- Jul 2024
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There is for himno royal road to order. Knowledge andright will a r e indispensable. This doesnot mean that the world will heed, andeducate its feelings and thoughts forthe sake of self-preservation. But quiteproperly, Mr. Wells should not care.He has diagnosed the ailment and pre-scribed the sensible dose. The patientis always a t liberty to pass out in self-conceit or with the aid of quacks.PRODUCED 2005 BY UNZ.ORGELECTRONIC REPRODUCTION PROHIBITED
relationship to Eric Hoffer's The True Believer and modern politics?
relationship to the Great Books idea in 1942-1952 and beyond?
repeating history...
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- May 2024
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docdrop.org docdrop.org
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Lacy, Tim. The Dream of a Democratic Culture: Mortimer J. Adler and the Great Books Idea. New York: Palgrave Macmillan, 2013. https://amzn.to/3R2rCox.
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- Jan 2024
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danallosso.substack.com danallosso.substack.com
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read [[Dan Allosso]] in Actual Books
Sometimes a physical copy of a book gives one information not contained in digital scans. Allosso provides the example of Charles Knowlton's book The Fruits of Philosophy which touched on abortion and was published as a tiny hand-held book which would have made it easy to pass from person to person more discretely for its time period.
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- Dec 2023
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Local file Local file
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Adler & Hutchinson's Great Books of the Western World was an encyclopedia-based attempt to focus society on a shared history as their common ground. H. G. Wells in his World Encyclopedia thesis attempts to forge a new "moving" common ground based on newly evolving knowledge based on distilling truth out of science. Shared history is obviously much easier to dispense and spread about compared to constantly keeping a growing population up to date with the forefront of science.
How could one carefully compose and juxtapose the two to have a stronger combined effect?
How could one distribute the effects evenly?
What does the statistical mechanics for knowledge management look like at the level of societies and nations?
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- Nov 2023
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danallosso.substack.com danallosso.substack.com
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Chapter 39 of Zoonomia, “On Generation,” presents Erasmus’ ideas on competition, extinction, and how “different fibrils or molecules are detached from…the parent…to form” the child. The Temple of Nature goes even farther, declaring “all vegetables and animals now existing were originally derived from the smallest microscopic ones, formed by spontaneous vitality” in ancient oceans.
Interesting to contemplate the evolution of the idea of evolution through the Darwin family.
Charles would obviously have read his grandfather's book, but it also bears noting that he also had access to his grandfather's commonplace book (and likely his other papers).
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manifold.umn.edu manifold.umn.edu
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Cut/Copy/Paste explores the relations between fragments, history, books, and media. It does so by scouting out fringe maker cultures of the seventeenth century, where archives were cut up, “hacked,” and reassembled into new media machines: the Concordance Room at Little Gidding in the 1630s and 1640s, where Mary Collett Ferrar and her family sliced apart printed Bibles and pasted the pieces back together into elaborate collages known as “Harmonies”; the domestic printing atelier of Edward Benlowes, a gentleman poet and Royalist who rode out the Civil Wars by assembling boutique books of poetry; and the nomadic collections of John Bagford, a shoemaker-turned-bookseller who foraged fragments of old manuscripts and title pages from used bookshops to assemble a material history of the book. Working across a century of upheaval, when England was reconsidering its religion and governance, each of these individuals saved the frail, fragile, frangible bits of the past and made from them new constellations of meaning. These fragmented assemblages resist familiar bibliographic and literary categories, slipping between the cracks of disciplines; later institutions like the British Library did not know how to collate or catalogue them, shuffling them between departments of print and manuscript. Yet, brought back together in this hybrid history, their scattered remains witness an emergent early modern poetics of care and curation, grounded in communities of practice. Stitching together new work in book history and media archaeology via digital methods and feminist historiography, Cut/Copy/Paste traces the lives and afterlives of these communities, from their origins in early modern print cultures to the circulation of their work as digital fragments today. In doing so, this project rediscovers the odd book histories of the seventeenth century as a media history with an ethics of material making—one that has much to teach us today.
