Lyria Generate high fidelity music and audio
This points to the model's specialized audio generation. To apply this, provide specific prompts that reference musical genres, instruments, tempo, and mood to guide the creation of high-fidelity audio outputs.
Imagen Generate high-quality images from text
This underscores the importance of detailed language for visual generation. To apply this, use rich, evocative language in your prompts, specifying lighting, composition, style, and subject details to achieve the desired image quality.
Veo Generate cinematic video with audio
This highlights the model's advanced creative capabilities. To apply this, be highly descriptive in your prompts, specifying mood, shot type, pacing, and audio cues to guide the model towards producing a specific cinematic result.
Some linguists would argue that there’s no point fighting against slips like that—that language is forever unfixed and deviations should simply be observed and even appreciated—or that it’s silliness to tell people to follow rules that are as arbitrary as the meaning assigned to a certain jumble of letters. But Garner is not one of them.
Note that dictionaries document the (current, at the time of going to press) usage of language, they aren't authoritative. 'Correct' is what is in common usage and largely understood to be correct, even if that contradicts a dictionary (in which case the dictionary is probably out-of-date).
Who says it's not a word? Not a word, simply because lexicographers have not recognized it? When a lexicographer recognizes it, it has already been in use! Even Mr. Fiske says it is a word, although he obviously disprefers it.
by the time a lexicographer recognizes it, it has already been in use
I have become a dyed in the wool descriptionist because of Language Log, and have been known to cite entries here in battle against of the prescriptionistas of the Axis of Evil within the blogosphere.
Linguistic description is often contrasted with linguistic prescription
I guess her own self-description that it doesn’t actually matter where she stops, that the important thing in the making of the painting is the making and destroying and making and destroying, that that’s actually what the whole thing is about.
This session had me in a panic: how do we put descriptive metatata on this? Where would we draw the line between different representations of the work? Which representation becomes the featured one…the one the artist picked as a point on the timeline of creation, the one the describer picked for an aesthetic reason, one one that broke through in the public consciousness?
In WhatsApp, members of a group must trust the serviceto correctly identify the member who authored an utterance, and utterances forwarded from onegroup to another have no credible attribution or context
^
The subdirectories in app have a name that describes their contents, but app/lib means nothing. So, app/models and app/lib are at different level of abstraction, and that feels wrong to me.
usage is also, however, a concern for the prescriptive tradition, for which "correctness" is a matter of arbitrating style
In the descriptive tradition of language analysis, by way of contrast, "correct" tends to mean functionally adequate for the purposes of the speaker or writer using it, and adequately idiomatic to be accepted by the listener or reader
Jest provides useful matchers like toHaveLength or toBeUndefined to make your tests more readable and to produce more understandable error messages.
Moehring, A. V., Collis, A., Garimella, K., Rahimian, M., Aral, S., & Eckles, D. (2021, February 8). Surfacing norms to increase vaccine acceptance. https://doi.org/10.31234/osf.io/srv6t
Self-concept also differs from self-esteem: self-concept is a cognitive or descriptive component of one's self (e.g. "I am a fast runner"), while self-esteem is evaluative and opinionated (e.g. "I feel good about being a fast runner").
Chārudatta. [Enters and looks about.] How wonderfully splendid is the court-room. For it seems an ocean, Whose waters are the king’s advisers, deep In thought; as waves and shells it seems to keep The attorneys; and as sharks and crocodiles It has its spies that stand in waiting files; Its elephants and horses represent The cruel ocean-fish on murder bent; As if with herons of the sea, it shines With screaming pettifoggers’ numerous lines; While in the guise of serpents, scribes are creeping Upon its statecraft-trodden shore: the court The likeness of an ocean still is keeping, To which all harmful-cruel beasts resort.14
This line describing the courtrom when Charudatta looks around answered my question about Sanskrit theatre from our My Favorite Things post. I was curious how the characters set the scene when this type of theatre uses no scenery. The character enters the scene and describes in great detail the setting to better paint a picture for the audience. I love how it is done specifically in similies and metaphors in this little monologue.
remaining: 0, callbacks: [] r: 0, // remaining outros c: [], // callbacks p: outros // parent group
Ugh. Why did he change this?
Similar question here: https://hyp.is/kayb_AN1EeuCb5OkL5-Yqg/github.com/sveltejs/svelte/pull/3209
Answer here: https://github.com/sveltejs/svelte/pull/3209
enhancers
Zhou, T., Nguyen, T. T., Zhong, J., & Liu, J. (2020). A COVID-19 descriptive study of life after lockdown in Wuhan, China [Preprint]. PsyArXiv. https://doi.org/10.31234/osf.io/ygae5
Malik, S. (2020). Knowledge of COVID-19 Symptoms and Prevention among Pakistani Adults: A Cross-sectional Descriptive Study [Preprint]. PsyArXiv. https://doi.org/10.31234/osf.io/wakmz
Cuskley, C., & Wallenberg, J. (2020, May 14). Noise resistance in communication: Quantifying uniformity and optimality. https://doi.org/10.31234/osf.io/wpvq4
Prinzing, M., De Freitas, J., & Fredrickson, B. (2020). The lay concept of a meaningful life: The role of subjective and objective factors in attributions of meaning [Preprint]. PsyArXiv. https://doi.org/10.31234/osf.io/6sx4t
Olapegba, P. O., Ayandele, O., Kolawole, S. O., Oguntayo, R., Gandi, J. C., Dangiwa, A. L., … Iorfa, S. K. (2020, April 12). COVID-19 Knowledge and Perceptions in Nigeria. https://doi.org/10.31234/osf.io/j356x
Descriptive Statistic
R provides a wide range of functions for obtaining summary statistics. One method of obtaining descriptive statistics is to use the sapply( ) function with a specified summary statistic.
This was a descriptive study based on the analysis of a literature database.
Akan lebih baik bila dirinci kembali tahapannya, agar terbuka peluang lebih besar bagi pembaca untuk berkontribusi memperkaya artikel ini. Saat ini isu reproducibility merebak luas secara internasional.
ocial networks is relational data
This is different than traditional social science which focuses on independent and dependent variables. For SNA, all data is related to all other data; no variables are mutually exclusive. This is why SNA is fundamentally descriptive.
interaction of two actors.
Excellent! Therefore SNA requires three points of data--Node A, Node B and the link between them. There is no dependent and independent variable. The means there is no inferential or predictive questions. Questions are more descriptive and comparative.
contort
It is this contortion that will make it hard to ask SNA driven research questions. You must think about describing patterns rather than making predictions.
individuals, groups, or systems.
This perspective of looking at individuals in categories is the foundation of statistics--two variables that are mutually exclusive and the goal is to see if they relate in any way. SNA is very different--all variables are related and dependent. That is why SNA is descriptive--can't do predictive without mutually exclusive variables.
I wanted all of it—the palm trees, the yachts bobbing beside the hard-currency mansions, the concrete-and-glass condominiums preening at their own reflections in the azure pool water below, the implicit availability of relations with amoral women.
And to understand that about which they speak?
I wouldn't go that far. I'm more inclined to believe that rhetoric enables men to speak, and to give everyone else listening the impression the speaker understands that about which they speak.
Maybe they do understand, but this understanding shouldn't be a prerequisite. An added incentive, as it were.
For one body many bodies of men came together, men greatly purposing great things, of whom some possessed great wealth, some the glory of ancient and noble lineage, some the vigor of personal strength, and others the power of acquired cleverness.