- Aug 2024
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www.youtube.com www.youtube.com
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One of the most beautiful versions of the Internationale Song I have ever heard/seen
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- Dec 2023
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www.youtube.com www.youtube.com
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London Grammar - Nightcall (Live at Lowlands 2017) [YouTube]
site:: [[YouTube]] channel:: Magic Punk url:: https://www.youtube.com/watch?v=wkF9w86XXKU accessed:: 2023-12-09 17:20
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www.youtube.com www.youtube.com
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London Grammar - Sights [Official Video] - YouTube
site:: [[YouTube]] channel:: London Grammar url:: https://www.youtube.com/watch?v=UBxxEyVIdO4 accessed:: 2023-12-09 12:10
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en.wikipedia.org en.wikipedia.org
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London Grammar (2009-) - Wikipedia, English
site:: [[Wikipedia]] url:: https://en.wikipedia.org/wiki/London_Grammar accessed:: 2023-12-09 12:05
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- Nov 2023
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bjork.bandcamp.com bjork.bandcamp.com
- Oct 2023
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soundcloud.com soundcloud.comN.E.M.1
- Jul 2023
- Jun 2023
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soundcloud.com soundcloud.com
- May 2023
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soundcloud.com soundcloud.com
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- Mar 2023
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soundcloud.com soundcloud.comPeople1
- Feb 2023
- Jan 2023
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thesupermenlovers.bandcamp.com thesupermenlovers.bandcamp.com
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soundcloud.com soundcloud.com
- Nov 2022
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stackoverflow.com stackoverflow.com
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Check the "Auto-open DevTools for popups".
Without this feature, when a pop-up opens without DevTools open, if it redirects, it will be too late to open DevTools and see the redirect logged...
There is still a problem though: If the pop-up window closes, so does that DevTools. So you can't see logs or network logs (redierects) that happened right before it closed...
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- Oct 2022
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www.mixcloud.com www.mixcloud.com
- Aug 2022
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www.scientificamerican.com www.scientificamerican.com
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Hammond, J. W., Brownell, S. E., Kedharnath, N. A., Cheng, S. J., & Carson, B. (2021, September 23). Why the Term ‘JEDI’ Is Problematic for Describing Programs That Promote Justice, Equity, Diversity and Inclusion. Scientific American. https://www.scientificamerican.com/article/why-the-term-jedi-is-problematic-for-describing-programs-that-promote-justice-equity-diversity-and-inclusion/
Tags
- justice
- acronym
- is:blog
- diversity
- Star Wars
- STEMM
- social justice
- Jedi
- ethical focus
- lang:en
- inclusivity
- equity
- pop cultural association
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soundcloud.com soundcloud.com
- Jun 2022
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www.youtube.com www.youtube.com
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www.youtube.com www.youtube.com
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www.youtube.com www.youtube.com
- Jan 2022
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people.com people.com
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drive.google.com drive.google.com
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You don't absorb the ideas of John Dewey the way you absorb the crooning of Mr. Vallee.
Interesting juxtaposition of the height of academia and pop stardom of his day.
John Dewey (/ˈduːi/; October 20, 1859 – June 1, 1952) was an American philosopher, psychologist, and educational reformer whose ideas have been influential in education and social reform. He was one of the most prominent American scholars in the first half of the twentieth century. #
Hubert Prior Vallée (July 28, 1901[1] – July 3, 1986), known professionally as Rudy Vallée, was an American singer, musician, actor, and radio host. He was one of the first modern pop stars of the teen idol type. #
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- Jul 2021
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www.pmichaud.com www.pmichaud.com
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In the future, we recommend that toasters be sold in six-packs to accomodate important SPT research.
Definitely an important finding! :)
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- Apr 2021
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www.baldurbjarnason.com www.baldurbjarnason.com
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Binstock: You once referred to computing as pop culture. Kay: It is. Complete pop culture. I’m not against pop culture. Developed music, for instance, needs a pop culture. There’s a tendency to over-develop. Brahms and Dvorak needed gypsy music badly by the end of the nineteenth century. The big problem with our culture is that it’s being dominated, because the electronic media we have is so much better suited for transmitting pop-culture content than it is for high-culture content. I consider jazz to be a developed part of high culture. Anything that’s been worked on and developed and you [can] go to the next couple levels. Binstock: One thing about jazz aficionados is that they take deep pleasure in knowing the history of jazz. Kay: Yes! Classical music is like that, too. But pop culture holds a disdain for history. Pop culture is all about identity and feeling like you’re participating. It has nothing to do with cooperation, the past or the future—it’s living in the present. I think the same is true of most people who write code for money. They have no idea where [their culture came from]—and the Internet was done so well that most people think of it as a natural resource like the Pacific Ocean, rather than something that was man-made. When was the last time a technology with a scale like that was so error-free? The Web, in comparison, is a joke. The Web was done by amateurs.