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- Sep 2023
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Merchants and traders have a waste book (Sudelbuch, Klitterbuch in GermanI believe) in which they enter daily everything they purchase and sell,messily, without order. From this, it is transferred to their journal, whereeverything appears more systematic, and finally to a ledger, in double entryafter the Italian manner of bookkeeping, where one settles accounts witheach man, once as debtor and then as creditor. This deserves to be imitatedby scholars. First it should be entered in a book in which I record everythingas I see it or as it is given to me in my thoughts; then it may be enteredin another book in which the material is more separated and ordered, andthe ledger might then contain, in an ordered expression, the connectionsand explanations of the material that flow from it. [46]
—Georg Christoph Lichtenberg, Notebook E, #46, 1775–1776
In this single paragraph quote Lichtenberg, using the model of Italian bookkeepers of the 18th century, broadly outlines almost all of the note taking technique suggested by Sönke Ahrens in How to Take Smart Notes. He's got writing down and keeping fleeting notes as well as literature notes. (Keeping academic references would have been commonplace by this time.) He follows up with rewriting and expanding on the original note to create additional "explanations" and even "connections" (links) to create what Ahrens describes as permanent notes or which some would call evergreen notes.
Lichtenberg's version calls for the permanent notes to be "separated and ordered" and while he may have kept them in book format himself, it's easy to see from Konrad Gessner's suggestion at the use of slips centuries before, that one could easily put their permanent notes on index cards ("separated") and then number and index or categorize them ("ordered"). The only serious missing piece of Luhmann's version of a zettelkasten then are the ideas of placing related ideas nearby each other, though the idea of creating connections between notes is immediately adjacent to this, and his numbering system, which was broadly based on the popularity of Melvil Dewey's decimal system.
It may bear noticing that John Locke's indexing system for commonplace books was suggested, originally in French in 1685, and later in English in 1706. Given it's popularity, it's not unlikely that Lichtenberg would have been aware of it.
Given Lichtenberg's very popular waste books were known to have influenced Leo Tolstoy, Albert Einstein, Andre Breton, Friedrich Nietzsche, and Ludwig Wittgenstein. (Reference: Lichtenberg, Georg Christoph (2000). The Waste Books. New York: New York Review Books Classics. ISBN 978-0940322509.) It would not be hard to imagine that Niklas Luhmann would have also been aware of them.
Open questions: <br /> - did Lichtenberg number the entries in his own waste books? This would be early evidence toward the practice of numbering notes for future reference. Based on this text, it's obvious that the editor numbered the translated notes for this edition, were they Lichtenberg's numbering? - Is there evidence that Lichtenberg knew of Locke's indexing system? Did his waste books have an index?
Tags
- intellectual history
- John Locke
- accounting influence on note taking
- fleeting notes
- Dewey Decimal System
- Niklas Luhmann's zettelkasten
- quotes
- academic writing
- Konrad Gessner
- Sönke Ahrens
- open questions
- idea links
- numbering systems
- zettelkasten transmission
- waste books
- note taking advice
- zettelkasten numbering
- Georg Christoph Lichtenberg
Annotators
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ryanholiday.net ryanholiday.net
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I was searching for notecard systems after reading Will and Ariel Durant’s dual autobiography and not having much luck. The book talks a lot about his writing and the use of “classification slips” to cover the depth of material, especially for The Story of Civilization series they did.
via SAM on January 15, 2017 at 8:54 pm
Apparently Will Durant and Ariel Durant used a form of commonplace book set up in which they used "classification slips".
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- Feb 2023
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sciencegarden.net sciencegarden.net
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Neben den Methoden herkömmlicher Recherche werden daher normalerweise Zettelkästen angelegt, in denen auf Karteikarten notiert ist, was ständig zitiert werden muss. Studenten erproben dies oft zum ersten mal intensiv für ihre Diplomarbeit. Nach Schlagworten und Autoren werden Notizen alphabetisch geordnet und was in den Kasten einsortiert wurde, kann man auch wieder herausholen.
Google translate:
In addition to the methods of conventional research, card boxes are usually created in which index cards are used to record what needs to be constantly quoted. Students often try this out intensively for their diploma thesis for the first time. Notes are sorted alphabetically according to keywords and authors, and what has been sorted into the box can also be taken out again.
