practices, searching around for the idea of songlines will give you some background on their possible uses.
cc: @LynneKelly
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www.cell.com www.cell.com
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Visual and auditory brain areas share a representational structure that supports emotion perception https://www.cell.com/current-biology/fulltext/S0960-9822(21)01283-5
This portends some interesting results with relation to mnemonics and particularly songlines and indigenous peoples' practices which integrate song, movement, and emotion.
Preprint: https://www.biorxiv.org/content/10.1101/254961v4
<script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>Across the world, people express emotion through music and dance. But why do music and dance go together? <br><br>We tested a deceptively simple hypothesis: Music and movement are represented the same way in the brain.
— Beau Sievers (@beausievers) October 12, 2021<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'>Beau Sievers </span> in "New work published today in Current Biology Visual and auditory brain areas share a representational structure that supports emotion perception With @ThaliaWheatley @k_v_n_l @parkinsoncm @sergeyfogelson (thread after coffee!) https://t.co/AURqH9kNLb https://t.co/ro4o4oEwk5" / Twitter (<time class='dt-published'>10/12/2021 09:26:10</time>)</cite></small>
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www.prnewswire.com www.prnewswire.com
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Scientifically Proven Frequency of Love
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www.bezartshub.com www.bezartshub.com
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Arts mentorship: dance, music, film.
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- Sep 2021
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api.hypothes.is api.hypothes.is
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Solana NFT Marketplace Development
The huge trend of non-fungible tokens has necessitated the creation of a digital environment to facilitate their exchange. NFT marketplace platforms dedicated to launching and trading NFTs offer a beneficial experience for both makers and takers.
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Know more: Solana NFT Development >>>
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v1.sonarmp3.net v1.sonarmp3.net
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Several Movements from Georg Christoph Lichtenberg's 'Scrapbooks' ('Sudelbücher'), Op. 37a: IX.
Music for waste books! :)
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en.wikipedia.org en.wikipedia.org
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https://en.wikipedia.org/wiki/Antiphon
also: antiphonary as a book of such antiphons
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hypothes.is hypothes.is
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How to Create NFT MarketPlace?
Owing to the worldwide requirement of the current Digital world, the NFT aspirants are actively looking for an efficient NFT Marketplace to showcase their collectibles. Statistics have defined that OpenSea and Rarible are bound to offer enhanced performance than most other NFT marketplaces. If you are an active entrepreneur or investor looking to launch your own NFT Marketplace Platform? You are in the right place!
The NFT marketplace can be built in two significant ways.
Build NFT marketplace from Scratch.
White Label NFT Marketplace
White Label NFT MarketPlace solutions are pre-built ones. It can be customized based on the client's requirements. It is more beneficial for the people who want to start an NFT with less capital investment. Development costs and the time to Create NFT Marketplace by opting for White Label NFT MarketPlace Software solutions are minimal.
Building an NFT Marketplace from Scratch
Building NFT MarketPlace from Scratch involves some basic steps like Blockchain selection, Finalizing features & functionalities, Developing Smart Contracts, UI Creations, Smart Contract Auditing & Bug fixing, Testnet deployment, release beta version or mainnet release. These NFT platforms are built based on the client's requirements. It is fully customized and we can integrate any unique features on it.
Create NFT MarketPlace on your desired Blockchain network
There are so many NFT Marketplace solution providers present in the crypto market. So tie up with the trustworthy NFT MarketPlace Development Company and check out the live demo of their white label nft marketplace and then create your own NFT marketplace on the desired blockchain network such as Ethereum, Binance Smart Chain, and TRON as per your wish.
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NFT MarketPlace Development
Desire to Enter the Industry that generates Million Dollar Revenue, Our NFT Marketplace Development Services are perfect for you. Whether for Art, Music, Games, Real Estate or any Unique Digital Collectible, We Maticz leading NFT Marketplace Development Company develop domain-specific NFT Software Solutions to help meet your unique business demands.
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https://fs.blog/2021/07/mathematicians-lament/
What if we taught art and music the way we do mathematics? All theory and drudgery without any excitement or exploration?
What textbooks out there take math from the perspective of exploration?
- Inventional geometry does
Certainly Gauss, Euler, and other "greats" explored mathematics this way? Why shouldn't we?
This same problem of teaching math is also one we ignore when it comes to things like note taking, commonplacing, and even memory, but even there we don't even delve into the theory at all.
How can we better reframe mathematics education?
