Adler, Mortimer J. “How to Mark a Book.” Saturday Review of Literature, July 6, 1940.

See also: https://hypothes.is/a/WZWWgnV2EeyFFBshJKbM4A

ownership [of a book]

BBC Archive - #OnThisDay 1974: Mortimer J. Adler tried to flog Christopher Rainbow the new 15th edition of the Encyclopaedia Britannica.<br /> https://archive.org/details/twitter-1085501921207627776

It's no wonder that Mortimer J. Adler was able to write such a deep analysis of reading in How to Read a Book after having spent so much time indexing the ideas behind The Great Books of the Western World.

Indexing requires a solid inspectional read at minimum, but will often go deeper into contexts which require at least some analytical reading. To produce the Syntopicon, one must go even further into analytical reading to provide the proper indexing of ideas so that they may be sub-categorized and used for deeper analysis for things such as comparison and contrast of those ideas.

https://www.amazon.com/Dream-Democratic-Culture-Mortimer-Intellectual/dp/0230337465

The Dream of a Democratic Culture: Mortimer J. Adler and the Great Books Idea (Palgrave Studies in Cultural and Intellectual History) by Tim Lacy

How to Read a Book. Los Angeles: KCET Los Angeles, 1975. https://www.youtube.com/watch?v=Y_rizr8bb0c.

13 part series including:<br /> - 01:33:02 Part 8: How to read Stories - 01:46:13 Part 9: What Makes a Story Good - 01:59:24 Part 10 How to Read a Poem - Shakespeare sonnet 116, "admit" definition - Wordsworth poem about London and nature - 02:12:49 Part 11: Activating Poetry and Plays - 02:26:09 Part 12: How to Read Two Books at the Same Time - 02:39:29 Part 13: The Pyramid of Books

2023-11-29: Since the original video was removed, one can also view the series at: https://www.youtube.com/playlist?list=PLPajsb520dyzNw9mHsZnrzi5w9N_amS7E

Mortimer Adler's name is an anagram of "Mr. Read More Lit".

via Richard Carter at https://boffosocko.com/2023/11/14/55819838/#comment-422743

How to Read (and Understand) Hard Books<br /> Jared Henderson https://www.youtube.com/watch?v=laXcJyx9xCc

A short overview of Adler and Van Doren's How to Read a Book

Not bad, though Henderson accidentally reads "syntopical" as "synoptical".

http://richardcarter.com/sidelines/a-good-reason-not-to-write-in-books/

That book annotating monster Adler indicated that if he read books second and subsequent times that he would generally purchase a new copy and mark it up afresh. Doublemonster!

See: How to Read a Book. Los Angeles: KCET Los Angeles, 1975. https://www.youtube.com/watch?v=Y_rizr8bb0c. It was one of the later episodes as I recall.

Some of the missing piece here is knowing a method for extracting and subsequently building. Without the recipe in hand, it's difficult to bake a complex cake.

Not mentioned here as something which may be missing, but which Adler & Van Doren identify as strength and ability to read at multiple levels including inspectionally, analytically, and ultimately syntopically.

To some extent, the knowledge of the method for excerpting and arranging will ultimately allow the interested lifelong learner the ability to read syntopically even if it isn't the sort of targeted exercise it might be within creating a thesis.

Amen!

Solitary reading [is] was almost as much a vice as solitary drinking. —Mortimer J. Adler, in Part 11: Activating Poetry and Plays

Annotations at: https://docdrop.org/video/Y_rizr8bb0c/

Mortimer Adler gave oral examinations at St. Johns in which he would often ask a student to restate the ideas of writers in their own words and then ask for a concrete example of that idea. Being able to do these two things is a solid way of indicating that one fully understands an idea.

Adler and Van Doren querying each other demonstrate this once or twice in the video.

related: - https://hypothes.is/a/rh1M5vdEEeut4pOOF7OYNA - https://hypothes.is/a/iV5MwjivEe23zyebtBagfw

Where does this method sit with respect to the Feynman Technique? Does this appear in the 1940 edition of Adler's book and thus predate it all?

Adler, Mortimer J., and Charles Van Doren. How to Read a Book. Revised and Updated edition. 1940. Reprint, New York: Simon & Schuster, 1972.