An indication from 2001 of the state of the art of zettelkasten written in German. Note that the description is focused more on the index card or slip-based version of a commonplace book sorted alphabetically by keywords and authors primarily for quoting. Most students trying the method for the first time are those working on graduate level theses.
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- Jan 2023
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hcommons.social hcommons.social
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Ryan Randall @ryanrandall@hcommons.socialEarnest but still solidifying #pkm take:The ever-rising popularity of personal knowledge management tools indexes the need for liberal arts approaches. Particularly, but not exclusively, in STEM education.When people widely reinvent the concept/practice of commonplace books without building on centuries of prior knowledge (currently institutionalized in fields like library & information studies, English, rhetoric & composition, or media & communication studies), that's not "innovation."Instead, we're seeing some unfortunate combination of lost knowledge, missed opportunities, and capitalism selectively forgetting in order to manufacture a market.
https://hcommons.social/@ryanrandall/109677171177320098
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app.thebrain.com app.thebrain.comTheBrain1
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- Dec 2022
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Local file Local file
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important works like Galen’s On Demonstration, Theophrastus’ OnMines and Aristarchus’ treatise on heliocentric theory (which mighthave changed the course of astronomy dramatically if it hadsurvived) all slipped through the cracks of time.
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Moller, Violet. The Map of Knowledge: A Thousand-Year History of How Classical Ideas Were Lost and Found. 1st ed. New York: Doubleday, 2019. https://www.penguinrandomhouse.com/books/546484/the-map-of-knowledge-by-violet-moller/.
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- Oct 2022
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Local file Local file
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Walter Benjamin termed the book ‘an outdated mediationbetween two filing systems’
reference for this quote? date?
Walter Benjamin's fantastic re-definition of a book presaged the invention of the internet, though his instantiation was as a paper based machine.
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- Sep 2022
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Local file Local file
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Every one admits nowadays that it is advisable tocollect materials on separate cards or slips of paper.
A zettelkasten or slip box approach was commonplace, at least by historians, (excuse the pun) by 1898.
Given the context as mentioned in the opening that this books is for a broader public audience, the idea that this sort of method extends beyond just historians and even the humanities is very likely.
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- Aug 2022
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en.wikipedia.org en.wikipedia.org
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On the Internet there are many collective projects where users interact only by modifying local parts of their shared virtual environment. Wikipedia is an example of this.[17][18] The massive structure of information available in a wiki,[19] or an open source software project such as the FreeBSD kernel[19] could be compared to a termite nest; one initial user leaves a seed of an idea (a mudball) which attracts other users who then build upon and modify this initial concept, eventually constructing an elaborate structure of connected thoughts.[20][21]
Just as eusocial creatures like termites create pheromone infused mudballs which evolve into pillars, arches, chambers, etc., a single individual can maintain a collection of notes (a commonplace book, a zettelkasten) which contains memetic seeds of ideas (highly interesting to at least themselves). Working with this collection over time and continuing to add to it, modify it, link to it, and expand it will create a complex living community of thoughts and ideas.
Over time this complexity involves to create new ideas, new structures, new insights.
Allowing this pattern to move from a single person and note collection to multiple people and multiple collections will tend to compound this effect and accelerate it, particularly with digital tools and modern high speed communication methods.
(Naturally the key is to prevent outside selfish interests from co-opting this behavior, eg. corporate social media.)
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- Jun 2022
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hcommons.org hcommons.org
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https://hcommons.org/deposits/item/hc:33585/
See also Wiki created in combination with this course: https://digitalbookhistory.com/culturesofthebook/Main_Page
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digitalbookhistory.com digitalbookhistory.com
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https://digitalbookhistory.com/culturesofthebook/Main_Page
<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'> whitney trettien </span> in whitney trettien on Twitter: "Curious about the development of different book technologies? The students in my "Cultures of the Book" seminar last semester made a wiki for you! Each entry is a short essay that uses examples from @upennlib. Open & free to use/remix: https://t.co/XN0C51MLrv" / Twitter (<time class='dt-published'>06/20/2022 01:10:21</time>)</cite></small>
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- May 2022
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www.goodreads.com www.goodreads.com
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scolarcardiff.wordpress.com scolarcardiff.wordpress.com
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en.wikipedia.org en.wikipedia.org
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https://en.wikipedia.org/wiki/Gift_book
Found looking for information about the tradition of birthday books.