I can see creating an analogy that equates math with art and music. Perhaps something like Arthur Eddington's quote:
Suppose that we were asked to arrange the following in two categories–
distance, mass, electric force, entropy, beauty, melody.
I think there are the strongest grounds for placing entropy alongside beauty and melody and not with the first three. —Sir Arthur Stanley Eddington, OM, FRS (1882-1944), a British astronomer, physicist, and mathematician in The Nature of the Physical World, 1927
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- Aug 2021
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We can use the itertools.combinations function to find all possible subsets of a chord for a given cardinality.
Ha! Found a Ruby method to do the same thing in Sonic Pi. https://in-thread.sonic-pi.net/t/exploring-modes-of-pitch-class-sets-using-chord-invert/5874/10?u=enkerli
Glad this is explicitly mentioned here as it was my initial goal as I got into musical applications of Set Theory!
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www.npr.org www.npr.org
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psyarxiv.com psyarxiv.com
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Nweke (Ph.D.), F. E. (2021). AN EVALUATION OF NIGERIAN CHORISTERS’ LEVERAGE ON TECHNOLOGY IN THE FACE OF COVID-19 PANDEMIC. PsyArXiv. https://doi.org/10.31234/osf.io/67zuk
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- Jul 2021
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davestrickson.blogspot.com davestrickson.blogspot.com
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John Peel Sessions
via Kevin Marks on TWiG 622
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Music festival in the Netherlands leads to over 1,000 Covid infections. (n.d.). Retrieved July 28, 2021, from https://www.cnbc.com/2021/07/15/music-festival-in-holland-leads-to-over-1000-covid-infections.html
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engl201.opened.ca engl201.opened.ca
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These tools can process a printed score and create editable music files. See
It makes sense that this is possible, but I had truly never considered it and I wish they said more about it. I am definitely going to do a deep-dive on this, as I find it intriguing. I am imagining whether it is note-matching only, or if these programs source instrumental sound bytes? Also, the fact that it doesn't just convert it for listening, but makes it editable too!
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blog.contus.com blog.contus.com
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There are thousands of audio streaming platforms available in the market but only a small number of streaming service providers make their journey to reap a huge revenue. Thus such music streaming applications are built only by reputed audio service providers by implementing next-gen technologies and strategies.
Introducing CONTUS VPlayed, a dominant player in providing customizable music streaming solutions globally. CONTUS VPlayed is known for its advanced technology like microservice architecture that delivers a complete peerless music streaming service.
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austinkleon.com austinkleon.com
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I read that Brian Eno does something similar: he makes a tremendous amount of music, and then hits shuffle when he’s answering email, etc., and whatever catches his ear, he investigates.
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Chris Ballew, aka Caspar Babypants, aka the lead singer and songwriter for The Presidents of the United States of America, says he dumps all his raw song ideas into an iTunes playlist and then puts it on shuffle while he’s washing dishes.
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On Twitter the other day I saw someone point out that the longer you listen to Song Exploder, the more you discover that the Voice Memos app on the iPhone has probably had more of an impact on songwriting than any other piece of software. But recording things in Voice Memos is just one step. The next is listening back to things, finding diamonds in the rough.
Voice recorder as a note taking device, particularly within the realm of music. A music commonplace.
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- Jun 2021
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hypothes.is hypothes.is
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"Many North American music education programs exclude in vast numbers students who do not embody Euroamerican ideals. One way to begin making music education programs more socially just is to make them more inclusive. For that to happen, we need to develop programs that actively take the standpoint of the least advantaged, and work toward a common good that seeks to undermine hierarchies of advantage and disadvantage. And that, inturn, requires the ability to discuss race directly and meaningfully. Such discussions afford valuable opportunities to confront and evaluate the practical consequences of our actions as music educators. It is only through such conversations, Connell argues, that we come to understand “the real relationships and processes that generate advantage and disadvantage”(p. 125). Unfortunately, these are also conversations many white educators find uncomfortable and prefer to avoid."
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verian.wordpress.com verian.wordpress.com
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The best known of Terry Riley’s pieces is called ‘In C’
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reverbmachine.com reverbmachine.com
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Eno’s experiments with tape loops go as far back as 1973’s (No Pussyfooting)
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In 1978, Brian Eno released Ambient 1: Music for Airports, a landmark album in ambient and electronic music.
4y after Kraftwerk's Autobahn) and 2y after Michel Jarre's Oxygen.