Progress

• Started reading on 2021-07-28 at 1:26 PM
• Read through chapter 6 on 2022-11-06 at 1:40 PM

Annotation URL: urn:x-pdf:47749dd5c860ea4a9b8749ab77a009da<br /> Annotation search

Jack Kerouac followed the general advice of Mortimer J. Adler to write notes into the endpapers of his books as evidenced by the endpapers of Volume IV of the 7th Year Course of The Great Books Foundation series with which Adler was closely associated.

Wills, Garry. “After 54 Great Books, 102 Great Ideas, Now—Count Them !—Three Revolutions.” The New York Times, June 13, 1971, sec. BR. https://www.nytimes.com/1971/06/13/archives/the-common-sense-of-politics-by-mortimer-j-adler-265-pp-new-york.html

It's not super obvious from the digitized context (text), but this review is in relation to The Common Sense of Politics (1971) by Mortimer J. Adler.

Wills criticizes Adler and his take in the book as well as the general enterprise of the Great Books of the Western World.

There seem to be interesting sparks here in the turn of the Republican party in the early 70s moving into the coming Reagan era.

How does the general idea of zeitgeist of the early 70's relate to the idea of "revolution"?

See also: Gil Scott-Heron's "The Revolution Will Not Be Televised" (1970)

Is the cohesive nature of Hutchins and Adler's enterprise for the humanities and the Great Conversation, part of the kernel of the rise of interdisciplinarity seen in the early 2000s onward in academia (and possibly industry).

Certainly large portions are the result of uber-specialization, particularly in spaces which have concatenated and have allowed people to specialize in multiple areas to create new combinatorial creative possibilities.

Barzun, Jacques. “The Great Books.” The Atlantic, December 1952. https://www.theatlantic.com/magazine/archive/1952/12/the-great-books/642341/.

Barzun heaps praise on Great Books of the Western World with some criticism of what it is also missing. He finds more than a few superlative words for the majesty of the Syntopicon.

reply to u/TheVoroscope at https://www.reddit.com/r/antinet/comments/va2s09/comment/jtwqhd7/?utm_source=reddit&utm_medium=web2x&context=3

u/TheVoroscope, the only things I've seen on it are the original and what you've written. I suspect anything current will be quite niche and would require searching in the areas of academic journal articles or at the level of graduate studies within the library sciences where you might find something. Simon Winchester had a section on the rise and downfall of the Encyclopedia Britannica in his most recent book Knowing What We Know (2023) which has a brief mention of the Propædia, but it was broadly described as a $32 million dollar bomb that ended the Encyclopedia. I would suspect that the last printings in 2010 and 2012 were probably the last more as a result of the rise of internet usage than they were the form and function of the Propædia itself though.

Robert Hutchins, former dean of Yale Law School (1927–1929), president (1929–1945) and chancellor (1945–1951) of the University of Chicago, closes his preface to his grand project with Mortimer J. Adler by giving pride of place to Adler's Syntopicon. It touches on the unreasonable value of building and maintaining a zettelkasten:

But I would do less than justice to Mr. Adler's achievement if I left the matter there. The Syntopicon is, in addition to all this, and in addition to being a monument to the industry, devotion, and intelligence of Mr. Adler and his staff, a step forward in the thought of the West. It indicates where we are: where the agreements and disagreements lie; where the problems are; where the work has to be done. It thus helps to keep us from wasting our time through misunderstanding and points to the issues that must be attacked. When the history of the intellectual life of this century is written, the Syntopicon will be regarded as one of the landmarks in it. —Robert M. Hutchins, p xxvi The Great Conversation: The Substance of a Liberal Education. 1952.

Adler's Syntopicon has been briefly discussed in the forum.zettelkasten.de space before. However it isn't just an index compiled into two books which were volumes 2 and 3 of The Great Books of the Western World, it's physically a topically indexed card index or a grand zettelkasten surveying Western culture. Its value to readers and users is immeasurable and it stands as a fascinating example of what a well-constructed card index might allow one to do even when they don't have their own yet. For those who have only seen the Syntopicon in book form, you might better appreciate pictures of it in slipbox form prior to being published as two books covering 2,428 pages:

Two page spread of Life Magazine article with the title "The 102 Great Ideas" featuring a photo of 26 people behind 102 card index boxes with categorized topical labels from "Angel" to "Will".