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Local file Local file
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The last element in his file system was an index, from which hewould refer to one or two notes that would serve as a kind of entrypoint into a line of thought or topic.
Indices are certainly an old construct. One of the oldest structured examples in the note taking space is that of John Locke who detailed it in Méthode nouvelle de dresser des recueils (1685), later translated into English as A New Method of Organizing Common Place Books (1706).
Previously commonplace books had been structured with headwords done alphabetically. This meant starting with a preconceived structure and leaving blank or empty space ahead of time without prior knowledge of what would fill it or how long that might take. By turning that system on its head, one could fill a notebook from front to back with a specific index of the headwords at the end. Then one didn't need to do the same amount of pre-planning or gymnastics over time with respect to where to put their notes.
This idea combined with that of Konrad Gessner's design for being able to re-arrange slips of paper (which later became index cards based on an idea by Carl Linnaeus), gives us an awful lot of freedom and flexibility in almost any note taking system.
Building blocks of the note taking system
- atomic ideas
- written on (re-arrangeable) slips, cards, or hypertext spaces
- cross linked with each other
- cross linked with an index
- cross linked with references
are there others? should they be broken up differently?
Godfathers of Notetaking
- Aristotle, Cicero (commonplaces)
- Seneca the Younger (collecting and reusing)
- Raymond Llull (combinatorial rearrangements)
- Konrad Gessner (storage for re-arrangeable slips)
- John Locke (indices)
- Carl Linnaeus (index cards)
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www.otherlife.co www.otherlife.co
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Many writers have devised lots of little systems, and the fact that everyone into PKM mentions this one guy supports my argument. What percentage of history's greatest and most prolific writers did not use a Zettelkasten? More than 99%, probably. Luhmann is an exception that proves the rule.
There is a heavy availability heuristic at play here. Most people in the recent/modern PKM space are enamored with the idea of zettelkasten and no one (or very few) have delved in more deeply to the history to uncover more than Luhmann. There definitely are many, many more. If we expand the circle to include looser forms like the commonplace book then we find that nearly every major thinker since the Renaissance kept some sort of note taking system and it's highly likely that their work was heavily influenced by their notes, notebooks, and commonplace books.
Hell, Newton invented the calculus in his waste book, a form of pre-commonplace book from which he apparently never got his temporary notes out into a more personal permanent form.
A short trip to even the scant references on the Wikipedia pages for commonplace book and zettelkasten will reveal a fraction of the extant examples.
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www.reddit.com www.reddit.com
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This is all too correct. Sadly the older methods for writing, note taking, thinking, and memory have fallen by the wayside, so most literate moderns don't have the tradition most of (elite educated) Western culture has had for the past 2000+ years. The long tradition of commonplace books and their related versions including waste books, florilegium, sudelbücher, scholia, glossae, notebooks, anthologies, sylvae, table books, vade mecum, memoranda books, diaries, miscellanies, pocket books, thesauruses, etc. underlines your thesis well. The Zettelkasten, exactly like almost all of these others, is simply an iteration of the commonplace book instantiated into index card form. One of the reasons that Umberto Eco's advice on writing seems so similar to the zettelkasten method is that he was a medievalist scholar who was aware of these long traditions of writing, note taking, and memory and leveraged these for himself, though likely in a slightly different manner. Would anyone suggest that he didn't have a voluminous output or an outsized impact on society and culture? If one really wants to go crazy on the idea of backlinks and the ideas of creativity and invention, perhaps they ought to brush up on their Catalan and read some Ramon Llull? He was an 11th century philosopher and polymath who spent a lot of time not only memorizing much of his personal knowledge, but who invented combinatorial creative methods for juxtaposing his volumes of information to actively create new ideas. I guarantee no backlinking system held a match to his associative methods. Now if someone wanted to mix some mysticism into the fray, then perhaps there might be a competition... Many who are now writing so positively about Zettelkasten or backlinks are doing so in much the same way that humanist scholars like Desiderius Erasmus, Rodolphus Agricola, and Philip Melanchthon did when writing about and re-popularizing commonplace books in the 1500s. The primary difference being that the chance that they leave as lasting a legacy is much smaller. Worse many of them are crediting Luhmann for the actual invention of the Zettelkasten when his is but one instantiation on a long evolution of many note taking devices over literal millennia. I'm still waiting for folks to spend more time talking about Carl Linnaeus' revolutionary invention and use of the index card. Or John Locke's system for creating a new indexing system for commonplace books. Generally we don't talk about these innovations because their users spent more of their time using their systems to get other more important things done for their legacies. In the end, the message seems clear, anyone can be incredibly productive; most of it boils down to having some sort of system of reading, thinking, note taking, and new production and sticking with it for a while. Have a system; use your system; evolve it slowly to work well for you and the way you think and work.