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citizen-dj.labs.loc.gov citizen-dj.labs.loc.gov
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Some interesting resources for music, audio, and video from the Library of Congress mentioned at IAnno21.
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en.wikipedia.org en.wikipedia.org
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johncarlosbaez.wordpress.com johncarlosbaez.wordpress.com
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Thanks for highlighting this!
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www.zdnet.com www.zdnet.com
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Enter the AudioPiLe: The Hardware
Is this the Sonos-killer box?
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- May 2021
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www.youtube.com www.youtube.com
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Università degli Studi dell’Insubria. (2021, May 14). Covid-19 Vaccine—The musical. https://www.youtube.com/watch?v=glueeURebDU
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www-clinicalkey-es.pbidi.unam.mx:2443 www-clinicalkey-es.pbidi.unam.mx:2443
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www.howtosingsmarter.com www.howtosingsmarter.com
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URL
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en.wikipedia.org en.wikipedia.org
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en.wikipedia.org en.wikipedia.org
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hiphopfoundations.org hiphopfoundations.org
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The Kay-Gees
"I Believe in Music" is a 1970 song written and recorded by Mac Davis and later included on his second album I Believe in Music.
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the startup itself can’t remove songs
content is not hosted by Audius, instead being hosted by independent node operators.
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www.theverge.com www.theverge.com
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Audius is trying to avoid SoundCloud’s copyright issues by not hosting the user-uploaded content itself. Its open-source protocol, built on blockchain, means that the responsibility of hosting and making uploaded content available is spread out among people who register as node operators.
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This article kind of reads like a smear piece on Audius
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Blockchains make piracy more of a headache.
How so? Couldn't you just crosscheck the public ledger to verify the uploaders' info??
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www.mountainpass.tv www.mountainpass.tv
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I decided to embrace imperfection and use it as the unifying theme of the album.
You might find a lot of imperfection on the way, but instead of fighting with it, maybe try to embrace it?
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I start by sampling loops from songs I like, and then use the concatenative synthesis and source separations tools to extract interesting musical ideas (e.g., melodies, percussion, ambiance). These results can be used directly, with a little FX (Replica XT, Serum FX), or translated into MIDI and resynthesized (Serum, VPS Avenger). This gives me the building blocks of the song (the tracks), each a few bars long, which I carefully combine using Ableton Live's session view into something that sounds "good". Later, each track is expanded by sampling more loops from the original songs until I have plenty of content to create something with enough structure to be called a "song".
Author's music production process:
- Sample loops from songs you like
- Use the concatenative synthesis and source separations tools (e.g. Spleeter) to extract interesting musical ideas (e.g., melodies, percussion)
- (optional) Use a little FX
- (optional) Translate audio into MIDI
- (optional) Resynthesize
- You should now have building blocks of the song. Combine them using FL Studio/Ableton Live to something that sounds good
- Expand a track by sampling more loops from the original song
- Mix the samples until you can call it a "song"
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Another extremely interesting and underrated task in the audio domain is translating audio into MIDI notes. Melodyne is state of the art in the area, but Ableton's Convert Audio to Midi works really well too.
For converting audio to midi, try Melodyne or Ableton's Convert Audio to Midi
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imperfect separations are sometimes the most interesting, especially the results from models trained to separate something that isn't in the source sound (e.g., extract vocals from an instrumental track)
Right, it might produce some unique sounds
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Sound Source Separation
It seems like Spleeter and Open Unmix perform equally well in Sound Source Separation
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concatenative sound synthesis. The main idea is simple: given a database of sound snippets, concatenate or mix these sounds in order to create new and original ones.
Concatenative sound synthesis
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- Apr 2021
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www.baldurbjarnason.com www.baldurbjarnason.com
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Binstock: You once referred to computing as pop culture. Kay: It is. Complete pop culture. I’m not against pop culture. Developed music, for instance, needs a pop culture. There’s a tendency to over-develop. Brahms and Dvorak needed gypsy music badly by the end of the nineteenth century. The big problem with our culture is that it’s being dominated, because the electronic media we have is so much better suited for transmitting pop-culture content than it is for high-culture content. I consider jazz to be a developed part of high culture. Anything that’s been worked on and developed and you [can] go to the next couple levels. Binstock: One thing about jazz aficionados is that they take deep pleasure in knowing the history of jazz. Kay: Yes! Classical music is like that, too. But pop culture holds a disdain for history. Pop culture is all about identity and feeling like you’re participating. It has nothing to do with cooperation, the past or the future—it’s living in the present. I think the same is true of most people who write code for money. They have no idea where [their culture came from]—and the Internet was done so well that most people think of it as a natural resource like the Pacific Ocean, rather than something that was man-made. When was the last time a technology with a scale like that was so error-free? The Web, in comparison, is a joke. The Web was done by amateurs.