This is a great definition of pop culture and a good contrast to high-culture.
Here's the link to the entire interview: https://link.springer.com/content/pdf/bbm%3A978-3-319-90008-7%2F1.pdf
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reallifemag.com reallifemag.com
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The Cuteness of the Avant-Garde
An excellent article exploring the origins of "Kawaii" (Japanese for "cute") style as manifested through modern artists in Japan such as Yoshitomo Nara and especially Takashi Murakami, whose aesthetic has won him high-profile collaborations with Kanye West (most notably the album cover of Graduation) and more recently Billie Eilish's video for "You should see me in a crown." The rising popularity of artists like Murakami, which dovetails with the ascendance of cutesy, non-threatening corporate design being discussed here illustrates how the patterns discussed in this article are both a product of and a reaction to a broader cultural trend of adult infantilization.
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- Feb 2021
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ux.stackexchange.com ux.stackexchange.com
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Popup - You don't need to deal with these messages right away, yet at some point you will need to take action since these won't go away until explicitly say say you don't want them around anymore.
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A pop-up is a modal view that can either take form as a pop-up menu or a pop-up dialog. To my understanding, when we use the word “pop-up”, what we want to express is the pop-up motion effect on the call-out of the UI treatment.
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- Jan 2021
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atomiks.github.io atomiks.github.io
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Popover is similar to tooltips; it is a pop-up box that appears when user click or hover on an element.
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- Aug 2020
- May 2020
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www.radiotimes.com www.radiotimes.com
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Human progress isn’t measured by industry. It’s measured by the value you place on a life. An unimportant life. A life without privilege. The boy who died on the river, that boy’s value is your value. That’s what defines an age, that’s… what defines a species.
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- Jul 2019
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bookbook.pubpub.org bookbook.pubpub.org
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Other types of annotation added to movies and television include subtitles that provide translation from one language to another.
There was also the broader annotation example in television of the 1990's show Pop Up Video innovated by VH1.
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- Feb 2019
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www.altx.com www.altx.com
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Avant-Pop artists welcome the new Electronic Age with open arms because we know that this will vastly increase our chances of finding an audience of like-minded individuals who we can communicate and collaborate with
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Writers who continue to support an outmoded concept of the lone writer dissociated from the various niche communities at their disposal will eventually lose touch with the nanosecond speed at which the movement-chemistry wanders and will find their own work and its individually-isolated movement decelerating into turtle-like oblivion
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Avant-Pop artists and their pirate signals promoting wild station identifications are ready to expand into your home right now, just log on, click around and find them. It's all up to YOU, the interactive Avant-Pop artist/participant.
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Soon the Data Superhighway will finally once and for all do away with the high-priced middlemen, and artists will reap the benefits of their own hard-earned labor. The distribution formula will radically change from Author - Agent - Publisher - Printer - Distributor - Retailer - Consumer to a more simplified and direct Author (Sender) - Interactive Participant (Receiver)
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The emerging wave of Avant-Pop artists now arriving on the scene find themselves caught in this struggle to rapidly transform our sick, commodity-infested workaday culture into a more sensual, trippy, exotic and networked Avant-Pop experience. One way to achieve this would be by creating and expanding niche communities. Niche communities, many of which already exist through the zine scene, will become, by virtue of the convergent electronic environments, virtual communities. By actively engaging themselves in the continuous exchange and proliferation of collectively-generated electronic publications, individually- designed creative works, manifestos, live on-line readings, multi- media interactive hypertexts, conferences, etc., Avant-Pop artists and the alternative networks they are part of will eat away at the conventional relics of a bygone era where the individual artist- author creates their beautifully-crafted, original works of art to be consumed primarily by the elitist art-world and their business- cronies who pass judgement on what is appropriate and what is not.
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Avant-Pop artists wear each other's experiential data like waves of chaotic energy
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The main tenet that will evolve for the Avant-Pop movement is: I, whoever that is, am always interacting with data created by the Collective You, whoever that is, and by interacting with and supplementing the Collective You, will find meaning.
Main tenet/Thesis of Avant-Pop
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Creating a work of art will depend more and more on the ability of the artist to select, organize and present the bits of raw data we have at our disposal
The Artist-Researcher paradigm
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By sucking on the contaminated bosom of mainstream culture, Avant-Pop artists are turning into Mutant Fictioneers, it's true, but our goal is and always has been to face up to our monster deformation and to find wild and adventurous ways to love it for what it is
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the artists who create Avant-Pop art are the Children of Mass Media (even more than being the children of their parents who have much less influence over them)
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something else is starting to take hold in the cultural imagination
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- Nov 2018
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www.plattentests.de www.plattentests.de
- Aug 2018
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pop.system76.com pop.system76.com
- Feb 2018
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scholarworks.lib.csusb.edu scholarworks.lib.csusb.edu
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lthough less obviously ‘difficult’ than The Waste Land, Moulin Rouge!makes effective use of the dense layering effect allusion allows.This complex layering is put into the service of a simple, melodramatic love story, rather than a meditation on the spiritual aridity of modern life. Moulin Rouge!’s innocent, sentimental celebration of love could, in fact, be read as Luhrmann’s response the kind of dislocation Eliot portrays in The Waste Land.