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- Apr 2022
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In this way the pressures of the multitude and diversity of authorita-tive opinion, already articulated in the previous century by Peter Abelard (1079–1142), were heightened by the development of reference books, from indexes and concordances that made originalia searchable and to the large compilations that excerpted and summarized from diverse sources.
Prior to the flourishing of reference materials, Peter Abelard (1079-1142) had articulated the idea of "the multitude and diversity of authoritative opinion" to be found in available material. How was one to decide which authority to believe in a time before the scientific method?
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- Mar 2022
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this is george have you have you um found that there are people who are natural thinkers like this uh the zettlecaston type thinking the 01:15:45 bottom-up thinking whatever you want to call it have you studied great thinkers and looked at their patterns and seen that they do that or is it all over the place 01:16:00 i i'm not an expert on i i know what i like in in terms of works um 01:16:13 i think there are similarities between the thinkers i read and i believe 01:16:26 they're often systematic and have found a way to deal with complexity to be able to put heterogeneous 01:16:40 ideas different ideas into a coherent theory system and i think the only way to do that 01:16:54 is by having some kind of external um brain or an equivalent of it
George is asking a good question here and one I've even asked myself, but doesn't seem to have spent any time looking at intellectual history.
Almost all great thinkers were not only significant writers as well, but most, at least in Western culture, kept significant notes of their work, had a commonplace book(s), waste books, sudelbücher, zettelkasten, etc.
Of course most were also fairly wealthy and had the free time to be able to do their work which also helped to tip the balance in their favor.
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- Feb 2022
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pennmaterialtexts.org pennmaterialtexts.org
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https://pennmaterialtexts.org/homepage
How awesome looking is this? Note the regular online meetings/presentations and the backlog of videos on their YouTube channel: https://www.youtube.com/channel/UC8Ng6px3fgc4Yjw-en1GcsA
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Indeed, the Jose-phinian card index owes its continued use to the failure to achieve a bound
catalog, until a successor card catalog comes along in 1848. Only the<br /> absence of a bound repertory allows the paper slip aggregate to answer all inquiries about a book ’ s whereabouts after 1781. Thus, a failed undertaking tacitly turns into a success story.
The Josephinian card index was created, in part on the ideas of Konrad Gessner's slip method, by accumulating slips which could be rearranged and then copied down permanently. While there was the chance that the original cards could be disordered, the fact that the approximately 300,000 cards in 205 small boxes were estimated to fill 50 to 60 folio volumes with time and expense to print it dissuaded the creation of a long desired compiled book of books. These problems along with the fact that new books being added later was sure to only compound problems of having a single reference. This failure to have a bound catalog of books unwittingly resulted in the success of the index card catalog.
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- Jan 2022
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www.newyorker.com www.newyorker.com
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Manuals such as Jeremias Drexel’s “Goldmine”—the frontispiece of which showed a scholar taking notes opposite miners digging for literal gold—taught students how to condense and arrange the contents of literature by headings.
Likely from Aurifondina artium et scientiarum omnium excerpendi solerti, omnibus litterarum amantibus monstrata. worldcat
h/t: https://hyp.is/tz3lBmznEeyvEmOX-B5DxQ/infocult.typepad.com/infocult/2007/11/future-reading-.html
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- Dec 2021
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Commonplaces were no longer repositories of redundancy, but devices for storing knowledge expansion.