This is a great definition of pop culture and a good contrast to high-culture.
Here's the link to the entire interview: https://link.springer.com/content/pdf/bbm%3A978-3-319-90008-7%2F1.pdf
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www.matthewball.vc www.matthewball.vc
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Until 1991, Billboard charts weren’t based on actual unit sales or radio play. Instead, it was assembled using (white) retail clerk estimates of what was selling best and what (white) DJs considered to be “hottest” each week. According to The Atlantic, both groups had reasons to lie. For example, labels would pressure radio stations to favour “hand-picked hits” if they wanted to keep receiving the newest single on time (stations sometimes received bribes to play specific tracks, too). Meanwhile, labels would force inventory on their retailers, who would then overreport sales to convince music fans to buy excess inventory.Naturally, those who ran the music industry saw little need to overhaul how it worked. And thus while the book and film industries had shifted to computerized sales databases in the 1980s, not one of the top six record distributors signed onto SoundScan before its release in June 1991. But this resistance didn’t stop N.W.A.’s N***az4life from debuting #2 on the Billboard Top 100 the very next month under SoundScan. This was the highest charting performance in rap history – and happened without any radio airplay, music video airings on MTV, or a concert tour. The failings of the old honour system were further demonstrated by the fact that N.W.A. debuted at only #21 on Billboard’s R&B chart, which wasn’t yet on SoundScan. Somehow it was possible that N***az4life was the second biggest album in the country by units purchased, but 21st in its own genre when it came to what was “selling” and “hottest.” One week after it’s release, the album hit #1 on the Billboard chart (displacing R.E.M) as hundreds of thousands flocked to the record store in search of the “surprise” hit.In the following years, the R&B/hip hop genre achieved three other industry “firsts." It saw the fastest rise from a non-top ten genre to Billboard’s most popular one, has been the most dominant #1 by share, and holds the longest run as #1 (note the chart below ends in 2010, but this reign persists through to date).
Was it Nirvana that changed 1991 or SoundScan?
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www.washingtonpost.com www.washingtonpost.com
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O’Rourke’s “stuff” ranges from frequent releases on Bandcamp under the “Steamroom” label, including hushed, avant-garde instrumentation and complex mosaics of sound in all its beautiful and messy forms. In that same interview, O’Rourke explained his process for creating one of those works — “Steamroom 47” — culling from a wide range of touchstones including data points in music information retrieval, cybernetics and Glenn Gould’s “Goldberg Variations.” Heady stuff.
Now I'm really intrigued, an artist using these methods (especially cybernetics?!) .
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“I’m not a musician. I don’t mean that in a derogatory way. But I mean, I wasted a lot of my life playing instruments, which was foolish,” O’Rourke told the newsletter Tone Glow in an interview published in May 2020. “I have no interest in anything being a vessel for expressing something . . . I always like to say, ‘I do stuff.’ ”
I have no interest in being a vessel for expressing something...
Something fascinating about this perspective.
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- Mar 2021
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www.nga.gov www.nga.gov
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Sound Thoughts on Art
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theconversation.com theconversation.com
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Ghana’s copyright law for folklore hampers cultural growth
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www.eyebrowhairs.com www.eyebrowhairs.com
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www.eyebrowhairs.com www.eyebrowhairs.com
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www.rollingstone.com www.rollingstone.com
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Katz points out this is an “extreme example to prove a point.” YellowHeart wants to show people how much control can be put into the ticket with smart contracts. Going forward, he says this same tech can be used for general tickets, which could be a huge advancement in the secondary market. Every time an NFT is resold, a percentage of money earned could go to the artist — or whoever is included in the contract, perhaps even a charity. (In such instances, YellowHeart can also set a maximum price that the NFT can be resold at, eradicating scalpers.)
Dit is volgens mij een killer feature van NFT's in muziek. De rest is leuk maar dit is superinteressant
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WellAlwaysHaveParis il y a 7 ans • Testament to the power of the Internet...Leonard Bernstein has been dead for 23 years, and yet his knowledge, insight and wisdom perpetually echo forward for future generations. This video was probably lost in an attic somewhere before somebody decided to drop it on YouTube. It warms my heart that 59,000+ people have seen it.