Mortimer J. Adler holding a pipe in his left hand and mouth posing in front of dozens of boxes of index cards with topic headwords including "law", "love", "life", "sin", "art", "democracy", "citizen", "fate", etc.

Adler spoke of practicing syntopical reading, but anyone who compiles their own card index (in either analog or digital form) will realize the ultimate value in creating their own syntopical writing or what Robert Hutchins calls participating in "The Great Conversation" across twenty-five centuries of documented human communication. Adler's version may not have had the internal structure of Luhmann's zettelkasten, but it definitely served similar sorts of purposes for those who worked on it and published from it.

References

• LIFE. “The 102 Great Ideas: Scholars Complete a Monumental Catalog.” January 26, 1948. https://books.google.com/books?id=p0gEAAAAMBAJ&pg=PA92&source=gbs_toc_r&cad=2#v=onepage&q&f=false. Google Books.
• Hutchins, Robert M. The Great Conversation: The Substance of a Liberal Education. Edited by Robert M. Hutchins and Mortimer J. Adler. 1st ed. Vol. 1. 54 vols. Great Books of the Western World. Chicago, IL: Encyclopedia Britannica, Inc., 1952.

syndication link: https://forum.zettelkasten.de/discussion/2623/mortimer-j-adlers-syntopicon-a-topically-arranged-collaborative-slipbox/

p xxvi

Hutchins closes his preface to his grand project with Mortimer J. Adler by giving pride of place to Adler's Syntopicon.

Adler's Syntopicon isn't just an index compiled into two books which were volumes 2 and 3 of The Great Books of the Western World, it's physically a topically indexed card index of data (a grand zettelkasten surveying Western culture if you will). It's value to readers and users is immeasurable and it stands as a fascinating example of what a well-constructed card index might allow one to do even when they don't have their own yet.

Adler spoke of practicing syntopical reading, but anyone who compiles their own card index (in either analog or digital form) will realize the ultimate value in creating their own syntopical writing or what Robert Hutchins calls participating in "The Great Conversation" across twenty-five centuries of documented human communication.

See also: https://hypothes.is/a/WF4THtUNEe2dZTdlQCbmXw

The way Hutchins presents the idea of "Adler's achievement" here seems to indicate that Hutchins didn't have a direct hand in compiling or working on it directly.

When will we get the civil disobedience version of Mortimer J. Adler's How to Mark a Book?

Center for the Study of the Great Ideas

the phrase "intellectual furniture" is sort of painful here...

also:

Full ownership of a book only comes when you have made it a part of yourself, and the best way to make yourself a part of it—which comes to the same thing—is by writing in it. —Adler, Mortimer J., and Charles Van Doren. How to Read a Book. Revised and Updated edition. 1940. Reprint, New York: Simon & Schuster, 1972.

They also suggest that due to the relative low cost of books, it's easier to justify writing in them, though they carve out an exception for the barbarism of scribbling in library books.

This broadly applies to both oral and literate societies.

Desire, ability, and need are all tough measures however... each one losing a portion of the population along the way.

How can we maintain high proportions across all these variables?

https://en.wikipedia.org/wiki/Christopher_Hill_(historian)

Christopher Hill's practice of creating indices of topics of interest to him in the end papers of his books is similar to that of Mortimer J. Adler who attested this practice as well.

For her online book clubs, Maggie Delano defines four broad types of notes as a template for users to have a common language: - terms - propositions (arguments, claims) - questions - sources (references which support the above three types)

I'm fairly sure in a separate context, I've heard that these were broadly lifted from her reading of Mortimer J. Adler's How to Read a book. (reference? an early session of Dan Allosso's Obsidian Book club?)

These become the backbone of breaking down a book and using them to have a conversation with the author.

http://www.greyroom.org/issues/60/20/the-dialectic-of-the-university-his-masters-voice/

“The Indexers pose with the file of Great Ideas. At sides stand editors [Mortimer] Adler (left) and [William] Gorman (right). Each file drawer contains index references to a Great Idea. In center are the works of the 71 authors which constitute the Great Books.” From “The 102 Great Ideas: Scholars Complete a Monumental Catalog,” Life 24, no. 4 (26 January 1948). Photo: George Skadding.