With the invention of the index card and atomic, easily moveable information that can be permuted and re-ordered, the idea of commonplacing doesn't simply highlight and repeat the older wise sayings (sententiae), but allows them to become repositories of new and expanding information. We don't just excerpt anymore, but mix the older thoughts with newer thoughts. This evolution creates a Cambrian explosion of ideas that helps to fuel the information overload from the 16th century onward.
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publish.obsidian.md publish.obsidian.md
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https://publish.obsidian.md/danallosso/Bloggish/Actual+Books
I've often heard the phrase, usually in historical settings, "little book" as well and presupposed it to be a diminutive describing the ideas. I appreciate that Dan Allosso points out here that the phrase may describe the book itself and that the fact that it's small means that it can be more easily carried and concealed.
There's also something much more heartwarming about a book as a concealed weapon (from an intellectual perspective) than a gun or knife.
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- Nov 2021
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site.pennpress.org site.pennpress.org
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This looks interesting with respect to the flows of the history of commonplace books.
Making the Miscellany: Poetry, Print, and the History of the Book in Early Modern England by Megan Heffernan
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- Sep 2021
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www.theatlantic.com www.theatlantic.com
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The ancient Romans sometimes connected wax tablets with leather or cords, suggesting a prototype of binding. Replacing the wax with leaves allowed many pages to be stacked atop one another, then sewn or otherwise bound together.
early book prototypes
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www.library.upenn.edu www.library.upenn.eduLoss1
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How have chance survivals shaped literary and linguistic canons? How might the topography of the field appear differently had certain prized unica not survived? What are the ways in which authors, compilers, scribes, and scholars have dealt with lacunary exemplaria? How do longstanding and emergent methodologies and disciplines—analysis of catalogs of dispersed libraries, reverse engineering of ur-texts and lost prototypes, digital reconstructions of codices dispersi, digital humanities. and cultural heritage preservation, and trauma studies to name a few,—serve to reveal the extent of disappearance? How can ideologically-driven biblioclasm or the destruction wrought by armed conflicts -- sometimes occurring within living memory -- be assessed objectively yet serve as the basis for protection of cultural heritage in the present? In all cases, losses are not solely material: they can be psychological, social, digital, linguistic, spiritual, professional. Is mournful resignation the only response to these gaps, or can such sentiments be harnessed to further knowledge, understanding, and preservation moving forward?
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- Aug 2021
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Local file Local file
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The impactof such practices upon eighteenth-century visual and material culture is recounted in te Heesen, The World in a Box.
This reference appears to show some of the historical link between the method of loci in rhetoric with that of commonplacing ideas within books. The fact that the word box may suggest some relational link between commonplacing and zettelkasten.
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www.academia.edu www.academia.edu
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Media and the Mind: Art, Science and Notebooks as Paper Machines, 1700-1830 (Chicago: University of Chicago Press, 2022), 550 pp + 60 figures.
I can't wait to read Media and the Mind: Art, Science and Notebooks as Paper Machines, 1700-1830 (Chicago: University of Chicago Press, 2022)!
I see some bits on annotation hiding in here that may be of interest to @RemiKalir and @anterobot.
If you need some additional eyeballs on it prior to publication, I'm happy to mark it up in exchange for the early look.
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www.dur.ac.uk www.dur.ac.uk
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Local file Local file
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Hesperides, or The Muses’ Garden. Hao Tianhu, “Hesperides, or the Muses’Gardenand its Manuscript History,”Library10(2009),372–404, convincinglyunpacks the complicated history ofHesperides, a manuscript commonplacebook of thousands of passages of contemporary verse and prose extractsarranged alphabetically under headings which exists in two extant versions:Folger Shakespeare Library, MS V.b.93(compiled c.1654–66) and a secondversion based on the former that was prepared for print in1655–65but neverprinted, was cut up in the nineteenth century by James Orchard Halliwell-Phillipps, and now exists in three Folger manuscripts and seventy scrapbooksat the Shakespeare Centre Library in Statford-upon-Avon. Gunnar Sorelius,“An Unknown Shakespearian Commonplace Book,”Library28(1973),294–308, demonstrates that the source of the Shakespeare quotations cut andpasted into over sixty of Halliwell-Phillipps’ Shakespearean scrapbooks was amanuscript that also once contained the now-fragmentary Folger MSSV.a.75,79, and80, and argues that the manuscript is valuable for the light itsheds on seventeenth-century taste and on how a reader spontaneously editedShakespeare. Beal (III, E), vol.1, part2(1980), p.450, discovered thecompiler’s identity (John Evans), an entry in the Stationers’ Register for1655and an advertisement of1659indicating thatHesperideswas to be publishedby Humphrey Moseley (though it never was), and the existence of FolgerMS V.b.93.