I really find this argument fascinating. The "less obviously difficult" perspective as it relates to many works that have been in-part inspired by The Waste Land. I like the idea of nuanced allusion, you don't necessarily need to know all the allusion to understand the storyline. This manifests itself well in works with more plot-based writing. The novel or cinema might be better at achieving the "less obviously difficult" allusion because it has a strong narrative already. The allusion comes alongside of it, or in the case of Moulin Rouge, the allusions are a part of the pop culture the audience is already familiar with.
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- Aug 2017
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www.laut.de www.laut.de
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www.hooked-on-music.de www.hooked-on-music.de
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www.musikexpress.de www.musikexpress.de
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www.plattentests.de www.plattentests.de
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www.musikexpress.de www.musikexpress.de
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www.plattentests.de www.plattentests.de
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www.plattentests.de www.plattentests.de
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www.musikexpress.de www.musikexpress.de
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- Jul 2017
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www.zeit.de www.zeit.de
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Faber: Sei ein Faber im Wind
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www.musikexpress.de www.musikexpress.de
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www.musikexpress.de www.musikexpress.de
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www.musikexpress.de www.musikexpress.de
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www.musikexpress.de www.musikexpress.de
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www.musikexpress.de www.musikexpress.de
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www.musikexpress.de www.musikexpress.de
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Sufjan Stevens, Nico Muhly, Bryce Dessner, James McAlister: Planetarium [ooo]
VÖ: 9.6.2017
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www.musikexpress.de www.musikexpress.de
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www.musikexpress.de www.musikexpress.de
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www.musikexpress.de www.musikexpress.de
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www.musikexpress.de www.musikexpress.de
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www.musikexpress.de www.musikexpress.de
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www.musikexpress.de www.musikexpress.de
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www.musikexpress.de www.musikexpress.de
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www.musikexpress.de www.musikexpress.de
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www.musikexpress.de www.musikexpress.de
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www.musikexpress.de www.musikexpress.de
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www.musikexpress.de www.musikexpress.de
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www.musikexpress.de www.musikexpress.de
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www.offiziellecharts.de www.offiziellecharts.de
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- Jun 2017
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www.offiziellecharts.de www.offiziellecharts.de
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Santiano: Von Liebe, Tod und Freiheit [o]
VÖ: 29.5.2015
Charts: 103 Wochen Charts 2016: Platz 28 Charts 2015: Platz 6
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www.offiziellecharts.de www.offiziellecharts.de
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Söhne Mannheims: MannHeim [o]
VÖ: 21.4.2017
Charts: 8 Wochen
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www.offiziellecharts.de www.offiziellecharts.de
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Lena: Crystal Sky
VÖ: 15.5.2015
Charts: 18 Wochen
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www.offiziellecharts.de www.offiziellecharts.de
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www.offiziellecharts.de www.offiziellecharts.de
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www.offiziellecharts.de www.offiziellecharts.de
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www.offiziellecharts.de www.offiziellecharts.de
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www.offiziellecharts.de www.offiziellecharts.de
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www.offiziellecharts.de www.offiziellecharts.de
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www.offiziellecharts.de www.offiziellecharts.de
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Phil Collins: Singles
VÖ: 14.10.2016
Charts seit: 21.10.2016 / Charts 2016: Platz 79
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www.offiziellecharts.de www.offiziellecharts.de
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OST: Fifty Shades Darker (Fifty Shades Of Grey 2: Gefährliche Liebe"
VÖ: 10.2.2017
Charts seit: 17.2.2017
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www.offiziellecharts.de www.offiziellecharts.de
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Glashaus: Kraft
VÖ: 28.4.2017
Charts seit: 5.5.2017
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www.offiziellecharts.de www.offiziellecharts.de
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Lindsey Buckingham / Christine McVie: Lindsey Buckingham / Christine McVie
VÖ: 9.6.2017
Charts seit: 16.6.2017
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www.offiziellecharts.de www.offiziellecharts.de
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Katy Perry: Witness
VÖ: 9.6.2017
Charts seit 16.6.2017
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www.offiziellecharts.de www.offiziellecharts.de
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London Grammar: Truth Is A Beautiful Thing
VÖ: 9.6.2017
Charts seit 16.6.2017
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www.offiziellecharts.de www.offiziellecharts.de
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Falco: Falco 60