Recordings from the whole lecture series by “born teacher” Leonard Bernstein has been “making the rounds”, thanks in part to YouTubers like Adam Neely who has been linking to those videos in descriptions of some of his episodes.
Part of the reason the series interests me for its #PedagogicalHeritage is that it extend Bernstein’s role, who’s been mostly known as a composer and conductor. These really are lectures, delivered on campus. At the beginning of the first lecture, Bernstein explicitly described his relationship to Harvard and his being “petrified” at lecturing there. His outside status is important. In music, it’s not uncommon for lectures to be given by renowned musical experts without the academic #credentials which usually serve to “qualify” a prof. According to his bio (archive), LB was a visiting prof at Brandeis in the 1950s. When he delivered those lectures on campus, he was “Charles Eliot Norton Professor of Poetry at Harvard”. The lectures were a significant part of the deal. There’s a direct continuity between the lecturer’s experience and the delivery of “teaching material”. In another context, the research behind those lectures might not have qualified a prof for tenure.
There’s quite a bit about prestige to unpack, there. And more than a little about “The Canon”. If I use excerpts from this series in my teaching, I’ll likely start from that: who was Bernstein? Why does it matter that we hear his voice instead of somebody else’s? What learning affordances from these recordings, including the musical examples performed on the piano? The context would likely be my beloved ethnomusicology course. Otherwise, some kind of course about “broad approaches to music theorization”.
What strikes me in this comment (and in the “well, actually…” reply) is the very notion that the Internet gives us access to something valuable. Yet this access might be taken away at a moment’s notice (the ways of the DMCA are impenetrable). Yes, DVDs exist and the content might be retrieved. It’s technically possible to make backups of those videos. Yet the 5Rs of Open Content aren’t obvious, here.
Although, Neely did remix some of the content.
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- Feb 2021
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www.reddit.com www.reddit.com
- Jan 2021
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www.inverse.com www.inverse.com
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Music gives the brain a crucial connective advantage
- Music’s benefits for the brain aren’t new, and this study provides further evidence that musical brains have better neural networks.
- In fact, any challenging skill that requires intensive, long-time training can improve how your brain is interconnected - even if you’re an adult.
- These findings come from a study of 150 brain scans with machine learning aid, where they counted the brain connections.
- All musician brains were a lot more structurally and functionally connected than non-musicians.
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css-tricks.com css-tricks.com
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To explain further what exactly I’m building, the animated background is a pure code equivalent to the old music video, but runs as long as the full length of the album, though without any event triggers to tie it to the music (the animation runs continuously for the full amount of time that the uninterrupted album lasts, but does not pause or jump to a different location in the animation). It’s also extremely slow animation
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- Dec 2020
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www.youtube.com www.youtube.comVim1
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Listening to this while typing some notes on vim
:wq
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www.youtube.com www.youtube.com
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Sound of Silver by LCD Soundsystem.
This is a good album but it definitely isn't ambient and in general just doesn't feel like Kid A/Amnesiac/Vespertine/Substrata which is what OP seemed to be after :/
The song 'Sound of Silver' SLAPS tho
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Moon Pix by Cat Power
idk why but i wasn't expecting to find Cat Power here but that album kinda slaps
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Lift Your Skinny Fists
Of course.
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Lost And Safe by The Books
This was great
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somethingold.substack.com somethingold.substack.com
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I also think journalism and music both feed into the major lie of the internet that just because it is possible to reach people all over that means it is likely that will happen for you.
the lie underlying almost all ideas of being an "influencer"....
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bilge.world bilge.world
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Bandcamp’s CEO and founders’ public attaché Ethan Diamond is as good as they come
Important!
I've just come across a recent interview with Ethan Diamond in which so many of the questions which prompted me to write this essay are addressed. (The link includes my annotations.)
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mtflabs.net mtflabs.net
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Well, deciding what to work on next, that has always felt like the easiest part of the job because it’s whatever benefits artists the most. Because the way Bandcamp makes money is if artists make a lot more money, so that’s what we try to spend every day doing.
In contrast with Spotify's CEO:
“Music is everything we do all day, all night, and that clarity is the difference between the average and the really, really good.”
Source: Spotify’s $30 billion playlist for global domination by Robert Safian
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