This provides evidence and at least a date for the idea of cutting up books into scraps and then rearranging them to create a commonplace. Where does this fit into the continuum on the evolution of the zettelkasten idea?
How was this rearrangement physically done besides the cutting up of pieces? Were they pasted in? Clipped? other?
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- Jul 2021
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uniweb.uottawa.ca uniweb.uottawa.caMembers1
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Victoria E. Burke, Commonplacing, Making Miscellanies, and Interpreting Literature, The Oxford Handbook of Early Modern Women’s Writing in English, 1540-1680, Oxford University Press Oxford, 2022Editors: Danielle Clarke, Sarah C.E. Ross, and Elizabeth Scott-BaumannBook historyEarly modern literatureManuscript studiesSeventeenth-century women's writing
This looks like a fun read to track down.
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www.reddit.com www.reddit.com
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In the Western tradition, these memory traditions date back to ancient Greece and Rome and were broadly used until the late 1500s. Frances A. Yates outlines much of their use in The Art of Memory (Routledge, 1966). She also indicates that some of their decline in use stems from Protestant educational reformers like Peter Ramus who preferred outline and structural related methods. Some religious reformers didn't appreciate the visual mnemonic methods as they often encouraged gross, bloody, non-religious, and sexualized imagery.
Those interested in some of the more modern accounts of memory practice (as well as methods used by indigenous and oral cultures around the world) may profit from Lynne Kelly's recent text Memory Craft (Allen & Unwin, 2019).
Lots of note taking in the West was (and still is) done via commonplace book, an art that is reasonably well covered in Earle Havens' Commonplace Books: A History of Manuscripts and Printed Books from Antiquity to the Twentieth Century (Yale, 2001).
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hackaday.com hackaday.com
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https://hackaday.com/2019/06/18/before-computers-notched-card-databases/
Originally suggested by Alan Levine. Some interesting specific examples here, but I've been aware of the concept for a while.
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boffosocko.com boffosocko.com
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Not all the ancients are ancestors.
I'll definitely grant this and admit that there may be independent invention or re-discovery of ideas.
However, I'll also mention that it's far, far less likely that any of these people truly invented very much novel along the way, particularly since Western culture has been swimming in the proverbial waters of writing, rhetoric, and the commonplace book tradition for so long that we too often forget that we're actually swimming in water.
It's incredibly easy to reinvent the wheel when everything around you is made of circles, hubs, and axles.
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- May 2021
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newrepublic.com newrepublic.com
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To extract knowledge successfully from reading was to “deflower” a book, as explained by the preface to the twelfth-century Libri deflorationum.
Libri deflorationum
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whitneyannetrettien.com whitneyannetrettien.comWhiki1
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This has to be one of the baddest-ass things I've seen in months. I wish more people had public-facing commonplace books like this!
Bonus points that Whitney calls it a Whiki! :)
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digitalbookhistory.com digitalbookhistory.com
- Feb 2021
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www.nybooks.com www.nybooks.com
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Commonplacing was like quilting: it produced pictures, some more beautiful than others, but each of them interesting in its own way. The assembled texts reveal patterns of culture: the segments that went into it, the stitching that connected them, the tears that pulled them apart, and the common cloth of which they were composed.
A nice little analogy here.
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Foucault probably offers the most helpful theoretical approach. His “archaeology of knowledge” suggests a way to study texts as sites that bear the marks of epistemological activity, and it has the advantage of doing justice to the social dimension of thought.
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- Oct 2020
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www.amazon.com www.amazon.com
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The Pianist: The Extraordinary True Story of One Man's Survival in Warsaw, 1939-1945 Paperback – Illustrated, September 2, 2000
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