Photos from

"The 102 Great Ideas: Scholars Complete a Monumental Catalog," Life, 26 January 1948, 92–3.

Index cards for commonplacing?

I know that Robert Greene and Ryan Holiday have talked about their commonplace methods using index cards before, and Mortimer J. Adler et al. used index cards with commonplacing methods in their Great Books/Syntopicon project, but is anyone else using this method? Where or from whom did you learn/hear about using index cards? What benefits do you feel you're getting over a journal or notebook-based method? Mortimer J. Adler smoking a pipe amidst a sea of index cards in boxes with 102 topic labels (examples: Law, World, Love, Life, Being, Sin, Art, Citizen, Change, etc.)

This sounds similar to the variety of calls to do collaborative card indexes for scientific efforts, particularly those found in the fall of 1899 in the journal Science.

This is also very similar to Mortimer J. Adler et al's group collaboration to produce The Syntopicon as well as his work on Propædia and Encyclopædia Britannica.

link to: https://hypothes.is/a/nvWZnuApEeuKR--5AeBv8w

Deutsch's encyclopedia work here sounds similar to that of Mortimer J. Adler who used a card index in much the same way.

https://thevoroscope.com/2022/06/20/sum-total-human-knowledge-3/

https://occidental.substack.com/p/the-adlernet-guide-part-ii?sd=pf

Description of a note taking method for reading the Great Books: part commonplace, part zettelkasten.

I'm curious where she's ultimately placing the cards to know if the color coding means anything in the end other than simply differentiating the card "types" up front? (i.e. does it help to distinguish cards once potentially mixed up?)

Highlighted portion is a quote from Kuehn sub-quoting David Lodge, Deaf Sentence (New York: Viking 2008)

Ownership is certainly a factor here, but given how inexpensive many books are now, if you own it, why not mark it up? See also: Mortimer J. Adler's position on this.

Marking up library books is a barbarism; not marking up your own books is a worse sin.

https://occidental.substack.com/p/the-adlernet-guide-for-intelligent

https://github.com/sajjad2881/NewSyntopicon

Someone's creating a new digitally linked version of the Syntopicon as text files for Obsidian (and potentially other platforms). Looks like it's partial at best and will need a lot of editing work to become whole.

found by way of

Has anyone made a hypermedia rendition of the Syntopicon, i.e. with transcluded windows or "parallel pages" into the indexed texts?<br><br>Many of Adler's Great Books are public domain, so it wouldn't require *so* titanic a copyright issue… pic.twitter.com/UmWiyn5aBC

— Andy Matuschak (@andy_matuschak) August 17, 2022

https://occidental.substack.com/p/my-adler-antinet

Cross posted at https://www.reddit.com/r/antinet/comments/wromeb/the_antinet_as_an_aid_to_analytical_reading_a_la/<br /> with additional commentary.

https://medium.com/birds-with-teeth/classical-learnings-unicorn-the-syntopicon-729d5e159aca

Are some of the classic texts better than more advanced digested texts because they form the building blocks of our thought and society?

Are we training thinkers or doers?

Collections of papers for Mortimer J. Adler: - University of Chicago https://www.lib.uchicago.edu/e/scrc/findingaids/view.php?eadid=ICU.SPCL.ADLERM - https://www.lib.uchicago.edu/ead/rlg/ICU.SPCL.ADLERM.pdf (pdf copy) - Syracuse University https://library.syracuse.edu/digital/guides/a/adler_mj.htm - Harry Ransom Center https://norman.hrc.utexas.edu/fasearch/findingAid.cfm?eadid=00003 - Smithsonian https://www.aaa.si.edu/collections/surveys/chicago/university-chicago-library-special-collections-research-center/mortimer

None appear to have details about the card collection used for compiling the encyclopedia or Syntopicon.

Though if we roughly estimate this collection at 1000 cards per box with roughly 76 boxes potentially present, the 76,000 cards are still shy of Luhmann's collection. It'll take some hunting thigs down, but as Adler suggests that people write their notes in their books, which he would have likely done, then this collection isn't necessarily his own. I suspect, but don't yet have definitive proof, that it was created as a group effort for the 54-volume Great Books of the Western World and its two-volume index of great ideas, the Syntopicon.