VÖ: 17.2.2017
Charts: 15 Wochen
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www.offiziellecharts.de www.offiziellecharts.de
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www.offiziellecharts.de www.offiziellecharts.de
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Sarah Connor: Muttersprache [ooooo]
VÖ: 22.5.2015
Charts: 106 Wochen / 2016: Platz 7 / 2015: Platz 3
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www.offiziellecharts.de www.offiziellecharts.de
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Silbermond: Alles auf Anfang 2014–2004
VÖ: 7.11.2014
Charts: 17 Wochen
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www.offiziellecharts.de www.offiziellecharts.de
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www.offiziellecharts.de www.offiziellecharts.de
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www.offiziellecharts.de www.offiziellecharts.de
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www.offiziellecharts.de www.offiziellecharts.de
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www.offiziellecharts.de www.offiziellecharts.de
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www.offiziellecharts.de www.offiziellecharts.de
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www.offiziellecharts.de www.offiziellecharts.de
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Dan Auerbach: Waiting On A Song
VÖ: 2.6.2017
Charts: 1 Woche
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www.soultrainonline.de www.soultrainonline.de
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www.soultrainonline.de www.soultrainonline.de
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www.soultrainonline.de www.soultrainonline.de
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www.soultrainonline.de www.soultrainonline.de
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- Feb 2017
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static1.squarespace.com static1.squarespace.com
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They arc deeply immersed in illusions and in dream images; their eyes merely glide over the surface of things and sec "forms." Their senses nowhere lead to truth; on the contrary, they are content to receive stimuli and, as it were, lo en-gage in a groping game on the backs of things. Moreover, man permits himself to be deceived in f I his dreams every night of his life.
So much of this piece reminds me of the films of David Lynch, specifically Mulholland Drive. Much as Nietzsche is fascinated by language as a sign of something rather than something in itself, Mulholland Drive is a film that is more interested in exploring the vapid nature of cinema and the nothingness of film. Throughout the film, Lynch pulls the rug out from under his audience repeatedly, bluntly drawing attention to the fact that film is only the representation of genuine experience or emotion, leaving viewers alone with the nothingness that film actually is. Everything in Mulholland Drive is a "surface of things" (as Nietzsche would put it) rather than an actual thing. The best example of this is the "Club Silencio" scene in which the club's emcee repeatedly yells "No Hay Banda." However, when a number of musicians emerge on stage immediately after this proclamation, viewers still are surprised when these acts are revealed to be nothing but hollow, fraudulent performances, merely a "surface of things."
The deception of dreams that Nietzsche touches on here is also another central theme of Mulholland Drive as Lynch explores the disorientation and terror of nightmares.
The moral of this annotation is Mulholland Drive is a brilliant film that you absolutely must watch.
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tropes "are considered to be the most artistic means of rhetoric.
Nietzsche's use of "trope" here is interesting; the positive connotation is certainly distinctive from the negative connotation that the word has in our 2017 society. However, his high praise of tropes is fascinating and relevant, and though it is probably only tangentially related, it reminds me of this article from io9 which discusses how tropes in science fiction films ought to be viewed as positive artistic devices instead of negative ones:
"Even when a movie gleefully steals from everything it can get its grubby mitts on, as in the case of James Cameron's Avatar, that doesn't necessarily make it any less of an "original" story. Cameron may have admitted Avatar is basically Dances With Wolves in space, but he still came up with a cool new world (including the telepathic fiber-optic connection between people and creatures) and the neat plot device of a human occupying a genetically engineered alien body. Plus there was still no existing Avatar fanbase saying "if it doesn't have the big red dragon, I'm rioting."
Avatar is terrible, but not because of its use of tropes.
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- Dec 2016
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sites.google.com sites.google.com
- Jun 2016
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www.ethanzuckerman.com www.ethanzuckerman.com
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Those annoying pop-up windows? My fault, at least in part. I designed a vertically-oriented popup window that included navigation tools and an ad for inclusion on webpages at some point in late 1996 or early 1997. It was intended to be less intrusive than inserting an ad into the middle of a user’s homepage. I won’t claim responsibility (irresponsibility?) for inventing the damned things, and I disclaim any responsibility for cascading popups, popups that move to the top, and those annoying “bot” windows that open different popups every few minutes. Still, the fault is at least in part mine, and I’m sorry. :-)
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- Oct 2015
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www.theguardian.com www.theguardian.com
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Pop was an ethos more than a movement, and it morphed as it migrated across borders and oceans. But nowhere was it more engaged than in Brazil, where artists opposed both American hegemony and their own country’s military regime.
In the mid-twentieth century, Brazilian pop artists protested military rule, American neocolonialism and political censorship through vivid, nationalistic works of art.
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