See Bacon’s letter to Greville examined by Vernon Snow, ‘Francis Bacon’s Advice to Fulke Greville on Research Techniques’, Huntington Library Quarterly 23 (1960), 369–78, at 374

This is similar in tone but for slightly differing reasons to Mortimer J. Adler recommending against loaning one's annotated books to other users. (see: https://hypothes.is/a/6x75DnXBEeyUyEOjgj_zKg)

How to Mark a Book by Mortimer J. Adler, Ph.D. from The Saturday Review of Literature, July 6, 1941

https://stevenson.ucsc.edu/academics/stevenson-college-core-courses/how-to-mark-a-book-1.pdf

Interesting to note here that he suggests a scratch pad rather than index cards here given his own personal use of index cards.

Mortimer J. Adler's method of annotating a text.

He's primarily giving the author and their ideas all the power and importance here.

There is nothing, so far, about immediate progressive summarization. There's also little about the reuse of one's notes for analysis and future synthesis, which I find surprising.

Earlier in the essay he mentions picking the book up later to refresh one's memory, but there's nothing about linking the ideas from one book to another.

Killjoy!

-Mortimer J. Adler

https://luhmann.surge.sh/learning-how-to-read

Learning How to Read by Niklas Luhmann

Not as dense as Mortimer J. Adler's advice, but differentiates reading technical material versus poetry and novels. Moves to the topic of some of the value of note taking as a means of progressive summarization which may have implications for better remembering material.

This passage reminds me of a conversation on 2021-11-16 at Liquid Margins with Will T. Monroe (@willtmonroe) about using Sönke Ahrens' book Smart Notes and Hypothes.is as a structure for getting groups of people (compared to Ahrens' focus on a single person) to do collection, curation, and creation of open education resources (OER).

Here Jeffrey Todd Knight sounds like he's looking at it from the perspective of one (or maybe two) creators in conjunction (curator and binder/publisher) while I'm thinking about expanding behond

This sort of pattern can also be seen in Mortimer J. Adler's group zettelkasten used to create The Great Books of the Western World series as well in larger wiki-based efforts like Wikipedia, so it's not new, but the question is how a teacher (or other leader) can help to better organize a community of creators around making larger works from smaller pieces. Robin DeRosa's example of using OER in the classroom is another example, but there, the process sounded much more difficult and manual.

This is the sort of piece that Vannevar Bush completely missed as a mode of creation and research in his conceptualization of the Memex. Perhaps we need the "Inventiex" as a mode of larger group means of "inventio" using these methods in a digital setting?

Mortimer J. Adler, eat your heart out.

Book review (and cultural commentary) on Alex Beam's A Great Idea at the Time, (Public Affairs, 2008).

This is a painful burn by the writer Alex Beam.

Perhaps worth modifying for Donald J. Trump?

From the perspective of the American experiment and the evolution of democracy, Donald J. Trump was a dead white male who had the bad luck to still be alive."

Just the title "A Great Idea at the Time" makes me wonder if this project didn't help speed along the creation of the dullness of the humanities and thereby attempt to kill it?

What might they have done differently to better highlight the joy and fun of these works to have better encouraged it.

Too often reformers reform all the joy out of things.

https://ivankreilkamp.com/2008/11/19/mortimer-adlers-syntopicon/

Adler apparently kept a commonplace book in the form of a massive zettelkasten (and may have kept a more traditional commonplace book as well). I wonder if they detail any note taking details or advice here.

Reminded by Connor of Mortimer Adler's Syntopicon. I'm pretty sure I've got it in my list of encyclopedias growing out of the commonplace book tradition, but... just in case.

If I recall it was compiled using index cards, thus also placing it in the zettelkasten tradition.

(via Almay)

If you’re generalizing Zettelkasten to “All Non-Linear Knowledge Management Strategies” You should include Mortimer Adler and the Syntopicon, and John Locke’s guide to how to set up a commonplace book<br><br>This isn’t a game of calling “dibs”<br><br>it’s about 🧠👶shttps://t.co/sH3JO6d9Jq

— Conor White-Sullivan 𐃏🇸🇻 (@Conaw) July 8, 2021